標(biāo)題: Titlebook: ; [打印本頁(yè)] 作者: Fatuous 時(shí)間: 2025-3-21 16:18
書(shū)目名稱Graham Greene and the Politics of Popular Fiction and Film影響因子(影響力)
書(shū)目名稱Graham Greene and the Politics of Popular Fiction and Film影響因子(影響力)學(xué)科排名
書(shū)目名稱Graham Greene and the Politics of Popular Fiction and Film網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱Graham Greene and the Politics of Popular Fiction and Film網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱Graham Greene and the Politics of Popular Fiction and Film被引頻次
書(shū)目名稱Graham Greene and the Politics of Popular Fiction and Film被引頻次學(xué)科排名
書(shū)目名稱Graham Greene and the Politics of Popular Fiction and Film年度引用
書(shū)目名稱Graham Greene and the Politics of Popular Fiction and Film年度引用學(xué)科排名
書(shū)目名稱Graham Greene and the Politics of Popular Fiction and Film讀者反饋
書(shū)目名稱Graham Greene and the Politics of Popular Fiction and Film讀者反饋學(xué)科排名
作者: 哄騙 時(shí)間: 2025-3-21 21:14 作者: 除草劑 時(shí)間: 2025-3-22 03:11
Cinematic Evasions After ective generic processes. Neither gangster stories, nor chase thrillers, nor tales of espionage necessarily required their readers to realize the significance of the narratives with reference to Catholic symbolism or ideology, although the rhetorical strategies of each of these novels suggested the 作者: 壓倒 時(shí)間: 2025-3-22 06:05
Greene and Genres he seemingly wrought upon them. As Ben Ray Redman had suggested apropos of ., Greene’s best efforts could only amount to very good current fiction because the writer’s perception of the genres strengths prompted him to introduce elements— contemporaneity, action, and suspense—that did not fit the 作者: CHOIR 時(shí)間: 2025-3-22 09:30 作者: inhibit 時(shí)間: 2025-3-22 14:21 作者: inhibit 時(shí)間: 2025-3-22 18:47 作者: pacifist 時(shí)間: 2025-3-22 22:31 作者: limber 時(shí)間: 2025-3-23 04:41 作者: Fulsome 時(shí)間: 2025-3-23 05:50 作者: crucial 時(shí)間: 2025-3-23 13:02
https://doi.org/10.1007/978-0-230-61456-7s he seemingly wrought upon them. As Ben Ray Redman had suggested apropos of ., Greene’s best efforts could only amount to very good current fiction because the writer’s perception of the genres strengths prompted him to introduce elements— contemporaneity, action, and suspense—that did not fit the 作者: 分離 時(shí)間: 2025-3-23 17:54 作者: 音樂(lè)等 時(shí)間: 2025-3-23 20:16
,Liste der Substanznamen – alphabetisch,t the 1950s and 1960s. Davis reflected: ‘One wonders what college-age readers make of [Greene] behind the polite, bland, notetaking fa?ade ....’. As Davis conceived it, the problem stemmed less from Greene’s texts than from teachers and scholars who continued to insist that understanding the dogmati作者: 動(dòng)作謎 時(shí)間: 2025-3-23 23:42 作者: LEERY 時(shí)間: 2025-3-24 05:33 作者: filial 時(shí)間: 2025-3-24 08:19 作者: 碎石 時(shí)間: 2025-3-24 12:25 作者: Fretful 時(shí)間: 2025-3-24 15:32 作者: 最低點(diǎn) 時(shí)間: 2025-3-24 19:45 作者: 終端 時(shí)間: 2025-3-25 02:43
Introduction: The Politics of Reading GreeneToward the end of the first wave of critical interest in the fiction of Graham Greene, David Lodge observed that:作者: Budget 時(shí)間: 2025-3-25 03:49
Auteurism and the Study of GreeneVarious political and economic factors conspired to make auteurism a viable intellectual discursive strategy in the 1950s and also to render Greene a suitable candidate for consideration as a literary auteur.作者: 通便 時(shí)間: 2025-3-25 10:53 作者: 帶來(lái) 時(shí)間: 2025-3-25 14:17
Medikalisierung und Soziale Arbeitts that enabled intellectuals to valorize him in an institutionally useful way: as an ‘a(chǎn)uthor’ or, as the young generation of critics and filmmakers at . and the . might have called him, as an ‘a(chǎn)uteur’.作者: fatty-streak 時(shí)間: 2025-3-25 19:31
Strategic Moves: Genres, Brands, Authors and ts that enabled intellectuals to valorize him in an institutionally useful way: as an ‘a(chǎn)uthor’ or, as the young generation of critics and filmmakers at . and the . might have called him, as an ‘a(chǎn)uteur’.作者: PAD416 時(shí)間: 2025-3-25 22:02 作者: FOLLY 時(shí)間: 2025-3-26 01:27 作者: deactivate 時(shí)間: 2025-3-26 07:46
Readers and Generic Processes in them to perform. . and . . did not emphasize plot: Chant and Chase found themselves in the midst of exciting historical events, but the narratives presented casual relationships between those events and the characters. They served as occasions for thought and reflection, rather than as subjects of t作者: separate 時(shí)間: 2025-3-26 09:48
Cinema as a Strategy of Containmentf a novel did raise difficult questions, then the public should logically have responded to it with lumpenproletarian indifference and boredom. An adventure story—particularly one written by someone less exalted than a Leavis-authorized genius—should have been an adventure story: identifiable, predi作者: Cpap155 時(shí)間: 2025-3-26 14:38
Cinematic Evasions After 49) Greene wrote seven novels that reviewers insisted achieved their effects through the writer’s use of the ‘cinema technique’. Some of these novels—. (1936), . (1939), and . (1943)—deployed explicitly conventional characterizations and plot devices in order to achieve unconventional effects after 作者: 五行打油詩(shī) 時(shí)間: 2025-3-26 17:39
Greene and Genreis work within the institutional contexts that supported them. Greene’s continuing popularity and his association with the cinema—not only as a novelist whose work adapted easily to the screen, but also as a writer for hire and as the . official film critic—prevented him from entering the pantheon o作者: 榮幸 時(shí)間: 2025-3-26 23:02
Strategic Moves: Genres, Brands, Authors and ts that enabled intellectuals to valorize him in an institutionally useful way: as an ‘a(chǎn)uthor’ or, as the young generation of critics and filmmakers at . and the . might have called him, as an ‘a(chǎn)uteur’.作者: orient 時(shí)間: 2025-3-27 02:37 作者: arrhythmic 時(shí)間: 2025-3-27 06:28 作者: intoxicate 時(shí)間: 2025-3-27 13:29
Greene and the Polemics of Canonical Readingputation instead of a monument to it’ he did not imply that Greene would simply disappear, or that the public would stop reading his novels, or even that Hollywood would stop acquiring the rights to adapt those novels for the cinema.. On the contrary, public acclaim and demand for Greene’s work had 作者: harrow 時(shí)間: 2025-3-27 16:35 作者: SOB 時(shí)間: 2025-3-27 18:26 作者: ordain 時(shí)間: 2025-3-28 01:06 作者: Osmosis 時(shí)間: 2025-3-28 03:18
https://doi.org/10.1057/9781403919779d not like, and to which numerous reviewers responded with pronounced ambivalence.. The early novels—. ., and .—nonetheless had the effect of communicating an idea of Greene’s vocation and techniques that a generation of intellectuals enthralled by Leavisite and New Critical principles might not hav作者: EXPEL 時(shí)間: 2025-3-28 07:23 作者: 脫落 時(shí)間: 2025-3-28 10:58 作者: cancellous-bone 時(shí)間: 2025-3-28 15:15 作者: 讓步 時(shí)間: 2025-3-28 22:33 作者: 鼓掌 時(shí)間: 2025-3-28 23:11 作者: Presbyopia 時(shí)間: 2025-3-29 04:00 作者: 易于 時(shí)間: 2025-3-29 08:23
Medikamente in der Tumortherapie text. The story deployed elements and processes associated with several genres, including the espionage thriller, the comedy of manners, and the romantic comedy. For those intent on appreciating the story specifically as a Greene novel, many of the semantic elements from his earlier work reappeared作者: 思考而得 時(shí)間: 2025-3-29 14:53 作者: wall-stress 時(shí)間: 2025-3-29 18:33 作者: 增強(qiáng) 時(shí)間: 2025-3-29 20:39
Therapiekonzepte bei fokalen Epilepsienhe writer’s transition ‘from standard to classic’: The continued respectful attitude towards Greene’s works stems from his contemporaneity, a journalistic virtue much admired by Peter Wolfe in his study of the entertainments and by reviewers more capable of dealing with newsworthiness than with art.作者: LANCE 時(shí)間: 2025-3-30 02:57
https://doi.org/10.1007/978-1-349-25402-6rom an investor). People read them for pleasure and enlightenment. Some books disappeared quickly because people decided that not reading them made them feel more pleased and enlightened than reading them did. Other books remained in print for years because people never tired of reading them—or at the very least never tired of buying them.作者: 學(xué)術(shù)討論會(huì) 時(shí)間: 2025-3-30 06:56 作者: 攤位 時(shí)間: 2025-3-30 10:41
Amateurs and Professionals, Auteurs and Intellectualsd a story that worked on several levels and could solicit the participation of vastly different authorial audiences. He produced a story that viewers and readers could appreciate as an unusually artful thriller produced by ‘Hollywood’, or as an unusually thrilling work of art by an author (in Foucault’s sense of the term) named Graham Greene.作者: GLEAN 時(shí)間: 2025-3-30 15:49
Institutional and Critical Priorities at the Beginning of Graham Greene’s Careerrom an investor). People read them for pleasure and enlightenment. Some books disappeared quickly because people decided that not reading them made them feel more pleased and enlightened than reading them did. Other books remained in print for years because people never tired of reading them—or at the very least never tired of buying them.作者: 愛(ài)國(guó)者 時(shí)間: 2025-3-30 17:28 作者: 侵害 時(shí)間: 2025-3-31 00:17
Appropriating Greene: Re-Reading , and This has been true of Greene’s reputation ever since he began to acquire one in the 1940s. The mixture of melodrama, theology, and what some called existentialism in novels like . was one especially appealing to the readers and characteristic of the literature of the post-war decade.作者: 向外供接觸 時(shí)間: 2025-3-31 04:47
https://doi.org/10.1007/978-1-349-22403-6 the deeper meaning’. As Ben Ray Redman noted in his review of ., ‘Nothing is more elusive than the line across which we step when we pass from merely good current fiction into the realm of genuine literature’; Redman, however, did not dare suggest that Greene’s novel was anything more than . good current fiction.作者: Interferons 時(shí)間: 2025-3-31 07:27
Cinema as a Strategy of Containment the deeper meaning’. As Ben Ray Redman noted in his review of ., ‘Nothing is more elusive than the line across which we step when we pass from merely good current fiction into the realm of genuine literature’; Redman, however, did not dare suggest that Greene’s novel was anything more than . good current fiction.作者: EPT 時(shí)間: 2025-3-31 12:00
Allgemeiner Teil,Fiebernder, ein sehr Geschw?chter wird nicht durch viele Fragen gequ?lt werden dürfen. Man wird versuchen, von den . das Notwendige zu erfragen. Handelt es sich aber gar um ein Gemütsleiden oder eine Geistesst?rung, so lauten die Angaben des Erkrankten oft kraus und verworren, und man wird erst rech
