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標(biāo)題: Titlebook: Global Jane Austen; Pleasure, Passion, a Laurence Raw,Robert G. Dryden Book 2013 Robert G. Dryden and Laurence Raw 2013 community.identity. [打印本頁(yè)]

作者: fathom    時(shí)間: 2025-3-21 16:53
書(shū)目名稱Global Jane Austen影響因子(影響力)




書(shū)目名稱Global Jane Austen影響因子(影響力)學(xué)科排名




書(shū)目名稱Global Jane Austen網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱Global Jane Austen網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱Global Jane Austen被引頻次




書(shū)目名稱Global Jane Austen被引頻次學(xué)科排名




書(shū)目名稱Global Jane Austen年度引用




書(shū)目名稱Global Jane Austen年度引用學(xué)科排名




書(shū)目名稱Global Jane Austen讀者反饋




書(shū)目名稱Global Jane Austen讀者反饋學(xué)科排名





作者: 評(píng)論者    時(shí)間: 2025-3-21 21:21

作者: FOLLY    時(shí)間: 2025-3-22 04:07

作者: 寒冷    時(shí)間: 2025-3-22 04:48
,“Jane Austen is My Homegirl”,ich opinions about Austen are disseminated today, in literary journals, on film and television, in blogs and online message boards, in fan fiction and literary spin-offs, and even through the iconic garment of modern American culture, the t-shirt.
作者: debacle    時(shí)間: 2025-3-22 08:46
Jane Austen in the Classroom, as English Literature comes to us from elsewhere, so does the whole critical apparatus and paraphernalia for studying it in our classrooms, including nearly all the scholarship and criticism and all the critical approaches.
作者: 走調(diào)    時(shí)間: 2025-3-22 15:46
J. A. Alcober,I. M. Tkachenko,M. Urreaay of abundant retellings, reconstructions, and novel adaptations such as . (1995), . (1948), . (2009), . (2010), and some imagined continuations such as . (2004), which pick up the story where Austen leaves it. Hence, it is with the world of Rosamunde Pilcher, who has been described by . as “a Jane Austen for our time.”
作者: 走調(diào)    時(shí)間: 2025-3-22 21:08
Injection Molding: Low Pressure Processw much we enjoyed reading Austen’s novel despite all the quizzes and vocabulary tests, and we were surprised how vividly we remembered that particular experience despite the large number of novels we read during our five years together. . remained a favorite with many of us.
作者: mucous-membrane    時(shí)間: 2025-3-23 01:15
Jane Austen for Our Time,ay of abundant retellings, reconstructions, and novel adaptations such as . (1995), . (1948), . (2009), . (2010), and some imagined continuations such as . (2004), which pick up the story where Austen leaves it. Hence, it is with the world of Rosamunde Pilcher, who has been described by . as “a Jane Austen for our time.”
作者: mercenary    時(shí)間: 2025-3-23 02:10

作者: Outshine    時(shí)間: 2025-3-23 07:13
Mathematics and Its Applications inhabitants of Bath generally settled in the estates and grand houses arrayed on the fringes of the valleys overlooking the city below. It is necessary to get a sense of the topography of Bath because it is important not only to Austen’s work but also to how she was later represented by the Janeites and the Austen tourism industry.
作者: JOT    時(shí)間: 2025-3-23 13:28
Hang a Right at the Abbey, inhabitants of Bath generally settled in the estates and grand houses arrayed on the fringes of the valleys overlooking the city below. It is necessary to get a sense of the topography of Bath because it is important not only to Austen’s work but also to how she was later represented by the Janeites and the Austen tourism industry.
作者: Amenable    時(shí)間: 2025-3-23 14:56
to her work. This volume examines the ways in which her novels affect individual psychologies and how Janeites experience her work, from visiting her home to public re-enactments to films based on her writings.978-1-349-44180-8978-1-137-27076-4
作者: 開(kāi)玩笑    時(shí)間: 2025-3-23 20:45
978-1-349-44180-8Robert G. Dryden and Laurence Raw 2013
作者: 祝賀    時(shí)間: 2025-3-23 23:48
https://doi.org/10.1057/9781137270764community; identity; individual; Jane Austen; novel; prejudice; British and Irish Literature
作者: Ingrained    時(shí)間: 2025-3-24 03:50

作者: intercede    時(shí)間: 2025-3-24 08:54
Systems of differential equations,On December 23, 2011, the BBC broadcast ., which attempts to explain why Austen has been recognized as a literary genius whose fame rivals Dickens and Shakespeare. Presented by historian Amanda Vickery, the program explored how and why generations of readers have been captivated by her novels.
作者: 灰心喪氣    時(shí)間: 2025-3-24 14:06
https://doi.org/10.1007/978-3-658-13466-2Jane Austen’s novels have been subject to endless rewritings since their first publication. To find out how and why she should remain so popular, we interviewed two contemporary authors, both of whom freely acknowledge Austen as their inspiration.
作者: Preamble    時(shí)間: 2025-3-24 18:12

作者: Brain-Imaging    時(shí)間: 2025-3-24 21:27

作者: 不透氣    時(shí)間: 2025-3-25 02:35

作者: 保守黨    時(shí)間: 2025-3-25 07:13

作者: 隨意    時(shí)間: 2025-3-25 09:02

作者: 殖民地    時(shí)間: 2025-3-25 15:42

作者: Postmenopause    時(shí)間: 2025-3-25 18:21
Sweetening Jane,ements of those scholars who have revivified the study of literature and/or film. Rather, it seeks to borrow and adapt a term that has been frequently, though not exclusively, used in fidelity criticism—“equivalence”—and to deploy it in a new context.
作者: Ostrich    時(shí)間: 2025-3-25 20:18
Inventing Jane,ation. My argument is that the realms of pleasure, passion, and possessiveness in the Austen world are all possible because, to a great degree, Jane Austen is an invention. You might say that aside from the novels, Austen does not entirely exist. The historical “Jane Austen” is a fiction, a screen o
作者: obviate    時(shí)間: 2025-3-26 00:13

作者: 泛濫    時(shí)間: 2025-3-26 04:31

作者: sparse    時(shí)間: 2025-3-26 09:44

作者: 背信    時(shí)間: 2025-3-26 16:10

作者: Ganglion-Cyst    時(shí)間: 2025-3-26 19:29
https://doi.org/10.1007/978-0-8176-4671-4tioned for a bit with her family at Lyme Regis, journeyed once with her mother and sister to Stoneleigh Abbey in Warwickshire; on occasion, she visited London, and then spent her final years in Chawton, Hampshire. The distance between the author’s birthplace and these other stops on her life’s journ
作者: Lumbar-Stenosis    時(shí)間: 2025-3-26 22:21

作者: seroma    時(shí)間: 2025-3-27 01:39

作者: 高歌    時(shí)間: 2025-3-27 06:17

作者: 甜瓜    時(shí)間: 2025-3-27 11:52

作者: 盡忠    時(shí)間: 2025-3-27 14:42

作者: 有權(quán)    時(shí)間: 2025-3-27 20:00
Normal Mode Expansion and Bessel Series). J. David Grey has similarly remarked that Austen “pays little attention to pets and animals” (324). Still, despite the conventional view, there are good reasons to think about Austen in the context of animal studies at the present time. Dominick LaCapra’s claim “that the twenty-first century will
作者: Antecedent    時(shí)間: 2025-3-28 01:47
https://doi.org/10.1007/978-3-319-33304-5ies, such as “The Republic of Pemberley,” fandoms such as “Bits of Ivory,” and Twitter accounts such as “@DailyJaneAusten” with more than 11,000 followers and “@JaneAustenLIVES” with 5,000 plus followers, Austen’s fictional worlds reach an even larger population.
作者: intelligible    時(shí)間: 2025-3-28 03:35

作者: 泥瓦匠    時(shí)間: 2025-3-28 09:41
https://doi.org/10.1007/978-0-8176-4671-4ere is an abundance of information about the author that is lost in history forever. With all the attention that Austen receives, one might think that we know every minute detail about her life. On the contrary, much of Austen’s personal history is irretrievable simply because of her gender—she was
作者: DEMN    時(shí)間: 2025-3-28 13:11
P. A. Krutitskii,N. Ch. Krutitskayare promptly translated and published between 1815 and 1824, and almost never ceased to be available since then, there is a great discrepancy between her fame in France and in Britain. In France, she is perceived by the broader public as a sentimental novelist, writing mostly for young women. Austen’
作者: 減弱不好    時(shí)間: 2025-3-28 15:38
I. C. Furtado,B. E. J. Bodmann,M. T. Vilhenan continuations, completions, and adaptations lists 26 American productions on all the major networks between 1939 and 1960; and 33 BBC adaptations on the old Third Programme, Home Service, and General Overseas Service, as well as their contemporary equivalents—BBC Radios 3 and 4 and the World Servi
作者: Mawkish    時(shí)間: 2025-3-28 20:11
J. A. Alcober,I. M. Tkachenko,M. Urrealcher? Their similarities are numerous and almost mystical. In her novels, Jane Austen captures the strange powers and attractions of domesticity while also lamenting its confinements. The limited, small worlds Austen creates increasingly draw new and younger readers into the fold of Austenites by w
作者: thwart    時(shí)間: 2025-3-28 23:45

作者: febrile    時(shí)間: 2025-3-29 04:30

作者: BALK    時(shí)間: 2025-3-29 09:41

作者: Trochlea    時(shí)間: 2025-3-29 13:16

作者: curettage    時(shí)間: 2025-3-29 16:05
Normal Mode Expansion and Bessel Seriesews on the nonhuman world. While Austen is regarded as a novelist of the traditional English countryside, she is not usually associated with natural description, let alone the representation of animals. Instead, critics have typically viewed Austen as pursuing the Augustan literary project of studyi
作者: Carbon-Monoxide    時(shí)間: 2025-3-29 19:47

作者: 即席演說(shuō)    時(shí)間: 2025-3-30 00:42
https://doi.org/10.1007/978-3-319-33304-5 not only through their own popularity, but also through numerous re-presentations in the forms of novels, movies, television series, and fan fictions that keep flourishing from her fictional worlds and characters. Austen’s novels, her settings, and particularly her characters live on in an ever-exp
作者: 合并    時(shí)間: 2025-3-30 06:38

作者: Congregate    時(shí)間: 2025-3-30 09:14

作者: 上漲    時(shí)間: 2025-3-30 12:47
Injection Molding: Low Pressure Process was going to teach that semester. The classroom was full of 14-year-old girls, and the novel was .. Needless to say, the story of Elizabeth Bennet and Fitzwilliam Darcy captured our young imaginations. I was one of Miss Martin’s students. Twenty years later, at our first reunion, we talked about ho
作者: PATHY    時(shí)間: 2025-3-30 18:52
Introduction,ere is an abundance of information about the author that is lost in history forever. With all the attention that Austen receives, one might think that we know every minute detail about her life. On the contrary, much of Austen’s personal history is irretrievable simply because of her gender—she was
作者: explicit    時(shí)間: 2025-3-30 22:24
,Jane Austen’s French Publications from 1815,re promptly translated and published between 1815 and 1824, and almost never ceased to be available since then, there is a great discrepancy between her fame in France and in Britain. In France, she is perceived by the broader public as a sentimental novelist, writing mostly for young women. Austen’
作者: progestin    時(shí)間: 2025-3-31 03:24
Jane Austen on Old-Time Radio: Creating Imaginative Worlds,n continuations, completions, and adaptations lists 26 American productions on all the major networks between 1939 and 1960; and 33 BBC adaptations on the old Third Programme, Home Service, and General Overseas Service, as well as their contemporary equivalents—BBC Radios 3 and 4 and the World Servi
作者: 努力趕上    時(shí)間: 2025-3-31 05:44

作者: 楓樹(shù)    時(shí)間: 2025-3-31 12:01
Sweetening Jane,on of fidelity criticism. This familiar rhetorical flourish, in which that mode of interpretation is castigated as moribund, logo-centric, and defensive of a putative literary canon, is now in danger of becoming as tiresome as the critical practice it condemns. Works by Cartmell and Whelehan, Hutche
作者: 柔聲地說(shuō)    時(shí)間: 2025-3-31 16:36

作者: 連累    時(shí)間: 2025-3-31 19:41
Hang a Right at the Abbey,t the spring was discovered by Bladud—later King Bladud—the father of Shakespeare’s .. The Roman invasion saw the city—then named Aquae Sulis—become a site for rapid redevelopment. The area became famous for its distinctive stone buildings, which Jane Austen herself described as having a “white glar
作者: Calculus    時(shí)間: 2025-4-1 00:21

作者: 粗魯?shù)娜?nbsp;   時(shí)間: 2025-4-1 05:45

作者: MIRTH    時(shí)間: 2025-4-1 06:45
,“Jane Austen is My Homegirl”, are almost as interesting, and almost as important to think about, as the work itself” (83). I wonder how he would react to the vast means through which opinions about Austen are disseminated today, in literary journals, on film and television, in blogs and online message boards, in fan fiction and




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