標(biāo)題: Titlebook: Global Creative Ecosystems; A Critical Understan Tarek E. Virani Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive [打印本頁] 作者: purulent 時間: 2025-3-21 18:17
書目名稱Global Creative Ecosystems影響因子(影響力)
作者: Countermand 時間: 2025-3-21 21:14
Global Creative Ecosystems978-3-031-33961-5Series ISSN 2947-9290 Series E-ISSN 2947-9304 作者: chisel 時間: 2025-3-22 03:55 作者: 光明正大 時間: 2025-3-22 07:56 作者: 謙虛的人 時間: 2025-3-22 11:43 作者: synovitis 時間: 2025-3-22 14:05
Debapriya Basu,Mrinmoy Majumder,Debasri Royocess and its key elements of financing, development, principal photography, post-production, distribution and exhibition. Furthermore, we illustrate how they are further interrelated and embedded (in place, time, technology and regulation).作者: synovitis 時間: 2025-3-22 18:17
https://doi.org/10.1007/978-981-16-5403-9ive and cultural industries use of relevant bricolage capabilities in a sharing economy based on trust could strengthen creative ecosystems and the resulting potential to be resilient and even thrive?in the face of a shortage economy and hostile operating environment.作者: DIS 時間: 2025-3-22 21:56
Film Making as a Creative Ecosystem: The Case of Soho in London,ocess and its key elements of financing, development, principal photography, post-production, distribution and exhibition. Furthermore, we illustrate how they are further interrelated and embedded (in place, time, technology and regulation).作者: Gerontology 時間: 2025-3-23 04:53 作者: 佛刊 時間: 2025-3-23 08:37 作者: Hormones 時間: 2025-3-23 12:48
R. P. Gupta,T. F. Wall,L. Baxter will focus on data that would quantify elements of Contact’s impact on the audience and urban space as well as internal within the organisation. This chapter opens questions not only about how to measure the ecosystemic impact of arts organisations but also tacitly asks where do the boundaries of such ecosystems lie.作者: Cantankerous 時間: 2025-3-23 17:42
Sayjel Vijay Patel,Nathan Kiatkulpibooney clusters which exist in the region. Through targeted and bespoke activities drawing on creative hubs, higher education institutions and creative microbusinesses the approach outlines here aims for new forms of responsible innovation.作者: 榨取 時間: 2025-3-23 18:33
Relative Values and the Multidimensional Impact of Arts Ecosystems: The Case of Contact Theatre, will focus on data that would quantify elements of Contact’s impact on the audience and urban space as well as internal within the organisation. This chapter opens questions not only about how to measure the ecosystemic impact of arts organisations but also tacitly asks where do the boundaries of such ecosystems lie.作者: 2否定 時間: 2025-3-23 23:17
Networks for Inclusion,y clusters which exist in the region. Through targeted and bespoke activities drawing on creative hubs, higher education institutions and creative microbusinesses the approach outlines here aims for new forms of responsible innovation.作者: Debrief 時間: 2025-3-24 03:18
Towards a Creative and Cultural Industries Ecosystem Perspective,ems, and ecologies, has come on the back of a recognition that forensic efforts around defining, delineating and demarcating the creative and cultural sector through definitions and taxonomies has not yielded the analytical tools and insight necessary to accurately examine its complex machinations, 作者: 沖擊力 時間: 2025-3-24 07:56 作者: 補助 時間: 2025-3-24 11:27
The Performing Arts Ecosystem in Abu Dhabi: Sustainability, Resilience, and Local Capacity Buildinghelp overcome some of the limitations of earlier conceptual frameworks such as cultural and creative economy, cultural and creative clusters, cultural and creative industries—by examining cultural and creative activity from a broader ‘whole system’ perspective, including recognizing the importance o作者: GONG 時間: 2025-3-24 16:13
From Strangers to a Designer Community: An Ecosystem Perspective of Creative Hub Formation in Taipetion in cultural and creative industries work and function. This is where the existing research and policy practices in cultural and creative industries fall short. In particular, this chapter refers to social bonds between cultural and creative practitioners, intermediaries and locality as three cr作者: Scintillations 時間: 2025-3-24 22:29
SESC: A Brazilian Music Ecosystem Orchestrator,granting actors. SESC (Social Service for Commerce) is a private organization founded in 1946, which stated mission is to provide access to education, leisure and culture for commerce workers and their families, with units in all Brazilian states. Over the years, the S?o Paulo state branch has devel作者: Camouflage 時間: 2025-3-25 00:43
,Bristol’s Film and Television Industries: An Incremental Ecosystem,a much smaller group engaged in feature film production. In contrast to what one could call ‘engineered’ screen production centres such as Cardiff or Greater Manchester (MediaCityUK in Salford), Bristol’s screen industries—notably the BBC’s Natural History Unit and Aardman Animations—have grown incr作者: 強制令 時間: 2025-3-25 03:19 作者: Visual-Field 時間: 2025-3-25 08:20 作者: 讓你明白 時間: 2025-3-25 12:45
Why a Better Understanding of the Ecosystems of Cultural Production Could Have a Major Impact on Puanguishing in the twentieth century. They are predicated on a world of stable company structures, providing a consistent flow of goods and services that is easy to maintain, track and tax, produced by a waged workforce equipped to do a range of tasks by an education system that priorities knowledge 作者: Salivary-Gland 時間: 2025-3-25 19:37 作者: Offstage 時間: 2025-3-25 22:04
,‘In Denial’, Artists in the UK Creative Economy: A Focus on Artist-Led Businesses,is chapter analyses businesses as models of cultural production. Artists, and specifically in the case of this study, visual artists, operate within a creative economy and ecosystem characterised by uncertainty, precarity and inequalities. While the majority of artists are sole traders working as fr作者: PAN 時間: 2025-3-26 03:25 作者: incision 時間: 2025-3-26 05:20
Keeping to the Margins: Understanding the Role of Symbolic Violence and Institutional Fields in Cre-towns lying outside major cities, successful culture-led regeneration strategies must consider how local organisational identities are constructed in relation to their creative-city counterparts. We demonstrate that the spatial nature of power relations reproduces existing inequalities. Drawing upo作者: Angioplasty 時間: 2025-3-26 09:07 作者: 偏見 時間: 2025-3-26 16:28
Debapriya Basu,Mrinmoy Majumder,Debasri Roymplar of a (creative) industry ecosystem. We note a dominant view of the film industry concerns what happens on the screen: the discussion of aesthetics, narrative and representation. A secondary concern is of the focus on the economics and business of the film industry. Such a division echoes the c作者: Cryptic 時間: 2025-3-26 17:23 作者: Exposure 時間: 2025-3-27 00:00
Impact of Genetic Targets on Cancer Therapytion in cultural and creative industries work and function. This is where the existing research and policy practices in cultural and creative industries fall short. In particular, this chapter refers to social bonds between cultural and creative practitioners, intermediaries and locality as three cr作者: Immobilize 時間: 2025-3-27 01:22 作者: chuckle 時間: 2025-3-27 08:18
Arjun Mandal,Subhananda Chakrabartia much smaller group engaged in feature film production. In contrast to what one could call ‘engineered’ screen production centres such as Cardiff or Greater Manchester (MediaCityUK in Salford), Bristol’s screen industries—notably the BBC’s Natural History Unit and Aardman Animations—have grown incr作者: 極大痛苦 時間: 2025-3-27 11:46 作者: 挫敗 時間: 2025-3-27 16:46 作者: reperfusion 時間: 2025-3-27 19:35
https://doi.org/10.1007/978-1-4757-3019-7anguishing in the twentieth century. They are predicated on a world of stable company structures, providing a consistent flow of goods and services that is easy to maintain, track and tax, produced by a waged workforce equipped to do a range of tasks by an education system that priorities knowledge 作者: 大吃大喝 時間: 2025-3-28 01:24
https://doi.org/10.1007/978-981-16-5403-9onsideration is given to the?role of?creative ecosystems’in achieving productivity. Zimbabwe’s creative and cultural industries ecosystem enablers, represented by creative hubs and spaces, adopt innovative approaches to facilitating co-creation towards productivity, considering the country’s context作者: 卜聞 時間: 2025-3-28 03:28
https://doi.org/10.1057/9780230290747is chapter analyses businesses as models of cultural production. Artists, and specifically in the case of this study, visual artists, operate within a creative economy and ecosystem characterised by uncertainty, precarity and inequalities. While the majority of artists are sole traders working as fr作者: Corroborate 時間: 2025-3-28 07:11 作者: Vulnerary 時間: 2025-3-28 13:17
Impacting the Sensory Experience of Products-towns lying outside major cities, successful culture-led regeneration strategies must consider how local organisational identities are constructed in relation to their creative-city counterparts. We demonstrate that the spatial nature of power relations reproduces existing inequalities. Drawing upo作者: GILD 時間: 2025-3-28 15:40 作者: Cumbersome 時間: 2025-3-28 19:11 作者: HUMP 時間: 2025-3-29 01:41
Towards a Creative and Cultural Industries Ecosystem Perspective,production as a process that is resistant to definitions based on counting outputs, and makes the argument that a focus on ecosystems of cultural production allows us to see and include these other moving parts, stories, people and processes which helps us attend to this complexity by: recognising t作者: ERUPT 時間: 2025-3-29 05:38 作者: Feature 時間: 2025-3-29 11:01 作者: transplantation 時間: 2025-3-29 13:10 作者: 消音器 時間: 2025-3-29 16:40
,Bristol’s Film and Television Industries: An Incremental Ecosystem,nti-authoritarian history, a place where ‘a(chǎn)lternative’ ideas are encouraged and supported. Situated within an overarching discussion of the conceptual shift from ‘creative clusters’ to ‘creative ecosystems’ and the importance of understanding a range of causal factors rather than simply economic dri作者: 蛙鳴聲 時間: 2025-3-29 23:24 作者: Inflammation 時間: 2025-3-30 01:26
Why a Better Understanding of the Ecosystems of Cultural Production Could Have a Major Impact on Purent thinking regarding creative and cultural industries policy. It steers a path through the tensions that plague policymaking in this area globally, and potential routes forward by viewing creative and cultural activity through the prism of ecosystems.作者: 向外才掩飾 時間: 2025-3-30 07:19 作者: 事與愿違 時間: 2025-3-30 10:46
Keeping to the Margins: Understanding the Role of Symbolic Violence and Institutional Fields in Crehester (UK). The relational study deployed a unique combination of research methodologies including elements from: social network analysis, field theory, discourse theory, theories of movement and material culture to reveal the nature and meaning of inter-organisational field relationships. The rese作者: Creatinine-Test 時間: 2025-3-30 16:14
Book 2023r up different examples and approaches to regional development with a focus on cultural production. The book carves a creative economy policy-oriented path of development that reflects the real world..作者: 現(xiàn)任者 時間: 2025-3-30 19:26 作者: 加劇 時間: 2025-3-30 20:55
Ryan M. Arlitt,Robert B. Stone,Irem Y. Tumers. Since cultural production capacities are locally anchored, the potential of the ecosystem to sustain itself is related to local variables that can combine several heterogeneous logics. This chapter offers an evidence-based approach and assessment of the resilience and sustainability of Abu Dhabi‘作者: Employee 時間: 2025-3-31 04:36 作者: arterioles 時間: 2025-3-31 06:36
The Impact of Institutions on Lending,tists and emergent ones, which keeps the organization in touch with the leading edge of the cultural scene. That strategy has made SESC S?o Paulo programme to be recognized by audiences not only as high quality but also as progressive and innovative. For cultural producers, it keeps a payment policy作者: 危機 時間: 2025-3-31 10:13
Arjun Mandal,Subhananda Chakrabartinti-authoritarian history, a place where ‘a(chǎn)lternative’ ideas are encouraged and supported. Situated within an overarching discussion of the conceptual shift from ‘creative clusters’ to ‘creative ecosystems’ and the importance of understanding a range of causal factors rather than simply economic dri作者: 叢林 時間: 2025-3-31 14:46
https://doi.org/10.1007/978-94-010-0626-2business models that foster competitiveness, to inclusion of minoritised groups, languages and genres, increasing access and fairness, and perceive diversity as crucial in fostering resilience, as it provides the basis for innovation, learning, and adaptation. This chapter contributes (1) to the con作者: 誹謗 時間: 2025-3-31 19:24
https://doi.org/10.1007/978-1-4757-3019-7rent thinking regarding creative and cultural industries policy. It steers a path through the tensions that plague policymaking in this area globally, and potential routes forward by viewing creative and cultural activity through the prism of ecosystems.作者: 聲明 時間: 2025-3-31 22:17
https://doi.org/10.1057/9780230290747ting literature on the creative economy, the analysis focuses on Company Drinks, a case study of artist-led CIC, delving into the values, relationships and operational model behind the business, while reflecting on new ideas for a cultural ecology and ecosystem.