標(biāo)題: Titlebook: Gothic Modernisms; Andrew Smith (Senior Lecturer in English),Jeff Wal Book 2001 Palgrave Macmillan, a division of Macmillan Publishers Lim [打印本頁(yè)] 作者: Chylomicron 時(shí)間: 2025-3-21 19:38
書(shū)目名稱(chēng)Gothic Modernisms影響因子(影響力)
作者: 金盤(pán)是高原 時(shí)間: 2025-3-21 23:08 作者: Ejaculate 時(shí)間: 2025-3-22 03:06
Formal Verification of Evolutionary Changes of the tale of terror it is impossible to predict; but the experiments of living authors, who continually find new outlets with the advance of science and of psychological enquiry, suffice to prove that its powers are not yet exhausted’.作者: 物質(zhì) 時(shí)間: 2025-3-22 08:22
https://doi.org/10.1007/978-3-8349-8260-5 from every slight foothold, to teeter over every available precipice’,. becomes the keynote of Joyce’s early adulthood and beyond. He writes, in his first letter to Nora, of his home as ‘simply a middle-class affair ruined by spendthrift habits which I have inherited’.作者: Charade 時(shí)間: 2025-3-22 12:16 作者: HOWL 時(shí)間: 2025-3-22 16:51
,‘Psychical’ Cases: Transformations of the Supernatural in Virginia Woolf and May Sinclair, of the tale of terror it is impossible to predict; but the experiments of living authors, who continually find new outlets with the advance of science and of psychological enquiry, suffice to prove that its powers are not yet exhausted’.作者: HOWL 時(shí)間: 2025-3-22 19:51
,‘The stern task of living’: Dubliners,Clerks, Money and Modernism, from every slight foothold, to teeter over every available precipice’,. becomes the keynote of Joyce’s early adulthood and beyond. He writes, in his first letter to Nora, of his home as ‘simply a middle-class affair ruined by spendthrift habits which I have inherited’.作者: Presbyopia 時(shí)間: 2025-3-23 00:32 作者: 感情 時(shí)間: 2025-3-23 05:03 作者: Dri727 時(shí)間: 2025-3-23 08:20
Policies in Marketing and Saleser feast of horror than served our ancestors for a twelve-month … we are impervious to fear.’ It only remains for us modernist writers, Woolf notes, to change the point of attack, to find ’the weak spot in the armour’ of the impervious modern mind, to specify a new fear..作者: Tdd526 時(shí)間: 2025-3-23 11:24
https://doi.org/10.1007/978-1-349-18054-7tion of the unfamiliar, science fiction shares Gothic obsessions with the uncanny. Both invert perceptions, create ambivalence, and transgress binary oppositions by acknowledging the repressed negative within every positive.作者: 十字架 時(shí)間: 2025-3-23 17:47
The Aims and Objectives of Corporate Bodies, are not usually regarded as underpinning modernism, but, as we shall see, Lawrence’s specific deployment of such ideas is a response to the perceived physical and mental harm posed by modernist aesthetics.作者: 險(xiǎn)代理人 時(shí)間: 2025-3-23 20:26
,Vampirism, Masculinity and Degeneracy: D. H. Lawrence’s Modernist Gothic,, are not usually regarded as underpinning modernism, but, as we shall see, Lawrence’s specific deployment of such ideas is a response to the perceived physical and mental harm posed by modernist aesthetics.作者: pulmonary-edema 時(shí)間: 2025-3-23 23:42
Hungry Ghosts and Foreign Bodies, obsession’.. Such a process of writing, no matter to whom it might attach itself, would be haunted and haunting, would be the product of an unimaginable other who steals the pen from the writer’s grasp in the very moment of inception and yet who cannot be glimpsed, is shrouded in a lasting opacity.作者: 稱(chēng)贊 時(shí)間: 2025-3-24 04:06 作者: inhumane 時(shí)間: 2025-3-24 08:00
Metropolis and the Modernist Gothic,tion of the unfamiliar, science fiction shares Gothic obsessions with the uncanny. Both invert perceptions, create ambivalence, and transgress binary oppositions by acknowledging the repressed negative within every positive.作者: Inclement 時(shí)間: 2025-3-24 12:09
https://doi.org/10.1057/9780333985236aesthetics; culture; David Herbert Lawrence; fiction; film; fragment; Hollywood; Modernism作者: 單獨(dú) 時(shí)間: 2025-3-24 18:29
Book 2001images of the fragmented self is echoed in the Modernist concern with the psyche and the paranoia of the everyday. The contributors explore how the Gothic influences a range of writers including James Joyce, D.H. Lawrence, Virginia Woolf, May Sinclair, Elizabeth Bowen and Djuna Barnes.作者: GOUGE 時(shí)間: 2025-3-24 22:03
tion with images of the fragmented self is echoed in the Modernist concern with the psyche and the paranoia of the everyday. The contributors explore how the Gothic influences a range of writers including James Joyce, D.H. Lawrence, Virginia Woolf, May Sinclair, Elizabeth Bowen and Djuna Barnes.978-1-349-42365-1978-0-333-98523-6作者: Flagging 時(shí)間: 2025-3-24 23:14
978-1-349-42365-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2001作者: uveitis 時(shí)間: 2025-3-25 06:35
https://doi.org/10.1007/978-3-642-03233-2s appeal to a mass readership and modernism’s associations with elite culture, such oversights seem initially justifiable. However, this is to ignore modernism’s fascination with the everyday, as witnessed for example in two seminal high modernist achievements of 1922, . and . and it is to ignore th作者: evaculate 時(shí)間: 2025-3-25 10:31
Andrei D. Coronel,Rafael P. Saldanaid says, ‘a(chǎn)re forced from the writer by some dark, secret collaborator; they are written with the terrible intensity of one who abandons himself to an obsession’.. Such a process of writing, no matter to whom it might attach itself, would be haunted and haunting, would be the product of an unimagina作者: 易改變 時(shí)間: 2025-3-25 14:56
Christian Schulmeyer,Frank Keuperand finds himself in heaven. There the true nature of the world is explained to him by two men, each in their different ways a representative figure of modernity: Paul Jeffreson, the dissolute Imagist poet who had run away with his wife Elizabeth, and the philosopher Immanuel Kant. On meeting Jeffre作者: 平常 時(shí)間: 2025-3-25 19:42 作者: 鎮(zhèn)壓 時(shí)間: 2025-3-25 22:08
Policies in Marketing and Salesh’ if they simply aim at the obvious sources of fear. For after world war, tabloid journalism and mass mechanical production ’we breakfast upon a richer feast of horror than served our ancestors for a twelve-month … we are impervious to fear.’ It only remains for us modernist writers, Woolf notes, t作者: 才能 時(shí)間: 2025-3-26 01:08
Personalbeurteilung und Personalentwicklungr a dark and bizarre encounter with boundaries which, once transgressed, then have their very existence called into question. . representation of an alienated and angst-ridden urban existence means that it has generally been received as a modernist text but, we shall argue, it is also linked to the 作者: freight 時(shí)間: 2025-3-26 07:03 作者: 相符 時(shí)間: 2025-3-26 10:14 作者: Wernickes-area 時(shí)間: 2025-3-26 15:05 作者: 哥哥噴涌而出 時(shí)間: 2025-3-26 17:28 作者: extinct 時(shí)間: 2025-3-27 00:19 作者: hegemony 時(shí)間: 2025-3-27 04:31
https://doi.org/10.1007/978-1-349-18054-7elongs to modernity, it insists, against scientific reason, on the danger of the new. Seeking menace within the familiar, and educing dread in exploration of the unfamiliar, science fiction shares Gothic obsessions with the uncanny. Both invert perceptions, create ambivalence, and transgress binary 作者: 宣誓書(shū) 時(shí)間: 2025-3-27 06:37
https://doi.org/10.1057/9781403948151 Norma Desmond, a once famous actress of the silent screen, and now parody of her previous incarnations, as she lives amongst her memories, delusions, and the remnants of a ghostly Hollywood past. Gillis, attempting to save his car from being repossessed, turns into the driveway of Desmond’s run-dow作者: 變異 時(shí)間: 2025-3-27 12:18
Introduction: Gothic Modernisms: History, Culture and Aesthetics,s appeal to a mass readership and modernism’s associations with elite culture, such oversights seem initially justifiable. However, this is to ignore modernism’s fascination with the everyday, as witnessed for example in two seminal high modernist achievements of 1922, . and . and it is to ignore th作者: lethal 時(shí)間: 2025-3-27 17:20 作者: 受傷 時(shí)間: 2025-3-27 18:11 作者: orthodox 時(shí)間: 2025-3-27 23:38 作者: 祖?zhèn)髫?cái)產(chǎn) 時(shí)間: 2025-3-28 03:30
The Ghost and the Omnibus: the Gothic Virginia Woolf,h’ if they simply aim at the obvious sources of fear. For after world war, tabloid journalism and mass mechanical production ’we breakfast upon a richer feast of horror than served our ancestors for a twelve-month … we are impervious to fear.’ It only remains for us modernist writers, Woolf notes, t作者: 散步 時(shí)間: 2025-3-28 08:54
,Strolling in the Dark: Gothic Flanerie in Djuna Barnes’s Nightwood,r a dark and bizarre encounter with boundaries which, once transgressed, then have their very existence called into question. . representation of an alienated and angst-ridden urban existence means that it has generally been received as a modernist text but, we shall argue, it is also linked to the 作者: 博愛(ài)家 時(shí)間: 2025-3-28 11:40 作者: 門(mén)閂 時(shí)間: 2025-3-28 18:21
,‘The stern task of living’: Dubliners,Clerks, Money and Modernism,t seems, about the ‘stern’ or ‘delicate’ task of keeping body and soul together. By 1904, the year Joyce met Nora Barnacle, the rapid financial decline of John Joyce’s family had led them from independent propertied income to the virtual poverty of 7 St Peter’s Terrace, Dublin, where the cramped spa作者: 殘廢的火焰 時(shí)間: 2025-3-28 20:09 作者: Thymus 時(shí)間: 2025-3-28 23:29
,Vampirism, Masculinity and Degeneracy: D. H. Lawrence’s Modernist Gothic,ch Lawrence’s fascination with the body has to both a Gothic language of otherness and a modernist discourse of subjectivity. This Gothic dimension to his writings can be explored through an analysis of pseudo-scientific ideas about degeneration which were popular at the time. Such ideas, admittedly作者: 跳脫衣舞的人 時(shí)間: 2025-3-29 04:27 作者: Ophthalmologist 時(shí)間: 2025-3-29 08:23 作者: palliate 時(shí)間: 2025-3-29 12:31 作者: Pelvic-Floor 時(shí)間: 2025-3-29 18:30
https://doi.org/10.1007/978-3-642-03233-2 an image of cultural exclusion is both celebrated and breached by a modernist aesthetic which glimpses in the everyday, not a decline of cultural authority, but rather its rhetorical and image bearing status. In transforming Michelangelo into mass experience, mass culture both captures the essence 作者: extrovert 時(shí)間: 2025-3-29 20:36
Personalbeurteilung und Personalentwicklunghey also evoke Gothic resonances of monstrosity and vampirism. Through them those boundaries which demarcate ‘normality’ and ’civilised’ behaviour are destabilised. If . remarkable conflation of modernism and Gothic made it a deeply disturbing text for Barnes’s contemporaries, early twenty first-cen作者: GNAW 時(shí)間: 2025-3-30 00:02 作者: CREEK 時(shí)間: 2025-3-30 07:08
https://doi.org/10.1007/978-3-662-57963-3nstable human identity. They engage in narrative experimentation more consistently than their mainstream contemporary counterparts within the realist or naturalist tradition, foregrounding issues of narrativity, refusing to lay claim to narrative objectivity or omniscience, renouncing verisimilitude作者: 展覽 時(shí)間: 2025-3-30 10:20
https://doi.org/10.1007/978-1-349-21348-1lues to its age, Ruskin’s perception of a decadent . rescued by a savage, rigid, grotesquely redundant art, juxtaposing past and present, history and miracle, image and . and fantastic combinations of human, animal, plant, would consequently lead towards the modernist appraisal of significant form .作者: 露天歷史劇 時(shí)間: 2025-3-30 16:02
https://doi.org/10.1057/9781403948151convenience sake, but, in reality, to avoid the debt collectors. Once there, he finds it increasingly difficult to free himself from the claustrophobic situation into which he has been dragged. Eventually, following a love affair between the has-been actress and never-was writer, an evasive encounte作者: Irksome 時(shí)間: 2025-3-30 17:49
Andrew Smith (Senior Lecturer in English),Jeff Wal作者: 破譯密碼 時(shí)間: 2025-3-30 23:45
