標(biāo)題: Titlebook: Henry James’s Portrait of the Writer as Hero; Sara S. Chapman Book 1989 Sara S. Chapman 1989 Henry James.LibreOffice Writer.OpenOffice Wri [打印本頁] 作者: 鏟除 時間: 2025-3-21 20:03
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書目名稱Henry James’s Portrait of the Writer as Hero讀者反饋學(xué)科排名
作者: intoxicate 時間: 2025-3-21 20:53
Sara S. Chapmannichts zu erkl?ren vermag. Die Absicht solcher Aussprüche besteht gew?hnlich in der Vorbereitung einer Atmosph?re eines selbstzufriedenen Agnostizismus (ignorabimus — wir vertrauen daher besser der Offenbarung), oder für nicht-wissenschaftliche Wissensansprüche, wie die des Mystizismus oder der Meta作者: packet 時間: 2025-3-22 01:43 作者: Anterior 時間: 2025-3-22 07:49
Sara S. Chapman insbesondere die Menge der Punkte in . bestimmen, die bestimmte Eigenschaften in ihrer Faser haben. Da die lokalen Bausteine in der nichtarchimedischen Funktionentheorie im Sinne von TATE [8] die Spektren der affinoiden Algebren sind, d.h. der Faktorringe der Ringe von im ?abgeschlossenen“ Einheits作者: Lyme-disease 時間: 2025-3-22 11:29
Sara S. Chapman insbesondere die Menge der Punkte in . bestimmen, die bestimmte Eigenschaften in ihrer Faser haben. Da die lokalen Bausteine in der nichtarchimedischen Funktionentheorie im Sinne von TATE [8] die Spektren der affinoiden Algebren sind, d.h. der Faktorringe der Ringe von im ?abgeschlossenen“ Einheits作者: adroit 時間: 2025-3-22 12:56 作者: 本土 時間: 2025-3-22 19:47 作者: heterogeneous 時間: 2025-3-22 22:16 作者: Conducive 時間: 2025-3-23 03:52
Sara S. Chapmanbesteht darin, die Reihendarstellung der .schen Thetafunktionen zu ersetzen durch unendliche Reihen der Art.und die Produktdarstellung der .schen Etafunktion zu ersetzen durch unendliche Produkte der Art作者: nonplus 時間: 2025-3-23 08:52 作者: 暫停,間歇 時間: 2025-3-23 12:48 作者: 洞察力 時間: 2025-3-23 15:24
Sara S. Chapmanberechtigt, wenn man sich von vorneherein auf ein Koordinatensystem festgelegt hat. Aber in den R?umen der Geometer gibt es keinen ausgezeichneten Ursprung und keine von Anbeginn eingebauten Koordinatenachsen. Zun?chst sind alle Punkte gleichberechtigt; Ursprung und Achsen werden — wenn sie überhaup作者: forager 時間: 2025-3-23 20:45
Sara S. Chapmanen Anwendungen gel?ufig ist. Wir haben auch eine einspaltige Matrix einen Vektor genannt. Die beiden Erkl?rungen decken sich, wenn als Anfangspunkt des Vektors der Nullpunkt eines Koordinatensystems gew?hlt wird und die Koordinaten des Endpunktes die Elemente der Matrix sind. Diese Koordinaten hei?e作者: 開頭 時間: 2025-3-23 23:18 作者: Chronic 時間: 2025-3-24 03:46
,James’s Writer-Hero: A Modernist Icon,In developing this subject, which became both a theme and a strategy for his fictions about writers, James dramatised not only the external experience of the writer-artist in society, but also the increasingly complex and comprehensive imaginative life of the writer as both the agent and the audienc作者: adhesive 時間: 2025-3-24 06:39 作者: 外來 時間: 2025-3-24 14:33 作者: 合乎習(xí)俗 時間: 2025-3-24 16:09
,The Lesson in ‘The Lesson of the Master’,t attributed to the wide — and incorrect — assumption that the story is one of James’s most accessible fictions because it is so clearly autobiographical. Many readers have considered Henry St George a spokesman for James and his doctrine of renunciation a tenet of James’s own life. For these reader作者: BET 時間: 2025-3-24 19:37
,‘Greville Fane’: Portrait of a ‘Lady-Novelist’,s, ‘The Author of Beltraffio’ and ‘The Lesson of the Master’, as they are from each other. It is the most extensive of James’s comic portraits of ‘lady novelists’, preceding such satirically drawn characters as Guy Walsingham (who also takes a masculine pen name) in ‘The Death of the Lion’; Jane Hig作者: ingenue 時間: 2025-3-25 01:59
,The Requirement of Caring: Humanism in ‘The Middle Years’,ance of his loyal admirer, it is the most optimistic, most humanistic of the stories. It is closest in spirit to ‘The Great Good Place’, which James may have begun to think about at the time he wrote ‘The Middle Years’ in 1893 but did not publish until 1900 (. p. 123). In both, James dramatises the 作者: Emg827 時間: 2025-3-25 04:38
,‘The Death of the Lion’: James’s ‘Martyr of the Artistic Ideal’,r the years he came to think of it as a specific predecessor and companion piece of ‘The Next Time’. In both he presented a public ignorance and cruelty so great as to cause the exhaustion and death of the writer. These stories are companion pieces also in their portrayal of the contrasting efforts 作者: incisive 時間: 2025-3-25 08:47 作者: Asseverate 時間: 2025-3-25 11:42 作者: 平息 時間: 2025-3-25 16:54
,The Ironic Figure in ‘The Figure in the Carpet’, a Jamesian than F. O. Matthiessen found the story ‘overly ingenious’ and ‘fresher in intention than in effect’ (. 1953, p. 16). Despite James’s often-quoted claim in the Preface to Volume XV that his aim in the story was to ‘reinstate analytical appreciation’, his idea did not develop from the ange作者: Vasodilation 時間: 2025-3-25 20:54
The Portrait Refined: Six Miniatures,riter-critic. All preceded closely or were contemporaneous with his completion of . in late 1900. All but one, ‘John Delavoy’ (1898), he included in the New York Edition. Two others he included in Volumes XVII and XVIII, respectively, rather than in the group of stories about writers and critics tha作者: Femish 時間: 2025-3-26 02:20
,Integrative Experience in ‘The Great Good Place’,p and, in a dream, come to understand that what he had dreamed of doing with his life was what he had, in fact, done (., p. 122). In the dream, the great longing of his life would be satisfied. James omitted the dream from ‘The Middle Years’ but returned to it as the central element of a later story作者: Accolade 時間: 2025-3-26 07:08 作者: AMPLE 時間: 2025-3-26 12:12 作者: 形狀 時間: 2025-3-26 14:38 作者: Etymology 時間: 2025-3-26 17:43 作者: LAVE 時間: 2025-3-26 21:48
,Integrative Experience in ‘The Great Good Place’,p and, in a dream, come to understand that what he had dreamed of doing with his life was what he had, in fact, done (., p. 122). In the dream, the great longing of his life would be satisfied. James omitted the dream from ‘The Middle Years’ but returned to it as the central element of a later story, ‘The Great Good Place’, published in 1900..作者: STYX 時間: 2025-3-27 04:55 作者: 其他 時間: 2025-3-27 06:42
ines James‘s fictions about this experience, placing them within the context of James‘s critical work and enabling the reader to see this body of work as James himself did: as a coherent, extended portrayal of the creative experience of the writer-critic.978-1-349-20421-2978-1-349-20419-9作者: Medicare 時間: 2025-3-27 10:54 作者: 內(nèi)疚 時間: 2025-3-27 14:50
https://doi.org/10.1007/978-1-349-20419-9Henry James; LibreOffice Writer; OpenOffice Writer; Writer作者: 有惡意 時間: 2025-3-27 18:24 作者: indicate 時間: 2025-3-27 23:08
ines James‘s fictions about this experience, placing them within the context of James‘s critical work and enabling the reader to see this body of work as James himself did: as a coherent, extended portrayal of the creative experience of the writer-critic.978-1-349-20421-2978-1-349-20419-9作者: 宣稱 時間: 2025-3-28 05:36
Sara S. Chapmans Vektors der Nullpunkt eines Koordinatensystems gew?hlt wird und die Koordinaten des Endpunktes die Elemente der Matrix sind. Diese Koordinaten hei?en auch die Komponenten des Vektors. Fallen Anfangs- und Endpunkt zusammen, so hei?t der Vektor der Nullvektor. Er hat keine Richtung und wird ebenso wie die Nullmatrix mit h bezeichnet.作者: MOAT 時間: 2025-3-28 07:30 作者: Gleason-score 時間: 2025-3-28 11:40
Book 1989‘s fictions about this experience, placing them within the context of James‘s critical work and enabling the reader to see this body of work as James himself did: as a coherent, extended portrayal of the creative experience of the writer-critic.作者: 使閉塞 時間: 2025-3-28 17:44
Sara S. ChapmanA Priori ?“.: ?Der Empirismus, den ich vertrete, glaubt sich klar darüber zu sein, da? alle Aussagen, prinzipiell gesprochen, entweder synthetisch a posteriori oder tautologisch sind; synthetische S?tze a priori scheinen ihm eine . zu sein“ (Hervorhebung von mir).作者: 正面 時間: 2025-3-28 22:45
Sara S. Chapmanch auf B. .s [1] Ma?- und Integrationstheorie in Torusr?umen und findet eine Verbindung zu .s [1] Untersuchungen betreffend die Lage singul?rer Punkte auf dem Konvergenzkreis. Insbesondere ergibt sich dabei ein weiterer Beweis für eine von .s Formeln [5] aus dieser Theorie.作者: 閑聊 時間: 2025-3-29 01:33 作者: 詩集 時間: 2025-3-29 06:20
,James’s ‘Brotherhood of Faith’: The Artist and the Critic in ‘The Next Time’, writer-artist is unrealistic and unsatisfactory because it means that the artist’s special gifts do not enrich his humanity. Instead, they are devoured by his insatiable art. Blackmur finds this portrait of the writer-artist’s experience particularly vivid in the case of Ralph Limbert, James’s writer-hero in ‘The Next Time’.作者: Gerontology 時間: 2025-3-29 11:01
Sara S. Chapman, inwieweit man aus der Natur der singul?ren Stellen . und . auf die Natur von . schlie?en kann. Schon in 1.4 wurde festgestellt, da? man ohne spezielle Annahmen über .(.) und .(.) hier zu keinen Aussagen gelangen kann.作者: palpitate 時間: 2025-3-29 12:14 作者: 盡責(zé) 時間: 2025-3-29 19:12 作者: 道學(xué)氣 時間: 2025-3-29 22:45
Creativity in ,ved comic character, sees himself as an evocateur and an organising, dominating consciousness. To the extent that he engages all of the other characters in the fiction in his imaginative process, all are contributors to its ‘truth’. Moreover, his effort clearly allegorises the role of the reader.作者: 準(zhǔn)則 時間: 2025-3-30 02:31
,The ‘Summarized Exhibition’ of ‘The Coxon Fund’, Campbell’s book good he thought it would have been better with more attention to ‘the power of evocation’. The Coleridge character was ‘a(chǎn) wonderful, admirable figure — for a pictorial treatment’ (., ed. Matthiessen and Murdock, 1961, p. 152).作者: dowagers-hump 時間: 2025-3-30 05:02
