標(biāo)題: Titlebook: Global Frankenstein; Carol Margaret Davison,Marie Mulvey-Roberts Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Mary Shell [打印本頁] 作者: Malicious 時間: 2025-3-21 18:12
書目名稱Global Frankenstein影響因子(影響力)
書目名稱Global Frankenstein影響因子(影響力)學(xué)科排名
書目名稱Global Frankenstein網(wǎng)絡(luò)公開度
書目名稱Global Frankenstein網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Global Frankenstein被引頻次
書目名稱Global Frankenstein被引頻次學(xué)科排名
書目名稱Global Frankenstein年度引用
書目名稱Global Frankenstein年度引用學(xué)科排名
書目名稱Global Frankenstein讀者反饋
書目名稱Global Frankenstein讀者反饋學(xué)科排名
作者: 種子 時間: 2025-3-21 23:54
XLeitf?den der angewandten Informatikn of a wide range of material, including Horace’s . farces cited by the earliest critics, Horace Walpole’s . and my own theatrical practice, helps to explain the multitude of critical and creative responses, from .’s first appearance to the present day, that deplore, exploit, and celebrate its multi-faceted generic potential.作者: 不可侵犯 時間: 2025-3-22 04:08
Informationstechnik in der Kreditwirtschaft-garde films. The chapter considers the ways in which metaphoric (across national identities) and actual (within the film text itself) cutting lead to the creation of new ‘cinematic life’ through transnational genre hybridity and the making of new films out of old, dead ones.作者: cylinder 時間: 2025-3-22 08:09
Tabellenkalkulation mit Multiplan, A feminist approach will be offered by Broutin, Huyette, and Odriozola, who dwell on the female daemon and the usurpation of the female body. Finally, we consider Wrightson and Grimly, and the steampunk aesthetic by Basic and Sumberac, all of them offering their most personal interpretation of the text by embracing . as a universal myth.作者: 正式演說 時間: 2025-3-22 10:38
https://doi.org/10.1007/978-3-322-85745-3yche. I call this phenomenon the . meme, building on the meme theories of Richard Dawkins, Susan Blackmore, and Aaron Lynch. This chapter traces the course of Shelley’s original narrative through a sample of popular culture, noting the direct impact of .’s crucial components, and examines the fitness of . as a meme.作者: adjacent 時間: 2025-3-22 14:10 作者: adjacent 時間: 2025-3-22 17:16 作者: ROOF 時間: 2025-3-23 00:40
Beyond the Filthy Form: Illustrating Mary Shelley’s A feminist approach will be offered by Broutin, Huyette, and Odriozola, who dwell on the female daemon and the usurpation of the female body. Finally, we consider Wrightson and Grimly, and the steampunk aesthetic by Basic and Sumberac, all of them offering their most personal interpretation of the text by embracing . as a universal myth.作者: Congeal 時間: 2025-3-23 02:05
The , Meme: The Memetic Prominence of Mary Shelley’s Creature in Anglo-American Visual and Material yche. I call this phenomenon the . meme, building on the meme theories of Richard Dawkins, Susan Blackmore, and Aaron Lynch. This chapter traces the course of Shelley’s original narrative through a sample of popular culture, noting the direct impact of .’s crucial components, and examines the fitness of . as a meme.作者: MAL 時間: 2025-3-23 06:32 作者: Organization 時間: 2025-3-23 11:15 作者: 健壯 時間: 2025-3-23 13:55 作者: Galactogogue 時間: 2025-3-23 18:57 作者: Trigger-Point 時間: 2025-3-23 22:45 作者: 賞心悅目 時間: 2025-3-24 02:33 作者: 男學(xué)院 時間: 2025-3-24 10:17 作者: 項(xiàng)目 時間: 2025-3-24 13:32
Technikselektion zur Interessensicherung,mbies, as the sources of artificially engineered pandemics, readily channel contemporary anxieties regarding the dangers of unbridled scientific and technological advances and prod the boundaries between death and conscious life.作者: 壟斷 時間: 2025-3-24 17:25 作者: 揮舞 時間: 2025-3-24 21:07 作者: 壓倒 時間: 2025-3-25 01:37 作者: obligation 時間: 2025-3-25 04:36
Paracelsus and ‘P[r]etty Experimentalism’: The Glass Prison of Science and Secrecy in s a charter for his own secrecy. But Mary Shelley wrote ‘pretty experimentalism’ originally, which gives more value to ‘experiment’ and which the modern view of Paracelsus as primarily a bold experimenter seems to vindicate.作者: 厭惡 時間: 2025-3-25 11:01 作者: duplicate 時間: 2025-3-25 11:48 作者: 胰島素 時間: 2025-3-25 19:07
Monstrous, Mortal Embodiment and Last Dances: , and the Balletrlett, who have reconfigured the medieval danse macabre and the eighteenth-/nineteenth-century fixation on the ‘good death’ of the Other to focus on this side of the grave, the pains and the pleasures of embodiment, and ‘good’ successful mourning in the face of loss.作者: 古文字學(xué) 時間: 2025-3-25 22:10
‘Now I Am a Man!’: Performing Sexual Violence in the National Theatre Production of ot allow for the possibility of emotional recovery or resolution on the part of the audience but instead become a parody of desire and agency. They thus reinforce violent stereotypes as the basis of toxic masculinity.作者: cataract 時間: 2025-3-26 02:53 作者: 好色 時間: 2025-3-26 06:03
and the Peculiar Power of the Comicsthe creature and its less monstrous consciousness. External and internal are kept before the reader’s eyes, giving these representations a complex poignance. Close readings of comics from the 1950s, 1970s and 2000s demonstrate the strategies deployed.作者: CT-angiography 時間: 2025-3-26 09:11
Our Progeny’s Monsters: , Retold for Children in Picturebooks and Graphic Novels new stories based (sometimes loosely) on her novel’s characters and tropes, creatively exploiting pre-existing knowledge of the story and its iconography. The narratives’ complexities emerge through the interplay between pictures and words, both demanding and enabling active reading strategies by young (and adult) readers.作者: 妨礙 時間: 2025-3-26 16:11
Carol Margaret Davison,Marie Mulvey-RobertsExplores the versatility and interdisciplinary applications of Frankenstein in areas such as science, alchemy, hypertext, dance, art, post-humanism, computer games, and Victorian steampunk.Provides a 作者: 同位素 時間: 2025-3-26 19:43
978-3-030-08623-7The Editor(s) (if applicable) and The Author(s) 2018作者: concise 時間: 2025-3-26 21:21
Global Frankenstein978-3-319-78142-6Series ISSN 2569-8826 Series E-ISSN 2569-8834 作者: Entirety 時間: 2025-3-27 03:54
https://doi.org/10.1007/978-3-319-78142-6Mary Shelley; gothic studies; victorian studies; science fiction; disability studies; Young Frankenstein; 作者: NIP 時間: 2025-3-27 07:09 作者: 生氣地 時間: 2025-3-27 10:07 作者: CBC471 時間: 2025-3-27 17:01 作者: 使?jié)M足 時間: 2025-3-27 18:43 作者: 小爭吵 時間: 2025-3-27 23:48
‘The Human Senses Are Insurmountable Barriers’: Deformity, Sympathy, and Monster Love in Three Varia ‘have so strong a claim on the sympathy of the world, yet find little else but disgust,’ Edward Bulwer-Lytton’s ‘A Manuscript Found in a Madhouse,’ Mel Brooks’ ., and ‘The Crimson Horror’ episode of the rebooted . variously revisit the ‘insurmountable barriers’ to sympathy that bedevil the creature作者: Generosity 時間: 2025-3-28 05:22
‘We Sometimes Paused to Laugh Outright’: , and the Struggle for Decorumed to exclude all mirth, vulgarity, or anything that might, by established standards of literary and social decorum, be considered low. The various manifestations of decorum cast fresh light on . at its best while vindicating passages whose existence has hitherto seemed hard to justify. Consideratio作者: 代替 時間: 2025-3-28 09:36 作者: 征服 時間: 2025-3-28 14:24 作者: 束縛 時間: 2025-3-28 16:56 作者: Negotiate 時間: 2025-3-28 20:26
Promethean Myths of the Twenty-First Century: Contemporary , Film Adaptations and the Rise of the Vioor critical reception and box-office performances of post-millennial adaptations of . suggest this myth may be on the wane, at least in cinema. Mainstream adaptations persist in turning Frankenstein’s creature into a hero and victim in a move that betrays a modern preference for the sympathetic mon作者: 聯(lián)邦 時間: 2025-3-28 23:46
and the Peculiar Power of the Comicssentational strategies of prose and cinema around Frankenstein’s monster before turning to illustration and comics. Prose excels at presenting subjective experience, while cinema is more attuned to the imprint of the external world. Illustration accompanies printed text with the occasional image, bu作者: 不愿 時間: 2025-3-29 03:05
Our Progeny’s Monsters: , Retold for Children in Picturebooks and Graphic Novelsaphic narratives. I examine five books: picturebooks . by Neil Numberman (HarperCollins, New York, 2009) and . by Patrick McDonnell (Little, Brown and Company, New York, 2012), graphic novels by Chris Mould (Oxford University Press, Oxford, 1997) and Marion Mousse (Papercutz, New York, 2009), both t作者: 鞠躬 時間: 2025-3-29 07:58 作者: 審問,審訊 時間: 2025-3-29 12:33 作者: genesis 時間: 2025-3-29 19:13 作者: SENT 時間: 2025-3-29 21:04 作者: fixed-joint 時間: 2025-3-30 00:50 作者: NEX 時間: 2025-3-30 07:57
Online Analytical Processing-Systemege’. Victor’s historical antecedents will be related to Mary Shelley’s circle and look ahead to Gunther von Hagens, known as Dr Death and a modern-day Frankenstein. Female dissection, such as that of nineteenth-century prophetess Joanna Southcott and Sarah Baartman, ‘the Hottentot Venus’, was regard
