標(biāo)題: Titlebook: Gothic Returns in Collins, Dickens, Zola, and Hitchcock; Eleanor Salotto Book 2006 Palgrave Macmillan, a division of Nature America Inc. 2 [打印本頁] 作者: 氣泡 時間: 2025-3-21 17:12
書目名稱Gothic Returns in Collins, Dickens, Zola, and Hitchcock影響因子(影響力)
書目名稱Gothic Returns in Collins, Dickens, Zola, and Hitchcock影響因子(影響力)學(xué)科排名
書目名稱Gothic Returns in Collins, Dickens, Zola, and Hitchcock網(wǎng)絡(luò)公開度
書目名稱Gothic Returns in Collins, Dickens, Zola, and Hitchcock網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Gothic Returns in Collins, Dickens, Zola, and Hitchcock被引頻次
書目名稱Gothic Returns in Collins, Dickens, Zola, and Hitchcock被引頻次學(xué)科排名
書目名稱Gothic Returns in Collins, Dickens, Zola, and Hitchcock年度引用
書目名稱Gothic Returns in Collins, Dickens, Zola, and Hitchcock年度引用學(xué)科排名
書目名稱Gothic Returns in Collins, Dickens, Zola, and Hitchcock讀者反饋
書目名稱Gothic Returns in Collins, Dickens, Zola, and Hitchcock讀者反饋學(xué)科排名
作者: 中子 時間: 2025-3-21 22:02 作者: 嚴(yán)厲批評 時間: 2025-3-22 01:17 作者: B-cell 時間: 2025-3-22 06:59
Cultural Relativity in Management Researchostscript in lieu of Preface is one such return. In ., the incineration of a manuscript that reveals the identity of a murderer is another example in which one plot fails to exterminate another and is in turn haunted by it.作者: Frequency-Range 時間: 2025-3-22 10:57
Management Models for the Future its attempt to wander away from first person narration. The proliferation and contagion of plots and characters point to a covering over of first person narration. In trying to present the unrepresentable, the text creates the multiplot. Whatever first person narration cannot speak, third person na作者: 難管 時間: 2025-3-22 15:32 作者: 難管 時間: 2025-3-22 17:51
Gothic Returns in Collins, Dickens, Zola, and Hitchcock作者: Gesture 時間: 2025-3-23 01:10 作者: GROSS 時間: 2025-3-23 01:23 作者: inhibit 時間: 2025-3-23 06:40
https://doi.org/10.1007/978-1-137-11770-0Charles Dickens; fiction; identity; novel; Victorian era作者: Cabg318 時間: 2025-3-23 12:29
d desires of both characters and plots which defy direct representation, resulting in obsession, fetishism and displacement engendering a novel account of the way in which the gothic becomes internalized.978-1-349-73653-9978-1-137-11770-0作者: epidermis 時間: 2025-3-23 17:56
978-1-349-73653-9Palgrave Macmillan, a division of Nature America Inc. 2006作者: essential-fats 時間: 2025-3-23 20:47 作者: convulsion 時間: 2025-3-24 01:56
Integrating People, Planet and Profittroduces the ghostly production of the voice; the voice is no longer one, but is doubled. The double narration thus becomes the locus of haunting in that the ghostly pro-duction of the double narrative entails death and resurrection as each narrator stops and begins his or her portion of the narrative.作者: grudging 時間: 2025-3-24 04:09 作者: phlegm 時間: 2025-3-24 08:13 作者: 解開 時間: 2025-3-24 11:51 作者: LARK 時間: 2025-3-24 18:08 作者: Arthritis 時間: 2025-3-24 19:20
,Shopping for an “I”: Zola’s ,and the Spectacle of Identity,faces in changed forms in the novel through the dynamics of the multiplot and through buried first person narration. While Dickens’s novel focuses on drowning by death through representation and the consequent transforming of the self into an image, Zola advances the change in novelistic representation by conceiving of the self as pure spectacle.作者: Adornment 時間: 2025-3-24 23:46
https://doi.org/10.1007/978-3-8349-9295-6iscourse present in the realistic novel and an “irrational” discourse of the gothic that was more closely aligned both fictively and realistically with woman’s legal and social position in nineteenth-century Britain.作者: 使迷醉 時間: 2025-3-25 04:05
All interventions are equally effective, then, this form rehearses the live burial of a story so that another story can continue. This layering of stories mimics doubling and shadows as one story impinges upon another story. The multiplot novel as Bakhtin has shown speaks in many voices..作者: evince 時間: 2025-3-25 07:41
,Survival of the Unfittest: Collins’s , and ,iscourse present in the realistic novel and an “irrational” discourse of the gothic that was more closely aligned both fictively and realistically with woman’s legal and social position in nineteenth-century Britain.作者: Grating 時間: 2025-3-25 12:46
,Grave Narrations: Dickens’s Later Writings, then, this form rehearses the live burial of a story so that another story can continue. This layering of stories mimics doubling and shadows as one story impinges upon another story. The multiplot novel as Bakhtin has shown speaks in many voices..作者: 疲憊的老馬 時間: 2025-3-25 15:57 作者: farewell 時間: 2025-3-25 20:23 作者: slow-wave-sleep 時間: 2025-3-26 00:18
Integrating People, Planet and Profitdead of those muted voices, . suggests what might be the effect of storytelling that cannot be contained neatly in one person. The double narration introduces the ghostly production of the voice; the voice is no longer one, but is doubled. The double narration thus becomes the locus of haunting in t作者: exceed 時間: 2025-3-26 07:23
Management Models for the Futuretion by introducing the double narrative which deconstructs a unified speaking subject and thus gendered identity. Rather than two gendered narrators, we are presented with the ghostly signifiers of gendered narration, and these ghostly presences wander at will and indiscriminately. . presents a pro作者: 項目 時間: 2025-3-26 10:42
Management in Process: Engaging Office,listic progress. That is, the self turns into a spectacle of dispersal. As we have seen in Dickens’s ., the self is a buried text of images that resurfaces in changed forms in the novel through the dynamics of the multiplot and through buried first person narration. While Dickens’s novel focuses on 作者: 聲音刺耳 時間: 2025-3-26 13:22 作者: absolve 時間: 2025-3-26 18:35
All interventions are equally effective,form of narration is gothic and makes its appearance in full force in .. We have come to view the Victorian novel as representative of high realism; however, I argue that the Victorian novel is obsessed with buried secrets, returns from the dead, and ghosts. Narration itself at the supposed apogee o作者: –吃 時間: 2025-3-26 22:17 作者: HERTZ 時間: 2025-3-27 02:58 作者: 返老還童 時間: 2025-3-27 09:11 作者: BATE 時間: 2025-3-27 13:10 作者: precede 時間: 2025-3-27 15:39
Shadowing the Dead: First Person Narration in ,tion by introducing the double narrative which deconstructs a unified speaking subject and thus gendered identity. Rather than two gendered narrators, we are presented with the ghostly signifiers of gendered narration, and these ghostly presences wander at will and indiscriminately. . presents a pro作者: anthropologist 時間: 2025-3-27 21:34
,Shopping for an “I”: Zola’s ,and the Spectacle of Identity,listic progress. That is, the self turns into a spectacle of dispersal. As we have seen in Dickens’s ., the self is a buried text of images that resurfaces in changed forms in the novel through the dynamics of the multiplot and through buried first person narration. While Dickens’s novel focuses on 作者: 無法取消 時間: 2025-3-28 00:46 作者: 有其法作用 時間: 2025-3-28 05:41
,Grave Narrations: Dickens’s Later Writings,form of narration is gothic and makes its appearance in full force in .. We have come to view the Victorian novel as representative of high realism; however, I argue that the Victorian novel is obsessed with buried secrets, returns from the dead, and ghosts. Narration itself at the supposed apogee o作者: 清楚 時間: 2025-3-28 07:37 作者: bronchiole 時間: 2025-3-28 13:31
Book 2012ry systems, especially multiscale modeling and coupled simulations. The cardiovascular and respiratory systems are tightly coupled, as their primary function is to supply oxygen to and remove carbon dioxide from the body‘s cells. Because physiological conduits have deformable and reactive walls, mac作者: 接合 時間: 2025-3-28 16:53
