標(biāo)題: Titlebook: Haiku and Modernist Poetics; Yoshinobu Hakutani Book 2009 Palgrave Macmillan, a division of Nature America Inc. 2009 [打印本頁] 作者: 關(guān)稅 時間: 2025-3-21 17:38
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書目名稱Haiku and Modernist Poetics讀者反饋學(xué)科排名
作者: orient 時間: 2025-3-21 22:34 作者: cajole 時間: 2025-3-22 01:34 作者: 自負的人 時間: 2025-3-22 08:00
Edward D. Frohlich,Richard N. Rec school, read Samuel Smiles’s writings on self-help. Perhaps inspired by Smiles, but in any case dissatisfied with his public school instruction, he withdrew from a middle school in Nagoya and went to Tokyo in 1890. At a prep school there he diligently read such Victorian writings as Thomas Macaule作者: 節(jié)約 時間: 2025-3-22 12:28
Conference proceedings 2009Latest editionism in the Victorian age that directed his attention to the Middle Ages and the world of myths and legends. As he read ., translated by Ezra Pound and Ernest Fenollosa in 1916, he found in them what he would emulate in reshaping his own poetic drama. “In fact,” he wrote, “with the help of these play作者: 肌肉 時間: 2025-3-22 15:47 作者: Mendacious 時間: 2025-3-22 19:57 作者: 歹徒 時間: 2025-3-23 00:25
https://doi.org/10.1007/978-94-010-2960-5interested in poetry, especially the haiku. In the 1950s he liked to work in the garden on his Normandy farm, an activity that supplied many themes for his haiku (Fabre, . 447). Of Wright’s other experiences in this period, his travels to the newly independent Ghana in West Africa are also reflected作者: 使厭惡 時間: 2025-3-23 05:18
https://doi.org/10.1057/9780230597006e of her death in 1886, only eight of her more than seventeen hundred poems had been published. Richard Wright, as noted earlier, wrote in exile more than four thousand haiku in his last year and half. Yet only twenty-four of them had posthumously appeared in print before the publication of . (1998)作者: 惰性女人 時間: 2025-3-23 09:32 作者: 紅潤 時間: 2025-3-23 13:13 作者: 常到 時間: 2025-3-23 14:54
The Genesis and Development of Haiku in Japan,s. Poetry by Emerson and Whitman has an affinity with Japanese haiku in terms of its attitude toward nature. Although the exact origin of haiku is not clear, the close relationship that haiku has with nature suggests the ways in which the ancient Japanese people lived on those islands. Where they ca作者: 歡呼 時間: 2025-3-23 20:30 作者: foodstuff 時間: 2025-3-23 22:29
Yone Noguchi and Japanese Poetics,c school, read Samuel Smiles’s writings on self-help. Perhaps inspired by Smiles, but in any case dissatisfied with his public school instruction, he withdrew from a middle school in Nagoya and went to Tokyo in 1890. At a prep school there he diligently read such Victorian writings as Thomas Macaule作者: 搬運工 時間: 2025-3-24 03:02
,W. B. Yeats’s Poetics in the , Play,ism in the Victorian age that directed his attention to the Middle Ages and the world of myths and legends. As he read ., translated by Ezra Pound and Ernest Fenollosa in 1916, he found in them what he would emulate in reshaping his own poetic drama. “In fact,” he wrote, “with the help of these play作者: monologue 時間: 2025-3-24 06:38
Ezra Pound, Imagism, and Japanese Poetics,ce in the 1910s. Yet imagism still remains a somewhat cloudy topic. Many discussions content themselves with restatements of Pound’s celebrated essay on vorticism, published in September 1914 (“Vorticism” 461–71). Even Hugh Kenner, the most eminent critic of Pound, says, “The history of the Imagist 作者: biosphere 時間: 2025-3-24 13:05 作者: PTCA635 時間: 2025-3-24 18:44
,Richard Wright’s Haiku, Zen, and the African “Primal Outlook upon Life”,interested in poetry, especially the haiku. In the 1950s he liked to work in the garden on his Normandy farm, an activity that supplied many themes for his haiku (Fabre, . 447). Of Wright’s other experiences in this period, his travels to the newly independent Ghana in West Africa are also reflected作者: 分離 時間: 2025-3-24 19:51
,Cross-Cultural Poetics Sonia Sanchez’s ,,e of her death in 1886, only eight of her more than seventeen hundred poems had been published. Richard Wright, as noted earlier, wrote in exile more than four thousand haiku in his last year and half. Yet only twenty-four of them had posthumously appeared in print before the publication of . (1998)作者: chiropractor 時間: 2025-3-24 23:40 作者: Lipohypertrophy 時間: 2025-3-25 05:00 作者: 生氣地 時間: 2025-3-25 08:40 作者: 裂隙 時間: 2025-3-25 11:40 作者: 停止償付 時間: 2025-3-25 19:52 作者: 錯 時間: 2025-3-25 23:13 作者: expeditious 時間: 2025-3-26 02:08 作者: creditor 時間: 2025-3-26 05:41 作者: Mumble 時間: 2025-3-26 12:21 作者: artifice 時間: 2025-3-26 15:45 作者: escalate 時間: 2025-3-26 17:41 作者: PRISE 時間: 2025-3-27 00:49 作者: Interferons 時間: 2025-3-27 04:46
pervasive East-West artistic, cultural, and literary exchange that has taken place in modern and postmodern times was in the reading and writing of haiku in the West. Hakutani roots Y.B Yeats symbolism in cross cultural visions; reveals Ezra Pound s imagism to have originated in haiku; and discusses作者: modifier 時間: 2025-3-27 08:49
Edward D. Frohlich,Richard N. Rewithdrew from a middle school in Nagoya and went to Tokyo in 1890. At a prep school there he diligently read such Victorian writings as Thomas Macauley’s, exactly the type of reading many a literary aspirant was doing on the other side of the Pacific.作者: 淺灘 時間: 2025-3-27 12:38
https://doi.org/10.1007/978-1-349-18283-1on vorticism, published in September 1914 (“Vorticism” 461–71). Even Hugh Kenner, the most eminent critic of Pound, says, “The history of the Imagist Movement is a red herring.” He admonishes one “to keep one’s eyes on Pound’s texts, and avoid generalities about Imagism” (Kenner 58).作者: reaching 時間: 2025-3-27 17:06
https://doi.org/10.1007/978-94-010-2960-5r his haiku (Fabre, . 447). Of Wright’s other experiences in this period, his travels to the newly independent Ghana in West Africa are also reflected in his haiku. The African philosophy of life Wright witnessed among the Ashanti, the “primal outlook upon life,” as he called it, served as an inspiration for his poetic sensibility . 266)作者: altruism 時間: 2025-3-27 17:50
https://doi.org/10.1057/9780230597006than four thousand haiku in his last year and half. Yet only twenty-four of them had posthumously appeared in print before the publication of . (1998), a collection of 817 haiku Wright himself had selected.作者: watertight, 時間: 2025-3-28 00:47
Conference proceedings 2009Latest edition51). Initially he was attracted to ., which had developed from religious rites practiced in the festivals of the Shinto gods, as Fenollosa notes in .. Although there is no controversy over who introduced Yeats to the . play, critics have overlooked other sources on which he might have relied..作者: Antimicrobial 時間: 2025-3-28 02:43
,W. B. Yeats’s Poetics in the , Play,51). Initially he was attracted to ., which had developed from religious rites practiced in the festivals of the Shinto gods, as Fenollosa notes in .. Although there is no controversy over who introduced Yeats to the . play, critics have overlooked other sources on which he might have relied..作者: 標(biāo)準(zhǔn) 時間: 2025-3-28 06:31
https://doi.org/10.1007/978-1-4684-7639-2form had been preserved by noblemen, courtiers, and high-ranked samurai since the thirteenth century. Around the beginning of the sixteenth century, haiku became popular among the poets. Haiku, called . (starting verse) at that time, was also a dominant element of another popular verse form, . (linked song).作者: 陰謀 時間: 2025-3-28 13:29
https://doi.org/10.1057/9781137522658d cultural boundaries the world over in modern times, Emanuel’s intention is to translate the musical expressions of African American life, its pain and joy, into the 5-7-5 syllabic measures of haiku. In so doing, he has also attempted to expand the imagery of the traditional haiku beyond its single impression by including narrative and rhyme.作者: GIDDY 時間: 2025-3-28 14:57 作者: aptitude 時間: 2025-3-28 19:01
,James Emanuel’s Jazz Haiku,d cultural boundaries the world over in modern times, Emanuel’s intention is to translate the musical expressions of African American life, its pain and joy, into the 5-7-5 syllabic measures of haiku. In so doing, he has also attempted to expand the imagery of the traditional haiku beyond its single impression by including narrative and rhyme.
