作者: Axillary 時(shí)間: 2025-3-21 20:31 作者: eulogize 時(shí)間: 2025-3-22 00:36
https://doi.org/10.1007/978-3-322-90129-3ion of its editorial line. This paper analyzes the graphic legacy of the editorial period between 1959 and 1973 under the direction of the architect Carlos de Miguel..At the beginning of this new period of the journal, one of the goals of the editorial team was to incorporate other disciplines relat作者: 厚顏 時(shí)間: 2025-3-22 08:22
https://doi.org/10.1007/978-3-322-87818-2ese people. Japanese tea houses are relatively small pieces of architecture, 8.2?m., equivalent to about 4.5 tatami. They base the construction process on parameters defined in line with Zen Buddhist philosophy. Each element that makes up the architectural structure has a precise meaning and functio作者: 背叛者 時(shí)間: 2025-3-22 08:50
https://doi.org/10.1007/978-3-322-92837-5cture. An “artist” architect or, even better, an architect artist. He was capable of handling with ease completely different architectural languages with his talent and his extraordinary graphic capacity as his only weapons, which he developed not only in the field of his profession, but also as a c作者: AGONY 時(shí)間: 2025-3-22 16:39
https://doi.org/10.1007/978-3-642-94846-6modern, they never seem to age. The present study allows to better understand this vitality through her drawing. Spaces, geometries, functions, paths, views, perceptions, sensations, are grafted into an ever-changing urban space. Lina’s architecture, at any scale, never seems to lose its freshness i作者: AGONY 時(shí)間: 2025-3-22 20:26
https://doi.org/10.1057/9780230593381e executed along the coastline over the last decades. Nonetheless, there are some sources of consultation that by its morphologic analysis through the graphic revision of the planning that it describes, help in the comprehension of the description of those elements that compose the primary qualities作者: 誹謗 時(shí)間: 2025-3-23 00:40 作者: HEAVY 時(shí)間: 2025-3-23 04:24 作者: TEM 時(shí)間: 2025-3-23 09:25
https://doi.org/10.1007/978-3-642-51335-0d it can even be sometimes included in the drawing category..Typography has evolved slowly over the centuries, with slight modifications resulting from improvements in writing tools and supports. The changes that took place in early 20. century were the revulsive that led to the appearance of a “new作者: GEM 時(shí)間: 2025-3-23 11:25 作者: modifier 時(shí)間: 2025-3-23 14:17
https://doi.org/10.1007/978-1-349-15920-8f a fragment sets up a whole, to include them in the book .Scarpa transmits in these sketches the idea that the fragments possess a unity of their own while at the same time they are capable of keeping an intact memory of the irredeemably lost order of the model, that we regard as completely impossi作者: ESPY 時(shí)間: 2025-3-23 19:27
https://doi.org/10.1007/978-3-7091-5697-1rom the explosion of colour on the fa?ades of its houses, to the blue reflection of its tiles, through the red of its roofs, the green of the moss that is accumulated on its stones, to the black and white of the cobblestones that extend along its pedestrian pavements..The colours of its streets, the作者: 色情 時(shí)間: 2025-3-23 23:32 作者: 數(shù)量 時(shí)間: 2025-3-24 06:22
https://doi.org/10.1007/978-94-017-6087-4pture of a Decade, 1954–1964”, in order to evaluate how the graphic resources used in the project are a reflection of a concrete ideology in facing his work and how it is based on understanding the architectural space from its adaptation to human activity, and in this case, from the more feminine ap作者: encomiast 時(shí)間: 2025-3-24 08:15 作者: Unsaturated-Fat 時(shí)間: 2025-3-24 13:23 作者: CHURL 時(shí)間: 2025-3-24 15:17 作者: enumaerate 時(shí)間: 2025-3-24 20:50 作者: LINES 時(shí)間: 2025-3-25 00:10
Drawing as an Instrument for Geometric Control and Analysis in Architectural Heritage. The Case of Lchapel of La Piedad is completed in 1694. It stands for the immaterial heritage of the town in exchange issues with the Americas and lies in the vicinity of the most important buildings of the capital. The chapel bears traces of refined baroque architecture but the frontispiece is neoclassical. It w作者: 價(jià)值在貶值 時(shí)間: 2025-3-25 03:49 作者: 尖 時(shí)間: 2025-3-25 09:54 作者: 一窩小鳥(niǎo) 時(shí)間: 2025-3-25 13:14 作者: heterogeneous 時(shí)間: 2025-3-25 16:49 作者: PATRI 時(shí)間: 2025-3-25 23:44 作者: 使長(zhǎng)胖 時(shí)間: 2025-3-26 00:21 作者: follicular-unit 時(shí)間: 2025-3-26 06:39 作者: 宏偉 時(shí)間: 2025-3-26 10:44
Epigraphy, Typography and Architecture: Control Over Graphic Design Beyond Drawingd it can even be sometimes included in the drawing category..Typography has evolved slowly over the centuries, with slight modifications resulting from improvements in writing tools and supports. The changes that took place in early 20. century were the revulsive that led to the appearance of a “new作者: Lumbar-Spine 時(shí)間: 2025-3-26 16:02
Building the Walden 7. The Model as Patrimony of the Design Processraphic tool throughout the entire project process, in order to develop the proposal of this unique building..We will check how the chameleonic character of the model will define each phase of the project, with a different model capable of narrating in a different way each phase - work, structure or 作者: stratum-corneum 時(shí)間: 2025-3-26 19:22
Carlo Scarpa. Negozio Gavinaf a fragment sets up a whole, to include them in the book .Scarpa transmits in these sketches the idea that the fragments possess a unity of their own while at the same time they are capable of keeping an intact memory of the irredeemably lost order of the model, that we regard as completely impossi作者: explicit 時(shí)間: 2025-3-26 21:51 作者: PACK 時(shí)間: 2025-3-27 01:26
Luigi Moretti. Solidified Spacedels in which he solidifies the space. In his theoretical writings published in . journal, Moretti resorts to the construction of a series of drawings and scale models as an analytical tool of the void in architecture. The solidified space of the scale model fosters the understanding of architectura作者: phlegm 時(shí)間: 2025-3-27 08:23 作者: 好忠告人 時(shí)間: 2025-3-27 11:37
Louis Meunier: Engraving and Heritage in the Decline of the Spanish Golden Centuryre as follows: to collect his Spanish theme work; to analyze it attending its content and formalization; to context it; and to explore its later influence in both the engraving production throughout the following centuries, and the Spanish architectural and urban heritage historiography. His product作者: ACRID 時(shí)間: 2025-3-27 16:15
The Heritage of the Unbuilt: The Value of the Drawingt built but were preserved through drawings..Recovering them means reviving them in some way, for which we must imbibe their rules and understand their architecture from their design process. With this desire, we will address the restitution of a series of houses of the modernity, which we will stud作者: Figate 時(shí)間: 2025-3-27 19:48
Inhabited Drawings: A Century of Manners of Representing the Architecture Experiencef drawings of the last century as cases of study in which the human figure appears. By means of their close observation, it establishes a conceptual matrix composed of spatial and temporal elements. The size, position and direction of the bodies within space, the number of actors, the graphic techni作者: 四溢 時(shí)間: 2025-3-28 01:39
Drawing with Louis Kahn in Venice, a visit that became popular from the 17th century onwards. This trip known as Grand Tour, has also been made by great architects of the twentieth century: Le Corbusier, Alvar Aalto, Arne Jacobsen and Louis Kahn among others..The aim of this article is to continue the research we have been carrying作者: Spongy-Bone 時(shí)間: 2025-3-28 05:43
https://doi.org/10.1007/978-3-662-25295-6dioramas models, building the Walden 7 on a small scale. Therefore, the models are an intangible graphic heritage that shows us the project process, allowing us to reread the finished building from a new point of view.作者: 弄污 時(shí)間: 2025-3-28 06:59 作者: 極大痛苦 時(shí)間: 2025-3-28 11:32
https://doi.org/10.1007/978-3-662-65698-3nsively, identifying characteristics and peculiarities and, finally, choosing a case study, through which to test the heuristic potential of representation for analysis and interpretation of the design. In this paper we propose graphic, manual and digital analyses related to the design of “Due case a Capri” (1942).作者: PACK 時(shí)間: 2025-3-28 16:11
https://doi.org/10.1007/978-3-662-57703-5 functioning. From this material, a graphical depiction using parametrical design tools will be devised, representing their kinematic behaviour. The findings address aspects related to the graphical representation of an architectural legacy specifically linked to the representation of its moving parts.作者: 說(shuō)笑 時(shí)間: 2025-3-28 21:00
D. K. Chester,A. M. Duncan,C. R. J. Kilburn model becomes an instrument of analysis of the built heritage as well as a conceptual model of the project that vindicates the primacy of the void in architecture. The scale model defines a way of seeing and Moretti’s work puts the creative emphasis on the void in architecture, which deeply permeates his entire career.作者: inflame 時(shí)間: 2025-3-29 01:37
Design Drawings as Cultural Heritage. Intertwining Between Drawing and Architectural Language in thensively, identifying characteristics and peculiarities and, finally, choosing a case study, through which to test the heuristic potential of representation for analysis and interpretation of the design. In this paper we propose graphic, manual and digital analyses related to the design of “Due case a Capri” (1942).作者: cruise 時(shí)間: 2025-3-29 03:36
Drawing Moveable Architecture: The Case of Pi?ero and Escrig’s Deployable Structures functioning. From this material, a graphical depiction using parametrical design tools will be devised, representing their kinematic behaviour. The findings address aspects related to the graphical representation of an architectural legacy specifically linked to the representation of its moving parts.作者: 商議 時(shí)間: 2025-3-29 08:27
Luigi Moretti. Solidified Space model becomes an instrument of analysis of the built heritage as well as a conceptual model of the project that vindicates the primacy of the void in architecture. The scale model defines a way of seeing and Moretti’s work puts the creative emphasis on the void in architecture, which deeply permeates his entire career.作者: 漂亮才會(huì)豪華 時(shí)間: 2025-3-29 13:33
https://doi.org/10.1007/978-1-349-15920-8ing of time and personal memory as the architect’s work material and their graphic representation..The nature, the position, the materiality and display of the five columns that make up the space are a very good example.作者: Alpha-Cells 時(shí)間: 2025-3-29 17:22 作者: 不公開(kāi) 時(shí)間: 2025-3-29 22:09
https://doi.org/10.1007/978-1-4684-6444-3ise compared analyses among them. Beyond this point, the research addresses those drawings inhabited by other kinds of occupiers such as buildings, sculptures, pieces of furniture or machines that likewise evoke a particular manner of experiencing architecture.作者: quiet-sleep 時(shí)間: 2025-3-30 00:07
Carlo Scarpa. Negozio Gavinaing of time and personal memory as the architect’s work material and their graphic representation..The nature, the position, the materiality and display of the five columns that make up the space are a very good example.作者: Verify 時(shí)間: 2025-3-30 06:19
The Colors of Porto: Watercolor as a Technique of Representation of Porto’s Architecturet of day and night, the light of the seasons, the reflection of the city in Douro’s waters and the influence of the fog and the humidity that comes from the Atlantic. Everything in Porto refers to water and light broken down into colours. Therefore, we represent Porto’s architecture with watercolour technique, using these same elements.作者: 控訴 時(shí)間: 2025-3-30 09:24 作者: 賠償 時(shí)間: 2025-3-30 14:09
Luis Agustín-Hernández,Aurelio Vallespín Muniesa,A作者: chondromalacia 時(shí)間: 2025-3-30 17:23
https://doi.org/10.1007/978-3-642-99227-8iation from the vertical which, with the passing of time, provoked a defective situation threatening its stability..In this paper we discuss the role of drawing as a tool for geometric control and analysis. It is deemed useful for the reconstruction project of a chapel in Seville commissioned to the作者: fibula 時(shí)間: 2025-3-30 21:57 作者: Melatonin 時(shí)間: 2025-3-31 01:29 作者: Dungeon 時(shí)間: 2025-3-31 07:08
https://doi.org/10.1007/978-3-322-92837-5ed above, by his excellent graphic output..This is evident throughout his singular architectural trajectory, which ranges from the School of Equestrian Art in Jerez to the building of the new headquarters of the Juan March Foundation in Madrid and goes right through his very interesting projects for作者: aspersion 時(shí)間: 2025-3-31 11:09
https://doi.org/10.1007/978-3-642-94846-6motions that she was lucky enough to share with the Brazilian avant-garde of the time, and makes them her own. Here she makes them reappear, as if pulled out of a magician’s hat, through her exciting architecture.作者: MENT 時(shí)間: 2025-3-31 14:02 作者: Osteoporosis 時(shí)間: 2025-3-31 20:14
