標(biāo)題: Titlebook: Harold Pinter; Bernard F. Dukore (University Distinguished Profes Textbook 1988Latest edition Macmillan Publishers Limited 1988 dramatist. [打印本頁(yè)] 作者: magnify 時(shí)間: 2025-3-21 17:57
書目名稱Harold Pinter影響因子(影響力)
書目名稱Harold Pinter影響因子(影響力)學(xué)科排名
書目名稱Harold Pinter網(wǎng)絡(luò)公開度
書目名稱Harold Pinter網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Harold Pinter被引頻次
書目名稱Harold Pinter被引頻次學(xué)科排名
書目名稱Harold Pinter年度引用
書目名稱Harold Pinter年度引用學(xué)科排名
書目名稱Harold Pinter讀者反饋
書目名稱Harold Pinter讀者反饋學(xué)科排名
作者: 大吃大喝 時(shí)間: 2025-3-21 23:13 作者: flavonoids 時(shí)間: 2025-3-22 02:23
Struggles for Power,r. In them potential victims fight victimisation, even try to victimise their antagonists; and who is victor, who victim, is often ambiguous. . adumbrates this question. Although Walter succeeds in regaining his room, he loses Sally; although she is dispossessed, she does not fall under his control.作者: 收養(yǎng) 時(shí)間: 2025-3-22 05:22
The Place of Pinter,fers to discuss practical matters, but he admits that this preference is ‘no more than a pious hope, since one invariably slips into theorising, almost without noticing it, and I distrust theory.’. Nevertheless his theoretical statements are acute. Like the minimalist dialogue of his plays, his minimalist theorising resonates widely.作者: promote 時(shí)間: 2025-3-22 12:23 作者: 積云 時(shí)間: 2025-3-22 15:26 作者: Encephalitis 時(shí)間: 2025-3-22 17:27
Menace and the Absurd,In 1957 David Campton coined the term ’Comedies of Menace’ as the subtitle of his one-act plays collectively called . In 1958 Irving Wardle applied it to . Although he subsequently wanted to withdraw the label,. its aptness made it stick.作者: 拱墻 時(shí)間: 2025-3-22 21:19
Memory Plays,In most of Pinter’s plays the past is unclear: Stanley’s transgression (.), Aston’s experience in the mental asylum (.), adultery (.), and so forth. More prominently than before, however, the works treated in this chapter focus on the past. Usually they are called memory plays.作者: 缺乏 時(shí)間: 2025-3-23 03:34
Recapitulations and Fresh Starts,In certain respects, to be explored below, Pinter’s most recent plays recapitulate earlier themes and techniques. In other respects, also to be examined, they move — sometimes provisionally, sometimes boldly — in new directions. With ., and ., the familiar terrain is more obvious than the new; with ., and ., the reverse.作者: asthma 時(shí)間: 2025-3-23 05:53 作者: 生命層 時(shí)間: 2025-3-23 09:56 作者: 格子架 時(shí)間: 2025-3-23 16:07
Biographical Survey,nces Pinter. He spent his first nine years in Lower Clapton, a short walk from the school in Hackney Downs that he would later attend. In Germany and Italy during the 1930s, fascist governments took hold, and their racial policies, favoured by English fascists, threatened Jews in England.作者: 苦澀 時(shí)間: 2025-3-23 20:12 作者: Tracheotomy 時(shí)間: 2025-3-24 00:22 作者: 構(gòu)想 時(shí)間: 2025-3-24 05:24
The Place of Pinter,fers to discuss practical matters, but he admits that this preference is ‘no more than a pious hope, since one invariably slips into theorising, almost without noticing it, and I distrust theory.’. Nevertheless his theoretical statements are acute. Like the minimalist dialogue of his plays, his mini作者: ONYM 時(shí)間: 2025-3-24 09:38
between 2016 and 2019 and involved researchers from different disciplines, principally, history, literary studies, anthropology and memory studies, coming from British, Spanish, Danish, Polish and German institutions (.). The researchers involved in the project set out to find agonism in different 作者: FUME 時(shí)間: 2025-3-24 14:32 作者: debouch 時(shí)間: 2025-3-24 14:58 作者: 痛得哭了 時(shí)間: 2025-3-24 20:30
Bernard F. Dukore,Bruce King,Adele Kingolars have brought to bear in beginning theprocess of (Platonic) interpretation. It goes on to offer a new way togroup the dialogues, based on important facts in the lives andphilosophical practices of Socrates - the main speaker in mostof Plato‘s dialogues - and of Plato himself. Both sides ofDebra作者: 永久 時(shí)間: 2025-3-24 23:24 作者: 反復(fù)拉緊 時(shí)間: 2025-3-25 04:19
Bernard F. Dukore,Bruce King,Adele Kinghrough middle to late dialogues, then assigning the term ‘Socratic’ to the early set, a crisis has been reached. If the Socratic problem is to be solved at all, its solution must be found elsewhere than in the philosophical content of the dialogues. A promising remaining possibility is a solution ba作者: Outspoken 時(shí)間: 2025-3-25 08:22
Bernard F. Dukore,Bruce King,Adele King brought to bear in beginning theprocess of (Platonic) interpretation. It goes on to offer a new way togroup the dialogues, based on important facts in the lives andphilosophical practices of Socrates - the main speaker in mostof Plato‘s dialogues - and of Plato himself. Both sides ofDebra Nails‘s a作者: 騷擾 時(shí)間: 2025-3-25 11:53 作者: Estimable 時(shí)間: 2025-3-25 19:15 作者: Soliloquy 時(shí)間: 2025-3-25 21:50 作者: lipoatrophy 時(shí)間: 2025-3-26 01:25
Toward Greater Realism,rms of a clearly delineated space. The chief exceptions are the lyric ., whose dramaturgy is unique in the Pinter canon, and the multi-scenic ., whose structure may derive partly from his cinema experience. Furthermore the intrinsic quality of . suggests an emphasis not on the last word of the title but on the first two. Departure is temporary.作者: incite 時(shí)間: 2025-3-26 08:13
Bernard F. Dukore,Bruce King,Adele Kings attempt to understand why Platowrote the way he did, and why his writings seem to depict differentphilosophies and even different approaches to philosophizing. .From the .Preface. by Nicholas D. Smith. .978-94-010-4068-6978-94-011-0151-6Series ISSN 0921-8599 Series E-ISSN 2542-8349 作者: AWL 時(shí)間: 2025-3-26 11:53
Textbook 1988Latest editionis a succinct biography of his life and work, followed by five chapters devoted to his plays and their performance. Pinter‘s place in contemporary drama is discussed in conclusion. In revealing Pinter‘s dramatic and theatrical strategems, the author has provided, for all students and theatregoers, a作者: 模仿 時(shí)間: 2025-3-26 15:21 作者: 使苦惱 時(shí)間: 2025-3-26 20:02 作者: Pde5-Inhibitors 時(shí)間: 2025-3-26 23:24 作者: interpose 時(shí)間: 2025-3-27 01:50 作者: 使習(xí)慣于 時(shí)間: 2025-3-27 07:14
rt. There is a succinct biography of his life and work, followed by five chapters devoted to his plays and their performance. Pinter‘s place in contemporary drama is discussed in conclusion. In revealing Pinter‘s dramatic and theatrical strategems, the author has provided, for all students and theat作者: Ambulatory 時(shí)間: 2025-3-27 12:36
Bernard F. Dukore (University Distinguished Profes作者: 打谷工具 時(shí)間: 2025-3-27 15:05 作者: 冒號(hào) 時(shí)間: 2025-3-27 17:53 作者: Aggressive 時(shí)間: 2025-3-27 23:19
Bernard F. Dukore,Bruce King,Adele Kingen the beliefs he may have cherished most deeply. Plato’s dialogues are and were in Plato’s lifetime occasions to philosophize further, not dogmatic treatises. Whether this was a method Plato shared with Socrates, or one he developed independently, the Platonic dialectic as I have just characterized作者: 不怕任性 時(shí)間: 2025-3-28 04:50 作者: nullify 時(shí)間: 2025-3-28 06:27
Bernard F. Dukore,Bruce King,Adele Kingant difference between Havelock (1963) and Goody and Watt (1963) as well: Goody and Watt were making their arguments about . literacy in relation to . Greece;. Havelock’s is a far lesser literacy and far later.作者: angina-pectoris 時(shí)間: 2025-3-28 11:16
Bernard F. Dukore,Bruce King,Adele Kingen the beliefs he may have cherished most deeply. Plato’s dialogues are and were in Plato’s lifetime occasions to philosophize further, not dogmatic treatises. Whether this was a method Plato shared with Socrates, or one he developed independently, the Platonic dialectic as I have just characterized
