標(biāo)題: Titlebook: Girls, Autobiography, Media; Gender and Self-Medi Emma Maguire Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Life writing. [打印本頁] 作者: 充裕 時間: 2025-3-21 20:04
書目名稱Girls, Autobiography, Media影響因子(影響力)
作者: 大暴雨 時間: 2025-3-21 23:15
https://doi.org/10.1007/978-3-319-74237-3Life writing; Fangirl community; Vlog; Gender; Subjectivity; Girls in media作者: 一起 時間: 2025-3-22 00:43
978-3-030-08943-6The Editor(s) (if applicable) and The Author(s) 2018作者: 路標(biāo) 時間: 2025-3-22 05:21 作者: 淘氣 時間: 2025-3-22 11:32 作者: 反叛者 時間: 2025-3-22 13:52 作者: 反叛者 時間: 2025-3-22 17:22
Self-Branding and Hotness in the YouTube Video Blogs of Jenna Marbles,or video views and subscriber tallies, giving rise to self-branding strategies particular to the video blogging site. It takes the case study of Jenna Marbles, a leading female video blogger, to see how she uses parody and play to negotiate the demand for young women to appear as hot, sexy products for consumption.作者: 修飾 時間: 2025-3-22 21:40 作者: Surgeon 時間: 2025-3-23 03:24
Introduction: Girls, Autobiography, Media,of this term to denote: diverse forms of media that present autobiographical performance(s) and which require close attention to the facts of mediation, and a conceptual tool and approach to autobiographical texts of a range of forms, but having particularly useful application for digital and multim作者: thrombus 時間: 2025-3-23 06:19 作者: EWER 時間: 2025-3-23 12:48 作者: 機(jī)制 時間: 2025-3-23 15:48 作者: 雇傭兵 時間: 2025-3-23 19:41 作者: 高貴領(lǐng)導(dǎo) 時間: 2025-3-24 01:34
Sad Asian Girls and Collaborative Auto Assemblage: Mobilising Cross-Platform Collective Life Narrat political mission. This chapter considers how the SAGC used multiple digital platforms (a Tumblr blog, a Twitter account, a YouTube channel, an Instagram account, and a print magazine) to mobilise collective and collaborative life narrative that aims to intervene in pervasive stereotypes of Asian g作者: 皺痕 時間: 2025-3-24 05:18 作者: aneurysm 時間: 2025-3-24 06:40
Hoaxing Instagram: Amalia Ulman Exposes the Tropes of #Instagirlhood,o portray a fictional character whose story unfolded over several months. Her images, replicating popular tropes of digital autobiographical performance were presented and widely read as “authentic” selfies. This chapter examines how Ulman’s . can be understood as an automedial work that uses networ作者: DENT 時間: 2025-3-24 13:14 作者: Overdose 時間: 2025-3-24 14:52
https://doi.org/10.1007/978-3-663-02562-7of this term to denote: diverse forms of media that present autobiographical performance(s) and which require close attention to the facts of mediation, and a conceptual tool and approach to autobiographical texts of a range of forms, but having particularly useful application for digital and multim作者: 教唆 時間: 2025-3-24 19:46 作者: Highbrow 時間: 2025-3-24 23:10
https://doi.org/10.1007/978-981-19-8734-2n’t like girls and preferred to be “one of the guys”. Her online diary, though, tells a different story. What can the tensions between Wrekk’s online self-presentation and her DIY print media self-presentation tell us about navigating subcultural pressures as a punk girl at the turn of the millenniu作者: ALERT 時間: 2025-3-25 06:16 作者: Customary 時間: 2025-3-25 09:00 作者: judicial 時間: 2025-3-25 12:44 作者: 有害處 時間: 2025-3-25 19:17
https://doi.org/10.1007/978-3-8349-7183-8 has been noted for promoting content by its Black contributors, and girls and young women are a significant presence on the site, but who profits when their user-generated vine content goes viral? This chapter examines the case study of Peaches Munroee, a Black American teenager whose video “Eyebro作者: ABYSS 時間: 2025-3-25 20:34
Der Handel als Untersuchungsgegenstand,o portray a fictional character whose story unfolded over several months. Her images, replicating popular tropes of digital autobiographical performance were presented and widely read as “authentic” selfies. This chapter examines how Ulman’s . can be understood as an automedial work that uses networ作者: MELD 時間: 2025-3-26 03:37 作者: 業(yè)余愛好者 時間: 2025-3-26 05:14 作者: Expurgate 時間: 2025-3-26 11:37
https://doi.org/10.1007/978-3-663-02562-7odal forms.It then outlines the case studies in each chapter as automedial genres, arguing for due attention to be paid and credit to be given to the significant contribution that girls and young women have made and are making to digital forms of autobiography.作者: gnarled 時間: 2025-3-26 16:00
https://doi.org/10.1007/978-3-7091-9842-1ates Voog and Ringley’s lifecasting within a rich history of art practice in which women artists have used their own bodies as media, and considers camgirls as pioneers of webcam technology who engaged with anxieties around identity on the internet, feminine embodiment and the gaze, visibility, and the consumption of eroticised female bodies.作者: 繁榮中國 時間: 2025-3-26 19:15 作者: Strength 時間: 2025-3-26 20:58
Der Handel als Untersuchungsgegenstand,ked photo-sharing practice to investigate: feminine embodiment and self-representation; self-branding via digital media; and the ways in which social media conventions shape the production and circulation of constructions of girlhood.作者: ADJ 時間: 2025-3-27 04:59
Introduction: Girls, Autobiography, Media,odal forms.It then outlines the case studies in each chapter as automedial genres, arguing for due attention to be paid and credit to be given to the significant contribution that girls and young women have made and are making to digital forms of autobiography.作者: 慟哭 時間: 2025-3-27 06:06 作者: 整頓 時間: 2025-3-27 11:58 作者: amnesia 時間: 2025-3-27 13:47
Hoaxing Instagram: Amalia Ulman Exposes the Tropes of #Instagirlhood,ked photo-sharing practice to investigate: feminine embodiment and self-representation; self-branding via digital media; and the ways in which social media conventions shape the production and circulation of constructions of girlhood.作者: OWL 時間: 2025-3-27 18:25 作者: carotenoids 時間: 2025-3-28 00:56
Dieter Ahlert,Peter Kenning,Christian Brocking back” through art and media..This chapter considers how Fan and Park facilitated community-driven automedial practices and used online networks to coax, create, assemble, and deploy a collective, cross-platform genre of collaborative automedia.作者: Bucket 時間: 2025-3-28 04:22 作者: 字的誤用 時間: 2025-3-28 08:46
Fangirling as Feminist Auto Assemblage: Tavi Gevinson and Participatory Audienceship, The chapter shows how fangirling can work as part of an automedial strategy of auto assemblage, engaging complex tensions between consuming cultural products, formulating an identity as a consumer/producer of media, and . a brand and consumer product.作者: 愛國者 時間: 2025-3-28 14:21
Sad Asian Girls and Collaborative Auto Assemblage: Mobilising Cross-Platform Collective Life Narrating back” through art and media..This chapter considers how Fan and Park facilitated community-driven automedial practices and used online networks to coax, create, assemble, and deploy a collective, cross-platform genre of collaborative automedia.作者: Baffle 時間: 2025-3-28 15:08
Eyebrows on ,? Girls and Viral Economies,this video’s success and analysing how girlhood and race are integral to Munroee’s self-presentation, this chapter shows how representations of Black girlhood circulate as valuable and highly “shareable” commodities.作者: 土產(chǎn) 時間: 2025-3-28 22:18 作者: 疾馳 時間: 2025-3-29 00:29 作者: 周年紀(jì)念日 時間: 2025-3-29 05:37
2730-9185 autobiographical practices are deeply interlinked, and it highlights the significant contribution girls and young women have made to contemporary digital forms of life narrative..978-3-030-08943-6978-3-319-74237-3Series ISSN 2730-9185 Series E-ISSN 2730-9193 作者: 一加就噴出 時間: 2025-3-29 10:48
,Begriffsbestimmungen und grundlegende Merkmale des Marktes für DM-Zins- und W?hrungsswaps, den regelm??igen Austausch von Zahlungsstr?men (.). W?hrend auch bei anderen Swaparten wie Devisenswaps,. Warenswaps. oder Equity-Swaps. Zahlungen getauscht werden, liegen den Zins- und W?hrungsswaps periodische Zahlungen in gleicher oder unterschiedlicher W?hrung zugrunde, die ausschlie?lich an Zi作者: Trabeculoplasty 時間: 2025-3-29 11:26 作者: 保守黨 時間: 2025-3-29 18:22
