作者: 感激小女 時間: 2025-3-21 22:17 作者: 攀登 時間: 2025-3-22 02:38
https://doi.org/10.1007/978-3-658-36533-2ublished his autobiography and who, Fielding wrote, ‘lived the life he recorded and is by many thought to have lived such a life only in order to write it’.. Greene sometimes felt that there was too much of a critical tendency to see his career in the same way: that is, that he lived the life he did作者: 一再遛 時間: 2025-3-22 06:49 作者: Entreaty 時間: 2025-3-22 09:13
https://doi.org/10.1007/978-3-663-05793-2 up in the morning around 6.30 a.m. and write for two hours. He would write 500 words — in old age, this was reduced to 300 — and he would count them carefully in the margin as he wrote. When he reached the requisite number, he would stop, however well the writing was going. He wrote always by hand 作者: 遺棄 時間: 2025-3-22 16:49
Internet und Multimedia-Anwendungen,n Graham Greene. He has been a film critic, screenwriter, screenplay adaptor, script doctor, letter-writer on matters cinematic and even film actor. Moreover virtually every fictional word he ever wrote has been adapted for either film or television, one of the few exceptions being ., which Greene t作者: 遺棄 時間: 2025-3-22 18:23
Medieval Animals: The Fast and the Slow,m two examples of humour that were to serve him as a guideline. One was simply his film, . (1954), one of his most mordantly comic tales in which the cast spend most of the time trying to explain or hide Harry’s dead body. (Come to think of it, . would be a superb alternative title to ..) The second作者: vanquish 時間: 2025-3-22 21:19
https://doi.org/10.1007/978-1-349-27578-6ally important occasions, he always preferred the truth. The truth can be double-checked’. Truth as strategic policy as much as personal principle: what you disclose is limited to what can be checked. One feels there is a lot of Greene in that. From childhood, particularly in his having to negotiate作者: 富足女人 時間: 2025-3-23 02:49 作者: CLOT 時間: 2025-3-23 06:14
https://doi.org/10.1007/978-3-030-64934-0llowing comment about Greene as a film critic: He was one of the most incisive to have written in England, even given his strange miasma about the work of Alfred Hitchcock. And there must be another book to be written … about the lack of contact between these two poets of English criminality and bad作者: ethereal 時間: 2025-3-23 12:37
Medieval Pilgrimage: an Outline,tuous passion for her brother and her encounters with her camera subjects such as D.H. Lawrence (a randy old man), Robert Frost (niggardly and mean-spirited beneath the folksy charm) and Ernest Hemingway (graceful under pressure). What has particularly stimulated this recollection, however, is not s作者: 紀念 時間: 2025-3-23 16:40
The Greene Chronology: Some Major Dates and Events,g that had been run over by a carriage and carried home lying at baby Graham’s feet in his pram. He is the son of Charles Henry Greene, later to become headmaster of Berkhamsted school (1910–27), and Marion Raymond Greene, first cousin of one of Greene’s early literary heroes, Robert Louis Stevenson作者: indenture 時間: 2025-3-23 18:49 作者: 休息 時間: 2025-3-23 23:49 作者: Immortal 時間: 2025-3-24 02:54 作者: 愛社交 時間: 2025-3-24 09:58 作者: 發(fā)生 時間: 2025-3-24 12:33
Greene on the Screen,n Graham Greene. He has been a film critic, screenwriter, screenplay adaptor, script doctor, letter-writer on matters cinematic and even film actor. Moreover virtually every fictional word he ever wrote has been adapted for either film or television, one of the few exceptions being ., which Greene t作者: 低三下四之人 時間: 2025-3-24 17:13
Laughter in the Shadow of the Gallows,m two examples of humour that were to serve him as a guideline. One was simply his film, . (1954), one of his most mordantly comic tales in which the cast spend most of the time trying to explain or hide Harry’s dead body. (Come to think of it, . would be a superb alternative title to ..) The second作者: 敲竹杠 時間: 2025-3-24 19:36
A Sort of Autobiography: Epigraphs and Dedications,ally important occasions, he always preferred the truth. The truth can be double-checked’. Truth as strategic policy as much as personal principle: what you disclose is limited to what can be checked. One feels there is a lot of Greene in that. From childhood, particularly in his having to negotiate作者: STALE 時間: 2025-3-24 23:58
The Green Baize Door,off the burden of their childhood … All later experience seems to have been related to these months or years of unhappiness … Dickens learnt sympathy, Kipling cruelty … ’. One of the features of Greene’s criticism is his fascination with different accounts of childhood. It comes through in his admir作者: Canyon 時間: 2025-3-25 05:51
Poets of Criminality and Conscience: Greene and Hitchcock,llowing comment about Greene as a film critic: He was one of the most incisive to have written in England, even given his strange miasma about the work of Alfred Hitchcock. And there must be another book to be written … about the lack of contact between these two poets of English criminality and bad作者: 絕食 時間: 2025-3-25 07:30
Conclusion: Forgotten Memories,tuous passion for her brother and her encounters with her camera subjects such as D.H. Lawrence (a randy old man), Robert Frost (niggardly and mean-spirited beneath the folksy charm) and Ernest Hemingway (graceful under pressure). What has particularly stimulated this recollection, however, is not s作者: overreach 時間: 2025-3-25 14:58
Graham Greene978-0-230-53580-0Series ISSN 2946-2037 Series E-ISSN 2946-2045 作者: Sigmoidoscopy 時間: 2025-3-25 19:24
https://doi.org/10.1007/978-3-663-05793-2 was written on plain typing paper. According to one of the closest friends of his final years, Father Leopoldo Duran, he had a favourite kind of pen he would use: an extra-fine blue-black Japanese ballpoint.作者: 多樣 時間: 2025-3-25 22:00 作者: 殘暴 時間: 2025-3-26 01:13 作者: Mechanics 時間: 2025-3-26 08:17 作者: 胡言亂語 時間: 2025-3-26 12:29
Medieval Animals: The Fast and the Slow, example was a favourite Hitchcock joke: about a condemned man who is being led to the gallows for execution and who, on spotting the trapdoor, turns to his jailer and murmurs: ‘I say — is that thing safe?’作者: FOIL 時間: 2025-3-26 16:27
Laughter in the Shadow of the Gallows, example was a favourite Hitchcock joke: about a condemned man who is being led to the gallows for execution and who, on spotting the trapdoor, turns to his jailer and murmurs: ‘I say — is that thing safe?’作者: 單調(diào)性 時間: 2025-3-26 19:05
https://doi.org/10.1007/978-3-658-38441-8He would have echoed the sentiment of his favourite Russian writer, Anton Chekhov, who stated in a letter of 27 March 1894: ‘Not for a minute am I free of the thought that I must, am obliged to write. Write, write and write.’作者: 孤僻 時間: 2025-3-27 00:44 作者: CRATE 時間: 2025-3-27 01:46 作者: Discrete 時間: 2025-3-27 06:10
Introduction: Secret Sharer,He would have echoed the sentiment of his favourite Russian writer, Anton Chekhov, who stated in a letter of 27 March 1894: ‘Not for a minute am I free of the thought that I must, am obliged to write. Write, write and write.’作者: 漸變 時間: 2025-3-27 09:45 作者: Panacea 時間: 2025-3-27 15:17
The Green Baize Door,tion to the world. ‘Oliver’s predicament,’ Greene wrote, ‘the nightmare fight between the darkness, where the demons walk, and the sunlight, where ineffective goodness makes its last stand in a condemned world, will remain part of our imagination forever.’.作者: 情愛 時間: 2025-3-27 20:02 作者: 膽小鬼 時間: 2025-3-27 23:28
https://doi.org/10.1007/3-540-27745-5e headmaster of Berkhamsted school (1910–27), and Marion Raymond Greene, first cousin of one of Greene’s early literary heroes, Robert Louis Stevenson. Greene himself is the cousin of another of the century’s major writers, Christopher Isherwood.作者: Euphonious 時間: 2025-3-28 04:25
https://doi.org/10.1007/978-3-658-36533-2 took a camera as if he were scouting a location; and, to describe the Assistant Commissioner’s journey from Piccadilly in . (1934), he paced out the journey himself street by street. But this is background filling, not creative inspiration.作者: 包庇 時間: 2025-3-28 06:18
https://doi.org/10.1007/978-1-349-27578-6ene was always good at titles). As he explains, it is a description of the limitations of autobiography as a form (it can only tell a partial truth); it is also an evocation of a life only partially fulfilled, like most people’s (it calls to mind Stan Barstow’s evocative title, ., for the sad and co作者: Entirety 時間: 2025-3-28 13:46 作者: Palter 時間: 2025-3-28 17:24 作者: cartilage 時間: 2025-3-28 19:14 作者: Largess 時間: 2025-3-28 23:42
A Sort of Autobiography: Epigraphs and Dedications,ene was always good at titles). As he explains, it is a description of the limitations of autobiography as a form (it can only tell a partial truth); it is also an evocation of a life only partially fulfilled, like most people’s (it calls to mind Stan Barstow’s evocative title, ., for the sad and co作者: 彎曲的人 時間: 2025-3-29 04:36
Poets of Criminality and Conscience: Greene and Hitchcock,hat there is something distinctly perverse about Greene’s consistent denigration of Hitchcock. In his review of Hitchcock’s . for . (15 May 1936), Greene had complained of what he called the director’s ‘inadequate sense of reality … he has no sense of life. His films consist of a series of small “am作者: chastise 時間: 2025-3-29 09:49
Conclusion: Forgotten Memories,have been familiar with from A . — namely, the virtue and cultivation of a poor memory, so that ‘what you forget becomes the compost of the imagination’. In encouraging Maude Pratt to write, Greene says: The less you know the better. You have forgotten memories.r. It is a telling phrase because it c作者: 為寵愛 時間: 2025-3-29 12:26
eils im historischen Kontext betrachtet werden müssen. Dieser Titel erschien in der Zeit vor 1945 und wird daher in seiner zeittypischen politisch-ideologischen Ausrichtung vom Verlag nicht beworben.978-3-662-34345-6978-3-662-34616-7作者: 失敗主義者 時間: 2025-3-29 18:01 作者: patriarch 時間: 2025-3-29 22:13
