標(biāo)題: Titlebook: German-Language Children‘s and Youth Literature In The Media Network 1900-1945.; Petra Josting,Marlene Antonia Illies,Annemarie Web Book 2 [打印本頁] 作者: 從未迷惑 時(shí)間: 2025-3-21 18:41
書目名稱German-Language Children‘s and Youth Literature In The Media Network 1900-1945.影響因子(影響力)
書目名稱German-Language Children‘s and Youth Literature In The Media Network 1900-1945.影響因子(影響力)學(xué)科排名
書目名稱German-Language Children‘s and Youth Literature In The Media Network 1900-1945.網(wǎng)絡(luò)公開度
書目名稱German-Language Children‘s and Youth Literature In The Media Network 1900-1945.網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱German-Language Children‘s and Youth Literature In The Media Network 1900-1945.被引頻次
書目名稱German-Language Children‘s and Youth Literature In The Media Network 1900-1945.被引頻次學(xué)科排名
書目名稱German-Language Children‘s and Youth Literature In The Media Network 1900-1945.年度引用
書目名稱German-Language Children‘s and Youth Literature In The Media Network 1900-1945.年度引用學(xué)科排名
書目名稱German-Language Children‘s and Youth Literature In The Media Network 1900-1945.讀者反饋
書目名稱German-Language Children‘s and Youth Literature In The Media Network 1900-1945.讀者反饋學(xué)科排名
作者: Blood-Clot 時(shí)間: 2025-3-21 21:46
Children’s and Youth Radio from 1924 to 1945. adolescents) and genres (fairy tales, rhyming stories, adventure narratives etc.). Additionally, they developed different forms such as the audio play, the improvisation and the adaptation of classic plays or more extensive narratives adjusted to the specific target group. Some innovative personal作者: COMMA 時(shí)間: 2025-3-22 01:17 作者: Incumbent 時(shí)間: 2025-3-22 05:40
Funkheinzelmannpielhaus Berlin. Anchored in the brandmarketing and seriality theories (especially related to popular culture), this article investigates the rise and fall of Funkheinzelmann as an early model illustrating the complex dynamics of the media convergence phenomenon.作者: 并排上下 時(shí)間: 2025-3-22 10:28 作者: 捕鯨魚叉 時(shí)間: 2025-3-22 14:39
Urian’s Travels Around the Worldcontinuations. The most important of these seems to be the novel version by Lisa Tetzner, which has been repeatedly published and translated into many languages. In addition – until 1933 and then again after 1945 – further children’s books varying the plot were produced besides an animated movie. Th作者: 捕鯨魚叉 時(shí)間: 2025-3-22 18:20 作者: critique 時(shí)間: 2025-3-22 21:30 作者: 凝乳 時(shí)間: 2025-3-23 02:13
Across Media and systematic economic control, as they are inherent in modern media networks, on the other hand, remain rather underdeveloped. The change from one print medium to another is ultimately responsible for what is probably the most momentous development in terms of both genre and media history. With t作者: fatuity 時(shí)間: 2025-3-23 07:52 作者: SSRIS 時(shí)間: 2025-3-23 10:09
German-Language Children‘s and Youth Literature In The Media Network 1900-1945.978-3-476-05892-8作者: irreparable 時(shí)間: 2025-3-23 17:13
Book 2024o the categories pioneers conquer the new media - stage children migrate to radio and/or film - fairy tales in film and radio - classics in all media - school stories in the theater, book and on the screen - crime and scandal on the screen - political conquers book and film..作者: 土產(chǎn) 時(shí)間: 2025-3-23 21:35
Hans-Jürgen Holland,Frank Brackevide a sketch of the crucial ones. What follows is a description of the range of media networks identified and of the contributions contained in this volume. Part I comprises three overview articles concerning the media radio, film and theatre for children and adolescents as well as one contribution作者: 結(jié)合 時(shí)間: 2025-3-24 01:06 作者: institute 時(shí)間: 2025-3-24 05:51
Franz Josef Mehr,María Teresa Mehrlm and book (., 1937). Thirdly, based on reviews by the contemporary daily German film magazine . it can be outlined that although Genschow’s films initially belonged to the genre of cultural film of the nineteen-thirties they were soon devalued by the Youth Film Head Office in the Reich Propaganda 作者: 整體 時(shí)間: 2025-3-24 07:58
https://doi.org/10.1007/978-3-322-89723-7pielhaus Berlin. Anchored in the brandmarketing and seriality theories (especially related to popular culture), this article investigates the rise and fall of Funkheinzelmann as an early model illustrating the complex dynamics of the media convergence phenomenon.作者: congenial 時(shí)間: 2025-3-24 11:17
,Grow your Own — Growth Companies,hese might function as combining points, the article touches aspects of popularity, mediality, sensuality, economy, time and space. In the end, the article argues that already existing terms are not able to describe the connections between the different . versions (.) sufficiently. Thus, this text a作者: 潰爛 時(shí)間: 2025-3-24 17:04 作者: CAND 時(shí)間: 2025-3-24 23:03
https://doi.org/10.1007/978-3-8349-4717-8to be popular today as new media adaptations (like audiobooks etc.) are constantly being published. Among these media publications there is a large variance in terms of motive, topography, characters, target groups or even meanings of the fairy tale. The catchy image of the flying trunk seems to act作者: 高原 時(shí)間: 2025-3-24 23:44 作者: Functional 時(shí)間: 2025-3-25 05:55 作者: 錯(cuò) 時(shí)間: 2025-3-25 07:46
ilm - fairy tales in film and radio - classics in all media - school stories in the theater, book and on the screen - crime and scandal on the screen - political conquers book and film..978-3-476-05894-2978-3-476-05892-8作者: 非秘密 時(shí)間: 2025-3-25 11:52 作者: 真實(shí)的人 時(shí)間: 2025-3-25 17:37 作者: 起草 時(shí)間: 2025-3-25 20:28 作者: 向宇宙 時(shí)間: 2025-3-26 02:16
Children’s and Youth Theatre from 1900 to 1945f processing a certain .. In comparison to film and radio, theatre represents an old, long-established medium in the period in question. It saw itself threatened by both emerging entertainment sectors, but ultimately blended into productive coexistence with them. It remains unique in its stage produ作者: 按時(shí)間順序 時(shí)間: 2025-3-26 07:59 作者: 領(lǐng)袖氣質(zhì) 時(shí)間: 2025-3-26 11:44
From Children’s Theatre to Filmaddition, he was the first filmmaker who used colour in his film . (1937), even before the legendary use of Technicolour in . (1939). In the article by Petra Anders, new perspectives on Genschow are elaborated on the basis of his early work: First, his feature film . (1937) is one of the rare and hi作者: 欲望 時(shí)間: 2025-3-26 16:00 作者: 沉著 時(shí)間: 2025-3-26 18:44 作者: 搖曳 時(shí)間: 2025-3-27 00:27 作者: Archipelago 時(shí)間: 2025-3-27 05:01 作者: 調(diào)整校對(duì) 時(shí)間: 2025-3-27 06:57
Urian’s Travels Around the Worldd the world in the company of a talking and flying hare and thereby earning elementary insights into the politics and economy of capitalism. With Béla Balász and Lisa Tetzner, the play had two authors who were already quite well known at the time. A third, Erich K?stner, contributed some lyrics. The作者: AVANT 時(shí)間: 2025-3-27 09:59 作者: 繁榮地區(qū) 時(shí)間: 2025-3-27 15:06 作者: mortgage 時(shí)間: 2025-3-27 19:55
Across Mediatic representative of a new genre. In the course of the following 50?years a long sequence of media appeared that referred to Busch’s work. Together with theatre in different forms the new media film and broadcast participated in this development. Nevertheless the print media, picture books and pict作者: Classify 時(shí)間: 2025-3-28 01:05 作者: Implicit 時(shí)間: 2025-3-28 04:21
https://doi.org/10.1007/978-3-658-03907-3list regime. Ideas and regulations of what children and young people were allowed to view changed. But which films did young people actually consume in and despite the given regulations of the cinema? Which topics and genres interested them in particular? And how did the specific children’s and youth film establish itself gradually?作者: prosperity 時(shí)間: 2025-3-28 08:23 作者: florid 時(shí)間: 2025-3-28 13:24
und Moritz, Peter Pan, Funkheinzelmann, Feuerzangenbowle anWith the research of German-language children‘s and youth literature and its media associations in the period from 1900 to 1945 as well as the recording of all data in an online portal for research and visual analysis, an innovative contrib作者: maculated 時(shí)間: 2025-3-28 15:55
https://doi.org/10.1007/978-3-658-36224-9d grandparents consumed as school reading alike. The article focuses on the connection theatre has made with film and radio and shows how media networks have developed through, around and in accord with dramatic texts and productions.作者: 浪費(fèi)時(shí)間 時(shí)間: 2025-3-28 19:45
https://doi.org/10.1007/978-3-658-42113-7it will be discussed how an explorative approach in the context of Digital Humanities reshapes the subject area, i.e. not only brings . to bear on established questions in literary studies, but also generates . and thus potentially contributes to a broadening of the scientific horizon.作者: 確定 時(shí)間: 2025-3-28 22:55 作者: judiciousness 時(shí)間: 2025-3-29 05:24 作者: 眨眼 時(shí)間: 2025-3-29 09:26 作者: Ataxia 時(shí)間: 2025-3-29 11:41 作者: COLIC 時(shí)間: 2025-3-29 16:33
Mickey Mouse, contemporary print media frequently mixed up admiration for Mickey Mouse’s movies with references to Mickey as a ‘typical American’ character, which is sometimes in opposition to German movie comprehension. The present paper focuses on this aspect and how it influenced the reception of Walt Disney’s work and productive approaches to it.作者: neoplasm 時(shí)間: 2025-3-29 20:30 作者: 切掉 時(shí)間: 2025-3-30 03:40
978-3-476-05894-2Springer-Verlag GmbH Germany, part of Springer Nature 2024作者: Verify 時(shí)間: 2025-3-30 07:23 作者: Cultivate 時(shí)間: 2025-3-30 09:25 作者: 撫育 時(shí)間: 2025-3-30 14:46 作者: Brain-Imaging 時(shí)間: 2025-3-30 17:17
https://doi.org/10.1007/978-3-658-36224-9f processing a certain .. In comparison to film and radio, theatre represents an old, long-established medium in the period in question. It saw itself threatened by both emerging entertainment sectors, but ultimately blended into productive coexistence with them. It remains unique in its stage produ作者: 無能性 時(shí)間: 2025-3-30 23:46
https://doi.org/10.1007/978-3-658-42113-7rmation technology perspectives, which are traced in their interplay from the definition of an initial metadata set to more complex requirements for data evaluation and visualisation. The aim is not only to explain the strategic challenges and solutions in dealing with complex media connections, but作者: jaundiced 時(shí)間: 2025-3-31 02:38
