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標(biāo)題: Titlebook: Haptic and Audio Interaction Design; First International David McGookin,Stephen Brewster Conference proceedings 2006 Springer-Verlag Berli [打印本頁]

作者: Traction    時(shí)間: 2025-3-21 19:50
書目名稱Haptic and Audio Interaction Design影響因子(影響力)




書目名稱Haptic and Audio Interaction Design影響因子(影響力)學(xué)科排名




書目名稱Haptic and Audio Interaction Design網(wǎng)絡(luò)公開度




書目名稱Haptic and Audio Interaction Design網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Haptic and Audio Interaction Design被引頻次




書目名稱Haptic and Audio Interaction Design被引頻次學(xué)科排名




書目名稱Haptic and Audio Interaction Design年度引用




書目名稱Haptic and Audio Interaction Design年度引用學(xué)科排名




書目名稱Haptic and Audio Interaction Design讀者反饋




書目名稱Haptic and Audio Interaction Design讀者反饋學(xué)科排名





作者: SMART    時(shí)間: 2025-3-21 21:36
Lecture Notes in Computer Sciencehttp://image.papertrans.cn/h/image/424116.jpg
作者: 結(jié)果    時(shí)間: 2025-3-22 02:11

作者: Subdue    時(shí)間: 2025-3-22 06:30
Eva-Lotta Salln?s,Kajsa Bjerstedt-Blom,Fredrik Winberg,Kerstin Severinson Eklundhatients and shapes his craft skills to meet these requirements. Patients’ referrals bring other ones with similar expectations, strengthening the surgical approach and style of the surgeon. In this chapter, we will present our technique, which was modeled based on the desires and aesthetic goals of our patients.
作者: 治愈    時(shí)間: 2025-3-22 11:15

作者: JUST    時(shí)間: 2025-3-22 16:40

作者: blight    時(shí)間: 2025-3-22 21:02

作者: Facilities    時(shí)間: 2025-3-22 23:45
978-3-540-37595-1Springer-Verlag Berlin Heidelberg 2006
作者: LATER    時(shí)間: 2025-3-23 04:37

作者: 昏暗    時(shí)間: 2025-3-23 05:42

作者: voluble    時(shí)間: 2025-3-23 13:00

作者: 要控制    時(shí)間: 2025-3-23 14:00
Federico Avanzini,Paolo Crosatoeast Golden Number (BGN). This represents the reference number for each patient and comes out from the computer program that was developed. Ideally, the BGN is identical with the aesthetic triangle, breast horizontal and vertical meridians, breast circumference dimensions, and inframammary fold length.
作者: 蛙鳴聲    時(shí)間: 2025-3-23 18:58

作者: Gnrh670    時(shí)間: 2025-3-24 01:23
Graeme W. Coleman,Catriona Macaulay,Alan F. Newell course, the eternal problem of unattainable expectations, but there is another problem also: a blepharoplasty can unveil other, hitherto unrecognized, defects in neighboring regions. For this reason it is often necessary to resort to such complementary procedures as peeling and face lifts (Fig. 5.1).
作者: 敘述    時(shí)間: 2025-3-24 05:48
Lemma 4: Haptic Input + Auditory Display = Musical Instrument?sical instruments in particular) and discusses lessons that may be drawn from these domains and applied to the world of multimodal human-computer interaction. The argument is made that combined haptic-auditory interaction schemes can be thought of as musical instruments and some of the possible ramifications of this are raised.
作者: BULLY    時(shí)間: 2025-3-24 10:13

作者: LAITY    時(shí)間: 2025-3-24 14:31
Ville Tikka,Pauli Laitinenrmine the correct implant size. This program is a useful tool, especially for beginners facing difficult cases, and is available on the Internet. It can be used for different trademarks of anatomical implants.
作者: Exposition    時(shí)間: 2025-3-24 17:24

作者: 600    時(shí)間: 2025-3-24 21:06

作者: 平    時(shí)間: 2025-3-25 02:56

作者: Chronic    時(shí)間: 2025-3-25 04:48

作者: 蒼白    時(shí)間: 2025-3-25 08:25
Kent Walker,William L. Martensrs and to a low position in elder female patients. The aesthetic perfect position is in the upper part of the triangles, close to the junction point of the external margins. Though aging is not nice, it is desirable. Everybody wants to live longer but for this one has to accept the aging appearance.
作者: abduction    時(shí)間: 2025-3-25 15:12
Graham McAllister,Jacopo Staiano,Wai Yuever, the most feared complication is fat embolism. The main objective is to know the causes of the complications, as well as the strategies to reduce them or otherwise identify them in a timely manner.
作者: Charlatan    時(shí)間: 2025-3-25 19:44

作者: 射手座    時(shí)間: 2025-3-25 20:47
Rhythmic Interaction for Song Filtering on a Mobile Devicepping interface provided a larger range of comfortable tempos, participants could use both tapping and shaking methods to select a given song. Finally, the effects of variability in a rhythmic interaction style of interface are discussed.
作者: 做方舟    時(shí)間: 2025-3-26 04:03

作者: glomeruli    時(shí)間: 2025-3-26 05:40
Conference proceedings 2006of the workshop was to investigate how the modalities of sound and haptics (touch) could be used together in interaction, and what novel interfaces could be p- vided when they are used in conjunction. What are the relative advantages of each of the modalities when used alone and together? Are there
作者: myalgia    時(shí)間: 2025-3-26 12:00
Evaluating the Influence of Multimodal Feedback on Egocentric Selection Metaphors in Virtual Environis paper elaborates on the enhancement of some existing approaches with multimodal feedback. The proposed techniques have been evaluated through a user experiment and the results show that the addition of multimodal feedback is preferred by the user and depending on the selection metaphor, it can also speed up the interaction.
作者: ITCH    時(shí)間: 2025-3-26 12:38

作者: febrile    時(shí)間: 2025-3-26 20:46

作者: Pepsin    時(shí)間: 2025-3-27 01:03

作者: delegate    時(shí)間: 2025-3-27 03:28

作者: Impugn    時(shí)間: 2025-3-27 07:07

作者: 呼吸    時(shí)間: 2025-3-27 11:43
Haptic-Auditory Rendering and Perception of Contact Stiffnessigid probe. Haptic feedback is rendered via a Phantom? Omni. device, while auditory stimuli are obtained using a physically-based audio model of impact, in which the colliding objects are described as modal resonators that interact through a non-linear impact force. The impact force can be controlle
作者: 注視    時(shí)間: 2025-3-27 16:36

作者: 污點(diǎn)    時(shí)間: 2025-3-27 18:44

作者: NEX    時(shí)間: 2025-3-28 00:46

作者: AGOG    時(shí)間: 2025-3-28 05:53
Navigation and Control in Haptic Applications Shared by Blind and Sighted Userscess of group work. In this paper a task driven explorative evaluation is presented of collaboration between visually impaired and sighted persons in three applications that provide haptic and visual feedback. The results show that all pairs could perform all the tasks in these applications even tho
作者: outer-ear    時(shí)間: 2025-3-28 07:29

作者: Amorous    時(shí)間: 2025-3-28 12:14

作者: Largess    時(shí)間: 2025-3-28 17:54

作者: CLOWN    時(shí)間: 2025-3-28 20:05
Non Visual Haptic Audio Tools for Virtual Environmentsysis of the test results confirms the usefulness of a constant attractive force as well as of haptic fixtures to help users locate objects in a virtual environment. The 3D audio turned out to be less useful due to the design of the environment. However, user comments indicate that this type of sound
作者: carbohydrate    時(shí)間: 2025-3-29 02:05

作者: 樹膠    時(shí)間: 2025-3-29 04:00
Listen to This – Using Ethnography to Inform the Design of Auditory Interfaceshave yet to be fully utilized within auditory interface research, a field hitherto driven by technology-inspired design work and the addressing of specific cognitive issues. It is proposed that the time has come to investigate the role ethnographic methods have to play within auditory interface desi
作者: 敲詐    時(shí)間: 2025-3-29 11:10
An Activity Classification for Vibrotactile Phenomenasumers are unable to take advantage of these rich experiences, mainly due to the lack of a descriptive language for vibration. We analyze the current methods for classifying vibrations. We propose a new framework for describing vibrotactile haptic phenomena, based on an organizing the media based on
作者: DAMN    時(shí)間: 2025-3-29 13:08
Haptic-Audio Narrative: From Physical Simulation to Imaginative Stimulationocktail Party Effect tells the story of the imminent extinction of Great Apes in the wild using touch and sound in the absence of visual elements. The narrative is driven by haptic-audio exploration of a virtual cocktail glass which functions as a heterodiegetic narrator, and the traversal of cut-up
作者: delusion    時(shí)間: 2025-3-29 15:36
Kent Walker,William L. Martensast life including breast and menstrual cycle, breast in pregnancy and lactation, and breast and menopause. Considering the natural evolution with aging, normal nipple position is downward gliding, on the external margins of the “inverted triangles,” corresponding to a high position in young teenage
作者: EXPEL    時(shí)間: 2025-3-29 21:27

作者: Aggrandize    時(shí)間: 2025-3-30 00:46
Federico Avanzini,Paolo Crosatoines defining the aesthetic perfect breast. The author has found the connection between these elements of breast beauty and defines as a result the Breast Golden Number (BGN). This represents the reference number for each patient and comes out from the computer program that was developed. Ideally, t
作者: 集合    時(shí)間: 2025-3-30 04:13

作者: 聯(lián)想    時(shí)間: 2025-3-30 08:50

作者: Talkative    時(shí)間: 2025-3-30 16:18
Paul Vickersuction alone. This procedure is very technique dependent and because of the too frequent fatal complications, it has been recommended that surgeons avoid intramuscular injection and only place fat graft in the subcutaneous space above the deep gluteal fascia. The subcutaneous space, however, is a th
作者: 阻塞    時(shí)間: 2025-3-30 19:53
Eva-Lotta Salln?s,Kajsa Bjerstedt-Blom,Fredrik Winberg,Kerstin Severinson Eklundhatients and shapes his craft skills to meet these requirements. Patients’ referrals bring other ones with similar expectations, strengthening the surgical approach and style of the surgeon. In this chapter, we will present our technique, which was modeled based on the desires and aesthetic goals of
作者: 不感興趣    時(shí)間: 2025-3-30 21:35

作者: 襲擊    時(shí)間: 2025-3-31 03:32
Graham McAllister,Jacopo Staiano,Wai Yuthe large volumes in the gluteal region stand out. All surgical procedures carry a risk that if not calculated and minimized with appropriate measures can cause unwanted results in patients and even death. There are several complications derived from buttock surgery, mainly local manifestations, how




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