標(biāo)題: Titlebook: Heroism and Gender in War Films; Karen A. Ritzenhoff,Jakub Kazecki Book 2014 Karen A. Ritzenhoff and Jakub Kazecki 2014 gender.humour.poli [打印本頁(yè)] 作者: 譴責(zé) 時(shí)間: 2025-3-21 16:35
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作者: Irksome 時(shí)間: 2025-3-21 22:12
The Reluctant Herolitary and its soldiers in a number of interesting ways. One theme explored within this chapter is the way the film negotiates the presentation of a national military history in which success on the battlefield is valorized against a modern-day identity construct of Canadians as peace brokers. Utili作者: Torrid 時(shí)間: 2025-3-22 03:30 作者: capsaicin 時(shí)間: 2025-3-22 06:09
Germany’s Heroic Victimsittedly flawed antiwar film around a platoon of Wehrmacht soldiers deep inside of the Soviet Union. According to Stephen Prince (2006), Peckinpah communicates the idea that soldiers—no matter the uniform—are inherently victims of their capricious and criminally negligent leadership.. German filmmake作者: 冒煙 時(shí)間: 2025-3-22 08:43 作者: Urologist 時(shí)間: 2025-3-22 14:18 作者: 監(jiān)禁 時(shí)間: 2025-3-22 17:40 作者: BOOR 時(shí)間: 2025-3-22 22:44 作者: 單調(diào)女 時(shí)間: 2025-3-23 03:18
(1998) and , (2009)l film texts is triangulated by gender, political, and social discourses. This chapter argues that Disney’s . homogenizes the Chinese heroine with its gallery of Disney princesses in order to reinforce the studio’s leadership in global popular culture production and maintain a long tradition of the 作者: ungainly 時(shí)間: 2025-3-23 07:00 作者: 漂亮 時(shí)間: 2025-3-23 11:43 作者: coddle 時(shí)間: 2025-3-23 14:54
because these comprise the bulk of freshwater lake sediments and because the structure of this sediment is more easily altered than is that of sediments with larger grain size. Some information from slow-flowing river bottoms is included with lakes because their sediments and faunas are very much a作者: 歸功于 時(shí)間: 2025-3-23 20:50
Tara Karajicaminance of human subjectivity. As Katie Procyk, the mother of one of the participants noted, while the programme has helped her son learn to read, it also helps the animals who do not yet have permanent homes. Procyk’s sentiments are, 200 years later, consistent with those adopted by the farmer’s wi作者: 易改變 時(shí)間: 2025-3-24 01:04 作者: Friction 時(shí)間: 2025-3-24 05:30 作者: 使饑餓 時(shí)間: 2025-3-24 07:40
978-1-349-47334-2Karen A. Ritzenhoff and Jakub Kazecki 2014作者: AER 時(shí)間: 2025-3-24 10:41 作者: 免除責(zé)任 時(shí)間: 2025-3-24 16:42 作者: Asymptomatic 時(shí)間: 2025-3-24 21:02 作者: 古文字學(xué) 時(shí)間: 2025-3-25 02:44 作者: heterogeneous 時(shí)間: 2025-3-25 03:33
https://doi.org/10.1057/9781137360724gender; humour; politics; women作者: 相同 時(shí)間: 2025-3-25 09:35
Jessica R. WellsSociety has generated a major conflict for scientists undertaking toxicology, by its ever greater clamouring for risk assessment and absolute safety, and its equal demands for the decreasing use of animals.作者: 任意 時(shí)間: 2025-3-25 11:59
Introductionember 2013, millions of admirers walked by his open casket to pay him homage. In his article in ., Philip Gourevitch has no doubt that the South African leader was an modern incarnation of a fighter we know from epic poems of the Ancient Greek literature: “In a post-heroic age, Mandela attained the 作者: enfeeble 時(shí)間: 2025-3-25 17:40
Mary Pickford’s WWI Patriotismtended to go even beyond the intended propaganda message it was supposed to convey. The motion pictures industry, thought to be assuming a rather pacifist stance in the early years of the war,. decided to embrace the governmental ideological combat in the movies it produced. Hollywood’s position reg作者: 創(chuàng)作 時(shí)間: 2025-3-25 21:42
The Reluctant Heroalia scandal that shocked the country in the late 1990s,. the Canadian military has faced challenges to repair its damaged reputation. Since that time, the Canadian Forces has focused on representing itself as an organization based on quality leadership, strong ethics, and commitment to internationa作者: Delirium 時(shí)間: 2025-3-26 02:51
A Hero or a Villain, a Terrorist or a Liberator?vo Assassination. has been, for almost a century now, the focus of much historiographical attention. Some dozen films depict these events, though very little scholarly interest has been given to the importance of the cult of self-sacrifice and martyrdom in conditioning the actions of Gavrilo Princip作者: obstruct 時(shí)間: 2025-3-26 06:39
No Women! Only Brotherse sequence shows recruits sequentially receiving inspections, medicals, and uniforms. With a business-like efficiency, officers oversee the martial production line, charging tardy recruits with: “holding up the war!” The film’s model for preparing to go to war reflects Warner Bros.’ corporate and fi作者: 獎(jiǎng)牌 時(shí)間: 2025-3-26 09:53
The Postwar Anxiety of the American Pin-Upe posters throughout the war, by presenting the difficult readjustment following demobilization of three all-American servicemen: Homer Parrish (played by Harold Russell), sailor; Fred Derry (Dana Andrews), Air Force captain in the European theater; and Al Stephenson (Frederic March), Army sergeant 作者: 創(chuàng)造性 時(shí)間: 2025-3-26 16:36 作者: contradict 時(shí)間: 2025-3-26 20:22 作者: graphy 時(shí)間: 2025-3-26 22:09
From Saviors to Rapists1910 to1945. In agreement with the Soviet Union, the US government initiated the division of Korea at the 38th parallel into zones of military occupation. Korea became a captive of the Cold War as the two superpowers failed to agree on terms for reunification, perpetuating the division. In 1948, two作者: 口音在加重 時(shí)間: 2025-3-27 02:50 作者: 抵消 時(shí)間: 2025-3-27 06:53 作者: 光亮 時(shí)間: 2025-3-27 10:10
Rebel Tributes and Tyrannical Regimese plotline presented in the film. The British author of the popular book-turned-film, Suzanne Collins, who also co-wrote the screenplay, has said during an interview in 2009 that her work was indeed influenced by her knowledge of Greek mythology as well as Roman history.. In light of this influence,作者: NOCT 時(shí)間: 2025-3-27 14:32
(1998) and , (2009)e yet significant changes throughout Chinese history when Mulan emerges from layers of narratives as the quintessential woman warrior after centuries of retelling and reinterpretation in literary and visual texts. The most recent cinematic re-imagination of Mulan is the Chinese live action film . 花木作者: 肉體 時(shí)間: 2025-3-27 20:04
“What Shall the History Books Read?”) in his review for .. On the face of it, the two films might not appear all that similar. In terms of setting, they are separated by nearly a century, and they are no more similar in their visual tone; . (2009) is awash in the saturated hues of red, black, gold, and green; . (2012) maintains a parc作者: Mnemonics 時(shí)間: 2025-3-27 22:13 作者: 啜泣 時(shí)間: 2025-3-28 03:00 作者: 爭(zhēng)議的蘋(píng)果 時(shí)間: 2025-3-28 07:40 作者: Panacea 時(shí)間: 2025-3-28 13:59 作者: 使顯得不重要 時(shí)間: 2025-3-28 16:35
Janis L. Goldien subjectivity in Western culture. Venues such as Marineland or Sea World make use of the uniqueness of whales in order to attract audiences who may not be able to observe them in the wild. Susan Davis (1997) and Jane Desmond (1999) have both recently examined marine parks in the context of cultural作者: 記憶法 時(shí)間: 2025-3-28 19:23 作者: paltry 時(shí)間: 2025-3-29 02:09 作者: 擁護(hù) 時(shí)間: 2025-3-29 06:31
Rochelle Sara Miller as both a theoretical and a material entity. What is animality? What does it mean to be animals rather than humans? Thinking about animality means thinking about the humanity we want to become: what we have been, what we are, and, of course, what we could be. A humanity that lives by crushing the c作者: 鍵琴 時(shí)間: 2025-3-29 10:43
Lesley C. Pleasantte on the posthuman. The consequence of this absence is that the discourse on animality remains cut off from the inquiry about the intersections between the living and the machine. What is really at stake, in fact, when we attempt to define the theoretical gains coming from a posthuman philosophy is作者: 擺動(dòng) 時(shí)間: 2025-3-29 15:29 作者: 改革運(yùn)動(dòng) 時(shí)間: 2025-3-29 18:31 作者: 腐爛 時(shí)間: 2025-3-29 20:01 作者: 桶去微染 時(shí)間: 2025-3-30 00:27 作者: 一夫一妻制 時(shí)間: 2025-3-30 07:06 作者: 龍蝦 時(shí)間: 2025-3-30 09:27
Debra White-Stanley of creation myths that have been transmitted over many centuries through the living, immediate medium of oral tradition. In this chapter, I focus on those myths that provide an insight into perceptions of animals — that is, their status and value.
