標(biāo)題: Titlebook: High-resolution Computer Graphics Using FORTRAN 77; Ian O. Angell,Gareth Griffith Textbook 1987Latest edition Ian O. Angell and Gareth Gri [打印本頁] 作者: purulent 時間: 2025-3-21 19:48
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書目名稱High-resolution Computer Graphics Using FORTRAN 77讀者反饋學(xué)科排名
作者: 臭名昭著 時間: 2025-3-21 23:53
ents from Christian and Jewish cemeteries in Tehran, different photo archives, historical records, personal notes and narratives. We have tried to shed light on the formation of the different types of spaces and places attributed to the Polish exodus in Tehran.作者: 潛伏期 時間: 2025-3-22 03:35 作者: Fillet,Filet 時間: 2025-3-22 05:16 作者: 火花 時間: 2025-3-22 10:01
Ian O. Angell,Gareth Griffithatment and ethos of their ecocultural inheritance. The consideration of ecocultural and land-based heritage is not merely good practice for archaeologists; it follows from a suite of resource management strategies that have been tried and tested by Indigenous peoples over millennia—it is a more effe作者: output 時間: 2025-3-22 13:36
Ian O. Angell,Gareth Griffithatment and ethos of their ecocultural inheritance. The consideration of ecocultural and land-based heritage is not merely good practice for archaeologists; it follows from a suite of resource management strategies that have been tried and tested by Indigenous peoples over millennia—it is a more effe作者: 獸群 時間: 2025-3-22 17:35
Ian O. Angell,Gareth Griffithomprise the different intertwined elements of an emergent heart-centered practice, including rigor, care, relationality, and emotion. The final section represents the berry itself, the fruits of our intellectual, emotional, spiritual, and physical labors of love as archaeologists, where we find them作者: sigmoid-colon 時間: 2025-3-22 21:14 作者: 口音在加重 時間: 2025-3-23 01:44 作者: PLE 時間: 2025-3-23 05:49
Ian O. Angell,Gareth Griffithlinguistic evidence, this study demonstrates that the human population was responding to grander atmospheric (paleoclimatic) changes by migration as well as conforming to local geology and terrain. Mixed in with all of this, Calakmul interacted with other political units in the lowlands before surre作者: 依法逮捕 時間: 2025-3-23 13:34
Ian O. Angell,Gareth Griffithcollapse) led to hypothetical invasions of leading groups from the Gulf of Mexico into the northern Maya lowland at the onset of the Postclassic. However, it is still unclear whether this collapse was already underway when this movement of people started. The whole picture of population dynamics in 作者: 手榴彈 時間: 2025-3-23 14:55
Familiarisation with Graphics Devices and Primitives,h as G.K.S. The FORTRAN 77 programs that follow will use only these primitives for drawing on this basic model (apart from a few very exceptional cases). Since even the most complex programs given in this book interface with the model device through relatively few primitive routines, the graphics pa作者: Bumble 時間: 2025-3-23 20:04 作者: minion 時間: 2025-3-24 00:03 作者: 上下倒置 時間: 2025-3-24 05:59 作者: Density 時間: 2025-3-24 07:17
Three-dimensional Clipping,e projection as defined in chapter 11, whence two-dimensional clipping ascertains which parts of the image lie totally within the window. Suppose, however, that we wish to depict a scene as viewed from a position within the model, such as a point lying in a landscape with a large ground plane. Clear作者: Emg827 時間: 2025-3-24 12:00
Analytic Representation of Three-dimensional Space,y radius and position. A program, the main program of listing 7.6, which calls the SCENE routine of listing 17.1 is used to illustrate it. Secondly there is the . method (Clark, 1976; Meagher, 1982): we do not give a program but outline the method and also describe the construction of a binary tree 作者: 彎腰 時間: 2025-3-24 14:53 作者: observatory 時間: 2025-3-24 22:17
High-resolution Computer Graphics Using FORTRAN 77作者: 流出 時間: 2025-3-24 23:20
Ian O. Angell and Gareth Griffith 1987作者: eucalyptus 時間: 2025-3-25 04:47 作者: 制造 時間: 2025-3-25 10:28
Techniques for Manipulating Two-dimensional Objects, and polygonal facets. In this chapter we shall consider a number of techniques which may be used for more complex pictures of two-dimensional scenes along with some which we will need when developing algorithms to deal with three-dimensional solid models.作者: Modify 時間: 2025-3-25 13:42
Perspective and Stereoscopic Projections,ugh they have their uses, such views do look odd! Our view of space is based upon the concept of .. Our brains attempt to interpret orthographic figures as if they are perspective views, making the cubes of figure 8.1, for instance, look distorted.作者: Nucleate 時間: 2025-3-25 19:05
A More General Hidden Line Algorithm,rence for the monochrome line-drawing . type output. In this chapter we discuss a general hidden line algorithm which, using line-drawing routines only, can produce architectural designs, machine-parts etc., with any line in the scene, which is blocked from view by the bulk of other objects, being suppressed.作者: RADE 時間: 2025-3-25 22:17
Computer Science Serieshttp://image.papertrans.cn/h/image/426823.jpg作者: 注入 時間: 2025-3-26 04:10 作者: LOPE 時間: 2025-3-26 04:56 作者: irreparable 時間: 2025-3-26 08:49 作者: epicondylitis 時間: 2025-3-26 12:44 作者: EVADE 時間: 2025-3-26 20:07
Ian O. Angell,Gareth Griffithe a cornerstone of human social organization. The management of archaeological and heritage resources today are generally top-down and government-sanctioned efforts that are woefully inadequate for considering culturally attributed meaning and value. We argue that a more heart-centered approach to a作者: Exterior 時間: 2025-3-26 22:26
Ian O. Angell,Gareth Griffithe a cornerstone of human social organization. The management of archaeological and heritage resources today are generally top-down and government-sanctioned efforts that are woefully inadequate for considering culturally attributed meaning and value. We argue that a more heart-centered approach to a作者: PHONE 時間: 2025-3-27 03:50 作者: hypotension 時間: 2025-3-27 08:52
Ian O. Angell,Gareth Griffithtake, and how that might change through time. It is about intimacy, it is about friendships, and it is about betrayal. Ultimately, it is also about how we do archaeology. There was an everydayness to interactions with my colleagues, research partners, staff members, and people who became friends; th作者: Diverticulitis 時間: 2025-3-27 11:10 作者: 無辜 時間: 2025-3-27 14:18 作者: 粗野 時間: 2025-3-27 18:43
Ian O. Angell,Gareth Griffithl) nucleus of a large agronomic system of cultural and biological forces during 1500 years. The architectural, ceramic, malacological, chemical, epigraphic, linguistic, demographic, pollen, paleoclimate, and physical–anthropological data involved in the development and decline of Calakmul and its re作者: Intentional 時間: 2025-3-28 01:08
Ian O. Angell,Gareth Griffithtrade, while population movement can only be assessed when the biological component of an ancient community is analyzed (i.e. the human skeletal remains). But the exchange of goods or the presence of foreign architectural patterns does not necessarily imply genetic admixture between groups, while at作者: 有斑點 時間: 2025-3-28 04:38
Familiarisation with Graphics Devices and Primitives,n recent years so much effort has been put into graphics software standards (such as G.K.S. (Hopgood ., 1983)) as well as into the portability of graphics packages (GINO, CalComp etc.). This book will concentrate on the techniques of . and . (that is, drawing, colouring, shading etc.) two-dimensiona作者: 祖?zhèn)髫敭a(chǎn) 時間: 2025-3-28 07:12 作者: photopsia 時間: 2025-3-28 10:42 作者: 事先無準(zhǔn)備 時間: 2025-3-28 18:16 作者: 自然環(huán)境 時間: 2025-3-28 20:48 作者: Monolithic 時間: 2025-3-29 01:20
Three-dimensional Co-ordinate Geometry, Cartesian co-ordinate geometry. (For further reading we recommend books by Cohn (1961) and McCrae (1953)). As in two-dimensional space, we arbitrarily fix a point in the space, named the . (origin for short). We then imagine three mutually perpendicular lines through this point, each line extending作者: 寬宏大量 時間: 2025-3-29 05:02
Matrix Representation of Transformations in Three-dimensional Space,tep before we are able to proceed to projections of three-dimensional space onto the necessarily two-dimensional graphics viewport. As in the lower dimension, there are three basic transformations: translation of origin, change of scale and axes rotation; we will ignore all other transformations suc作者: 種子 時間: 2025-3-29 07:26
The Observer and the Orthographic Projection,aw how to construct a model of a three-dimensional scene in ACTUAL position. In this chapter we consider observing the scene and the display of a corresponding view. The display of the scene is co-ordinated by routine DRAWIT which may take a number of different forms, depending on the type of image 作者: 縱火 時間: 2025-3-29 12:00
Generation of Model Data,ene via construction routines, some using input or DATA statements. Then the vertices are transformed into the OBSERVED position, and the routine DRAWIT is called to display the scene. In the following chapters we will give a number of different types of DRAWIT, PROJEC and facet display routines, de作者: miracle 時間: 2025-3-29 16:43 作者: 拔出 時間: 2025-3-29 22:30 作者: exacerbate 時間: 2025-3-30 02:04 作者: 符合國情 時間: 2025-3-30 07:52 作者: DECRY 時間: 2025-3-30 08:58
Three-dimensional Clipping,ensions HORIZ × VERT. These methods are also sufficient for dealing with orthographic projections of three-dimensional scenes since the whole of space can be projected onto the view plane and clipped in two dimensions. Dealing with perspective projections is rather more complex. Once again we assume作者: FRONT 時間: 2025-3-30 15:56 作者: watertight, 時間: 2025-3-30 20:36 作者: 態(tài)學(xué) 時間: 2025-3-30 23:03
Analytic Representation of Three-dimensional Space,nt approach to the definition of a scene: instead of approximating surfaces with a polygonal mesh, we define them as combinations of .. Each primitive object is mathematically defined in terms of an analytic function: we have already introduced this idea in the analytic representation of surfaces in作者: Aggregate 時間: 2025-3-31 04:37 作者: otic-capsule 時間: 2025-3-31 06:16
Shading,atly enhanced by the use of .. We take advantage of the colour display of the graphics device to model the different appearances of surfaces depending on the light striking them. Plates III, XIII and IX show pictures produced using the shading techniques introduced in this chapter.作者: athlete’s-foot 時間: 2025-3-31 10:36 作者: JUST 時間: 2025-3-31 16:04
Matrix Representation of Transformations in Two-dimensional Space,tem is changed. As we have seen in previous chapters, the drawing of any object in computer graphics may ultimately be considered in terms of specifying and joining groups of points, and so all that is necessary is to discover what happens to the co-ordinate representation of a point with a change of co-ordinate system.作者: 玩笑 時間: 2025-3-31 21:23 作者: 粘土 時間: 2025-4-1 00:57
Generation of Model Data,pendent only on the projection and type of picture you require: line drawing, colour with/without shading, shadows etc. All the reader need do is create the relevant SCENE and construction routines and call the correct DRAWIT routine.