派博傳思國際中心

標題: Titlebook: Hallucinatory Realism in Chinese Literature; Essays on Mo Yan and Lin Jiang Book 2023 The Editor(s) (if applicable) and The Author(s), unde [打印本頁]

作者: Assert    時間: 2025-3-21 16:54
書目名稱Hallucinatory Realism in Chinese Literature影響因子(影響力)




書目名稱Hallucinatory Realism in Chinese Literature影響因子(影響力)學(xué)科排名




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書目名稱Hallucinatory Realism in Chinese Literature網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Hallucinatory Realism in Chinese Literature被引頻次




書目名稱Hallucinatory Realism in Chinese Literature被引頻次學(xué)科排名




書目名稱Hallucinatory Realism in Chinese Literature年度引用




書目名稱Hallucinatory Realism in Chinese Literature年度引用學(xué)科排名




書目名稱Hallucinatory Realism in Chinese Literature讀者反饋




書目名稱Hallucinatory Realism in Chinese Literature讀者反饋學(xué)科排名





作者: 辭職    時間: 2025-3-21 23:59
as his relationship to the long canon of Chinese literature. Such a collection with fluid and yet accurate translations, the first of its kind in English, brings to the Western world the Chinese sensibility and978-981-99-0668-0978-981-99-0666-6
作者: MAOIS    時間: 2025-3-22 01:23

作者: 前奏曲    時間: 2025-3-22 08:11

作者: 提名    時間: 2025-3-22 11:50

作者: EVEN    時間: 2025-3-22 16:41

作者: 進入    時間: 2025-3-22 17:20
The Origins of Digital Computersitating and parodying folk arts of talking and singing. Mo Yan also demonstrates penalties with great fanfare. This is the swan song of life, the poignant elegy for fallen dynasties and feudal political culture, and the psalm for footloose life form and life essence of sacrifice.
作者: Arthropathy    時間: 2025-3-22 22:57
https://doi.org/10.1007/978-3-642-60712-7gnificance. However, the literature of our time is mainly immersed in the refusal and confession of the fifties and seventies, thus unable to express out time and write the history. It is at this level that Mo Yan’s writing presents his critique and significance, and then embodies the value of the literature.
作者: zonules    時間: 2025-3-23 03:25
https://doi.org/10.1057/9781137362247ghout the novel, and the impossibility to avoid this suffering is expressed through an undertone of sarcasm. This fantastic interpretation of history’s ruthless nature brings about a greater fullness and dynamism among modern Chinese novels.
作者: eardrum    時間: 2025-3-23 06:12
,Samsara, Violence, and Satire: A Discussion of the Absurd Narration in Mo Yan’s ,ghout the novel, and the impossibility to avoid this suffering is expressed through an undertone of sarcasm. This fantastic interpretation of history’s ruthless nature brings about a greater fullness and dynamism among modern Chinese novels.
作者: comely    時間: 2025-3-23 11:03

作者: Mumble    時間: 2025-3-23 15:08

作者: 種屬關(guān)系    時間: 2025-3-23 19:45

作者: 性上癮    時間: 2025-3-24 00:47

作者: Hirsutism    時間: 2025-3-24 02:35

作者: jagged    時間: 2025-3-24 09:11
Book 2023enowned Chinese scholars and critics from Mainland China, Chinese Hong Kong, and Taiwan like Li Jingze, vice president of Chinese Writers Association, Guo Jie, doctoral supervisor and vice president of South China Normal University, Cheng Guangwei, professor and doctoral supervisor of Renmin Univers
作者: delegate    時間: 2025-3-24 10:40

作者: CHANT    時間: 2025-3-24 18:47
The Origins Of Human Social Naturech are hard for Chinese to face up. He constructs the characteristics of Chinese tradition and culture, and propagates the wider aspect of Chinese spirit in his works. He displays his merriment and cruelty, openness and floweriness in front of his readers, making him infinitely far away from, but also infinitely close to his era.
作者: Charitable    時間: 2025-3-24 21:01

作者: Ligament    時間: 2025-3-25 01:06
The Origins and Course of Psychopathologyn exemplifies the characteristics of magic, localisation, and folk origins successively in his novels, and then initiates the following literary criticisms; however, the literary criticism of each stage promotes Mo Yan’s literary creation to a certain extent. This is the well-known ‘rule’ of literature.
作者: Microaneurysm    時間: 2025-3-25 07:20

作者: Volatile-Oils    時間: 2025-3-25 09:07
https://doi.org/10.1007/978-1-4612-3132-5 how Mo Yan uses the rhetorical treatment of three inconspicuous memory elements in the text, which then appear as intergenerational metaphors, ideological fantasy, and memory field, to make the individual memory of Mo Yan and the collective memory of that era clearly visible.
作者: FLAIL    時間: 2025-3-25 15:40

作者: 變白    時間: 2025-3-25 16:39
https://doi.org/10.1007/978-3-642-69129-4s realism and allegory, are taken to extremes. More uniquely, he successfully combined these two strategies by all means and brings out a brand new way, which makes readers focus on the magic among the chapters and feel horrible and amazing.
作者: 開始沒有    時間: 2025-3-25 23:50

作者: conjunctiva    時間: 2025-3-26 02:06
Mo Yan and the Chinese Spirit,ch are hard for Chinese to face up. He constructs the characteristics of Chinese tradition and culture, and propagates the wider aspect of Chinese spirit in his works. He displays his merriment and cruelty, openness and floweriness in front of his readers, making him infinitely far away from, but also infinitely close to his era.
作者: FLIC    時間: 2025-3-26 06:28

作者: Antioxidant    時間: 2025-3-26 11:23

作者: 開始發(fā)作    時間: 2025-3-26 15:03

作者: Project    時間: 2025-3-26 16:46
,Mnemonics: Intergenerational Metaphor, Ideological Fantasy, and Memory Field: A Reading of Mo Yan’s how Mo Yan uses the rhetorical treatment of three inconspicuous memory elements in the text, which then appear as intergenerational metaphors, ideological fantasy, and memory field, to make the individual memory of Mo Yan and the collective memory of that era clearly visible.
作者: objection    時間: 2025-3-26 22:55
,Childhood Narrative: The Richness of Meaning in Reinterpretation of Mo Yan’s ,ects of this novella can be criticised in terms of the psychology of composition, the connotation of themes, and the construction of images. . is also a solid basis from which Mo Yan’s literary production can be viewed; in fact, it is the artistic inspiration for several of his other works.
作者: 良心    時間: 2025-3-27 04:13

作者: BRAND    時間: 2025-3-27 07:52
Mo Yan and William Faulkner: Construction and Interpretation of Folk Mythology,tions and a personal style unlike thatof Faulkner. Mo Yan’s ‘folk mythology’ clearly parts with thatof Faulkner in every aspect, such as theme, form, and intrinsic spirit, and this shift reflects the complexity anddistinctiveness of the Chinese progression towards modernity.
作者: dyspareunia    時間: 2025-3-27 12:23

作者: vertebrate    時間: 2025-3-27 14:47
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作者: 釘牢    時間: 2025-3-27 20:51

作者: HAWK    時間: 2025-3-27 23:04

作者: 錯事    時間: 2025-3-28 03:08

作者: agnostic    時間: 2025-3-28 10:04

作者: contrast-medium    時間: 2025-3-28 14:11
,Folkness and Literature: The Chinese Experience in Mo Yan’s Narratives,cularity, values more body experience, and focuses on the narrative rather than lyrical ways in the folk discourse. The Chinese experience in Mo Yan’s novels is not the ‘grotesque realism’ discussed by Bakhtin, but the nature of ‘folklore’ embodied in the cultural context of ‘brutal reality’.
作者: 有效    時間: 2025-3-28 16:13

作者: negligence    時間: 2025-3-28 18:53

作者: 除草劑    時間: 2025-3-28 23:42
,Samsara, Violence, and Satire: A Discussion of the Absurd Narration in Mo Yan’s ,e writing conventions of his native soil, dragging the reader through a traversal imagination of the elaboration of overflowing desire and violent carnival world of Northeast Gaomi Township. His work . deals with this topic once again, but there is also an element of the abstract involved. One eleme
作者: JADED    時間: 2025-3-29 04:15

作者: clarify    時間: 2025-3-29 11:03

作者: Psychogenic    時間: 2025-3-29 12:28
,Is , an ‘Almost Reactionary Work’? Comments on the Conceptions and Methods of Mr. He Guorui’s LiterArt’, He Guorui strongly criticises Mo Yan’s novel . for being an ’almostreactionary work’ and accuses some academics and critics of claiming that this novel ‘makes people believe in this absurdity’.He Guorui’s critique seems to be subjective, partial, and dogmatic, and this chapter will discuss the
作者: Hyperalgesia    時間: 2025-3-29 16:55
,The Fact and Fable in ,: About Mo Yan’s Narrative Strategies,s realism and allegory, are taken to extremes. More uniquely, he successfully combined these two strategies by all means and brings out a brand new way, which makes readers focus on the magic among the chapters and feel horrible and amazing.
作者: Benzodiazepines    時間: 2025-3-29 22:49
,Elegy of History and the Swan Song of Life: A Discussion of Mo Yan’s New Novel ,is work not only has the traditional structure, but also forms a dramatic narration way called ., which means the spoken parts in an opera, through imitating and parodying folk arts of talking and singing. Mo Yan also demonstrates penalties with great fanfare. This is the swan song of life, the poig
作者: 該得    時間: 2025-3-30 01:06

作者: 包租車船    時間: 2025-3-30 06:07

作者: 粗魯性質(zhì)    時間: 2025-3-30 09:40

作者: 入伍儀式    時間: 2025-3-30 13:58
https://doi.org/10.1007/978-981-19-5681-2r the originality and transcendence displayed in his works. To date, this prize is representative of a profoundly enlightening and widely significant event for the writer himself, as well as for Chinese literature and the cultural exchange between the East and the West.




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