標(biāo)題: Titlebook: Handbook of Recording Engineering; John Eargle Book 19922nd edition Springer-Verlag US 1992 Audio.Limiter.Signal.acoustics.analog.psychoac [打印本頁(yè)] 作者: ALLY 時(shí)間: 2025-3-21 19:45
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書目名稱Handbook of Recording Engineering被引頻次
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書目名稱Handbook of Recording Engineering讀者反饋
書目名稱Handbook of Recording Engineering讀者反饋學(xué)科排名
作者: 藥物 時(shí)間: 2025-3-21 22:04
Characteristics of Performance Spacess, be they concert halls, ballrooms, or houses of worship. To the extent that a classical recording attempts to convey a sense of space or ambience appropriate for the music, it will be useful to analyze performance spaces in terms of direct, early, and reverberant fields. The direct field is of cou作者: DAFT 時(shí)間: 2025-3-22 01:43
Basic Operating Principles of Microphonesgibility, and the carbon microphone, developed early in that art, is still used in telephones today. The carbon microphone works on the loose-contact principle, as first demonstrated by Emile Berliner. Particles of carbon are alternately compressed and relaxed by the diaphragm under the influence of作者: 罐里有戒指 時(shí)間: 2025-3-22 07:17 作者: 思想上升 時(shí)間: 2025-3-22 11:45
Environmental Effects and Departures from Ideal Microphone Performancece effects due to multiple path lengths, and combined microphone outputs will be covered. Departures from ideal performance, including the disparity between random incidence and on-axis response and variations in directional patterns at frequency extremes, will be discussed.作者: antecedence 時(shí)間: 2025-3-22 14:27 作者: 侵略主義 時(shí)間: 2025-3-22 19:36 作者: 苦笑 時(shí)間: 2025-3-22 22:52
Two-Channel Stereo Signals picked up by the microphones are routed to loudspeakers that are placed in a geometrical array corresponding to the microphone array. In this manner, many of the spatial aspects of the recording environment are preserved, and the listener can perceive, more or less accurately, the spatial p作者: abduction 時(shí)間: 2025-3-23 02:32
Multichannel Stereoile it was not exploited as multichannel stereo, it is clear that it was the first machine capable of recording in three channels. Nearly forty years later, Disney introduced Fantasound in the motion picture . Three optical sound tracks were presented in a left—center—right format behind the screen 作者: LATE 時(shí)間: 2025-3-23 06:57
Recording Consolesy the term . generally refers to the familiar desk-like arrangement of controls. In the early days of electrical recording, rarely more than one or two microphones were used, and the signals were normally routed to a single output channel. (The terms “l(fā)ine out” and “output bus” are also used and ref作者: 無(wú)法解釋 時(shí)間: 2025-3-23 11:32
Monitor Loudspeakerselopment of high-frequency (HF) compression driver and horn systems during the 1930s gave us an art that has remained largely unchanged in its fundamental aspects for more than half a century. Recent years have seen remarkable developments in areas once thought to be the domain of consumer high fide作者: CYT 時(shí)間: 2025-3-23 17:53
Control Rooms and the Monitoring Environment must provide good sight lines into the studio, and acoustical leakage from the studio or any associated isolation booths into the control room must be acceptably low. Air handling in the control room must be efficient and quiet. In addition to these requirements, the space must satisfy its own spec作者: 收養(yǎng) 時(shí)間: 2025-3-23 22:03 作者: FISC 時(shí)間: 2025-3-24 01:05
Compressors, Limiters, and Noise Gatesn specified limits. Until very recent times, the various recording mediums had dynamic range capabilities that often fell short of the musical requirements placed on them. This necessitated both technical and musical decisions regarding how and when to alter recorded levels so that both soft and lou作者: 混雜人 時(shí)間: 2025-3-24 06:15 作者: HAWK 時(shí)間: 2025-3-24 08:47 作者: endarterectomy 時(shí)間: 2025-3-24 12:58
Analog Tape Recordingapart from the benefits of multitrack capability and ease of editing. The principle of magnetic recording has been known for over a century (14, 15), but the problems of noise and distortion kept it from being much more than a curiosity as far as studio recording was concerned. Highfrequency bias wa作者: resistant 時(shí)間: 2025-3-24 16:52 作者: HUSH 時(shí)間: 2025-3-24 19:51 作者: 全面 時(shí)間: 2025-3-25 00:13
John Eargle Tutte for typing the manuscript. Department of Physics H. G. JERRARD D. B. McNEILL University of Southampton 1963 Preface to the fifth ed ition Since the publication of the fourth edition in 1980 advances in technology have led to more precise values of the fundamental physical constants and a move作者: 表臉 時(shí)間: 2025-3-25 04:31 作者: 有罪 時(shí)間: 2025-3-25 07:37 作者: neutral-posture 時(shí)間: 2025-3-25 13:20
John Eargle Tutte for typing the manuscript. Department of Physics H. G. JERRARD D. B. McNEILL University of Southampton 1963 Preface to the fifth ed ition Since the publication of the fourth edition in 1980 advances in technology have led to more precise values of the fundamental physical constants and a move作者: eardrum 時(shí)間: 2025-3-25 19:14 作者: consent 時(shí)間: 2025-3-25 23:19 作者: commensurate 時(shí)間: 2025-3-26 01:03 作者: Diluge 時(shí)間: 2025-3-26 05:49 作者: Anticlimax 時(shí)間: 2025-3-26 12:10 作者: antidepressant 時(shí)間: 2025-3-26 16:17 作者: 玷污 時(shí)間: 2025-3-26 16:56 作者: Gullible 時(shí)間: 2025-3-26 21:23
John Earglend magnetic quantities generally require four units of which three are mass, length and time and the fourth can be some electrical or magnetic quantity such as current, permeability or permittivity. It is sometimes convenient to introduce temperature as an independent unit ranking equally with lengt作者: 輕快帶來(lái)危險(xiǎn) 時(shí)間: 2025-3-27 01:23
John Earglend magnetic quantities generally require four units of which three are mass, length and time and the fourth can be some electrical or magnetic quantity such as current, permeability or permittivity. It is sometimes convenient to introduce temperature as an independent unit ranking equally with lengt作者: 小溪 時(shí)間: 2025-3-27 05:52 作者: Omniscient 時(shí)間: 2025-3-27 12:08
John Eargleness of Shakespeare‘s language impoverishes our own understanding of him. For one thing, it was a strong element in his appeal to Elizabethans, who were much less woolly-mouthed and smooth-tongued than we are. For another, it has constituted a salty preservative for his work, among those who can app作者: Nomadic 時(shí)間: 2025-3-27 14:37 作者: flutter 時(shí)間: 2025-3-27 19:03 作者: linguistics 時(shí)間: 2025-3-27 23:05 作者: conjunctiva 時(shí)間: 2025-3-28 05:43
Control Rooms and the Monitoring Environmente acceptably low. Air handling in the control room must be efficient and quiet. In addition to these requirements, the space must satisfy its own special acoustical requirements in terms of sound absorption and reflection.作者: alcohol-abuse 時(shí)間: 2025-3-28 10:13
Reverberation and Signal Delayperspectives were difficult to achieve, even with a pair of mono chambers. During the late 1960s, digital hardware was developed that would ultimately simplify reverberation generation, and electronic signal delay (often called “time” delay) devices became commonplace.作者: 相信 時(shí)間: 2025-3-28 12:16 作者: FRET 時(shí)間: 2025-3-28 17:28
John Earglenical units. It would appear, then, that all physical quantities can be expressed in terms of four units. The measurement of mass, length and time dates back to the dawn of history, whereas electrical and magnetic phenomena were not considered quantitatively until the middle of the nineteenth century.作者: 斥責(zé) 時(shí)間: 2025-3-28 22:14
John Earglenical units. It would appear, then, that all physical quantities can be expressed in terms of four units. The measurement of mass, length and time dates back to the dawn of history, whereas electrical and magnetic phenomena were not considered quantitatively until the middle of the nineteenth century.作者: senile-dementia 時(shí)間: 2025-3-29 02:17 作者: 結(jié)果 時(shí)間: 2025-3-29 07:02
John Earglenical units. It would appear, then, that all physical quantities can be expressed in terms of four units. The measurement of mass, length and time dates back to the dawn of history, whereas electrical and magnetic phenomena were not considered quantitatively until the middle of the nineteenth century.作者: Conduit 時(shí)間: 2025-3-29 07:53
Recording Consoleslevel metering, and a few switches for routing the program to the recording machines. Audio transmission systems used in the motion picture industry were more complex from their inception because of the need for recording dialogue, sound effects, and music at different times, ultimately mixing them into a single composite sound track.作者: 露天歷史劇 時(shí)間: 2025-3-29 15:12 作者: 粗魯?shù)娜?nbsp; 時(shí)間: 2025-3-29 17:19
Multichannel Stereo for five loudspeakers behind the screen, along with a single surround channel distributed over multiple loudspeakers. Later, the surround loudspeakers could be split into two channels for special effects. During the early 1950s; Cinerama provided six channels to accompany its wide screen presentation (14).作者: 天文臺(tái) 時(shí)間: 2025-3-29 20:39
g recording engineers. It follows the broad outline of its predecessors, but has been completely recast for the benefit of today‘s training in recording and its allied arts and sciences. .Digital recording and signal processing are covered in detail, as are actual studio miking and production techni作者: 藐視 時(shí)間: 2025-3-30 01:23
John Earglere much less woolly-mouthed and smooth-tongued than we are. For another, it has constituted a salty preservative for his work, among those who can appreciate it...an enlightening book.‘ A.L.Rowse, The Standard.978-0-312-12677-3978-1-349-20452-6作者: fiction 時(shí)間: 2025-3-30 04:05
John Earglere much less woolly-mouthed and smooth-tongued than we are. For another, it has constituted a salty preservative for his work, among those who can appreciate it...an enlightening book.‘ A.L.Rowse, The Standard.978-0-312-12677-3978-1-349-20452-6作者: ETHER 時(shí)間: 2025-3-30 08:59
John Earglect that Stimson’s mind was completely free to devote its entire attention to the adequacy of his work. They suffer only from the fact that the processes of final integration could not be concluded at that time, when the material was so fresh and informants available.作者: 和藹 時(shí)間: 2025-3-30 15:58 作者: conscribe 時(shí)間: 2025-3-30 18:23 作者: annexation 時(shí)間: 2025-3-31 00:24
Two-Channel Stereoerspective of the original performance in its acoustical surroundings. Stereo need not be limited to two channels. Motion picture systems have included upwards of six channels. For home use, however, stereo is presently limited to two transmission channels.作者: Suggestions 時(shí)間: 2025-3-31 01:11 作者: 個(gè)阿姨勾引你 時(shí)間: 2025-3-31 07:43 作者: 多節(jié) 時(shí)間: 2025-3-31 11:12
Book 19922nd editiong engineers. It follows the broad outline of its predecessors, but has been completely recast for the benefit of today‘s training in recording and its allied arts and sciences. .Digital recording and signal processing are covered in detail, as are actual studio miking and production techniques -- in作者: GLARE 時(shí)間: 2025-3-31 16:39 作者: Commodious 時(shí)間: 2025-3-31 19:40
for more general descriptions..Handbook of Recording Engineering, Fourth Edition is for students preparing for careers in audio, recording, broadcast, and motion picture sound work. It will also be useful as a handbook for professionals already in the audio workplace..978-1-4757-1129-5
