標(biāo)題: Titlebook: Hegel Reconsidered; Beyond Metaphysics a H. Tristram Engelhardt,Terry Pinkard Book 1994 Springer Science+Business Media B.V. 1994 Georg Wil [打印本頁] 作者: 富裕 時(shí)間: 2025-3-21 18:16
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作者: fluffy 時(shí)間: 2025-3-21 22:51 作者: oxidant 時(shí)間: 2025-3-22 04:27 作者: Servile 時(shí)間: 2025-3-22 07:53 作者: 音樂等 時(shí)間: 2025-3-22 11:45
The Meta-Ontological Option: On Taking the Existential Turn,ordinary level concerns.. Nor does it sufficiently guard against importing results into the ordinary level that are only applicable at the pure transcendental level. We also need help in taking the turn back to the ordinary level once we have taken the transcendental turn — a turn back that I shall 作者: fiction 時(shí)間: 2025-3-22 13:18 作者: MOAT 時(shí)間: 2025-3-22 18:10
Revolution as the Foundation of Political Philosophy,ply insights from such a [non-metaphysical] reading to concrete problem areas that without them must be relinquished to uncomprehending positivism” ([5], pp. 110, 113, and 124). What such an application might mean, beyond his proposal to develop “a theory of theory construction” was not spelled out.作者: Override 時(shí)間: 2025-3-22 23:51
Book 1994 thought support a liberal democraticstate. This reappraisal of Hegel‘s arguments resituates him as aphilosopher who anticipates the difficulties of post-modernity andoffers a basis for reassessing ontology, aesthetics, and revolution.Philosophers and those doing work in political theory will find thisvolume of great interest.作者: 反感 時(shí)間: 2025-3-23 02:02
tendency either to rudely ignore or else to actively despise those of us who bravely try to understand, define, and describe their art. To many composers and instrumentalists, those outsiders (nonmusicians) who have the temerity to discuss anything more abstract than the digital dexterity of a fiddler, the p978-1-4615-9629-5978-1-4615-9627-1作者: 消極詞匯 時(shí)間: 2025-3-23 05:57
H. Tristram Engelhardt Jr.either to rudely ignore or else to actively despise those of us who bravely try to understand, define, and describe their art. To many composers and instrumentalists, those outsiders (nonmusicians) who have the temerity to discuss anything more abstract than the digital dexterity of a fiddler, the p作者: mediocrity 時(shí)間: 2025-3-23 12:35
Stephen Bungay tendency either to rudely ignore or else to actively despise those of us who bravely try to understand, define, and describe their art. To many composers and instrumentalists, those outsiders (nonmusicians) who have the temerity to discuss anything more abstract than the digital dexterity of a fiddler, the p978-1-4615-9629-5978-1-4615-9627-1作者: foppish 時(shí)間: 2025-3-23 15:31 作者: 游行 時(shí)間: 2025-3-23 21:09 作者: Lasting 時(shí)間: 2025-3-23 23:21 作者: FEIGN 時(shí)間: 2025-3-24 04:29 作者: JOG 時(shí)間: 2025-3-24 06:44
George Khushf tendency either to rudely ignore or else to actively despise those of us who bravely try to understand, define, and describe their art. To many composers and instrumentalists, those outsiders (nonmusicians) who have the temerity to discuss anything more abstract than the digital dexterity of a fiddler, the p978-1-4615-9629-5978-1-4615-9627-1作者: 忍耐 時(shí)間: 2025-3-24 11:15 作者: 粗俗人 時(shí)間: 2025-3-24 15:51
Terry Pinkard tendency either to rudely ignore or else to actively despise those of us who bravely try to understand, define, and describe their art. To many composers and instrumentalists, those outsiders (nonmusicians) who have the temerity to discuss anything more abstract than the digital dexterity of a fiddler, the p978-1-4615-9629-5978-1-4615-9627-1作者: kindred 時(shí)間: 2025-3-24 22:31
Dick Howardeither to rudely ignore or else to actively despise those of us who bravely try to understand, define, and describe their art. To many composers and instrumentalists, those outsiders (nonmusicians) who have the temerity to discuss anything more abstract than the digital dexterity of a fiddler, the p作者: 發(fā)生 時(shí)間: 2025-3-25 02:23
0928-9518 lties of post-modernity andoffers a basis for reassessing ontology, aesthetics, and revolution.Philosophers and those doing work in political theory will find thisvolume of great interest.978-90-481-4349-8978-94-015-8378-7Series ISSN 0928-9518 Series E-ISSN 2215-1753 作者: 易受刺激 時(shí)間: 2025-3-25 04:24 作者: Aromatic 時(shí)間: 2025-3-25 08:38
H. Tristram Engelhardt Jr.gly detailed exposition of how, where, when, and why who does what to whom, from prelude to resolu- tion, loses everything in the translation. The other extreme, the one wherein the writer, in desperation, resorts to metaphor (with or without benefit of meter and rhyme), most often results in im- ag作者: lymphoma 時(shí)間: 2025-3-25 15:11
Stephen Bungay unblushingly detailed exposition of how, where, when, and why who does what to whom, from prelude to resolu- tion, loses everything in the translation. The other extreme, the one wherein the writer, in desperation, resorts to metaphor (with or without benefit of meter and rhyme), most often results作者: 郊外 時(shí)間: 2025-3-25 18:41
Tom Rockmoregly detailed exposition of how, where, when, and why who does what to whom, from prelude to resolu- tion, loses everything in the translation. The other extreme, the one wherein the writer, in desperation, resorts to metaphor (with or without benefit of meter and rhyme), most often results in im- ag作者: Ceremony 時(shí)間: 2025-3-25 22:15
Klaus Brinkmanngly detailed exposition of how, where, when, and why who does what to whom, from prelude to resolu- tion, loses everything in the translation. The other extreme, the one wherein the writer, in desperation, resorts to metaphor (with or without benefit of meter and rhyme), most often results in im- ag作者: reject 時(shí)間: 2025-3-26 01:27 作者: 令人作嘔 時(shí)間: 2025-3-26 05:14
Thomas J. Bole III unblushingly detailed exposition of how, where, when, and why who does what to whom, from prelude to resolu- tion, loses everything in the translation. The other extreme, the one wherein the writer, in desperation, resorts to metaphor (with or without benefit of meter and rhyme), most often results作者: Innocence 時(shí)間: 2025-3-26 12:02
George Khushf unblushingly detailed exposition of how, where, when, and why who does what to whom, from prelude to resolu- tion, loses everything in the translation. The other extreme, the one wherein the writer, in desperation, resorts to metaphor (with or without benefit of meter and rhyme), most often results作者: xanthelasma 時(shí)間: 2025-3-26 16:26
Deborah Chaffin unblushingly detailed exposition of how, where, when, and why who does what to whom, from prelude to resolu- tion, loses everything in the translation. The other extreme, the one wherein the writer, in desperation, resorts to metaphor (with or without benefit of meter and rhyme), most often results作者: cathartic 時(shí)間: 2025-3-26 20:41
Terry Pinkard unblushingly detailed exposition of how, where, when, and why who does what to whom, from prelude to resolu- tion, loses everything in the translation. The other extreme, the one wherein the writer, in desperation, resorts to metaphor (with or without benefit of meter and rhyme), most often results作者: spinal-stenosis 時(shí)間: 2025-3-26 23:40 作者: 橡子 時(shí)間: 2025-3-27 04:52
Introduction,account of the deep structure of being from the perspective of spirit. Much of this interpretation is due to Hegel. The language he employs is not only metaphysical but theological. It invites concrete construals of terms he uses such as God and Spirit.. The Marxists who drew on Hegel in framing dia作者: savage 時(shí)間: 2025-3-27 08:45
The Hegelian Project,rm one. No attempt will be made to say whether his execution of the project is successful, and to that extent it will be uncritical. It assumes that Hegel’s thought was coherent, and tries to find a way in which it makes sense, for the simple reason that finding a way in which it makes nonsense will作者: fidelity 時(shí)間: 2025-3-27 12:26 作者: 披肩 時(shí)間: 2025-3-27 16:47 作者: Ingratiate 時(shí)間: 2025-3-27 18:43
,On the Theoretical Form of Hegel’s Aesthetics,her notion in that work has received such conflicting commentaries, or diverse evaluations of its capacity to illuminate the difficult situation of modern art, as the thesis ascribed to Hegel that art has come to its end (cf. most recently [8]). Yet there is no critical edition of the aesthetics lec作者: PALMY 時(shí)間: 2025-3-28 00:31 作者: falsehood 時(shí)間: 2025-3-28 02:58
The Meta-Ontological Option: On Taking the Existential Turn, distinguishes between “ordinary level” concerns, such as whether or not something exists, and “pure categorial” concerns, in which a systematic program is developed for the satisfaction of reason.. Through the non-metaphysical reading one thus avoids confusing transcendental and ordinary domains. H作者: hankering 時(shí)間: 2025-3-28 06:19 作者: Habituate 時(shí)間: 2025-3-28 10:30 作者: 開始從未 時(shí)間: 2025-3-28 14:35
Revolution as the Foundation of Political Philosophy,the paradox. For example, in the first paper I heard Hartmann deliver, in 1966, he explained the theoretical necessity of “taking the transcendental turn” and then replied to those who demanded more realism from philosophy that “even if we were to reach the conclusion that the problem cannot be solv作者: 刻苦讀書 時(shí)間: 2025-3-28 20:02 作者: 外表讀作 時(shí)間: 2025-3-29 00:11
Klaus Hartmann and G.W.F. Hegel: A Personal Postscript,ce on a group of philosophers who, because of him, came to understand better the significance of Hegel’s corpus and the work of other Continental philosophers, especially Kant, Husserl, Marx, and Sartre. This book is dedicated to him in gratitude. Hartmann taught about much he never directly address作者: 不斷的變動(dòng) 時(shí)間: 2025-3-29 04:58 作者: outset 時(shí)間: 2025-3-29 09:35 作者: Tortuous 時(shí)間: 2025-3-29 14:00 作者: 星星 時(shí)間: 2025-3-29 16:11 作者: 歡樂東方 時(shí)間: 2025-3-29 19:53 作者: 預(yù)定 時(shí)間: 2025-3-30 03:43 作者: 好色 時(shí)間: 2025-3-30 07:58
Constitutionalism, Politics and the Common Life,society, which is a constitutionalist state committed to the rule of law. Although we can regret this, we must also acknowledge the rational superiority of constitutionalist societies to their alternatives. Markets and the rule of law have much to recommend them, even if they can make no claims to being aesthetically pleasing.作者: 軌道 時(shí)間: 2025-3-30 08:52
