標(biāo)題: Titlebook: Ghosts of Theatre and Cinema in the Brain; Mark Pizzato Book 2006 Mark Pizzato 2006 brain.novel.stage.theatre.William Shakespeare [打印本頁(yè)] 作者: 延展 時(shí)間: 2025-3-21 18:34
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作者: 與野獸博斗者 時(shí)間: 2025-3-21 21:46 作者: enfeeble 時(shí)間: 2025-3-22 02:05 作者: 躺下殘殺 時(shí)間: 2025-3-22 04:39
https://doi.org/10.1007/978-981-99-0846-2dentity) against an enemy Other. The human species has triumphed over its natural enemies and prior habitat limits, covering the globe with its own kind. And yet, modern humans continue to make enemies, not only in conflicts between nations, but also within families and local communities, as well as in the war theatres of individual minds.作者: Blatant 時(shí)間: 2025-3-22 11:16 作者: Hiatus 時(shí)間: 2025-3-22 13:00
Roderick J. A. Little,Nathaniel Schenker” (11, 160).. He argues that emotions existed in animals, prior to human evolution, but “were entirely unknown to the organisms producing them” (30). Consciousness evolved with humans as nature invented a “rightful owner of each individual life”—through the “apparent self [that] emerges as the feeling of a feeling” (30–31)..作者: Hiatus 時(shí)間: 2025-3-22 17:53
,Theatrical Elements in the Mind’s Eye,” (11, 160).. He argues that emotions existed in animals, prior to human evolution, but “were entirely unknown to the organisms producing them” (30). Consciousness evolved with humans as nature invented a “rightful owner of each individual life”—through the “apparent self [that] emerges as the feeling of a feeling” (30–31)..作者: 頂點(diǎn) 時(shí)間: 2025-3-22 22:13
Ancient Specters (Prehistoric, Egyptian, Greek, and Roman),ed within its hands. These seem to imply ritualized burial activity, and a belief in religious ideologies.” At such burial sites, “symbolic tools” have also been found that indicate “advanced linguistic-cognitive ability” (Lieberman 148).作者: Mediocre 時(shí)間: 2025-3-23 03:59
,Shakespeare’s Roman Shades (, and ,),s, capitalist free markets, and consumer choices. A crucial turning point for the modern ego came in the European Renaissance, with its rejection of medieval submission to the Christian God and cosmic order, stressing instead that “man is the measure of all things.”作者: 迫擊炮 時(shí)間: 2025-3-23 05:45 作者: 確認(rèn) 時(shí)間: 2025-3-23 11:17
Epilogue,ildren and shot herself. But she does not know where they are—in limbo, hell, or elsewhere. There is no father with them and no God as “Lord” to keep the living and the dead separate, as Grace had believed before.作者: 星球的光亮度 時(shí)間: 2025-3-23 16:59
Nonlinear Sets of Spline Functions,f someone who has passed away, yet seems to linger in a certain place or return at a specific moment. Whether ghosts, gods, and other supernatural beings exist in the nonphysical realm is a matter of cultural context and personal faith. But any human being may experience the continued presence of so作者: Melanocytes 時(shí)間: 2025-3-23 18:16
Visual System of the Squirrel Monkey,ge upon the communal expression of ghosts within each spectator’s mind: a linking of cranial computers and internal displays to produce a shared illusion. Theatre within the mind, extending to stage and screen performances, manifests the Other in the actor and the specter of the spectator. The persi作者: 細(xì)胞 時(shí)間: 2025-3-24 01:21
https://doi.org/10.1007/978-0-387-85627-8und buried with the skull and antlers of a deer” (Mithen 180).. In the cave of Skuhl, a body was found “on its back, with the jaws of a wild boar placed within its hands. These seem to imply ritualized burial activity, and a belief in religious ideologies.” At such burial sites, “symbolic tools” hav作者: Nonflammable 時(shí)間: 2025-3-24 02:36 作者: thrombosis 時(shí)間: 2025-3-24 07:31 作者: 人工制品 時(shí)間: 2025-3-24 10:53
Roderick J. A. Little,Nathaniel Schenkerore self, plus autobiographical and extended selves (. 16–17, 135–37, 230, 310). Even if there is not a single homunculus as . controlling a Cartesian Theatre within the mind, Damasio finds this humans generate not only a “movie-in-the-brain,” but also the “. of an owner and observer for the movie .作者: entrance 時(shí)間: 2025-3-24 18:43 作者: Exuberance 時(shí)間: 2025-3-24 22:32
Kevin Verhoeff,A. M. James Shapirovion” (4.4.36–40). “What is a man,/If his chief good and market of his time/Be but to sleep and feed? A beast, no more” (33–35). The current chapter and chapter 9 explore this bestial legacy of the human species and its evolutionary past, as it gradually developed the mind-sharing technologies of la作者: Pedagogy 時(shí)間: 2025-3-25 00:46
Maria Alvarez-Viejo,Khawaja Husnain Haider mappings of Self and Other in the intersubjective, yet alienated, human brains of writers, directors, actors, technicians, and spectators—through the creative sharing of specific plots and embodiments on the stage or screen. In ordinary life, science has freed modern culture from many prior superst作者: 繞著哥哥問(wèn) 時(shí)間: 2025-3-25 06:51
Maria Alvarez-Viejo,Khawaja Husnain Haider theatre of ghosts and gods, emerging within and between our ancestors’ brains.. Donald uses archeological research to argue that around two million years ago—when the species . evolved with bigger brains, improved tool use, and more meat eating than the prior Australopithecines—hominids became “hig作者: 清楚說(shuō)話 時(shí)間: 2025-3-25 10:35
Luis Alberto Furlan,Thelma Cristofoliniy fought on the side of the goodies or the baddies.” She explains that Ann’s father, who is home from the war but staying in bed rather than joining them at their meal, “fought for England on the side of the goodies.” Ann then asks, “How do you know who the goodies and the baddies are?” Her mother’s作者: 現(xiàn)實(shí) 時(shí)間: 2025-3-25 11:55 作者: 翻動(dòng) 時(shí)間: 2025-3-25 16:54 作者: avenge 時(shí)間: 2025-3-25 21:15 作者: 紀(jì)念 時(shí)間: 2025-3-26 02:20
Phantom Limbs, Unconscious Zombies, and Multiple Selves,tre, from ancient stages to postmodern screens. Ramachandran argues that the brain does not function like a computer, sending information in a one-way cascade from sense organs to the higher brain centers. His research shows that brain “connections are extraordinarily labile and dynamic” (Ramachandr作者: 灌輸 時(shí)間: 2025-3-26 06:07
,Shakespeare’s Roman Shades (, and ,),riefer timeframe of human history, Euro-American culture has emphasized a more and more independent ego in the mind and society, with democratic rights, capitalist free markets, and consumer choices. A crucial turning point for the modern ego came in the European Renaissance, with its rejection of m作者: 營(yíng)養(yǎng) 時(shí)間: 2025-3-26 11:27 作者: diskitis 時(shí)間: 2025-3-26 14:21 作者: 泰然自若 時(shí)間: 2025-3-26 19:33 作者: 揭穿真相 時(shí)間: 2025-3-26 23:53 作者: Exploit 時(shí)間: 2025-3-27 03:04
Brain Stages, theatre of ghosts and gods, emerging within and between our ancestors’ brains.. Donald uses archeological research to argue that around two million years ago—when the species . evolved with bigger brains, improved tool use, and more meat eating than the prior Australopithecines—hominids became “hig作者: 芳香一點(diǎn) 時(shí)間: 2025-3-27 06:35
Epilogue,y fought on the side of the goodies or the baddies.” She explains that Ann’s father, who is home from the war but staying in bed rather than joining them at their meal, “fought for England on the side of the goodies.” Ann then asks, “How do you know who the goodies and the baddies are?” Her mother’s作者: PAC 時(shí)間: 2025-3-27 09:31
2947-5767 he brain‘s anatomical evolution from animal drives to human consciousness to divine aspirations, through distinctive cultural expressions in stage and screen technologies.978-1-349-53343-5978-1-4039-8329-9Series ISSN 2947-5767 Series E-ISSN 2947-5775 作者: 盡管 時(shí)間: 2025-3-27 13:40 作者: conscience 時(shí)間: 2025-3-27 19:11
Book 2006Pizzato focuses on the staging of Self and Other as phantom characters inside the brain (in the ‘mind‘s eye‘, as Hamlet says). He explores the brain‘s anatomical evolution from animal drives to human consciousness to divine aspirations, through distinctive cultural expressions in stage and screen technologies.作者: 不適 時(shí)間: 2025-3-27 23:55 作者: 指耕作 時(shí)間: 2025-3-28 05:05 作者: 溫和女孩 時(shí)間: 2025-3-28 09:36 作者: Atheroma 時(shí)間: 2025-3-28 12:04 作者: Sputum 時(shí)間: 2025-3-28 15:18 作者: CANDY 時(shí)間: 2025-3-28 19:51
Kevin Verhoeff,A. M. James Shapirots of the mind toward the interactive spaces of characters and their spectators, onstage and onscreen. But the current chapter turns this homology outside in. The ghosts of Self and Other exist not only inside the theatre of the mind, based in material synaptic connections and anatomical interaction作者: 巨頭 時(shí)間: 2025-3-29 02:21 作者: 斜坡 時(shí)間: 2025-3-29 05:17
Maria Alvarez-Viejo,Khawaja Husnain Haidert’s theory of an internal environment (discussed in chapter 1 here). Some nonhuman primates can also recognize themselves in a mirror or photograph (Donald, . 120–22).. But they lack a self-referential awareness of inner states, even when taught by humans to use language. But they lack a self-refere作者: 流逝 時(shí)間: 2025-3-29 09:34
Introduction,l and neural ghosts, I use the philosophical dimensions of cognitive science and psychoanalysis (especially the revisions of Freud by Jacques Lacan and Slavoj Zizek), and I seek their possible material foundations in neurology and evolutionary psychology. Through these various disciplines, I hope to作者: Indurate 時(shí)間: 2025-3-29 14:55
Will the Real , Please Stand Up?,nk” therefore I exist), is now being reconsidered, through new views of ghosts in the machinery of the brain. How did the human brain become an internal theatre—and is there a central director or playwright in charge?作者: 戲服 時(shí)間: 2025-3-29 17:05 作者: 期滿 時(shí)間: 2025-3-29 23:21 作者: diathermy 時(shí)間: 2025-3-30 01:11
Noh Desires and ,heatre and cinema are also mechanisms of evolution, from nature to culture, as humans not only adapt to a natural environment but also radically transform it—replaying the past changes and future possibilities, onstage or onscreen.作者: 刺激 時(shí)間: 2025-3-30 07:13
Brain Stages,t’s theory of an internal environment (discussed in chapter 1 here). Some nonhuman primates can also recognize themselves in a mirror or photograph (Donald, . 120–22).. But they lack a self-referential awareness of inner states, even when taught by humans to use language. But they lack a self-refere
