派博傳思國際中心

標題: Titlebook: Gissing and the City; Cultural Crisis and John Spiers (Senior Research Fellow, Visiting Prof Book 2006 Palgrave Macmillan, a division of M [打印本頁]

作者: 爆裂    時間: 2025-3-21 16:26
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作者: comely    時間: 2025-3-21 22:11
,‘Citizens of London?’ Working Women, Leisure and Urban Space in Gissing’s 1880s Fiction,le sexuality tends to disqualify women from citizenship, though he also protests against their ‘restricted access to the public life of the city’ (Parsons, 2000, p. 5). In this chapter, I will explore his participation in current debates about working-class leisure, the constraints on women’s behavi
作者: idiopathic    時間: 2025-3-22 00:23
,‘Counter-jumpers’ and ‘Queens of the Street’: The Shop Girl of Gissing and his Contemporaries,) and . (1894) side by side with contemporary discourse about the shop girl in the periodical press. This comparative reading not only confirms that Gissing’s conflicted attitudes toward these emblems of modernity were shared by his contemporaries, but also suggests his use of a prevalent narrative:
作者: bifurcate    時間: 2025-3-22 07:19

作者: innate    時間: 2025-3-22 10:41
,‘Woman as an Invader’: Travel and Travail in George Gissing’s , from . who is contrasted with the violent Ada Peachey (modelled on Gissing’s then wife Edith), who finally acquiesces to her husband. As the title to Mary’s talk implies, Gissing examines the modern male’s resentful view of women who are becoming increasingly powerful with newly won opportunities a
作者: FRET    時間: 2025-3-22 16:55
,The Clash of Space and Culture: Gissing and the Rise of the ‘New’ Suburban, Overall, the picture of the suburbs that emerges from 1880 through the First World War is the image with which modern readers are more familiar — the suburb as trivial, dull, bourgeois, pretentious; an object of mockery by those who considered themselves above the petty concerns of the world of mid
作者: FRET    時間: 2025-3-22 17:13
,Gissing: A Life in Death — A Cavalcade of Gissing Criticism in the Last Hundred Years,sing remained the man to whom, only a few weeks before death overtook him, H. G. Wells wrote: “Your fame in England grows steadily and you are the most respectable and respected of novelists next to Hardy, Meredith and James. You should come and savour it.”. The success of . had been immediate, and
作者: 幻想    時間: 2025-3-22 21:34

作者: Exploit    時間: 2025-3-23 02:10

作者: 大約冬季    時間: 2025-3-23 06:54

作者: 吝嗇性    時間: 2025-3-23 10:38
https://doi.org/10.1007/978-3-658-29360-4 a happy ending but is endowed with a kind of power to transform the city. But my essay is less concerned with Gissing’s representations of women, a subject which has been productively explored by a number of feminist critics in recent years, than with the way gender itself operates in these novels
作者: congenial    時間: 2025-3-23 14:51
Zusammenfassung und Bilanz der Ergebnisse, from . who is contrasted with the violent Ada Peachey (modelled on Gissing’s then wife Edith), who finally acquiesces to her husband. As the title to Mary’s talk implies, Gissing examines the modern male’s resentful view of women who are becoming increasingly powerful with newly won opportunities a
作者: alleviate    時間: 2025-3-23 19:36

作者: Melanocytes    時間: 2025-3-24 01:08

作者: reject    時間: 2025-3-24 04:08
,‘Amid the Dear Old Horrors’: Memory, London, and Literary Labour in ,,
作者: CODA    時間: 2025-3-24 07:57
John Spiers (Senior Research Fellow, Visiting Prof
作者: 有抱負者    時間: 2025-3-24 14:06

作者: 水土    時間: 2025-3-24 17:02

作者: 使堅硬    時間: 2025-3-24 19:37

作者: Introduction    時間: 2025-3-24 23:19

作者: dendrites    時間: 2025-3-25 07:23
Gissing, Literary Bohemia, and the Metropolitan Circle,e Bohéme’. Gillian Tindall, writing with no-nonsense Britishness, as well as with a woman’s eye to the matter, went so far as to attribute the depth of Gissing’s attraction to his first wife, Nell Harrison, to ‘a desire to create the de Musset-Murger idyll … this cloud-cuckoo-land of love-in-a-garre
作者: CONE    時間: 2025-3-25 08:24

作者: 牙齒    時間: 2025-3-25 12:40

作者: Flinch    時間: 2025-3-25 16:56
,Rebellion in the Metropolis: George Gissing’s New Woman Musician,usical genius. Setting his novel against the backdrop of the specular economy of late nineteenth-century London, Gissing’s engagement with these debates sheds light on the vexed question of his feminism. His New Woman’s increased autonomy and sexual freedom is evident in her pursuit of a professiona
作者: RAGE    時間: 2025-3-25 20:26
,‘Children of the Street’: Reconfiguring Gender in Gissing’s London,tension, even contradictions: at times the city seems to impose rigid boundaries on the lives of its fictional inhabitants and the conventions of gender that shape their identity, while at other times it seems to grant a kind of freedom that has profound implications for gender and for social progre
作者: 直覺好    時間: 2025-3-26 02:42

作者: Lamina    時間: 2025-3-26 08:02

作者: 雪崩    時間: 2025-3-26 11:03
,‘Muddy depths’: The Thames in Gissing’s Fiction, natural and an urban sign, a legible environment and a symbolically charged milieu, testifies to the author’s abiding concern with London, the world capital. Because Gissing posits the metropolis overwhelmingly as the main locale of his novels of contemporary life, the river is given the place of h
作者: ostensible    時間: 2025-3-26 16:15
,Gissing’s Urban Neurasthenia,signed for the torment of any man who cares for beauty and tradition.” (Coustillas, 1968, p. 3). From . (1880), his first published novel, to . (1905), the last one he completed, and almost everywhere in between, Gissing’s repugnance to city life is vividly articulated. He always wished to live amid
作者: 顯赫的人    時間: 2025-3-26 17:02
,George Gissing’s ,: A Storehouse of ‘Elements of Drama to be Fused and Minted in his Brain’,oup of Gissing’s writings in his autograph. Being manuscript notes written mainly in connection with his works and novels.’ This material (defined as ‘the property of a lady’) was doubtless offered for sale by Alfred Gissing, the writer’s younger son, into whose hands many of his father’s miscellane
作者: debris    時間: 2025-3-26 22:07

作者: zonules    時間: 2025-3-27 01:37

作者: shrill    時間: 2025-3-27 06:47

作者: 易發(fā)怒    時間: 2025-3-27 12:19

作者: 一罵死割除    時間: 2025-3-27 14:34

作者: impale    時間: 2025-3-27 18:03

作者: 勉強    時間: 2025-3-28 00:47

作者: Hectic    時間: 2025-3-28 02:40
Prognose des Standortverhaltens,y, ‘shop girls.’ This constellation of names indicates the range of responses the female shop assistant elicited, and also points to a number of anxieties that surrounded her and her place of employment.. At once a victim of commercialism and an aspiring social climber, the woman behind the counter
作者: Lacunar-Stroke    時間: 2025-3-28 09:27
https://doi.org/10.1007/978-3-658-33296-9usical genius. Setting his novel against the backdrop of the specular economy of late nineteenth-century London, Gissing’s engagement with these debates sheds light on the vexed question of his feminism. His New Woman’s increased autonomy and sexual freedom is evident in her pursuit of a professiona
作者: 粗魯性質    時間: 2025-3-28 13:00
https://doi.org/10.1007/978-3-658-29360-4tension, even contradictions: at times the city seems to impose rigid boundaries on the lives of its fictional inhabitants and the conventions of gender that shape their identity, while at other times it seems to grant a kind of freedom that has profound implications for gender and for social progre
作者: 不容置疑    時間: 2025-3-28 15:37

作者: 喪失    時間: 2025-3-28 22:12
Grundlagen handlungsorientierten Lernens,eenth-century urbanization on literature and culture. Books specifically about the Victorian and, later, Edwardian suburb were published through to the end of the Edwardian period, including George and Weedon Grossmith’s . (1888–89), two sections of the first volume of Charles Booth’s landmark work,
作者: 腐爛    時間: 2025-3-28 23:55

作者: 館長    時間: 2025-3-29 03:07

作者: Employee    時間: 2025-3-29 10:10

作者: ANNUL    時間: 2025-3-29 11:44

作者: mercenary    時間: 2025-3-29 18:50
https://doi.org/10.1007/978-3-322-95362-9I want to begin with an image of the city with which you will all be familiar, the Angel Islington at the opening of Chapter IV of .:
作者: 楓樹    時間: 2025-3-29 23:29
,Gestaltung qualit?tsvollen Unterrichts,The city, notoriously in its nineteenth-century representations, is an entity whose meanings are numerous and irreducible. The experience of modernity is of consciousness being surrounded by more sensory stimuli than it can comfortably or even sufficiently process (Benjamin, 1989, pp. 57–66; Freud, 1959). Georg Simmel wrote in . in 1902 of:
作者: 擁護    時間: 2025-3-30 00:57

作者: Simulate    時間: 2025-3-30 08:05
In Public: George Gissing, Newspapers and the City,The city, notoriously in its nineteenth-century representations, is an entity whose meanings are numerous and irreducible. The experience of modernity is of consciousness being surrounded by more sensory stimuli than it can comfortably or even sufficiently process (Benjamin, 1989, pp. 57–66; Freud, 1959). Georg Simmel wrote in . in 1902 of:
作者: DEMN    時間: 2025-3-30 11:00

作者: 千篇一律    時間: 2025-3-30 13:04

作者: 玷污    時間: 2025-3-30 18:43
e city’. Gissing usually offered a reasoned view of city, culture, and context, even though his personal feelings frequently took him in a different direction. The inter-play between reason and emotion shapes, enriches, and yet embeds uncertainties in his work, and is often the basis of his creative ambiguities.
作者: Prostatism    時間: 2025-3-30 23:33
Introduction: Why does Gissing Matter?,e city’. Gissing usually offered a reasoned view of city, culture, and context, even though his personal feelings frequently took him in a different direction. The inter-play between reason and emotion shapes, enriches, and yet embeds uncertainties in his work, and is often the basis of his creative ambiguities.
作者: constitutional    時間: 2025-3-31 03:31

作者: Postulate    時間: 2025-3-31 05:21
Christian Innerhofer,Paul Innerhofer (b) the river is also London’s structural backbone and spatial core. More exactly the city’s heart is located on Westminster Bridge, as indicated by the milestone in Sutton where the Mumfords live in ., the bridge also being London’s great meeting-point, for parties of ‘jubilants’ to start public rejoicings from, for instance.
作者: myalgia    時間: 2025-3-31 11:00
https://doi.org/10.1007/978-3-322-93748-3rland soon after the Second World War. In offering his father’s literary documents and private papers for sale, he would often discreetly hide his identity behind that of an unspecified ‘Continental lady’, a ploy which seems to betray a slight sense of guilt as to the frittering away of his father’s artistic inheritance.
作者: 高貴領導    時間: 2025-3-31 16:22

作者: 不滿分子    時間: 2025-3-31 20:12

作者: plasma-cells    時間: 2025-3-31 22:35
thetic revolt in urban life, politics, literature and art, by special reference to the experience of the shocks of the new urban environment, and literary and artistic responses. It does so through interdisciplinary discussion of the novels of George Gissing, whose work is particularly linked to ‘th
作者: 寄生蟲    時間: 2025-4-1 02:38
https://doi.org/10.1007/978-3-531-18792-1ne does not have to look far for real-life women art journalists. For example, the real-life figure Cross identifies as the counterpart to Milvain, Wilfrid Meynell, was married to the extraordinarily prolific art critic and poet Alice Meynell.
作者: Estimable    時間: 2025-4-1 09:09
Factual & Fictive Subplots: Terence, , censorious slant of Gissing’s crowd scenes, and, in so doing, they inevitably bring to the forefront the question of the author’s ambivalent attitude towards modernity, the ‘paradox’ — as William Greenslade (2001, p. 271) so aptly put it — of a novelist who ‘write so memorably about what he affects to despise’.
作者: Customary    時間: 2025-4-1 10:59

作者: 脆弱吧    時間: 2025-4-1 17:01
New Woman on Grub Street: Art in the City,ne does not have to look far for real-life women art journalists. For example, the real-life figure Cross identifies as the counterpart to Milvain, Wilfrid Meynell, was married to the extraordinarily prolific art critic and poet Alice Meynell.
作者: prick-test    時間: 2025-4-1 22:27
,Gissing’s ,: Urban Crowds, Carnivalesque Subversion and the Crisis of Paternal Authority, censorious slant of Gissing’s crowd scenes, and, in so doing, they inevitably bring to the forefront the question of the author’s ambivalent attitude towards modernity, the ‘paradox’ — as William Greenslade (2001, p. 271) so aptly put it — of a novelist who ‘write so memorably about what he affects to despise’.




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