標(biāo)題: Titlebook: Globalization and Latin American Cinema; Toward a New Critica Sophia A. McClennen Book 2018 The Editor(s) (if applicable) and The Author(s) [打印本頁] 作者: Dopamine 時間: 2025-3-21 16:20
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作者: 膽大 時間: 2025-3-21 22:09 作者: 收養(yǎng) 時間: 2025-3-22 00:31 作者: 喃喃而言 時間: 2025-3-22 07:54
Sophia A. McClennenOffers an exciting new way of thinking about national and regional cinemas through a bravura blend of political economy, policy analysis, and international cultural studies.Mixes discourses and method作者: 不規(guī)則的跳動 時間: 2025-3-22 10:01 作者: deactivate 時間: 2025-3-22 16:57
https://doi.org/10.1007/978-3-322-97460-0aradigm focuses on the deep ambivalence of working within neoliberalism and against it at the same time. And it argues that neoliberalism renders culture a commodity at the same time that communities fight to reinvest cultural struggles with political potential.作者: deactivate 時間: 2025-3-22 17:39
Allgemeine Informationen zu Interventioneneir potential impact on the political messaging of these films. In some cases, it will be clear that there is a disconnect between funding practices and the political impact of a film; in others there will be more overt and obvious forms of influence.作者: SOW 時間: 2025-3-23 00:12 作者: ANTH 時間: 2025-3-23 01:23
Zellul?re und farbgebende Elemente González I?árritu. The third example examines the work of Gael García Bernal, since his work as an actor has to be read in the larger context of his efforts to support filmmaking in Mexico through production support.作者: Herd-Immunity 時間: 2025-3-23 06:09
Introduction: Toward a New Critical Paradigm for the Study of Culture and Globalization,aradigm focuses on the deep ambivalence of working within neoliberalism and against it at the same time. And it argues that neoliberalism renders culture a commodity at the same time that communities fight to reinvest cultural struggles with political potential.作者: Albinism 時間: 2025-3-23 12:49
Coproductioneir potential impact on the political messaging of these films. In some cases, it will be clear that there is a disconnect between funding practices and the political impact of a film; in others there will be more overt and obvious forms of influence.作者: GLOSS 時間: 2025-3-23 16:05 作者: 抵押貸款 時間: 2025-3-23 21:56 作者: 災(zāi)禍 時間: 2025-3-24 01:41
Christian R. Krestan,Manfred Greitbauergreater marketing opportunities for Latin American films, thoroughly refuting the notion of globalization as cultural homogeneity. Assessment of these shifts reinforces the notion that neoliberalism has brought deeply ambivalent practices—leading to a complex ethical situation where films depend on market realities as a means to critique them.作者: Affectation 時間: 2025-3-24 04:48 作者: contrast-medium 時間: 2025-3-24 07:25
Kompendium der Frauenkrankheitenlly, the concluding coda closes by returning to the major arguments in the book and reiterating my thesis that millennial globalization demands new critical paradigms through which to assess the cultural impact of neoliberal capitalism.作者: machination 時間: 2025-3-24 14:28
Distributiongreater marketing opportunities for Latin American films, thoroughly refuting the notion of globalization as cultural homogeneity. Assessment of these shifts reinforces the notion that neoliberalism has brought deeply ambivalent practices—leading to a complex ethical situation where films depend on market realities as a means to critique them.作者: 品牌 時間: 2025-3-24 16:43 作者: acclimate 時間: 2025-3-24 20:05
CODA: On Location—Is , a Mexican Movie?lly, the concluding coda closes by returning to the major arguments in the book and reiterating my thesis that millennial globalization demands new critical paradigms through which to assess the cultural impact of neoliberal capitalism.作者: 包庇 時間: 2025-3-25 02:53
Book 2018 argue that millennial era globalization demands entirely new frameworks for thinking about the relationship between politics, culture, and economic policies. Concerns that globalization would bring the downfall of national culture were common in the 1990s as economies across the globe began impleme作者: 停止償付 時間: 2025-3-25 05:04
Kompendium der Balneologie und Kurortmedizin who have each followed slightly different trajectories, but have all taken up themes of violence and political “hunger.” One key question will be the extent to which these filmmakers simply produce poverty porn for a global audience or progressive films that provoke meaningful dialogue and debate a作者: harbinger 時間: 2025-3-25 10:45
Brazil who have each followed slightly different trajectories, but have all taken up themes of violence and political “hunger.” One key question will be the extent to which these filmmakers simply produce poverty porn for a global audience or progressive films that provoke meaningful dialogue and debate a作者: Generator 時間: 2025-3-25 15:41
2730-9282 ries., and .Children of Men. this book argues that neoliberal globalization has created a highly ambivalent space for cultural expression, one willing to market against itself as long as the stories sell. The r978-3-030-09621-2978-3-319-57060-0Series ISSN 2730-9282 Series E-ISSN 2730-9290 作者: 描繪 時間: 2025-3-25 18:05 作者: absolve 時間: 2025-3-25 23:06 作者: 干旱 時間: 2025-3-26 04:08 作者: caldron 時間: 2025-3-26 07:43
Allgemeine Informationen zu Interventionenolitical or social significance. The goal is to understand how the neoliberal market has changed the funding structures for films and to analyze the impact those shifts have had on their content, audience access, and reception. At stake are the ethical implications of these new funding models and th作者: 裝勇敢地做 時間: 2025-3-26 12:13
Christian R. Krestan,Manfred Greitbauermpact of a film. It becomes an even more central concern when we recognize that only about half of all Latin American films produced are ever distributed. This chapter traces the way that 1990s market practices affect distribution in the region. While the dominance of Hollywood remains relatively st作者: 貿(mào)易 時間: 2025-3-26 14:12
Stellenwertsysteme und die Zahl the intricacies of trade agreements and market fluctuations. The story of exhibition in Latin America reveals a number of tensions central to the story of capitalism and the culture industry. This chapter examines changes due to market liberalization and privatization, where states cease to regulat作者: 轎車 時間: 2025-3-26 20:06
Die Krankheiten des Auges Die Augenlider,he ways that the films from this period intersect with some of the central tenets of New Latin American Cinema’s notion of political film—especially since two of its key figures (Octavio Getino and Fernando Solanas) remained active during the period. And it also analyzes the different ways filmmaker作者: puzzle 時間: 2025-3-26 23:58 作者: 獨白 時間: 2025-3-27 01:25
Zellul?re und farbgebende Elementeepresents the consistent overlap between commercially successful films with political messages that are critical of neoliberalism and funded by it at the same time. This chapter’s three key examples cover two of the often-studied together “three amigos” Mexican directors—Alfonso Cuarón and Alejandro作者: 重力 時間: 2025-3-27 07:44 作者: DALLY 時間: 2025-3-27 10:03
Introduction: Toward a New Critical Paradigm for the Study of Culture and Globalization,ies, and film studies—and offers a critical intervention that demonstrates why putting these fields into conversation is productive and revelatory. The goal is to trace out the details of a new critical paradigm for studying globalization and culture via analysis of Latin American cinema. This new p作者: Bone-Scan 時間: 2025-3-27 15:49 作者: Multiple 時間: 2025-3-27 18:38 作者: 廣口瓶 時間: 2025-3-28 00:56 作者: 闡釋 時間: 2025-3-28 02:41 作者: 故意 時間: 2025-3-28 09:37 作者: 天然熱噴泉 時間: 2025-3-28 13:55 作者: 手工藝品 時間: 2025-3-28 14:45
