標(biāo)題: Titlebook: Hildegard of Bingen’s Unknown Language; An Edition, Translat Sarah L. Higley Book 2007 Sarah L. Higley 2007 Berlin.edition.English.gender.m [打印本頁] 作者: 不要提吃飯 時(shí)間: 2025-3-21 19:07
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書目名稱Hildegard of Bingen’s Unknown Language讀者反饋學(xué)科排名
作者: 紋章 時(shí)間: 2025-3-21 21:55
An Unknown Language by a Visionary Womanular and scholarly world, although her “Unknown Language” might. Born the tenth child to the nobleman Hildebert and his wife Mechtilde in Bermersheim, she was given when eight years old into the keeping of Jutta of Sponheim, her mentor, with whom she was enclosed five years later in the Benedictine 作者: 吸引人的花招 時(shí)間: 2025-3-22 02:19 作者: 真實(shí)的你 時(shí)間: 2025-3-22 06:42
Fifteenth- to Nineteenth-Century Language Inventionsy the ynkhorn writers testifies to the success of the printing press in making closeted pursuits more available to readers. The rest of this book must include medium in its discussion of glossopoeia— whether chirographic, printed, seen in a shewstone, written in a memoir, induced in a séance and rec作者: Ceramic 時(shí)間: 2025-3-22 09:56
Play and Aesthetic in Contemporary Language Inventionve made it all up.” . This chapter examines the twentieth-century language inventors who are not only undaunted by “the fatigue of forming a whole language,” but are women and men of prodigious parts who describe countries, contrive religions and laws, and invent languages and letters—for fun. I wil作者: 劇毒 時(shí)間: 2025-3-22 13:27
Manuscript Informationr referred to as the WUS for their W?rterbuch.. Wilhelm Grimm has given us tentative glosses for the German words in the Riesencodex only,. and F.W.E. Roth and Elias Steinmeyer provide editions of both texts.. But the English-speaking world also needs access to the . in its two extant recensions, es作者: 免除責(zé)任 時(shí)間: 2025-3-22 20:20
The Riesencodex , with Additions from the Berlin MS the order in which they appear in the Riesencodex. 1 have written out the Latin abbreviations and the superscripted “o” and “v” over some of the German words in both texts. Since 1 privilege the Riesencodex, and it gives Latin translations two thirds of the time, 1 put all Latin glosses of Hildegar作者: 儀式 時(shí)間: 2025-3-22 22:33 作者: 清晰 時(shí)間: 2025-3-23 04:43 作者: STENT 時(shí)間: 2025-3-23 05:32
Sarah L. Higleyrt, music, 3D environments, design, and games; for computer Emotions, creativity, aesthetics, artistic behavior, divergent thoughts, and curiosity are both fundamental to the human experience and instrumental in the development of human-centered artificial intelligence systems that can relate, commu作者: incarcerate 時(shí)間: 2025-3-23 12:30
Sarah L. Higleyrt, music, 3D environments, design, and games; for computer Emotions, creativity, aesthetics, artistic behavior, divergent thoughts, and curiosity are both fundamental to the human experience and instrumental in the development of human-centered artificial intelligence systems that can relate, commu作者: oxidize 時(shí)間: 2025-3-23 16:10 作者: paroxysm 時(shí)間: 2025-3-23 21:57 作者: 不能約 時(shí)間: 2025-3-23 22:45 作者: HAIL 時(shí)間: 2025-3-24 05:58
Sarah L. Higleyrt, music, 3D environments, design, and games; for computer Emotions, creativity, aesthetics, artistic behavior, divergent thoughts, and curiosity are both fundamental to the human experience and instrumental in the development of human-centered artificial intelligence systems that can relate, commu作者: 細(xì)微差別 時(shí)間: 2025-3-24 10:18
Sarah L. Higleyrt, music, 3D environments, design, and games; for computer Emotions, creativity, aesthetics, artistic behavior, divergent thoughts, and curiosity are both fundamental to the human experience and instrumental in the development of human-centered artificial intelligence systems that can relate, commu作者: 喧鬧 時(shí)間: 2025-3-24 11:43
rt, music, 3D environments, design, and games; for computer Emotions, creativity, aesthetics, artistic behavior, divergent thoughts, and curiosity are both fundamental to the human experience and instrumental in the development of human-centered artificial intelligence systems that can relate, commu作者: Apraxia 時(shí)間: 2025-3-24 16:36 作者: –FER 時(shí)間: 2025-3-24 19:25
Sarah L. Higleyrt, music, 3D environments, design, and games; for computer Emotions, creativity, aesthetics, artistic behavior, divergent thoughts, and curiosity are both fundamental to the human experience and instrumental in the development of human-centered artificial intelligence systems that can relate, commu作者: 長處 時(shí)間: 2025-3-24 23:19 作者: Heresy 時(shí)間: 2025-3-25 06:43
rt, music, 3D environments, design, and games; for computer Emotions, creativity, aesthetics, artistic behavior, divergent thoughts, and curiosity are both fundamental to the human experience and instrumental in the development of human-centered artificial intelligence systems that can relate, commu作者: 橡子 時(shí)間: 2025-3-25 08:42 作者: 范例 時(shí)間: 2025-3-25 15:30
Hildegard of Bingen’s Unknown Language978-0-230-61005-7Series ISSN 2945-5936 Series E-ISSN 2945-5944 作者: FEIGN 時(shí)間: 2025-3-25 17:17 作者: Temporal-Lobe 時(shí)間: 2025-3-25 20:51 作者: CHOIR 時(shí)間: 2025-3-26 01:35 作者: 偽證 時(shí)間: 2025-3-26 05:14
Greening Language: Hildegard’s Monastery Gardenas anyone observed that Hildegard’s Lingua is beautiful? It seems a point that calls out for emphasis. Not only is she erecting a beautiful building, a lexical monastery, she is growing a garden of new words, exhibiting the spirit of her “greenness.” Speaking of green, then, I turn at this point to Hildegard’s trees.作者: dragon 時(shí)間: 2025-3-26 11:40
Hildegard’s Lingua AlphabetizedThe Latin and German glosses following each of Hildegard’s invented words are from the Riesencodex only. The column to the right indicates the generic divisions indicated by my taxonomy (pp. 157–158).作者: Conduit 時(shí)間: 2025-3-26 14:24 作者: 逢迎春日 時(shí)間: 2025-3-26 19:22 作者: Mutter 時(shí)間: 2025-3-26 21:01
The Riesencodex , with Additions from the Berlin MSr a little over half the text, but when B infrequently adds a Latin gloss that is missing in R, 1 put the B gloss first to maintain my Latin-first rule. Very infrequently, R will give both a Latin and a German gloss, in which case 1 indicate both with an “R.” In some instances it is difificult to tell what is authentically Latin or German.作者: Inexorable 時(shí)間: 2025-3-27 03:18
2945-5936 new expression of the things of her world. Noting her visionary metaphors, her music, and various medieval linguistic philosophies, Higley examines how the "Unknown Language" makes arid signifiers green again. This text, however, is too often seen in too narrow a context: glossolalia, angelic langua作者: RENAL 時(shí)間: 2025-3-27 09:20
Glossolalia and Glossographiawith a discussion of the Montanists of the second century, a group of mystics known for their cultivation of ecstatic and trance states, who were eventually looked upon with suspicion by the early Church.作者: 頌揚(yáng)本人 時(shí)間: 2025-3-27 09:33 作者: PALSY 時(shí)間: 2025-3-27 15:15 作者: 加劇 時(shí)間: 2025-3-27 18:24 作者: helper-T-cells 時(shí)間: 2025-3-27 23:34 作者: WITH 時(shí)間: 2025-3-28 04:08
l be valuable for researchers, creatives, and others engaged with the relationship between artificial intelligence and the arts..978-3-030-59477-0978-3-030-59475-6Series ISSN 2509-6575 Series E-ISSN 2509-6583 作者: STALE 時(shí)間: 2025-3-28 09:42
Sarah L. Higleyl be valuable for researchers, creatives, and others engaged with the relationship between artificial intelligence and the arts..978-3-030-59477-0978-3-030-59475-6Series ISSN 2509-6575 Series E-ISSN 2509-6583 作者: 殘酷的地方 時(shí)間: 2025-3-28 12:34
Sarah L. Higleyl be valuable for researchers, creatives, and others engaged with the relationship between artificial intelligence and the arts..978-3-030-59477-0978-3-030-59475-6Series ISSN 2509-6575 Series E-ISSN 2509-6583 作者: 心神不寧 時(shí)間: 2025-3-28 16:23 作者: CAND 時(shí)間: 2025-3-28 19:58 作者: Interregnum 時(shí)間: 2025-3-29 02:35
Sarah L. Higleyl be valuable for researchers, creatives, and others engaged with the relationship between artificial intelligence and the arts..978-3-030-59477-0978-3-030-59475-6Series ISSN 2509-6575 Series E-ISSN 2509-6583 作者: visceral-fat 時(shí)間: 2025-3-29 06:56
