標(biāo)題: Titlebook: God and Self in the Confessional Novel; John D. Sykes, Jr. Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Augustine.Rousse [打印本頁] 作者: 閃爍 時間: 2025-3-21 18:42
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作者: 后來 時間: 2025-3-21 23:16
John D. Sykes, Jr.Draws on novels from the eighteenth to the twenty-first century.Examines theological, historical, and philosophical influences on confession.Considers confession and guilt both within and outside reli作者: atrophy 時間: 2025-3-22 03:58
https://doi.org/10.1007/978-3-319-91322-3Augustine; Rousseau; guilt in literature; the self in literature; confession in literature; Catholic guil作者: pulse-pressure 時間: 2025-3-22 07:21
Book 2018el?? Beginning with the premise that guilt remains a universal human concern, this book considers confession via the classic confessional texts of Augustine and Rousseau. Employing this framework, John D. Sykes, Jr. examines Goethe’s .The Sorrows of Young Werther., Dostoevsky’s .Notes from Undergrou作者: AIL 時間: 2025-3-22 10:31
Book 2018ustine and Rousseau. Employing this framework, John D. Sykes, Jr. examines Goethe’s .The Sorrows of Young Werther., Dostoevsky’s .Notes from Underground., Percy’s .Lancelot., and McEwan’s .Atonement. to investigate the evolution of confession and guilt in literature from the eighteenth century to the early twenty-first century..作者: Implicit 時間: 2025-3-22 13:24
orrows of Young Werther., Dostoevsky’s .Notes from Underground., Percy’s .Lancelot., and McEwan’s .Atonement. to investigate the evolution of confession and guilt in literature from the eighteenth century to the early twenty-first century..978-3-030-08224-6978-3-319-91322-3作者: Implicit 時間: 2025-3-22 19:35
.Considers confession and guilt both within and outside reli.God and Self in the Confessional Novel .explores the question: what happened to the theological practice of confession when it entered the modern novel?? Beginning with the premise that guilt remains a universal human concern, this book co作者: ALB 時間: 2025-3-23 00:02
Flexion Contracture and Femoral Sizing,y influential literary confessions, those of Augustine and Rousseau. In four novels, one from each century from the eighteenth to the present, this book will explore competing notions of God, self, and the burden of guilt as a first-person narrator confronts them.作者: MINT 時間: 2025-3-23 03:02
Marissa D. Jamieson,Thomas O. Clantoner this hidden monad. Confession is therefore a means to personal authenticity rather than a declaration of guilt, and the primary audience is the reader rather than God, who effectively disappears from Rousseau’s narrative.作者: 小卷發(fā) 時間: 2025-3-23 08:46
https://doi.org/10.1007/978-3-663-06757-3 evil in its true light as the dark thing that the love of the good God has forbidden. This will in turn open the door to a sacramental confession promising forgiveness and self-knowledge as an antidote to sin.作者: Heresy 時間: 2025-3-23 12:15 作者: 能夠支付 時間: 2025-3-23 13:57
Introduction,y influential literary confessions, those of Augustine and Rousseau. In four novels, one from each century from the eighteenth to the present, this book will explore competing notions of God, self, and the burden of guilt as a first-person narrator confronts them.作者: fabricate 時間: 2025-3-23 19:42 作者: 甜得發(fā)膩 時間: 2025-3-24 01:01 作者: 柏樹 時間: 2025-3-24 03:28 作者: maintenance 時間: 2025-3-24 08:37
The History of Ligament Substitutesuicide. His “confession” is actually an attempt at final self-justification and reveals his true guilt to be that of idolatry. He has worshiped Lotte and ultimately his own longings at the expense of God, and thus, theologically his suicide represents a failure to praise God and a failure to confess sin.作者: FAR 時間: 2025-3-24 13:02
https://doi.org/10.1007/978-1-4757-1529-3the self. Underground Man proclaims his freedom, but self-deception prevents him from taking the risk of faith that would allow him to escape his vicious circle. Underground Man’s regretful, defiant account of rejecting Liza’s kenotic love implies that for Dostoevsky, there is no satisfactory confession without God.作者: 生命 時間: 2025-3-24 15:09 作者: Estimable 時間: 2025-3-24 19:46 作者: 放牧 時間: 2025-3-25 01:44
: Self-Deception and the Dialogic Self,the self. Underground Man proclaims his freedom, but self-deception prevents him from taking the risk of faith that would allow him to escape his vicious circle. Underground Man’s regretful, defiant account of rejecting Liza’s kenotic love implies that for Dostoevsky, there is no satisfactory confession without God.作者: Lumbar-Spine 時間: 2025-3-25 06:52
,: The Novel’s Confessional Limit,s artistic development. Yet despite demonstrating a commendable self-conscious, postmodern realism, McEwan ultimately allows his author to fall victim to the self-deception typical of the heirs of Rousseau. Against the wishes of McEwan and Briony, . is ultimately a monologue, which has cut itself off from true transcendence.作者: 安裝 時間: 2025-3-25 11:23 作者: 污點 時間: 2025-3-25 13:10 作者: inveigh 時間: 2025-3-25 15:59 作者: 貪心 時間: 2025-3-25 20:38 作者: 傳染 時間: 2025-3-26 03:36 作者: NEXUS 時間: 2025-3-26 07:31 作者: 忍耐 時間: 2025-3-26 11:49 作者: 訓(xùn)誡 時間: 2025-3-26 12:38
Flexion Contracture and Femoral Sizing,chological reality. For this reason, confession remains a vital means for confronting guilt. Yet in a secularized context, confession becomes problematic. Confession without a God who can both hold one to account and offer forgiveness seems to condemn the confessant to perpetual doubt. As the author作者: acheon 時間: 2025-3-26 20:15 作者: biopsy 時間: 2025-3-27 00:24
The History of Ligament Substitutes, Werther absorbs nature into himself, collapsing external nature into internal nature. During the course of his unhappy love affair, Werther grows solipsistic, judging all things by his feelings for them. Unable to control his feelings, Werther becomes so alienated from himself that he resorts to s作者: Flat-Feet 時間: 2025-3-27 02:13
https://doi.org/10.1007/978-1-4757-1529-3tic fantasies of a Werther, yet he is constantly aware of the judgment of others, and so his recursive narrative is a running dialogue with his anticipated audience. His confession is filled with Bakhtinian loopholes, rendering it interminable, and illustrating the dialogic and unfinished nature of 作者: 外科醫(yī)生 時間: 2025-3-27 08:28
https://doi.org/10.1007/978-3-663-06757-3 as not only dialogic but Trinitarian. Percy’s mad confessant is unable to construct his self-defining narrative without the audience provided by his boyhood friend, now a priest. Lance’s confession fails when he is unable to discover true evil, the “Unholy Grail” that alone would make guilt a possi作者: 污穢 時間: 2025-3-27 10:51 作者: –DOX 時間: 2025-3-27 16:00
G. L. Nelson,H. B. Manbeck,N. F. Meadord Geertz called, “thick description.” How is such a life shaped? Three examples follow: the Passion week of Father James in the film ., the Eucharistic witness of Archbishop Oscar Romero, and the . . paradigm of martyrdom adopted by Thomas Beckett in his conflict with Henry II. Analysis of these fic作者: 矛盾 時間: 2025-3-27 18:25 作者: 公式 時間: 2025-3-28 01:26
Forschungsstand,erwerbs bzw. der Zweitsprachentwicklung vorgestellt. Hierbei sollen wesentliche Begriffe und Konzepte erkl?rt und Verbindungslinien zu unterschiedlichen Anwendungskontexten gezogen werden. Da es sich bei der vorliegenden Studie um eine Zweitspracherwerbsstudie handelt, sollen in Kapitel 2.1 die wese作者: abstemious 時間: 2025-3-28 03:03
Friedrich Kurrentructures are concerned. Indeed, albeit beyond the scope of the present - position, the naturality of residuated mappings can perhaps best be exhibited using categorical concepts. If we regard an ordered set as 978-1-84996-955-0978-1-84628-127-3Series ISSN 0172-5939 Series E-ISSN 2191-6675 作者: Ebct207 時間: 2025-3-28 09:24
Einstiege: Ungleichungssysteme und diskrete Strukturen,zkin-Elimination zur L?sung von linearen Ungleichungssystemen gedacht, mit der auch eine erste Methode zur L?sung von Lp-Aufgaben zur Verfügung gestellt wird. Sektionen 2.2 bietet eine Einführung in die Graphentheorie, w?hrend sich Sektion 2.3 mit Matroiden befasst und einen Einstieg in verschiedene Probleme der Diskreten Optimierung erm?glicht.