標(biāo)題: Titlebook: Ghosts, Metaphor, and History in Toni Morrison‘s Beloved and Gabriel GarcIa MArquez‘s One Hundred Ye; Daniel Erickson Book 2009 Palgrave M [打印本頁(yè)] 作者: interleukins 時(shí)間: 2025-3-21 18:24
書(shū)目名稱(chēng)Ghosts, Metaphor, and History in Toni Morrison‘s Beloved and Gabriel GarcIa MArquez‘s One Hundred Years of Solitude影響因子(影響力)
書(shū)目名稱(chēng)Ghosts, Metaphor, and History in Toni Morrison‘s Beloved and Gabriel GarcIa MArquez‘s One Hundred Years of Solitude影響因子(影響力)學(xué)科排名
書(shū)目名稱(chēng)Ghosts, Metaphor, and History in Toni Morrison‘s Beloved and Gabriel GarcIa MArquez‘s One Hundred Years of Solitude網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱(chēng)Ghosts, Metaphor, and History in Toni Morrison‘s Beloved and Gabriel GarcIa MArquez‘s One Hundred Years of Solitude網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱(chēng)Ghosts, Metaphor, and History in Toni Morrison‘s Beloved and Gabriel GarcIa MArquez‘s One Hundred Years of Solitude被引頻次
書(shū)目名稱(chēng)Ghosts, Metaphor, and History in Toni Morrison‘s Beloved and Gabriel GarcIa MArquez‘s One Hundred Years of Solitude被引頻次學(xué)科排名
書(shū)目名稱(chēng)Ghosts, Metaphor, and History in Toni Morrison‘s Beloved and Gabriel GarcIa MArquez‘s One Hundred Years of Solitude年度引用
書(shū)目名稱(chēng)Ghosts, Metaphor, and History in Toni Morrison‘s Beloved and Gabriel GarcIa MArquez‘s One Hundred Years of Solitude年度引用學(xué)科排名
書(shū)目名稱(chēng)Ghosts, Metaphor, and History in Toni Morrison‘s Beloved and Gabriel GarcIa MArquez‘s One Hundred Years of Solitude讀者反饋
書(shū)目名稱(chēng)Ghosts, Metaphor, and History in Toni Morrison‘s Beloved and Gabriel GarcIa MArquez‘s One Hundred Years of Solitude讀者反饋學(xué)科排名
作者: Lipoprotein(A) 時(shí)間: 2025-3-21 20:47
Absenting Presence in ,,e active reduction, suspension, and erasure of already posited reference or presence. While this distinction between absence and erasure may appear abstract and while Morrison intentionally conflates different senses of negation and absence into an overwhelming impression of negativity, it will beco作者: 大包裹 時(shí)間: 2025-3-22 03:08 作者: Arthr- 時(shí)間: 2025-3-22 04:49 作者: 西瓜 時(shí)間: 2025-3-22 11:15 作者: Cloudburst 時(shí)間: 2025-3-22 14:32 作者: Cloudburst 時(shí)間: 2025-3-22 19:04 作者: 狂亂 時(shí)間: 2025-3-22 22:49 作者: 方舟 時(shí)間: 2025-3-23 05:26 作者: HEPA-filter 時(shí)間: 2025-3-23 06:33
Hydrogen-Poor Core-Collapse Supernovae and obscured historical reality of slavery. In Chapter 4, I traced the connection between the ghost as a communicative agent, which transfers between separate worlds, and metaphorical conflation and transgression of different frames of reference, again noting the way this responds to the gaps that 作者: ARENA 時(shí)間: 2025-3-23 12:56 作者: enfeeble 時(shí)間: 2025-3-23 15:44
Realizing Absence in ,,hat this use of realized metaphor is an integral part of the novel’s representation of slavery. Realization is not simply a formal matter of metaphorical referents being posited as textual realities, but is registered in the novel’s represented world, its use of the specter and its discursive use of作者: deceive 時(shí)間: 2025-3-23 18:12 作者: 水獺 時(shí)間: 2025-3-24 01:50
Spectral and Metaphorical Domains in ,,l “domains” or “frames of reference.” Hrushovski considers the conflation of two frames of reference in a text to be the essential condition for the presence of metaphor: “A metaphor exists only if two domains exist vividly in a text; the metaphorical expressions belong literally to one and metaphor作者: 無(wú)情 時(shí)間: 2025-3-24 04:48 作者: 碎片 時(shí)間: 2025-3-24 09:54 作者: 濃縮 時(shí)間: 2025-3-24 11:10 作者: 使苦惱 時(shí)間: 2025-3-24 15:02 作者: 圣歌 時(shí)間: 2025-3-24 18:59
Conclusion,matic histories that they, respectively, address. Although they are very different, both novels develop and extend the spectral metaphor in similar directions, especially in their deconstructive conclusions. Both end with a spectral erasure of presence that self-reflexively recognizes their structur作者: Limousine 時(shí)間: 2025-3-24 23:53 作者: 冬眠 時(shí)間: 2025-3-25 04:56 作者: bleach 時(shí)間: 2025-3-25 07:49 作者: jaunty 時(shí)間: 2025-3-25 12:36
Nathaniel Baron-Schmitt,Daniel Mu?ozl “domains” or “frames of reference.” Hrushovski considers the conflation of two frames of reference in a text to be the essential condition for the presence of metaphor: “A metaphor exists only if two domains exist vividly in a text; the metaphorical expressions belong literally to one and metaphor作者: 戲服 時(shí)間: 2025-3-25 16:23 作者: TEM 時(shí)間: 2025-3-25 20:54 作者: 六個(gè)才偏離 時(shí)間: 2025-3-26 03:34 作者: Dysarthria 時(shí)間: 2025-3-26 08:23 作者: 分發(fā) 時(shí)間: 2025-3-26 11:44 作者: BATE 時(shí)間: 2025-3-26 15:21
The Gut-Brain Axis and Addictions,ery’s legacy of absence. The novel uses both metaphorical reference and the particular metaphor of the ghost to give presence to the immense loss that slavery has bequeathed to the African American community.作者: 蒙太奇 時(shí)間: 2025-3-26 20:51 作者: 墊子 時(shí)間: 2025-3-26 21:12 作者: 壁畫(huà) 時(shí)間: 2025-3-27 03:33 作者: 容易懂得 時(shí)間: 2025-3-27 07:20
Living reference work 2020Latest editionnrecorded, and possibly unrecoverable history, particularly the psychosocial landscape of slavery, its “psychic toll.”. The particular metaphor of the ghost and the general mechanics of metaphorical reference are used to represent this history and to dramatize its problematic nature for the reader in the discourse of the novel.作者: output 時(shí)間: 2025-3-27 13:14 作者: Meager 時(shí)間: 2025-3-27 14:50 作者: 圓木可阻礙 時(shí)間: 2025-3-27 20:47
Conclusion,d” figure of the ghost and the linguistically “Unfinished” figure of metaphor, which haunts what it represents like a ghost. Metaphor is, in both texts, a way of immersing the reader in the “Unfinished” histories that they represent.作者: Indelible 時(shí)間: 2025-3-27 23:12
Common Survey Sampling Techniques,erdevelopment. These historical conditions even underpin the fantastic and seemingly “mythic” conclusion, where Macondo is reduced to a spectral city of “mirages” and annihilated by an apocalyptic hurricane.作者: 缺陷 時(shí)間: 2025-3-28 03:54 作者: SEEK 時(shí)間: 2025-3-28 07:54 作者: Culmination 時(shí)間: 2025-3-28 11:44 作者: 草率女 時(shí)間: 2025-3-28 16:56
M. R. Porter BSc, PhD, CChem, MRSCA passage toward the end of . resonates strikingly with Marx’s spectral metaphorics in .. As Macondo and the Buendía household slowly self-destruct under the inherited weight of the past, Aureliano Babilonia and Amaranta úrsula, his aunt and lover, are disturbed by the accumulated ghosts of the Buendía family’s history:作者: amorphous 時(shí)間: 2025-3-28 22:26
Spectral History in ,,A passage toward the end of . resonates strikingly with Marx’s spectral metaphorics in .. As Macondo and the Buendía household slowly self-destruct under the inherited weight of the past, Aureliano Babilonia and Amaranta úrsula, his aunt and lover, are disturbed by the accumulated ghosts of the Buendía family’s history:作者: 誹謗 時(shí)間: 2025-3-29 01:29
Palgrave Macmillan, a division of Nature America Inc. 2009作者: 充足 時(shí)間: 2025-3-29 05:59
Overview: This study examines the complex relations between the figure of the ghost, the textual figure of metaphor and history, in Toni Morrison‘s Beloved and Gabriel García Márquez‘s One Hundred Years of Solitude.978-0-230-61975-3作者: 昏暗 時(shí)間: 2025-3-29 08:32 作者: G-spot 時(shí)間: 2025-3-29 11:34
,Zur Soziologie der Pers?nlichkeit,ow time complexity for matrix construction, fault-tolerant group testing construction, and the theory aspect of size constraint group testing as well as applications of the trigger nodes detection approach.
