標(biāo)題: Titlebook: Getting Signed; Record Contracts, Mu David Arditi Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to Spr [打印本頁] 作者: 并排一起 時(shí)間: 2025-3-21 17:51
書目名稱Getting Signed影響因子(影響力)
書目名稱Getting Signed影響因子(影響力)學(xué)科排名
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書目名稱Getting Signed網(wǎng)絡(luò)公開度學(xué)科排名
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書目名稱Getting Signed被引頻次學(xué)科排名
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書目名稱Getting Signed讀者反饋
書目名稱Getting Signed讀者反饋學(xué)科排名
作者: 含水層 時(shí)間: 2025-3-21 22:09
,Verst?rker, Treiber und Gatter,ses throughout the book including ideology, hegemony, and exploitation. Ideology helps to reproduce the dominant material relations in society. This chapter analyzes the “ideology of getting signed” and theorizes ideology. Because most people are unaware of how record contracts operate at the same t作者: 公式 時(shí)間: 2025-3-22 01:33 作者: Antagonism 時(shí)間: 2025-3-22 08:06 作者: 捏造 時(shí)間: 2025-3-22 08:56
Anwendung von Zeichen auf den Kontextr a contract. The ideology of getting signed develops from the American capitalist ethos of competition: eat or be eaten. Neoliberalism is the current stage of capitalism that views competition as the crucial characteristic of society. This chapter presents competition in music as a visible expressi作者: GRAZE 時(shí)間: 2025-3-22 16:43
egree to which they want to make a living from it. This chapter addresses one of the motivations behind signing a record contract: the cohesion of bands. Arditi focuses on the following questions. Does an individual band member see himself or herself as a musician or as a band member? How does this 作者: GRAZE 時(shí)間: 2025-3-22 21:03 作者: 修正案 時(shí)間: 2025-3-23 00:43 作者: vibrant 時(shí)間: 2025-3-23 05:17
Grundlagen der Elektromobilit?ting that many musicians receive benefits from signing. While most musicians will never be a wealthy celebrity, signing a record contract does allow them to live the “rock star” dream. This section of the conclusion demonstrates seductive forces exist to sign a record contract that benefits musicians作者: DAMP 時(shí)間: 2025-3-23 08:12 作者: 退出可食用 時(shí)間: 2025-3-23 13:24
Record Contracts: Ideology in Actionses throughout the book including ideology, hegemony, and exploitation. Ideology helps to reproduce the dominant material relations in society. This chapter analyzes the “ideology of getting signed” and theorizes ideology. Because most people are unaware of how record contracts operate at the same t作者: Folklore 時(shí)間: 2025-3-23 15:33
Copyright Enclosureanalysis of England’s land enclosure acts. Then, Arditi demonstrates the parallels between the process of land enclosure, and what he calls, copyright enclosure. English land enclosures created property rights that kicked serfs off the land thereby forcing them into a wage relation under capitalism.作者: 減去 時(shí)間: 2025-3-23 21:59
The Digital Turn: Music Business as Usualakes the rhetoric about change seriously, but finds that the main change to the ideology of getting signed lies in the way record labels find new talent. Whereas the route to a record contract used to be through bars, now record labels sign young artists who are viral social media sensations. Stream作者: 的闡明 時(shí)間: 2025-3-24 01:17
On Competition in Musicr a contract. The ideology of getting signed develops from the American capitalist ethos of competition: eat or be eaten. Neoliberalism is the current stage of capitalism that views competition as the crucial characteristic of society. This chapter presents competition in music as a visible expressi作者: LAST 時(shí)間: 2025-3-24 03:24 作者: 新鮮 時(shí)間: 2025-3-24 07:15
: Popular Culture and the Perpetuation of Ideologyy musicians define success in the music industry as obtaining a record contract. As the reigning singing competition on television, ABC’s . positions itself as a way to “coach” singers to become celebrities. Through a cultural study of the show, legal documents and news reports, Arditi argues the sh作者: NOT 時(shí)間: 2025-3-24 12:19
Conning the Dream: Musical Showcase as Confidence Gameconfidence games that charge musicians exorbitant fees to participate for the chance to be seen. This chapter looks at a case study of Coast 2 Coast LIVE—an artist showcase that travels and charges participants for the chance to compete in future showcase competitions. This is one scheme, among doze作者: Parallel 時(shí)間: 2025-3-24 16:06 作者: 新奇 時(shí)間: 2025-3-24 20:12 作者: CRACK 時(shí)間: 2025-3-24 23:16
,Chemotherapie — Definition und Geschichte,r similar to how land enclosure allowed landowners to profit from farmworkers’ labor. This chapter highlights the institutional incentive to sign a record contract under the current political economy of the recording industry.作者: 焦慮 時(shí)間: 2025-3-25 07:22
Anwendung von Zeichen auf den Kontexther involved local band competitions in two cities in Texas. While these are limited events, he demonstrates how competition permeates the demeanor of musicians. The ultimate way to win the competition is to sign a record contract.作者: Canvas 時(shí)間: 2025-3-25 11:02
Record Contracts: Ideology in Actioness a different relationship with the product of their labor. Arditi demonstrates that ideology obscures the lived reality of recording artists and it motivates aspiring musicians to sign record contracts.作者: Arable 時(shí)間: 2025-3-25 13:59 作者: GRIN 時(shí)間: 2025-3-25 16:42
On Competition in Musicher involved local band competitions in two cities in Texas. While these are limited events, he demonstrates how competition permeates the demeanor of musicians. The ultimate way to win the competition is to sign a record contract.作者: ALIAS 時(shí)間: 2025-3-25 23:06
Introduction,of record contracts. This helps the introductory reader to become accustomed to important aspects of record contracts. Then, Arditi places the book in the context of other literature related to the ideology of getting signed. Finally, the Introduction provides an overview of each chapter.作者: Hallmark 時(shí)間: 2025-3-26 03:40 作者: 不要嚴(yán)酷 時(shí)間: 2025-3-26 06:15 作者: 假裝是我 時(shí)間: 2025-3-26 10:28
Conclusion. By exploring some of the benefits of signing a record contract, Arditi demonstrates that musicians are not necessarily unwitting victims. Additionally, Arditi discusses alternatives to the current recording industry structure.作者: BOOST 時(shí)間: 2025-3-26 14:22 作者: affluent 時(shí)間: 2025-3-26 17:48
Alexander Burger,Sabine Burger-Stieberof record contracts. This helps the introductory reader to become accustomed to important aspects of record contracts. Then, Arditi places the book in the context of other literature related to the ideology of getting signed. Finally, the Introduction provides an overview of each chapter.作者: 侵略 時(shí)間: 2025-3-26 23:38 作者: 廢墟 時(shí)間: 2025-3-27 03:04
Book 2020l seem to think so, flocking to auditions for .The Voice .and .Idol .brands or paying to perform at record label showcases in the hopes of landing a deal. The belief that signing a record contract will almost infallibly lead to some measure of success— the “ideology of getting signed,” as Arditi def作者: thrombosis 時(shí)間: 2025-3-27 06:28 作者: ciliary-body 時(shí)間: 2025-3-27 12:02 作者: Aerate 時(shí)間: 2025-3-27 16:58
https://doi.org/10.1007/978-3-322-91182-7es and coaches earn millions each season. Meanwhile, the show seduces viewers at home who come to believe the show provides a pathway to musical success. This affects the attitudes viewers and aspiring musicians have about the recording industry, allowing industry executives to perpetuate the exploitation of musicians.作者: 同步信息 時(shí)間: 2025-3-27 20:31 作者: SPER 時(shí)間: 2025-3-27 22:11 作者: 食品室 時(shí)間: 2025-3-28 03:50 作者: 大門在匯總 時(shí)間: 2025-3-28 09:46 作者: 路標(biāo) 時(shí)間: 2025-3-28 14:28
Book 2020cultural sociology, critical theory, and media studies, Arditi unfolds how the ideology of getting signed penetrated an industry, created a mythos of guaranteed success, and persists in an era when power is being redefined in the light of digital technologies. ?.作者: Obverse 時(shí)間: 2025-3-28 17:29
https://doi.org/10.1007/978-3-030-44587-4Marxist sociology; critical theory; music industry; digital culture; viral media; music industry studies; 作者: 揭穿真相 時(shí)間: 2025-3-28 21:08
David ArditiExplores how ideology motivates aspiring musicians to sign even unfavorable contracts and obscures the reality of record contracts.Demonstrates how conventional paths to success continue to dominate t作者: 尖酸一點(diǎn) 時(shí)間: 2025-3-29 00:49
978-3-030-44586-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 聯(lián)想記憶 時(shí)間: 2025-3-29 03:42
Uwe Feuerriegelby results from the integrated assessment model. Furthermore, the trade-off between climate change and land use impacts may decrease. For prospective LCA of emerging technologies such as AP, we recommend the inclusion of integrated assessment model results in the LCA background data.作者: Watemelon 時(shí)間: 2025-3-29 10:18
Wahrnehmung und Beurteilung von Ausl?ndern: Ein überblick zum aktuellen Forschungsstand einer lokalen Umfrage zu ihrer Situation als Migranten befragt hatten. Darin spiegeln sich Diskriminierungserfahrungen, wie sie immer wieder von in Deutschland lebenden Ausl?ndern geschildert werden..作者: 淺灘 時(shí)間: 2025-3-29 14:55 作者: Definitive 時(shí)間: 2025-3-29 17:11
