標(biāo)題: Titlebook: Hamlet and the Acting of Revenge; Peter Mercer Book 1987 Peter Mercer 1987 Hamlet.performance.play.Spanish.structure.tragedy [打印本頁(yè)] 作者: Addendum 時(shí)間: 2025-3-21 18:45
書目名稱Hamlet and the Acting of Revenge影響因子(影響力)
書目名稱Hamlet and the Acting of Revenge影響因子(影響力)學(xué)科排名
書目名稱Hamlet and the Acting of Revenge網(wǎng)絡(luò)公開度
書目名稱Hamlet and the Acting of Revenge網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Hamlet and the Acting of Revenge被引頻次
書目名稱Hamlet and the Acting of Revenge被引頻次學(xué)科排名
書目名稱Hamlet and the Acting of Revenge年度引用
書目名稱Hamlet and the Acting of Revenge年度引用學(xué)科排名
書目名稱Hamlet and the Acting of Revenge讀者反饋
書目名稱Hamlet and the Acting of Revenge讀者反饋學(xué)科排名
作者: 脊椎動(dòng)物 時(shí)間: 2025-3-21 22:20 作者: 對(duì)待 時(shí)間: 2025-3-22 03:21
The Political Economy of Post-Soviet Russiareason that the equally indispensable rhetoric of passion fails — against the dense reality of the play’s world it stands out as evidently unreal; it looks, quite literally, artificial. In . Hieronimo’s fantastic actions and ferocious threats aroused neither suspicion nor fear; even Lorenzo professe作者: FAST 時(shí)間: 2025-3-22 05:58
: Mirror and Daggerexhibiting a cynical and horrible vision of life peculiar to Tourneur (as Eliot thought), the play is entirely orthodox. A homiletic tradition that had, by the late sixteenth century, grown somewhat threadbare in its antique misanthropy has here been transformed into what Peter considers ‘something 作者: 聯(lián)想記憶 時(shí)間: 2025-3-22 11:58
Commandment its most teasing difficulties, and its deepest meanings, arise from this sustained duality of mode. For Shakespeare does not in the least pretend, like Tourneur, that satire and revenge are easily compatible, and he is far from wishing to absorb both in some kind of savage comedy of retribution. Wh作者: 泄露 時(shí)間: 2025-3-22 13:43
Unmaskingreason that the equally indispensable rhetoric of passion fails — against the dense reality of the play’s world it stands out as evidently unreal; it looks, quite literally, artificial. In . Hieronimo’s fantastic actions and ferocious threats aroused neither suspicion nor fear; even Lorenzo professe作者: chuckle 時(shí)間: 2025-3-22 19:13 作者: Urea508 時(shí)間: 2025-3-22 21:26 作者: 細(xì)微差別 時(shí)間: 2025-3-23 04:04
The Political Economy of Peripheral Growthion as the major motive of the play but paraded in an outrageous parody of the revenger’s role. It was . ‘tide of vengeance’, with all its frantic acting and gleeful deceit, that seemed ready to roll over everything, including the hero. Antonio himself was reduced to the rhetoric of lamentation and protective dissembling.作者: 射手座 時(shí)間: 2025-3-23 07:01
https://doi.org/10.1007/978-1-349-20553-0was so completely at odds with what he was in fact. And yet, as we have seen, that role of impotent fool, of one who is excluded from all the serious affairs of men, actually did express something real about Antonio’s position and his state of mind. His hold on the action really was now severely weakened, his quality shamefully diminished.作者: 騎師 時(shí)間: 2025-3-23 12:37
Performanceion as the major motive of the play but paraded in an outrageous parody of the revenger’s role. It was . ‘tide of vengeance’, with all its frantic acting and gleeful deceit, that seemed ready to roll over everything, including the hero. Antonio himself was reduced to the rhetoric of lamentation and protective dissembling.作者: Addictive 時(shí)間: 2025-3-23 16:03
Antithesis and Deliverancewas so completely at odds with what he was in fact. And yet, as we have seen, that role of impotent fool, of one who is excluded from all the serious affairs of men, actually did express something real about Antonio’s position and his state of mind. His hold on the action really was now severely weakened, his quality shamefully diminished.作者: 同時(shí)發(fā)生 時(shí)間: 2025-3-23 19:37
The Political Economy of Monetary Circuitsher, falls essentially into three parts; and these phases recur so faithfully in the relevant plays of Kyd and Marston that it is tempting to see them as comprising a kind of deep structure of revenge tragedy, an elemental pattern of meaning.作者: abolish 時(shí)間: 2025-3-24 00:08
and Revenge Structureher, falls essentially into three parts; and these phases recur so faithfully in the relevant plays of Kyd and Marston that it is tempting to see them as comprising a kind of deep structure of revenge tragedy, an elemental pattern of meaning.作者: 表示向下 時(shí)間: 2025-3-24 05:11 作者: 緩和 時(shí)間: 2025-3-24 07:17
The Political Economy of Neo-modernisation . He comes so comprehensively equipped with the tools and emblems of his role that he needs an accomplice to help him carry them. His opening speech embraces the night and its black agents with an appropriately ferocious energy.作者: penance 時(shí)間: 2025-3-24 13:59
The Political Economy of Modern Iran. and Thyestes himself in . Even they, however, do not enter the internal action of these plays, do not appear to the other characters. They function rather as omens or prologues, exerting from the beginning a baleful influence on what is to follow: the events which (they seem to insist) . follow. .作者: abysmal 時(shí)間: 2025-3-24 16:56 作者: semble 時(shí)間: 2025-3-24 21:27
The Political Economy of Monetary Reformmost immediately. The opening scenes of ., however, present a world more resistant to such intrusions of Fate. Not only is the claim of the dead Andrea for personal revenge remarkably weak, but both victors and vanquished from the battle in which he fell display an enthusiasm for peace and honourabl作者: critique 時(shí)間: 2025-3-25 02:23
The Political Economy of Neo-modernisation the beginning unambiguously evil, to the point of caricature. The stage direction with which the play begins presents a definitive tableau: ‘. . ., . . He comes so comprehensively equipped with the tools and emblems of his role that he needs an accomplice to help him carry them. His opening speech 作者: FELON 時(shí)間: 2025-3-25 04:51 作者: glacial 時(shí)間: 2025-3-25 08:52 作者: HEDGE 時(shí)間: 2025-3-25 15:08 作者: Musculoskeletal 時(shí)間: 2025-3-25 17:25
The Political Economy of Post-Soviet Russiaever, if Claudius is unsuspecting about the proposed entertainment, urging Rosencrantz and Guildenstern to encourage his nephew in ‘these delights’, he is more deeply suspicious than ever about the true cause of Hamlet’s madness. As ever in this play, the antic disposition has not only failed to ave作者: notice 時(shí)間: 2025-3-25 20:10
https://doi.org/10.1007/978-1-349-20553-0to leave Antonio drained, not yet capable of the greater deed. The Ghost too insisted that now was the time to ‘a(chǎn)ssume disguise, and dog the court’. The rhythm of the tragic action seemed to require a pause. But the particular disguise that Antonio adopted, that of ‘a(chǎn) plump-cheek’d fool’, made it cl作者: Frequency 時(shí)間: 2025-3-26 01:51
The Ghost. and Thyestes himself in . Even they, however, do not enter the internal action of these plays, do not appear to the other characters. They function rather as omens or prologues, exerting from the beginning a baleful influence on what is to follow: the events which (they seem to insist) . follow. .作者: FIS 時(shí)間: 2025-3-26 07:20
and Revenge Structuret his agents of fate, his ghosts and Furies, should persist in their various transformations in the tragedy of revenge. What is surprising is that the . of his revenge action, the structure above all of ., should prove so enduring a model. The action of this play, the revenge of Atreus upon his brot作者: 生來(lái) 時(shí)間: 2025-3-26 10:39
: Dagger and Mirrormost immediately. The opening scenes of ., however, present a world more resistant to such intrusions of Fate. Not only is the claim of the dead Andrea for personal revenge remarkably weak, but both victors and vanquished from the battle in which he fell display an enthusiasm for peace and honourabl作者: 不確定 時(shí)間: 2025-3-26 15:33
: Stoic and Player the beginning unambiguously evil, to the point of caricature. The stage direction with which the play begins presents a definitive tableau: ‘. . ., . . He comes so comprehensively equipped with the tools and emblems of his role that he needs an accomplice to help him carry them. His opening speech 作者: induct 時(shí)間: 2025-3-26 17:09
: Mirror and Dagger faces emanates specifically from the villain, not from the general condition of humanity. And such moralising is a strange preface to an act so savage that it far exceeds any conceivable moral justification. In ., however, written perhaps six or seven years after both . and ., moral outrage at the 作者: Gleason-score 時(shí)間: 2025-3-26 22:20 作者: Landlocked 時(shí)間: 2025-3-27 03:31
Performancee would-be revenger, but from the villain. In . the dominant activity in this phase was the effort of Lorenzo to eliminate the accomplices to his murder. Hieronimo was reduced to a helpless figure of woe, capable of nothing but lonely and agonised soliloquy. It was not until the revelation of the le作者: Forage飼料 時(shí)間: 2025-3-27 08:39
Unmaskingever, if Claudius is unsuspecting about the proposed entertainment, urging Rosencrantz and Guildenstern to encourage his nephew in ‘these delights’, he is more deeply suspicious than ever about the true cause of Hamlet’s madness. As ever in this play, the antic disposition has not only failed to ave作者: cauda-equina 時(shí)間: 2025-3-27 10:54 作者: 提名 時(shí)間: 2025-3-27 16:38
Hamlet and the Acting of Revenge978-1-349-09217-8Series ISSN 2947-1206 Series E-ISSN 2947-1214 作者: Spirometry 時(shí)間: 2025-3-27 19:23 作者: ARC 時(shí)間: 2025-3-27 23:06 作者: fledged 時(shí)間: 2025-3-28 02:17 作者: Angioplasty 時(shí)間: 2025-3-28 09:44 作者: Aspiration 時(shí)間: 2025-3-28 13:04
https://doi.org/10.1007/978-1-349-09217-8Hamlet; performance; play; Spanish; structure; tragedy作者: Fester 時(shí)間: 2025-3-28 16:44 作者: Lignans 時(shí)間: 2025-3-28 22:20
IntroductionTwo assumptions are apt to be made about Elizabethan revenge plays: first, that all of them, except for ., are unproblematic in structure to the point of na?veté; and, second, that all of them, including ., are concerned centrally with the . dilemma of revenge. Both assumptions are incorrect, and the source of endless misleading critical labour.作者: Dawdle 時(shí)間: 2025-3-29 01:18 作者: Ischemic-Stroke 時(shí)間: 2025-3-29 06:13
Amirshahram Hematian,Yinan Yang,Chao Lu,Sepideh Yazdaniatician.Includes supplementary material: .Baffled by maths? Then don‘t give up hope...John Vince will show you how to understand many of the mathematical ideas used in computer animation, virtual reality, CAD, and other areas of computer graphics...In thirteen chapters you will rediscover - and hope作者: 使激動(dòng) 時(shí)間: 2025-3-29 10:44
