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標(biāo)題: Titlebook: Global Voices from the Women’s Library at the World’s Columbian Exposition; Feminisms, Transnati Marija Dalbello,Sarah Wadsworth Book 2023 [打印本頁]

作者: 啞劇表演    時間: 2025-3-21 18:37
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作者: Enervate    時間: 2025-3-21 23:43

作者: 節(jié)省    時間: 2025-3-22 01:28
978-3-031-42492-2The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
作者: PTCA635    時間: 2025-3-22 08:14
,Global Voices from the Women’s Library at the World’s Columbian Exposition: Feminisms, Transnationa each chapter. In the overview of the structure of the book, we compare the findings and link the analyses of chapters focusing on nationality, country, or language and those focusing on individual authors. We give an overview of the collections not addressed in separate chapters, which typically re
作者: 擔(dān)心    時間: 2025-3-22 09:19

作者: Mortar    時間: 2025-3-22 16:48

作者: Mortar    時間: 2025-3-22 18:31
Networks of Texts and Writers: The Swedish Contribution to the Woman’s Library at the World’s Columbetworks suggested by the connections between the works, and their authors, that this particular selection reveals. The leading women’s rights organization at the time, the Fredrika Bremer Association, was asked to organize the Swedish exhibit at the Woman’s Library and the selection of works conveys
作者: 吸引人的花招    時間: 2025-3-22 21:51

作者: 謙卑    時間: 2025-3-23 03:39
Central European Collections: The Periphery Challenging the Centerompeting Austrian and Bohemian collections epitomized two different cultures of Central European female modernism. They exemplified the rivalry between the Slavic and German realms in the monarchy. The imperial ideologies implemented in the Austrian selection were challenged by the Bohemian display.
作者: 元音    時間: 2025-3-23 08:20
How to Be a German Woman: Mixed Messages at the Columbian Expositionmperial Germany at the Exposition. An account of an unloved girl whose intellectual ambitions are cynically encouraged and then thwarted, Hillern’s novel concludes in ambiguity and ambivalence as the heroine appears to recede into domesticity and motherhood. Available to divergent readings, it embod
作者: 俗艷    時間: 2025-3-23 09:50
The New Woman in the White City: Writing from Great Britain in the Woman’s Building Libraryhat unfolded through the two years leading up to the Fair and the product of a pivotal moment in women’s history on the cusp of transatlantic modernity. It first introduces the women who organized Great Britain’s literature exhibit, including Alice Mary Gordon, Mary Augusta Ward, and Lucy Lane Cliff
作者: 通知    時間: 2025-3-23 15:17
The Norwegian Ideals of Modern Womanhood and Identity Construction through the Women’s Libraryt of the total international collection. Using Edith E. Clarke’s list of Norwegian books from the Women’s Library, I first identified authors’ full names from many identity-concealing pseudonyms provided, then translated titles from Norwegian to English. Items in the collection (mostly books, but al
作者: 消音器    時間: 2025-3-23 20:48

作者: 手工藝品    時間: 2025-3-24 00:20
The “Native New Woman”: Material Culture and the Indian Novel in the Women’s Library at the World’s ny travel writers who documented their visits to the sub-continent. This Western perspective is contrasted by Krupabai Satthianadhan’s . (1892), which was the only novel written by an Indian woman to be included in the collection. A distant reading focused on identifying forms of the keyword “India”
作者: Neuropeptides    時間: 2025-3-24 03:48
From Private Lives to Public Spaces: Nineteenth-Century Peruvian Eclecticism at the Chicago World’s practically absent from the library of the Woman’s Building. Only seven texts, five of them written by Mercedes Cabello de Carbonera (1842–1909) in Peru and all published between 1886 and 1892, were on display. This chapter analyzes three of her novels and addresses how the Peruvian writer played a
作者: 腐蝕    時間: 2025-3-24 06:47
French Authors in the Women’s Library at the World’s Columbian Exposition: A Stage of Feminism, Stilks. At this time the interest in the United States was growing in France. This chapter analyzes the criteria for the choice of the titles, all very recently published at the time, and evokes the careers of the five most selected authors, who sometimes used male pseudonyms. The chapter examines the t
作者: 逃避現(xiàn)實(shí)    時間: 2025-3-24 11:12

作者: ONYM    時間: 2025-3-24 16:01

作者: ODIUM    時間: 2025-3-24 22:48

作者: mechanical    時間: 2025-3-25 02:33

作者: 滲入    時間: 2025-3-25 05:03

作者: 笨拙處理    時間: 2025-3-25 11:31

作者: judicial    時間: 2025-3-25 11:59
Ernst Cassirers Philosophiebegriffompeting Austrian and Bohemian collections epitomized two different cultures of Central European female modernism. They exemplified the rivalry between the Slavic and German realms in the monarchy. The imperial ideologies implemented in the Austrian selection were challenged by the Bohemian display.
作者: Fretful    時間: 2025-3-25 18:39

作者: 圍裙    時間: 2025-3-25 21:18
Heiko Breit,Ingrid Plath,Ines Graudenzhat unfolded through the two years leading up to the Fair and the product of a pivotal moment in women’s history on the cusp of transatlantic modernity. It first introduces the women who organized Great Britain’s literature exhibit, including Alice Mary Gordon, Mary Augusta Ward, and Lucy Lane Cliff
作者: Tidious    時間: 2025-3-26 00:23

作者: Kindle    時間: 2025-3-26 06:38
,?Kunst?, kultursoziologisch betrachtet,ing Library during the Columbian Exposition of 1893. The chapter examines what Aliye’s books potentially symbolized and conceptualized to the Fair audience, the organizers of the Woman’s Building, other American women who spoke at the Fair about the Ottoman and/or Muslim women, and to the Muslim aud
作者: 態(tài)學(xué)    時間: 2025-3-26 08:57

作者: 索賠    時間: 2025-3-26 13:25

作者: incite    時間: 2025-3-26 18:09
https://doi.org/10.1007/978-3-322-94956-1ks. At this time the interest in the United States was growing in France. This chapter analyzes the criteria for the choice of the titles, all very recently published at the time, and evokes the careers of the five most selected authors, who sometimes used male pseudonyms. The chapter examines the t
作者: PHAG    時間: 2025-3-27 00:31

作者: 憂傷    時間: 2025-3-27 04:13

作者: 不如屎殼郎    時間: 2025-3-27 06:20

作者: 旁觀者    時間: 2025-3-27 11:50
Book 2023traditions and transnational comparative analysis and focuses on the?contributions of the international (non-US) women’s committees to?extend our?understanding of women’s contribution?to global print culture and the extension of women‘s rights up to 1893.
作者: IVORY    時間: 2025-3-27 15:24
Heiko Breit,Ingrid Plath,Ines Graudenzhts how the British collection functioned simultaneously as a mechanism of canon-building and container of the emergent canon of British women’s writing. Second, it illustrates how the British collection showcased early New Woman fiction and fostered transatlantic networks that would aid women’s pursuit of progress on an international stage.
作者: AVOID    時間: 2025-3-27 21:15
https://doi.org/10.1007/978-3-322-94956-1nformist ideals of contemporary society and also within the strict limits of the roles assigned to women at the time. In doing so, the chapter restores the concerns and struggles of the first years of a French feminism that has been sometimes concerned with respectability, while remaining tentative in addressing the emancipation of women.
作者: 鈍劍    時間: 2025-3-27 22:01

作者: 拖網(wǎng)    時間: 2025-3-28 02:31

作者: 功多汁水    時間: 2025-3-28 09:50

作者: 槍支    時間: 2025-3-28 12:14
The Library as Exhibitionconsiders the Woman’s Building as a visual motif in advertisements and illustrations for the Exposition and how such printed material operated as visual records, souvenirs, and virtual visits to the building.
作者: Arroyo    時間: 2025-3-28 17:48

作者: Mercantile    時間: 2025-3-28 20:49

作者: 6Applepolish    時間: 2025-3-29 02:58

作者: Guaff豪情痛飲    時間: 2025-3-29 03:54
https://doi.org/10.1007/978-3-658-05871-5ight of industrial optimism and characterized by shifting ideas around gender roles and the changing status of women in society. We recognize the differences and similarities in women’s networks and in a global context. We also address the methodological frameworks used by the chapters’ authors, and
作者: 假裝是我    時間: 2025-3-29 07:33
Auf der Suche nach der verlorenen Revolution“feminist” media for each country. The analysis of authors uncovered those most favored by the countries’ selectors, who were?leading figures in the ideologies of nineteenth-century maternal feminism. Further, we tracked the canonicity of all the authors and their continued visibility and integratio
作者: 案發(fā)地點(diǎn)    時間: 2025-3-29 12:26

作者: Canary    時間: 2025-3-29 17:57
https://doi.org/10.1007/978-3-642-69915-3act, many of the works on the list of works sent to the Woman’s Library have been introduced, reviewed, promoted, and/or criticized by other writers included in the selection, thus suggesting a close network of women writers.
作者: ornithology    時間: 2025-3-29 20:43
https://doi.org/10.1007/978-3-531-91925-6n the first place; next, examining how it can be parsed; then, drawing nearer to specific texts of one subset—pedagogy—that establish their own closeness through common interest. This distinct pedagogical turn reflects broader concerns that the Spanish contribution as a whole embodied: the desire, f
作者: mediocrity    時間: 2025-3-30 03:32

作者: triptans    時間: 2025-3-30 04:43





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