標(biāo)題: Titlebook: Hinduism and Hindi Theater; Diana Dimitrova Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Hinduism.Hindi theatre.Hindi.Hi [打印本頁(yè)] 作者: Eschew 時(shí)間: 2025-3-21 18:34
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書(shū)目名稱(chēng)Hinduism and Hindi Theater讀者反饋
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作者: 合群 時(shí)間: 2025-3-21 23:20
epresentative works of seven influential playwrights and looks into the ways they have imagined and re-imagined ?Hindu traditions. Diana Dimitrova examines the intersections of Hinduism and Hindi theatre, emphasizing the important role that both myth and discourse play in the representation of Hindu作者: cuticle 時(shí)間: 2025-3-22 02:08
Rethinking Hinduism, Mythologizing, and Otherism,ajor theories of myth, discourse, and the concept of the “other” and will then proceed to discuss the links between myth, ideology, and discourse and the way Hinduism has been informing Hindi theatre by means of mythologizing and otherism.作者: Consensus 時(shí)間: 2025-3-22 06:53 作者: expound 時(shí)間: 2025-3-22 09:20
Introduction,t we can discern? Why are the ancient myths relevant to the contemporary and modernist agenda of the playwrights? What are the ideological implications of the interpretative discourses and how are they informed by the power structures of society?作者: Polydipsia 時(shí)間: 2025-3-22 15:05 作者: 相互影響 時(shí)間: 2025-3-22 18:24 作者: Alveolar-Bone 時(shí)間: 2025-3-23 01:01
Diana Dimitrovarmine the main problems of the digital economy and show that industrial companies - as a subject of the digital economy – could provide a mechanism of managing the eco-system and, as a result, the negative factors – a mechanism of developing a strategy of sustainable development of companies. The pu作者: ABYSS 時(shí)間: 2025-3-23 02:38 作者: SSRIS 時(shí)間: 2025-3-23 08:52 作者: Immortal 時(shí)間: 2025-3-23 13:35 作者: 涂掉 時(shí)間: 2025-3-23 15:45
ata- processing systems of all kinds, no matter whether human, (other) animal, or machine. Its scope is intended to span the full range of interests from classical problems in the philosophy of mind and philosophical psycholo- gy through issues in cognitive psychology and sociobiology (concerning th作者: 的是兄弟 時(shí)間: 2025-3-23 19:59
Introduction,e works of seven influential playwrights and inquires into the way they have “imagined” and “reimagined” Hindu tradition. The major questions that I seek to answer are: What are the Hindu myths that the authors have appropriated and reworked in their plays and what are the ideological discourses tha作者: 欲望小妹 時(shí)間: 2025-3-24 01:31
Rethinking Hinduism, Mythologizing, and Otherism, Hindu traditions by taking into account the intrinsic links between religion, theatre, myth, and discourse. I will first present an overview of the major theories of myth, discourse, and the concept of the “other” and will then proceed to discuss the links between myth, ideology, and discourse and 作者: 運(yùn)氣 時(shí)間: 2025-3-24 04:40 作者: consent 時(shí)間: 2025-3-24 09:31 作者: Fulsome 時(shí)間: 2025-3-24 14:20 作者: 有雜色 時(shí)間: 2025-3-24 17:46
Diana Dimitrovan, and development of artificial intelligence. Given the multidisciplinary nature of its content, the book will appeal to a broad target audience, including those 978-3-030-39318-2978-3-030-39319-9Series ISSN 2194-5357 Series E-ISSN 2194-5365 作者: 文藝 時(shí)間: 2025-3-24 22:37
Diana Dimitrova of Newell and Simon and finds its culmination in the computational conception of lan- guage and mentality. The "standard conception" represented by these views978-0-7923-0548-4978-94-009-1900-6Series ISSN 0924-0780 作者: 有幫助 時(shí)間: 2025-3-25 02:18 作者: 我說(shuō)不重要 時(shí)間: 2025-3-25 04:19
Book 2016peaking authors who deal with issues implicit to the Muslim or Sikh or Jain, etc. traditions. This prompts her to suggest that Hindi theatre of the period 1880-1960, as represented in the works of the seven dramatists discussed, should be seen as truly ‘Hindu-Hindi’ theatre.?作者: assail 時(shí)間: 2025-3-25 10:26 作者: athlete’s-foot 時(shí)間: 2025-3-25 12:01 作者: DAFT 時(shí)間: 2025-3-25 18:20 作者: 深淵 時(shí)間: 2025-3-25 22:29
Diana Dimitrovahe nature of thought, precisely because all thinking is computational. This paradigm draws its inspiration from the symbol-system hypothesis of Newell and Simon and finds its culmination in the computational conception of lan- guage and mentality. The "standard conception" represented by these views作者: 光滑 時(shí)間: 2025-3-26 01:00
Diana Dimitrovahe nature of thought, precisely because all thinking is computational. This paradigm draws its inspiration from the symbol-system hypothesis of Newell and Simon and finds its culmination in the computational conception of lan- guage and mentality. The "standard conception" represented by these views作者: 享樂(lè)主義者 時(shí)間: 2025-3-26 05:10
Revisiting Hindi Theatre: Inventing Tradition,formed by elements from multiple public discourses and ideologies, such as Hindu pride and Hindu nationalism, Hindi language nationalism, the ideology of the Hindu–Muslim divide, Urdu–Hindi Progressivism, the Western dramatic tradition, and the Hindu reform movements. I also emphasize the importance作者: Admire 時(shí)間: 2025-3-26 12:21 作者: 天文臺(tái) 時(shí)間: 2025-3-26 14:51
978-1-349-95597-8The Editor(s) (if applicable) and The Author(s) 2016作者: Prostatism 時(shí)間: 2025-3-26 20:28
Hinduism, Nationalism, and ,: Mythologizing and Othering the Religious Other,80–1960. I will focus on the inner and outer “others.” The analysis of the inner “others” is intrinsically related to the interpretation of . (dharma, or moral and religious duty related to . or class, caste, and ., or social stage in life) in the plays.作者: 極大痛苦 時(shí)間: 2025-3-26 21:05
https://doi.org/10.1057/978-1-137-59923-0Hinduism; Hindi theatre; Hindi; Hindi literature; South Asia; South Asian studies; South Asian religious t作者: 起來(lái)了 時(shí)間: 2025-3-27 02:02 作者: Decongestant 時(shí)間: 2025-3-27 08:53 作者: 用手捏 時(shí)間: 2025-3-27 09:49 作者: backdrop 時(shí)間: 2025-3-27 16:33
978-3-531-14756-7VS Verlag für Sozialwissenschaften | Springer Fachmedien Wiesbaden GmbH, Wiesbaden 2006作者: Kindle 時(shí)間: 2025-3-27 18:46
