標(biāo)題: Titlebook: Give Peace a Chant; Popular Music, Polit Dario Martinelli Book 2017 Springer International Publishing AG 2017 Popular Music.Protest Songs.S [打印本頁(yè)] 作者: 阿諛奉承 時(shí)間: 2025-3-21 16:57
書目名稱Give Peace a Chant影響因子(影響力)
書目名稱Give Peace a Chant影響因子(影響力)學(xué)科排名
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書目名稱Give Peace a Chant網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Give Peace a Chant被引頻次
書目名稱Give Peace a Chant被引頻次學(xué)科排名
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書目名稱Give Peace a Chant年度引用學(xué)科排名
書目名稱Give Peace a Chant讀者反饋
書目名稱Give Peace a Chant讀者反饋學(xué)科排名
作者: 制定 時(shí)間: 2025-3-22 00:08 作者: circuit 時(shí)間: 2025-3-22 03:30 作者: larder 時(shí)間: 2025-3-22 05:36
https://doi.org/10.1007/978-3-211-69303-2s left/right distinction. Indeed, despite a visible crisis at the level of “political action”, ideologies (even in their clearest connotations) have never been “dead” as cultural models, and their vitality has been constantly tangible throughout the whole of popular music history, last decades included.作者: ALB 時(shí)間: 2025-3-22 10:36
Songs of Social Protest and Music, of single authors or genres, an explicit refusal for categorizations, or songs that simply elude any of the previous four types). The chapter is concluded with a summary of the whole model presented in the first four chapters of the book.作者: Morose 時(shí)間: 2025-3-22 15:02
Case Study 1: On the Left-Right Dichotomy and Its Musical Manifestations,s left/right distinction. Indeed, despite a visible crisis at the level of “political action”, ideologies (even in their clearest connotations) have never been “dead” as cultural models, and their vitality has been constantly tangible throughout the whole of popular music history, last decades included.作者: Morose 時(shí)間: 2025-3-22 21:04 作者: 兵團(tuán) 時(shí)間: 2025-3-23 00:32 作者: 樹上結(jié)蜜糖 時(shí)間: 2025-3-23 05:06
NATO’s Deterrence and Détente Effortsetween American jazz and Italian melodic tradition, which produced some of the most famous acts of the period. One of these, Alberto Rabagliati, shall be the main focus of this case study, as one of his songs—I shall argue here—carried a subtle yet clear statement of protest against the regime’s restrictions.作者: 沒有準(zhǔn)備 時(shí)間: 2025-3-23 05:33
Definitions and Categorizations,t just lyrical) classification. After that, the chapter introduces the triadic theoretical model that will be thoroughly discussed in Chaps.?.,?. and?., and which constitutes the main analytical novelty proposed in this book: context-lyrics-music.作者: 展覽 時(shí)間: 2025-3-23 12:55
Case Study 4: The Subtle Protest of Italian Jazz Against Fascism,etween American jazz and Italian melodic tradition, which produced some of the most famous acts of the period. One of these, Alberto Rabagliati, shall be the main focus of this case study, as one of his songs—I shall argue here—carried a subtle yet clear statement of protest against the regime’s restrictions.作者: 男生如果明白 時(shí)間: 2025-3-23 16:27
usical contents.Challenges the traditional Anglo-American-ce.This monograph offers a unique analysis of social protest in popular music. It presents theoretical descriptions, methodological tools, and an approach that encompasses various fields of musicology, cultural studies, semiotics, discourse a作者: 樂章 時(shí)間: 2025-3-23 18:42
Dangxiao Wang,Jing Xiao,Yuru Zhang stylistic categorization. Firstly, indeed, I suggest that the classic definition “protest song”, commonly employed to name the types of repertoire investigated in this book, is probably unsatisfying to correctly circumscribe the semantic field, and should rather be replaced by the more complete “so作者: 現(xiàn)任者 時(shí)間: 2025-3-24 01:07 作者: NIP 時(shí)間: 2025-3-24 04:57 作者: 鼓掌 時(shí)間: 2025-3-24 09:47 作者: Ptosis 時(shí)間: 2025-3-24 11:49 作者: 爭(zhēng)吵 時(shí)間: 2025-3-24 18:20 作者: 偏狂癥 時(shí)間: 2025-3-24 19:24
also as private citizens. It is probably fair to state that their ecological conscience developed during their mediation period in India, in 1968: the album released after that journey (known as .) had more than one reference to nature, environmental conservation and even animal rights. More hints 作者: 玷污 時(shí)間: 2025-3-25 00:09
NATO’s Deterrence and Détente Efforts by many Italians (including fascist authorities and even members of Mussolini’s family), jazz was however ostracized, due to its connections with Afro-American “black” culture, particularly after the enactment of the “racial laws”. In such conditions, jazz musicians attempted various strategies to 作者: babble 時(shí)間: 2025-3-25 05:51 作者: 改正 時(shí)間: 2025-3-25 10:10
Songs of Social Protest and Context, context-positioning in an SSP. Re-elaborating from Stefani (.. FuoriThema, Bologna, .), I suggest five different types of relations between an SSP and the context/occasion it is performed in or conceived for: “Specific relation”, “Indirect relation”, “General relation”, “Phatic relation” and “Parat作者: 笨拙的我 時(shí)間: 2025-3-25 14:38 作者: 一起平行 時(shí)間: 2025-3-25 17:06
Songs of Social Protest and Music,ions, catchy melody, etc., usually found in genres like country, world, blues, and various singer-songwriters schools), (ii) Solemn (mainstream, pop quality, lavish arrangements and big productions, typical of charity events); (iii) Aggressive (usually emerging from the underground/alternative scene作者: genuine 時(shí)間: 2025-3-25 23:13 作者: hurricane 時(shí)間: 2025-3-26 00:58
Case Study 2: The Lithuanian Singing Revolution and the Case of Antis,iet domination, with a focus on the case of Lithuania, and one of the leading bands of the period, Antis. I would like to look at this topic from two angles: the lyrical-musical one, in accordance to the analytical modes developed in this book, but also—so to speak—the institutional one, particularl作者: Triglyceride 時(shí)間: 2025-3-26 05:50 作者: 蒸發(fā) 時(shí)間: 2025-3-26 09:44 作者: brother 時(shí)間: 2025-3-26 14:47 作者: 過分自信 時(shí)間: 2025-3-26 16:59 作者: 油氈 時(shí)間: 2025-3-26 23:07 作者: Generosity 時(shí)間: 2025-3-27 01:10 作者: grandiose 時(shí)間: 2025-3-27 07:33 作者: 陰謀小團(tuán)體 時(shí)間: 2025-3-27 12:00
Haptic Sensation and Consumer Behaviouriversity of Minnesota Press, Minneapolis, MN, .) and separate the modalities of “Doing/Not Doing” from those of “Being/Not Being”, in order to distinguish between songs whose main ideological point is to underline the very action of protest (“Doing/Not Doing”), and songs which instead are inclined t作者: Panacea 時(shí)間: 2025-3-27 14:47 作者: Enrage 時(shí)間: 2025-3-27 20:48
ing in mind the double goal to (a) analyze a portion of the band’s music that tends to be somewhat overlooked (at least as a category), and (b) bring to attention the value of environmentalism and animal advocacy within the realm of SSPs, that, too, are underestimated by existing literature (where, 作者: obscurity 時(shí)間: 2025-3-28 01:29
https://doi.org/10.1007/978-3-319-50538-1Popular Music; Protest Songs; Singing Revolution; Lithuania; Resistance; Dario Martinelli; Sociomusicology作者: Cryptic 時(shí)間: 2025-3-28 04:01
978-3-319-84423-7Springer International Publishing AG 2017作者: Innocence 時(shí)間: 2025-3-28 10:04 作者: B-cell 時(shí)間: 2025-3-28 13:04 作者: dithiolethione 時(shí)間: 2025-3-28 17:11 作者: babble 時(shí)間: 2025-3-28 20:04
Charles W. Atwood Jr. MD, FCCPi auch besch?ftigungspolitische Erw?gungen eine Rolle spielen. Zugleich verdeutlicht der historische Kontext, dass die Betonung von Massengründungen und -innovation nicht mit einer Lockerung der Verbindung zwischen Wirtschaft und Politik gleichzusetzen ist. Schon in der Vergangenheit hat die Regieru作者: 馬具 時(shí)間: 2025-3-29 01:30
Antibiotics and the Plasmodial Plastid Organellescrutiny of the growing chromosomal sequence database .. It is reasonable, then, to hope that specialized pathways found to operate within the plastid compartment might lend themselves to disruption, with lethal consequences for the organism and minimal effects on the host.作者: Volatile-Oils 時(shí)間: 2025-3-29 04:53 作者: 做方舟 時(shí)間: 2025-3-29 07:51
https://doi.org/10.1007/978-3-658-25396-7Pflegep?dagogik; Ph?nomenologie; Praxisanleitung; Pflegeberuf; Lernverst?ndnis; Lernhindernis; Beziehungsq作者: faction 時(shí)間: 2025-3-29 15:12 作者: 過渡時(shí)期 時(shí)間: 2025-3-29 16:33
