標題: Titlebook: Ghost Writing in Contemporary American Fiction; David Coughlan Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 American Lit [打印本頁] 作者: 動詞 時間: 2025-3-21 18:09
書目名稱Ghost Writing in Contemporary American Fiction影響因子(影響力)
書目名稱Ghost Writing in Contemporary American Fiction影響因子(影響力)學科排名
書目名稱Ghost Writing in Contemporary American Fiction網絡公開度
書目名稱Ghost Writing in Contemporary American Fiction網絡公開度學科排名
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書目名稱Ghost Writing in Contemporary American Fiction被引頻次學科排名
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書目名稱Ghost Writing in Contemporary American Fiction年度引用學科排名
書目名稱Ghost Writing in Contemporary American Fiction讀者反饋
書目名稱Ghost Writing in Contemporary American Fiction讀者反饋學科排名
作者: 粘 時間: 2025-3-21 20:57 作者: 遺傳 時間: 2025-3-22 01:13 作者: DRAFT 時間: 2025-3-22 05:07
Karen S. Rook,Tonya L. Schuster question of the ghost or shadow and why therefore the question of following unsettles any sense of an undivided present. This present divided between past and future is understood in terms of the . (the step or pace that is also no pace) that Derrida tracks through the work of Maurice Blanchot and 作者: Self-Help-Group 時間: 2025-3-22 11:43 作者: 提煉 時間: 2025-3-22 16:24 作者: 提煉 時間: 2025-3-22 20:17 作者: CAMP 時間: 2025-3-22 21:53
Physical Fractionation of Organic Matter does not relate to the novelist Marilynne Robinson’s. Coughlan suggests that Derrida’s opening line, “I shall speak of ghost, of flame, and of ashes,” is a line that applies also to Robinson’s first novel ., but he argues that Derrida’s spirit is always spectral whereas Robinson’s spirit survives t作者: HEED 時間: 2025-3-23 05:04 作者: 飛鏢 時間: 2025-3-23 06:54
Sol-Gel Formation of Bulk Glassese. It is this question of the name, as a ghost that one inherits and that survives one, that this short chapter addresses as it follows J.D. through issues of translation, citation, remembering, and time. Because, in time, the secret ghost of one’s own name returns, and so the future, life, and deat作者: animated 時間: 2025-3-23 12:42 作者: ELUC 時間: 2025-3-23 15:28
Greenways for Solid Waste Managementconditional hospitality. He argues against the idea that pure hospitality is an ethical ideal to aim for and posits that a conditional hospitality is necessary in order to survive the future. Coughlan also considers the role of the ghost in Derrida’s understanding of hospitality and provides a brief作者: defenses 時間: 2025-3-23 20:49 作者: menopause 時間: 2025-3-23 22:52
1. Introduction: Of Spectrality,close engagement with Jacques Derrida’s .. Though this text is widely credited with initiating theory’s spectral turn, many ghost scholars have shown a reluctance to speak to the Derridean specter, preferring ontology over hauntology. Employing the language of conjuration and exorcism, however, Coug作者: LOPE 時間: 2025-3-24 05:16
Ghost Writing, Double Session” from .. Coughlan details the way in which Derrida presents the mime as a phantom that presents nothing and represents nothing, appearing as the double of no one, as a copy without model, as an allusion without source, or as a graft without root. Coughlan argues that Derrida here con作者: adipose-tissue 時間: 2025-3-24 09:24 作者: 朦朧 時間: 2025-3-24 12:18
Shadows, question of the ghost or shadow and why therefore the question of following unsettles any sense of an undivided present. This present divided between past and future is understood in terms of the . (the step or pace that is also no pace) that Derrida tracks through the work of Maurice Blanchot and 作者: DEMN 時間: 2025-3-24 16:28
3. One Pace After the Other: Paul Auster,e relationship between self and other as an always incomplete step toward the other. With reference to Auster’s work over a 20-year period, the chapter shows how he represents his characters as specters and how their survival between two deaths is predicated on an openness to another who, neverthele作者: Grasping 時間: 2025-3-24 19:55
Haunts,ter traces the historical, biographical, cultural, and literary narratives inscribed in Quinn’s passage, which takes him through many of Auster’s old neighborhoods or haunts. Finding himself diverted by a personal matter and unable to complete Quinn’s story, Coughlan reads his situation in terms of 作者: 外面 時間: 2025-3-25 01:19
4. Exit Ghost Writer: Philip Roth,r to his subject in terms of a responsibility to the dead and a necessary betrayal of the dead. It argues that this inevitable interruption of the other’s story is an interruption of the self’s story also, which Roth illustrates by creating series of ghost writers who haunt the one story, the one na作者: 不怕任性 時間: 2025-3-25 05:09 作者: Tailor 時間: 2025-3-25 09:25
5. Passing Through: Marilynne Robinson,eir death, so that its narrator is not so much a ghost writer as a spirit writer. Studying this spirit work, its Transcendentalist influences, its use of analogy, and its references to water, darkness, fire, and the house, Coughlan argues that Robinson presents her characters as transient ghosts, sp作者: 仔細閱讀 時間: 2025-3-25 14:04 作者: 可能性 時間: 2025-3-25 19:33
6. Gone Sometime. Home to Stay: Marilynne Robinson,vival of the spirit after death. Considering the repetition between ., ., and Robinson’s . also, Coughlan argues that these works of generations and inheritances themselves share an inheritance and that these repeating texts are, in turn, peopled by characters twinned in name and deed. At issue are 作者: ALLAY 時間: 2025-3-25 23:29 作者: Gastric 時間: 2025-3-26 01:48 作者: 玩忽職守 時間: 2025-3-26 05:07
Book 2016pters on Paul Auster,Don DeLillo, Toni Morrison, Marilynne Robinson, and Philip Roth alternatingwith shorter sections detailing the significance of the ghost in thephilosophy of Jacques Derrida, particularly within the context of his 1993text, .Specters of Marx.. Together, these accounts of phantoms作者: discord 時間: 2025-3-26 10:18 作者: animated 時間: 2025-3-26 13:58 作者: 發(fā)現 時間: 2025-3-26 20:24 作者: allude 時間: 2025-3-26 22:59 作者: VOK 時間: 2025-3-27 01:49 作者: 轉向 時間: 2025-3-27 09:10 作者: Pepsin 時間: 2025-3-27 13:29
7. Haunted Homes: Toni Morrison,community founded on the basis of an apparent covenant with God to the idea of the house, or, more specifically, from the idea of a spiritual paradise to a haunted home. As . returns as spectral “Paradise,” the chapter concludes by examining the ways in which Morrison’s novels themselves become haunted homes accommodating her ghost writing.作者: peritonitis 時間: 2025-3-27 16:18
re has chapters on Paul Auster,Don DeLillo, Toni Morrison, Marilynne Robinson, and Philip Roth alternatingwith shorter sections detailing the significance of the ghost in thephilosophy of Jacques Derrida, particularly within the context of his 1993text, .Specters of Marx.. Together, these accounts o作者: LITHE 時間: 2025-3-27 21:50 作者: Externalize 時間: 2025-3-27 23:21 作者: ambivalence 時間: 2025-3-28 05:40
Karen S. Rook,Tonya L. Schuster past and future is understood in terms of the . (the step or pace that is also no pace) that Derrida tracks through the work of Maurice Blanchot and that, Coughlan argues, finds its way into the novels of Paul Auster also. The self in Auster’s writing, he concludes, cannot be thought without the step not toward the other.作者: Credence 時間: 2025-3-28 10:19
neighborhoods or haunts. Finding himself diverted by a personal matter and unable to complete Quinn’s story, Coughlan reads his situation in terms of Jacques Derrida’s account of the acolyte, whose following is always interrupted, which means that any following, or any relation between self and other, is a relation of faithfulness and betrayal.作者: 任意 時間: 2025-3-28 13:16 作者: 混沌 時間: 2025-3-28 16:25 作者: 完整 時間: 2025-3-28 19:25 作者: FID 時間: 2025-3-29 01:21 作者: Myocarditis 時間: 2025-3-29 04:36
Thomas H. Ollendick,Neville J. Kingss, remains inaccessible. Coughlan argues that Auster’s characteristic use of twinned figures who shadow each other allows him to confront the difficulties inherent in ghost writing, or in writing for another person.作者: Evolve 時間: 2025-3-29 07:40
Anti-soiling Effect of Porous SiO2 Coatings,irits housed in flesh which they must finally transcend. However, considering also her representation of time, Coughlan questions if a spirit writing is possible or if, in writing, the spirit returns as spectral “spirit.”作者: harmony 時間: 2025-3-29 14:54 作者: Factorable 時間: 2025-3-29 19:36 作者: Conserve 時間: 2025-3-29 22:50
Greenways for Solid Waste Management reading of Don DeLillo’s novel . in this context. Starting from the question “Who invites who in?” the novel shows that every host, and therefore every self, body, house, or inside, is haunted by returning guests.作者: Foreshadow 時間: 2025-3-30 02:25
1. Introduction: Of Spectrality,hlan shows how the ghost haunts any definition or concept of the USA, of the present, or of the self, and exactly because the specter is at work in all things and in all of life. He concludes that we survive only as ghosts.作者: FEMUR 時間: 2025-3-30 05:46 作者: outer-ear 時間: 2025-3-30 10:46 作者: TIGER 時間: 2025-3-30 12:26
Death Sentence,h happen. In conclusion, Coughlan contrasts Derrida’s approach with that of Marilynne Robinson. Her God might cite one’s secret name without one even knowing it, but Derrida’s God is open to a future surprise.作者: 消毒 時間: 2025-3-30 20:17
