標題: Titlebook: Gothic and the Comic Turn; Avril Horner,Sue Zlosnik Book 2005 Palgrave Macmillan, a division of Macmillan Publishers Limited 2005 Comic.En [打印本頁] 作者: 外表 時間: 2025-3-21 16:34
書目名稱Gothic and the Comic Turn影響因子(影響力)
書目名稱Gothic and the Comic Turn影響因子(影響力)學(xué)科排名
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書目名稱Gothic and the Comic Turn網(wǎng)絡(luò)公開度學(xué)科排名
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書目名稱Gothic and the Comic Turn被引頻次學(xué)科排名
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書目名稱Gothic and the Comic Turn年度引用學(xué)科排名
書目名稱Gothic and the Comic Turn讀者反饋
書目名稱Gothic and the Comic Turn讀者反饋學(xué)科排名
作者: 叫喊 時間: 2025-3-21 20:46
Die Herausforderung Innovation,powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour are conveyed to the world in the best chosen language’..作者: 起草 時間: 2025-3-22 02:12
Management der Gesch?fte von morgen the castle, the gothic in the Victorian period becomes arguably even more potentially terrifying because of its ability to manifest itself anywhere.’. The seeds of this dispersal may be seen in novels like . and ., which had simultaneously parodied Gothic novels and represented everyday experience 作者: 表被動 時間: 2025-3-22 07:31
Projektmanagement richtig gemacht,ns of engaging with such anxieties in a more ambivalent manner than ‘horror’ Gothic; both are written on the cusp of important social, political and cultural historical moments; both present the city space as a place of liberation in its embrace of the flaneur and the bohemian.作者: outset 時間: 2025-3-22 12:25 作者: 不能強迫我 時間: 2025-3-22 14:42
Tom Sommerlatte,Arthur D. Littleonal caricature that was the latex head of the . puppet, this representation of Mrs Thatcher became equally as familiar to the British in the 1980s as the dulcet tones and gentle visage of ‘the lady’ herself.. Along with similar puppets, ‘she’ was manipulated to participate in scenes of public and p作者: 不能強迫我 時間: 2025-3-22 19:07
Internationale Marktkommunikation,thic’, we have offered the selective study appropriate to a book of this length. By focusing on exemplar texts, we have tried to sketch out a rough trajectory of the comic turn in Gothic from . to the 1980s. In so doing, we have concentrated mainly on British writing but have also considered the wor作者: 駕駛 時間: 2025-3-22 22:30
Introduction,y within literary studies. Despite disputes concerning ever more inclusive definitions of Gothic (which Maurice Levy, for example, thinks far too inclusive.), most critics would probably agree that Gothic writing always concerns itself with boundaries and their instabilities, whether between the qui作者: Conclave 時間: 2025-3-23 05:02
The Late Romantic Turn,powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour are conveyed to the world in the best chosen language’..作者: 祖?zhèn)髫敭a(chǎn) 時間: 2025-3-23 07:07
Realism and Romance, the castle, the gothic in the Victorian period becomes arguably even more potentially terrifying because of its ability to manifest itself anywhere.’. The seeds of this dispersal may be seen in novels like . and ., which had simultaneously parodied Gothic novels and represented everyday experience 作者: 四溢 時間: 2025-3-23 13:05 作者: HAVOC 時間: 2025-3-23 15:57 作者: persistence 時間: 2025-3-23 20:37 作者: 公式 時間: 2025-3-23 23:03
Afterword,thic’, we have offered the selective study appropriate to a book of this length. By focusing on exemplar texts, we have tried to sketch out a rough trajectory of the comic turn in Gothic from . to the 1980s. In so doing, we have concentrated mainly on British writing but have also considered the wor作者: 違反 時間: 2025-3-24 02:38 作者: HACK 時間: 2025-3-24 09:22
978-1-349-41556-4Palgrave Macmillan, a division of Macmillan Publishers Limited 2005作者: 烤架 時間: 2025-3-24 14:05
ear and anxiety. Gothic and the Comic Turn argues that, partly through its desire to be taken seriously, Gothic criticism has neglected the comic doppelganger that has always inhabited the Gothic mode and which in certain texts emerges as dominant. Tracing an historical trajectory from the late Roma作者: 復(fù)習(xí) 時間: 2025-3-24 16:24
Book 2005xiety. Gothic and the Comic Turn argues that, partly through its desire to be taken seriously, Gothic criticism has neglected the comic doppelganger that has always inhabited the Gothic mode and which in certain texts emerges as dominant. Tracing an historical trajectory from the late Romantic perio作者: Digest 時間: 2025-3-24 22:33
Book 2005hat has always inhabited the Gothic mode and which in certain texts emerges as dominant. Tracing an historical trajectory from the late Romantic period through to the present day, this book examines how varieties of comic parody and appropriation have interrogated the complexities of modern subjectivity.作者: 安撫 時間: 2025-3-25 00:47
elganger that has always inhabited the Gothic mode and which in certain texts emerges as dominant. Tracing an historical trajectory from the late Romantic period through to the present day, this book examines how varieties of comic parody and appropriation have interrogated the complexities of modern subjectivity.978-1-349-41556-4978-0-230-50307-6作者: 進取心 時間: 2025-3-25 07:18
Management der Internationalisierungtraditions of Gothic the potential for writing transgression that challenged patriarchal assumptions and expectations in the late twentieth-century context. In Gothic’s hybridity they discovered ways of opening up parodic spaces to comic and liberating effect.作者: 開花期女 時間: 2025-3-25 09:38
Women Writing Women,traditions of Gothic the potential for writing transgression that challenged patriarchal assumptions and expectations in the late twentieth-century context. In Gothic’s hybridity they discovered ways of opening up parodic spaces to comic and liberating effect.作者: MERIT 時間: 2025-3-25 12:52
Kamal N. Saad,Philip A. Roussel,Claus Tibycepted definitions of Gothic writing resolutely ignore its comic aspect. In his ground-breaking, Freudian-Marxist study of the Gothic, ., published in 1980, David Punter defines three elements that lie at the ‘heart’ of Gothic writing; these are: the concept of paranoia, the notion of the barbaric a作者: ALIEN 時間: 2025-3-25 16:50
Die Herausforderung Innovation,y during the 1790s and before those better-known parodies of Gothic fiction, Peacock’s . and Austen’s ., which were published in 1818.. Whereas . is a clear parody of the conventions of the popular Gothic novel, . is perhaps a more subtle parody of the Gothic mode. Both Edgeworth and Barrett were co作者: Diskectomy 時間: 2025-3-25 22:34 作者: 戰(zhàn)勝 時間: 2025-3-26 02:31
Projektmanagement richtig gemacht,ssentially ‘modern’ European city, Paris became, from the late nineteenth to the mid-twentieth century, associated with metamorphosis and experimentation. It is thus an appropriate setting for the plots of these two novels which, in their depiction of gender, national identity, urban space and a god作者: 燒瓶 時間: 2025-3-26 07:38 作者: 縫紉 時間: 2025-3-26 09:00
Management der Internationalisierungor the current generation of women writers. ‘This’, she claims:.She cites Monique Wittig, Beryl Bainbridge, Angela Carter and Patricia Highsmith as writers who write in fantasy modes in order to evade this constraint.. Those feminist writers of fiction who remained within realist paradigms found the作者: 全能 時間: 2025-3-26 13:26
Tom Sommerlatte,Arthur D. Littleosh have pointed out, the phenomenon is not new: ‘Masculinity is always bound up with negotiations about power, and is often therefore experienced as tenuous’.. One of the effects of feminism in the 1960s and 1970s was to focus the spotlight on gendered social practices and on sexuality. Thus by the作者: 性學(xué)院 時間: 2025-3-26 17:16
Internationale Marktkommunikation,cupied with the anxieties of modernity, deadly serious scholarly criticism of texts that disturb and shock has dominated the rise of Gothic studies. Thus, we have argued, the value of the comic turn in Gothic texts has been largely overlooked. What we have tried to do in . is to open up a new approa作者: 配置 時間: 2025-3-26 23:29 作者: 橫截,橫斷 時間: 2025-3-27 04:07 作者: 膽小鬼 時間: 2025-3-27 05:51 作者: 時代 時間: 2025-3-27 13:23 作者: aptitude 時間: 2025-3-27 14:32 作者: 氣候 時間: 2025-3-27 21:12
Women Writing Women,or the current generation of women writers. ‘This’, she claims:.She cites Monique Wittig, Beryl Bainbridge, Angela Carter and Patricia Highsmith as writers who write in fantasy modes in order to evade this constraint.. Those feminist writers of fiction who remained within realist paradigms found the作者: reptile 時間: 2025-3-28 01:05 作者: 脖子 時間: 2025-3-28 04:15
Afterword,cupied with the anxieties of modernity, deadly serious scholarly criticism of texts that disturb and shock has dominated the rise of Gothic studies. Thus, we have argued, the value of the comic turn in Gothic texts has been largely overlooked. What we have tried to do in . is to open up a new approa作者: 真繁榮 時間: 2025-3-28 09:44 作者: cutlery 時間: 2025-3-28 11:57 作者: Hamper 時間: 2025-3-28 14:53 作者: 熱烈的歡迎 時間: 2025-3-28 20:40
Jacques Robertperspectives and practices, with contributors from the regioThis edited volume provides an overview of the current state and indigenous practices of leadership development (LD) in a select group of emerging market economies, including BRICS, Southeast and East Asia, Middle East, Eastern Europe, and 作者: 緩和 時間: 2025-3-29 00:21
