標(biāo)題: Titlebook: Haptic and Audio Interaction Design; 11th International W Charalampos Saitis,Ildar Farkhatdinov,Stefano Pape Conference proceedings 2022 Th [打印本頁] 作者: 使沮喪 時(shí)間: 2025-3-21 16:23
書目名稱Haptic and Audio Interaction Design影響因子(影響力)
書目名稱Haptic and Audio Interaction Design影響因子(影響力)學(xué)科排名
書目名稱Haptic and Audio Interaction Design網(wǎng)絡(luò)公開度
書目名稱Haptic and Audio Interaction Design網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Haptic and Audio Interaction Design被引頻次
書目名稱Haptic and Audio Interaction Design被引頻次學(xué)科排名
書目名稱Haptic and Audio Interaction Design年度引用
書目名稱Haptic and Audio Interaction Design年度引用學(xué)科排名
書目名稱Haptic and Audio Interaction Design讀者反饋
書目名稱Haptic and Audio Interaction Design讀者反饋學(xué)科排名
作者: 統(tǒng)治人類 時(shí)間: 2025-3-21 22:33 作者: HPA533 時(shí)間: 2025-3-22 00:35 作者: Venules 時(shí)間: 2025-3-22 05:27
Effect of?Subthreshold Vibration on?the?Perception of?Electrovibrationver a range of frequencies (. Hz) for electrovibration, and the vibrotactile stimulus was maintained 235?Hz. The perception of the combined stimuli was evaluated in a separate experiment using the Likert’s scale. The results showed that the sensation of electrovibration is dominating at 80% SVS than作者: cauda-equina 時(shí)間: 2025-3-22 12:28 作者: 濕潤(rùn) 時(shí)間: 2025-3-22 14:13
Perceptual Evaluation of?the?Quantization Level of?a?Vibrotactile Signalnamic transducer placed in a wristband. If the PTHD of a vibrotactile signal is less than 35?dB, the digitization effect will be imperceptible. This suggests that 8-bit DACs may be sufficient to generate vibrotactile signals without the digitization effects being perceptible.作者: 業(yè)余愛好者 時(shí)間: 2025-3-22 21:07
Using Audio Recordings to?Characterise a?Soft Haptic Joystickhe particle fluid has the effect of restricting the displacement of the source vibrations. Moreover, frequency of vibration remained broadly stable in both hard and soft states again confirming previous observations. These results, obtained with a fundamentally different haptic device and sound-base作者: 先驅(qū) 時(shí)間: 2025-3-23 00:08
Mapping Monophonic MIDI Tracks to?Vibrotactile Stimuli Using Tactile Illusions material consisted of presenting the audio rendered from MIDI files to participants and then adding the vibrotactile component to it. The arrangement of tactile illusions was also evaluated alone. Results suggest that the arrangement of tactile illusions evokes more positive emotions than negative 作者: Mutter 時(shí)間: 2025-3-23 04:46 作者: Gudgeon 時(shí)間: 2025-3-23 09:16
Arthur Paté,Nicolas d’Alessandro,Audrey Gréciet,Clémence Bruggemaniangle. This chapter examines the new perspectives brought to art by fractal geometry and chaos theory and how the study of the fractal character of nature offers promising possibilities towards art’s mission.作者: GUMP 時(shí)間: 2025-3-23 13:29 作者: 磨碎 時(shí)間: 2025-3-23 14:34 作者: FAST 時(shí)間: 2025-3-23 18:26 作者: ELATE 時(shí)間: 2025-3-23 22:25 作者: Deject 時(shí)間: 2025-3-24 04:59 作者: 細(xì)胞膜 時(shí)間: 2025-3-24 09:07 作者: 違反 時(shí)間: 2025-3-24 11:54
Phonemic-based Tactile Supplement to?Lipreading: Initial Findings on?Consonant Identification condition (74%-correct) than through lipreading alone (44%-correct). This performance compares favorably to that reported in the literature for spectral-based tactile aids. These initial results demonstrate the potential of a phonemic-based approach to a tactile supplement of lipreading.作者: Exploit 時(shí)間: 2025-3-24 18:12 作者: enchant 時(shí)間: 2025-3-24 20:12
The Reciprocity of?Speculative and?Product Design Research in?an?Industrial Frameworkesign artifact (Ryzm?) to bring the user an improved listening experience. In turn, we reveal the reciprocity of our speculative and product design processes: the creative interactions that bound the two artifacts’ development created a connection between otherwise distinct scientific and commercial objectives.作者: 尊重 時(shí)間: 2025-3-25 00:43
TOuch ThE?Music: Displaying Live Music into?Vibrationn, user-centered approach supplied a list of specifications adapted to the d/Deaf and hearing users’ needs. The specifications were iteratively implemented and discussed over the course of the project, alternating between developments in the lab and in situ tests during live music concerts.作者: BULLY 時(shí)間: 2025-3-25 05:02 作者: 使成核 時(shí)間: 2025-3-25 08:07 作者: Glossy 時(shí)間: 2025-3-25 13:24
0302-9743 ew. The papers are organized in topical sections on accessibility, perception, design and applications, and musical applications. .978-3-031-15018-0978-3-031-15019-7Series ISSN 0302-9743 Series E-ISSN 1611-3349 作者: cancer 時(shí)間: 2025-3-25 19:16 作者: Antioxidant 時(shí)間: 2025-3-25 23:36 作者: 心神不寧 時(shí)間: 2025-3-26 03:48 作者: CLIFF 時(shí)間: 2025-3-26 05:52 作者: 生來 時(shí)間: 2025-3-26 08:55
Hanna J?rvel?inen,Stefano Papetti,Eric LarrieuxAs the inquiry proceeds however, the necessity for posing the question and the difficulties in answering it become increasingly clear. It is hoped that the examination will provide a starting point for aesthetic inquiry generally, which to begin with, at any rate, will arouse no dispute.作者: 把…比做 時(shí)間: 2025-3-26 15:41
Music Film and the City: .” concludes by reflecting on the way that music films shot in Cuba since the end of the 1990s have played a fundamental role in the way the . of the city has developed over the course of the last two decades.作者: Heresy 時(shí)間: 2025-3-26 17:20
Lynette A. Jones,Hsin-Ni Horing that art possesses an ulterior significance and invites a withdrawl or pause from the ready-made world of ordinary everyday living, it concludes by recognizing the need for, and calling for, more ambitious artworks related to law that liberate our senses and intelligence by exploring the potentialities of law and human living.作者: 收到 時(shí)間: 2025-3-26 22:13 作者: Adenocarcinoma 時(shí)間: 2025-3-27 03:05 作者: Flagging 時(shí)間: 2025-3-27 07:56
Tickle Tuner - Haptic Smartphone Cover for?Cochlear Implant Users’ Musical Trainingnd vibrations which we assessed with a Melodic Contour Identification (MCI) task. Results from a group of fifteen normal hearing participants using CIs simulation showed significantly higher performance (increase of 26% more correct answers) with haptic feedback than without.作者: abracadabra 時(shí)間: 2025-3-27 09:30 作者: Arrhythmia 時(shí)間: 2025-3-27 14:42 作者: SHRIK 時(shí)間: 2025-3-27 20:56 作者: vector 時(shí)間: 2025-3-28 01:10
Francesco Ganis,Marianna Vatti,Stefania Serafinnted sculptures can indicate aspects of reality that science cannot and therefore has the potential to help liberate us from the deep impact the paradigm of classical physics continues to have on our every perception of reality.作者: 大看臺(tái) 時(shí)間: 2025-3-28 02:27
Joshua P. Brown,Ildar Farkhatdinovg suggestions as to how these might be alleviated. In addition, this section also brings Coleridge’s proto-phenomenology into contact with contemporary debates within the philosophy of mind in order to highlight the key elements that make up its enduring philosophical relevance.作者: 不適 時(shí)間: 2025-3-28 07:47
Baptiste Rohou-Claquin,Malika Auvray,Jean-Lo?c Le Carrou,David Gueorguievine arts, architecture, politics and of course, engineering and technology. The author has tried to explore these linkages by scanning the technological developments in the area of motorcycle evolutionary process. This chapter talks about motorcycles, their history and evolution in relation to their semantics and their cross-cultural significance.作者: 善變 時(shí)間: 2025-3-28 12:18 作者: Lipoprotein(A) 時(shí)間: 2025-3-28 14:34
https://doi.org/10.1007/978-3-031-15019-7acoustic signal processing; communication systems; computer networks; computer systems; data communicati作者: conjunctiva 時(shí)間: 2025-3-28 19:20 作者: innate 時(shí)間: 2025-3-28 23:26
s, bays, and niches. Especially their location and their sizes create a compound of parts and details that appear as an orderly arrangement, as it might be called. Normally we are able to feel when everything seems to be in order, in the right place, thus creating a good and balanced picture of the 作者: 有危險(xiǎn) 時(shí)間: 2025-3-29 04:47 作者: deriver 時(shí)間: 2025-3-29 07:14 作者: 山間窄路 時(shí)間: 2025-3-29 14:36
Charlotte M. Reed,Dimitri Kanevsky,Joseph G. Desloge,Juan S. Martinez,Hong Z. Tans were used to illustrate research and for university instruction. Gradually, mathematical interest in these models faded, but the models themselves were still on display in universities and museums. There they were found by several artists from the Constructivist and Surrealist movements, two movem作者: 錫箔紙 時(shí)間: 2025-3-29 19:07 作者: Spartan 時(shí)間: 2025-3-29 21:50
Jagan K. Balasubramanian,Rahul Kumar Ray,Muniyandi Manivannanings with two colors, capturing the essence of duality. He used several of these drawings as key elements in his prints that further expressed ideas of duality. One of the most complex of his “duality” tilings was realized in Delft ceramic tile, wrapped around a large column for a school in Baarn, H作者: Gastric 時(shí)間: 2025-3-30 02:32 作者: FAZE 時(shí)間: 2025-3-30 05:07 作者: organic-matrix 時(shí)間: 2025-3-30 09:54
Quentin Consigny,Arthur Paté,Jean-Lo?c Le?Carrouligious studies, but cosmograms also appear within the sciences. I will first offer a handful of examples to flesh out the idea of . or cosmograms in use. I’ll then consider examples from the nineteenth century, an age of utopias and media revolutions. Finally, I will raise some current questions co作者: 旋轉(zhuǎn)一周 時(shí)間: 2025-3-30 15:20
Mountain, an underground data-prison, promising to digitize a fraction of the collection and restrict access to the rest. This was not a . with established routines of picture trafficking, but a continuation of the cultural commerce of Otto Bettmann himself. This chapter juxtaposes the career of the
