標(biāo)題: Titlebook: Globalization, Culture, and Development; The UNESCO Conventio Christiaan Beukelaer (Lecturer),Miikka Pyykk?nen ( Book 2015 The Editor(s) (i [打印本頁(yè)] 作者: 解放 時(shí)間: 2025-3-21 19:35
書(shū)目名稱Globalization, Culture, and Development影響因子(影響力)
書(shū)目名稱Globalization, Culture, and Development影響因子(影響力)學(xué)科排名
書(shū)目名稱Globalization, Culture, and Development網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱Globalization, Culture, and Development網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱Globalization, Culture, and Development被引頻次
書(shū)目名稱Globalization, Culture, and Development被引頻次學(xué)科排名
書(shū)目名稱Globalization, Culture, and Development年度引用
書(shū)目名稱Globalization, Culture, and Development年度引用學(xué)科排名
書(shū)目名稱Globalization, Culture, and Development讀者反饋
書(shū)目名稱Globalization, Culture, and Development讀者反饋學(xué)科排名
作者: 綁架 時(shí)間: 2025-3-22 00:17
Confusing Culture, Polysemous Diversity: “Culture” and “Cultural Diversity” in and after the Conventultural Expressions (UNESCO, 2005a) is based upon concepts that are well-established keywords in the contemporary .. However, this international treaty is an intriguing instance not only of how one of those concepts — cultural diversity — has been given a special meaning by an international organiza作者: 僵硬 時(shí)間: 2025-3-22 00:31
Cultural Globalization and the Conventionrstood through cultural expressions. Equally, the Convention protects the economic interests of member states in commercially produced cultural expressions such as film and television programmes. This dichotomy has led to vociferous trade versus culture debates in international cultural policy-makin作者: 北極熊 時(shí)間: 2025-3-22 06:02
Competing Perspectives? WTO and UNESCO on Cultural Diversity in Global Trade) coincides with the 20-year anniversary of that other global policy institution dealing with trade and culture, the World Trade Organization (WTO). Possibly both celebrations will be rather tempered. On the one hand, the fairly rapid negotiation of the 2005 Convention has been followed by slow impl作者: synovial-joint 時(shí)間: 2025-3-22 11:03
“Cultural Diversity” at UNESCO: A Trajectoryauthor, Yudhishthir Isar, who has had a foot in both camps. The first served as the Secretary of the 2005 UNESCO Convention on Cultural Diversity, from its entry into force in 2007 until the end of 2011, after a long professional career as an international civil servant in the cultural department of作者: 空洞 時(shí)間: 2025-3-22 13:56 作者: 空洞 時(shí)間: 2025-3-22 19:43
The “Culture and Trade” Paradox Reloaded by the negotiators by way of general exceptions enshrined in trade agreements was that they are different from trade and commerce and, therefore, ought to remain outside the spectrum of international trade regulation. The same can be said about culture in general and various cultural concerns in pa作者: 膽小懦夫 時(shí)間: 2025-3-22 22:44
Cultural Diversity, Global Change, and Social Justice: Contextualizing the 2005 Convention in a Worltion of governments around the globe of the essential role of cultural diversity both for its own sake, and for its role in maintaining peace within and between nations, and in contributing to the now key notion of sustainability. It is also a document that, a decade after its introduction, requires作者: 燒瓶 時(shí)間: 2025-3-23 05:17
Cultural Human Rights and the UNESCO Convention: More than Meets the Eye?man rights treaties that were adopted in 1966: the International Covenant on Civil and Political Rights (ICCPR: UN General Assembly, 1966a, entry into force 23 March 1976) and the International Covenant on Economic, Social, and Cultural Rights (ICESCR: UN General Assembly, 1966b, entry into force 3 作者: 正論 時(shí)間: 2025-3-23 06:50
Performativity and Dynamics of Intangible Cultural Heritage cultures as well as monuments listed as world cultural heritage. These oeuvres and practices play an important role in the cultural identity of human beings: “The ‘intangible cultural heritage’ means the practices, representation, expressions, knowledge skills — as well as the instruments objects, 作者: 外星人 時(shí)間: 2025-3-23 10:05
The 2005 Convention in the Digital Ageirst decade of existence, it witnessed an unprecedented revolution of the audiovisual landscape. Negotiated at a time when radio, television, film, and recordings on CD or DVD format were dominant, the Convention must now deal with the reality of dematerialization and the digitization of traditional作者: 口訣法 時(shí)間: 2025-3-23 17:14
Cultural Diplomacy and the 2005 UNESCO Conventionr, the Convention itself can be viewed as a classic normative instrument of multilateral cultural diplomacy harbouring, nevertheless, a potentially transformative metanarrative of accepted patterns of diplomatic relations. The Convention, dealing with the protection and promotion of the diversity of作者: 飛行員 時(shí)間: 2025-3-23 18:29 作者: Tidious 時(shí)間: 2025-3-24 01:39 作者: 謊言 時(shí)間: 2025-3-24 04:13 作者: flamboyant 時(shí)間: 2025-3-24 07:38
Andrea Laghi,Marco Rengo,Marco MaceroniPromotion of the Diversity of Cultural Expressions (UNESCO, 2005a) ten years ago at its 33rd session on 20 October 2005. For the last two decades, cultural diversity has been one of the key driving forces of UNESCO’s work on culture, development, and education. Although stemming from UNESCO’s paradi作者: Incommensurate 時(shí)間: 2025-3-24 13:16 作者: Congestion 時(shí)間: 2025-3-24 15:28 作者: 燈絲 時(shí)間: 2025-3-24 21:21 作者: FLIC 時(shí)間: 2025-3-25 01:03 作者: 不幸的人 時(shí)間: 2025-3-25 07:04 作者: 攤位 時(shí)間: 2025-3-25 10:26
Gesuiti, bilance e cannocchiali, by the negotiators by way of general exceptions enshrined in trade agreements was that they are different from trade and commerce and, therefore, ought to remain outside the spectrum of international trade regulation. The same can be said about culture in general and various cultural concerns in pa作者: Hypopnea 時(shí)間: 2025-3-25 15:08
https://doi.org/10.1007/978-88-470-5277-2tion of governments around the globe of the essential role of cultural diversity both for its own sake, and for its role in maintaining peace within and between nations, and in contributing to the now key notion of sustainability. It is also a document that, a decade after its introduction, requires作者: 細(xì)查 時(shí)間: 2025-3-25 16:09
Preparazioni fitoterapiche complesseman rights treaties that were adopted in 1966: the International Covenant on Civil and Political Rights (ICCPR: UN General Assembly, 1966a, entry into force 23 March 1976) and the International Covenant on Economic, Social, and Cultural Rights (ICESCR: UN General Assembly, 1966b, entry into force 3 作者: amorphous 時(shí)間: 2025-3-25 22:56
La genetica nell‘infertilità maschile cultures as well as monuments listed as world cultural heritage. These oeuvres and practices play an important role in the cultural identity of human beings: “The ‘intangible cultural heritage’ means the practices, representation, expressions, knowledge skills — as well as the instruments objects, 作者: Aqueous-Humor 時(shí)間: 2025-3-26 03:29 作者: 表兩個(gè) 時(shí)間: 2025-3-26 04:21
Collaborazione con i microbiologi,r, the Convention itself can be viewed as a classic normative instrument of multilateral cultural diplomacy harbouring, nevertheless, a potentially transformative metanarrative of accepted patterns of diplomatic relations. The Convention, dealing with the protection and promotion of the diversity of作者: 單挑 時(shí)間: 2025-3-26 09:53 作者: forebear 時(shí)間: 2025-3-26 15:18 作者: PANG 時(shí)間: 2025-3-26 19:52
P. Mertens,I. Hodgkinson,C. Bérard,M. Sindoug broad debates on issues of cultural globalization and development. The authors in this volume bring to the fore an interdisciplinary set of understandings while examining cultural globalization conceived in terms of artistic expressions and entertainment industries, or broadly portrayed in an anth作者: COLON 時(shí)間: 2025-3-27 00:01
Confusing Culture, Polysemous Diversity: “Culture” and “Cultural Diversity” in and after the Conventon provided space for the several other, more common, understandings of the term. This assemblage of meanings includes several strands of the broad “anthropological” idea of cultural diversity, aesthetic readings of it as well as “cultural and creative industries” understandings. This is the princip作者: coagulation 時(shí)間: 2025-3-27 03:13 作者: Noisome 時(shí)間: 2025-3-27 08:08
The “Culture and Trade” Paradox Reloadedehensive approach in various attempts to successfully tackle the problems discussed in the course of the trade-linkage debate (Garcia, 1998a) — a debate addressing various individual “trade and […] problems” as outlined above with a view of realizing the reconciliation between their respective polic作者: 走路左晃右晃 時(shí)間: 2025-3-27 10:49 作者: Disk199 時(shí)間: 2025-3-27 16:05 作者: 高調(diào) 時(shí)間: 2025-3-27 20:31
A. van Wersch,J. Eberhardt,F. Stringernd perspectives on media and cultural diversity in global trade within UNESCO and WTO. In tracing the development of different perspectives on trade and culture, we reconstruct the history of the WTO/UNESCO interinstitutional dialectics by focusing on a number of milestone events and debates. Drawin作者: 令人心醉 時(shí)間: 2025-3-28 01:41 作者: Foolproof 時(shí)間: 2025-3-28 02:25
https://doi.org/10.1007/978-88-470-5277-2dable aims, but as a potential basis for inspiring the kind of cultural work necessary to remake national and global civilization in a way congruent with other major declarations of the UN, including its founding Charter and, very significantly, the Universal Declaration of Human Rights and the vari作者: pericardium 時(shí)間: 2025-3-28 06:31 作者: antedate 時(shí)間: 2025-3-28 10:33
Roberto Grassi,Graziella Di Greziaal institutions. The emergent global issues of culture, cultural identity, and cultural expressions therefore, need some historical context. Without this context, the vocabulary of the UNESCO Convention seems technocratic, limited to debates between commerce versus culture, and devoid of connections to historical trends.作者: tolerance 時(shí)間: 2025-3-28 15:51 作者: 尊嚴(yán) 時(shí)間: 2025-3-28 22:14 作者: 尖牙 時(shí)間: 2025-3-28 22:59
on and Promotion of the Diversity of Cultural Expressions, arguing that the Convention is not broad enough to confront the challenges concerning human rights, sustainability, and cultural diversity as a whole.978-1-137-39763-8作者: beta-carotene 時(shí)間: 2025-3-29 06:42
https://doi.org/10.1007/978-2-287-72083-3sion” (UNESCO, 2013a; see also Merkel, 2012). A main objective of the ConventionConvention is to combine economic approaches to culture and creativity with a perspective that values culture in its own right, and to reaffirm the responsibilities of member states to develop appropriate cultural policies.作者: 我不怕?tīng)奚?nbsp; 時(shí)間: 2025-3-29 10:06 作者: Condense 時(shí)間: 2025-3-29 12:17
Collaborazione con i microbiologi,her policy areas, challenges traditional cultural diplomacy, often associated with the uniform representation of discrete cultural nation-states and their imbalanced relations in narrowly defined areas. The Convention presents a unique opportunity to transform cultural diplomacy.作者: 使更活躍 時(shí)間: 2025-3-29 18:27
Cultural Human Rights and the UNESCO Convention: More than Meets the Eye?treaty belong to the category of cultural rights. In fact, none of the international legal instruments provides a definition of “cultural rights” and, consequently, different lists could be compiled of international legal provisions that could be labelled “cultural rights”..作者: 地牢 時(shí)間: 2025-3-29 20:43 作者: 浸軟 時(shí)間: 2025-3-30 01:31
Andrea Laghi,Marco Rengo,Marco Maceronigm of approaching culture and cultural diversity within the relatively wide scope of human activities, the 2005 Convention also restructured UNESCO’s focus on them — the arts, artistic products, and expressions of heritage are now salient:作者: DECRY 時(shí)間: 2025-3-30 07:38 作者: 偏離 時(shí)間: 2025-3-30 11:53 作者: MODE 時(shí)間: 2025-3-30 15:11
La genetica nell‘infertilità maschileartefacts and cultural spaces associated therewith — that communities, groups and, in some cases, individuals recognize as part of their cultural heritage” (UNESCO, 2003a, Article 2). These practices are manifested in the following domains:作者: COWER 時(shí)間: 2025-3-30 20:14 作者: Axon895 時(shí)間: 2025-3-30 23:58
