標(biāo)題: Titlebook: Get Real; Documentary Theatre Alison Forsyth (Lecturer in Theatre Studies),Chris Book 2009 Palgrave Macmillan, a division of Macmillan Pub [打印本頁] 作者: morphology 時間: 2025-3-21 20:09
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書目名稱Get Real讀者反饋學(xué)科排名
作者: Restenosis 時間: 2025-3-22 00:16 作者: Cumbersome 時間: 2025-3-22 02:05
,History in the Driving Seat: Unity Theatre and the Embrace of the ‘Real’,r group mounted in its own theatre more than 250 productions, over half of which were new plays (many specially written for Unity) and a third of which contained original music.’ Holding this variety together was a political and aesthetic embrace of the ‘real’, driven by history and by Unity’s ideol作者: GREEN 時間: 2025-3-22 06:59
The Documentary Body: Theatre Workshop to Banner Theatre,the disciplinarity of theatre craft. The performance is almost lacking in affect. Banner Theatre consists of (tonight) three musicians who play a song cycle in dialogue with digital projections of actuality: testimonial interviews and filmscapes. They call their performances ‘video ballads’, gesturi作者: 青少年 時間: 2025-3-22 11:02 作者: Arthritis 時間: 2025-3-22 15:43
,Looking for Esrafil: Witnessing ‘Refugitive’ Bodies in ,,2006, p. 5). All are said to have met their deaths either in the UK or attempting to reach the UK, 57 of them at their own hand. It is thought that approximately nine asylum seekers have died as a result of setting fire to themselves, and this number includes the Iranian Esrafil Tajaroghi who set fi作者: Arthritis 時間: 2025-3-22 19:33
,Remembering the Past, ‘Growing Ourselves a Future’: Community-Based Documentary Theatre in the EastStanford University’s home of Palo Alto, was named the murder capital of the US. In response, East Palo Alto community leaders and city officials, along with scholar/activists on the neighbouring Stanford University campus, proposed a unique community reaction. From 1992 to 1996 they developed the E作者: Console 時間: 2025-3-22 23:33 作者: Influx 時間: 2025-3-23 02:01
Performing Trauma: Race Riots and Beyond in the Work of Anna Deavere Smith,best known works in the genre by over 15 years? Not necessarily. Although Smith’s . (1992, first directed by Emily Mann) and . (1993, first directed by Christopher Ashley) are early examples of theatrically documenting the ‘real’ behind two quite distinct examples of urban trauma, events have unfort作者: AVERT 時間: 2025-3-23 06:48
History, Memory and Trauma in the Documentary Plays of Emily Mann,. Nonetheless, traumatic suffering, particularly when associated with cataclysmic world events, political ideology, and/or institutionalised oppression, is characteristically processed through an assortment of memorative activities and occasions frequently in conflict or contradiction: autobiographi作者: 無能的人 時間: 2025-3-23 11:19
,When Heroes Fall: Doug Wright’s , and the Challenge to Truth,ulitzer Prize for Drama, Tony Awards for Best Play and Best Actor, Drama Desk Awards, Lucille Lortel Awards, and Obie Awards. The play tells the story of Charlotte von Mahlsdorf, a male-to-female transvestite in East Berlin. Not only did she survive Nazi and Communist rule while living as a biologic作者: 天賦 時間: 2025-3-23 15:00 作者: 受傷 時間: 2025-3-23 18:55 作者: vascular 時間: 2025-3-23 23:16 作者: 葡萄糖 時間: 2025-3-24 02:47
2947-5600 o-political realities. The essays in this book place this work in context, exploring historical and contemporary examples of documentary and ‘verbatim‘ theatre, and applying a range of critical perspectives.978-0-230-33689-6978-0-230-23694-3Series ISSN 2947-5600 Series E-ISSN 2947-5619 作者: CRAFT 時間: 2025-3-24 10:18
Group Process Oriented Interventions,e cultures in the past two decades. The upsurge in fact-based and verbatim theatre in recent years has attracted a voluminous amount of coverage in the arts pages of newspapers and websites but scholarly engagement has, to date, been limited. . seeks to fill this gap by offering the first book-length study of contemporary documentary performance.作者: inventory 時間: 2025-3-24 11:11
Introduction,e cultures in the past two decades. The upsurge in fact-based and verbatim theatre in recent years has attracted a voluminous amount of coverage in the arts pages of newspapers and websites but scholarly engagement has, to date, been limited. . seeks to fill this gap by offering the first book-length study of contemporary documentary performance.作者: BLAND 時間: 2025-3-24 18:34
Symmetry elements and symmetry operations,ritically neglected intervention into the living newspaper genre, focuses on the production’s documentary aesthetics, political imperatives and the irrepressible tensions that emerged between the two during the early months of the Second World War.作者: 閃光東本 時間: 2025-3-24 21:28 作者: overrule 時間: 2025-3-25 02:06
,Mediating the 1930s: Documentary and Politics in Theatre Union’s , (1940),ritically neglected intervention into the living newspaper genre, focuses on the production’s documentary aesthetics, political imperatives and the irrepressible tensions that emerged between the two during the early months of the Second World War.作者: 遺忘 時間: 2025-3-25 06:45
: Telling Aboriginal Australian Stories, this chapter, Indigenous theatre is understood as theatre work where Indigenous practitioners are primary creators with creative control over the processes and shape of the production whether wholly or partly. The focus is on the framing and reception of documentary theatre created in collaboration with Indigenous Australians.作者: 不如樂死去 時間: 2025-3-25 08:13 作者: Mechanics 時間: 2025-3-25 14:05 作者: defile 時間: 2025-3-25 18:25
,History in the Driving Seat: Unity Theatre and the Embrace of the ‘Real’,ogical relationship to history.. Despite modification in changing circumstances, Unity’s notion of the ‘real’ remained remarkably consistent, and this integrity was a prime cause of both the theatre’s longevity and its demise.作者: Fibrinogen 時間: 2025-3-25 21:01 作者: separate 時間: 2025-3-26 03:57 作者: Banister 時間: 2025-3-26 04:59 作者: CHANT 時間: 2025-3-26 09:29 作者: CHURL 時間: 2025-3-26 14:04 作者: transplantation 時間: 2025-3-26 19:41 作者: 心胸狹窄 時間: 2025-3-27 00:48 作者: Keshan-disease 時間: 2025-3-27 01:21
History, Memory and Trauma in the Documentary Plays of Emily Mann,dividuals to remember’ (Domansky, 1997, p. 238). ‘Memory work’, such as might be undertaken in the construction of a memory play, may involve the negotiation of a complex infrastructure consisting of ‘a(chǎn)ll the different spaces, objects, “texts” that make an engagement with the past possible’ (Irwin-Z作者: surrogate 時間: 2025-3-27 06:31 作者: Pcos971 時間: 2025-3-27 11:01
,Verbatim Theatre in South Africa: ‘Living History in a Person’s Performance’, have theorised that this has been the response to a failure in journalism.. Plays by David Hare, Max Stafford-Clark’s Out of Joint Company, which also commissioned Robin Soans’ . (2005), plays at the Tricycle Theatre such as . (1999), . (2003) and . (2005), all mark some of the key examples of this作者: 老人病學(xué) 時間: 2025-3-27 16:16 作者: WITH 時間: 2025-3-27 21:43 作者: Hyperplasia 時間: 2025-3-28 00:53 作者: 飛鏢 時間: 2025-3-28 02:21 作者: Lasting 時間: 2025-3-28 06:36
https://doi.org/10.1007/978-3-540-34393-6down the Diem government. The ‘people burning brightly in death’ in the case of Esrafil and the eight other refugees have been less successful in ‘shedding light on what the rest of us refused to look at when they were alive’, namely the growing body of evidence about the effects of increasingly har作者: 游行 時間: 2025-3-28 10:31 作者: forager 時間: 2025-3-28 15:49 作者: coddle 時間: 2025-3-28 22:12 作者: 赦免 時間: 2025-3-29 01:01 作者: EWE 時間: 2025-3-29 06:26
Linear Algebraic Groups: an Introduction, have theorised that this has been the response to a failure in journalism.. Plays by David Hare, Max Stafford-Clark’s Out of Joint Company, which also commissioned Robin Soans’ . (2005), plays at the Tricycle Theatre such as . (1999), . (2003) and . (2005), all mark some of the key examples of this作者: 薄膜 時間: 2025-3-29 11:15
Recent Progress in Module Approximationsn and reception, it has a built-in advantage over other forms. However, the rhizomic nature of alternative forms allows for different kinds of flowerings — recoverable, like the past itself, by effort of will and in cir-cumstances of necessity.作者: 咒語 時間: 2025-3-29 14:46 作者: 為敵 時間: 2025-3-29 19:02 作者: 兇殘 時間: 2025-3-29 19:57 作者: CRAB 時間: 2025-3-30 03:11 作者: Canyon 時間: 2025-3-30 04:16 作者: buoyant 時間: 2025-3-30 10:22
https://doi.org/10.1007/978-3-540-34393-62006, p. 5). All are said to have met their deaths either in the UK or attempting to reach the UK, 57 of them at their own hand. It is thought that approximately nine asylum seekers have died as a result of setting fire to themselves, and this number includes the Iranian Esrafil Tajaroghi who set fi作者: Manifest 時間: 2025-3-30 13:13 作者: MAL 時間: 2025-3-30 17:31 作者: 剝皮 時間: 2025-3-30 23:12 作者: Ige326 時間: 2025-3-31 01:50 作者: 拍翅 時間: 2025-3-31 05:04 作者: ablate 時間: 2025-3-31 11:00 作者: cornucopia 時間: 2025-3-31 13:49 作者: Genome 時間: 2025-3-31 21:22
