作者: 漂亮 時(shí)間: 2025-3-22 12:21
作者: CHART 時(shí)間: 2025-3-22 15:32
The Senses of Slovenia: Peter Handke, Stanley Cavell, and the Environmental Ethics of Repetitiontion rather than the Greek (past-oriented) concept of recollection. Drawing on Stanley Cavell’s reading of Thoreau, this chapter explores the environmental ramifications of such a dramaturgy of memory. It investigates the anthropological dialectics of primary and secondary nature, the relation betwe
作者: CHART 時(shí)間: 2025-3-22 21:04
作者: LAVE 時(shí)間: 2025-3-22 22:22
Speaking Stones: Material Agency and Interaction in Christian Enzensberger’s ,ness and has been infamously denounced as “worldless” by Martin Heidegger, Enzensberger lends stone a voice, thus defying a longstanding hierarchy that since the Middle Ages has placed lithic matter at the very bottom of worldly existence. Yet Enzensberger’s novel can be read as a continuation and e
作者: 引水渠 時(shí)間: 2025-3-23 04:20
作者: moribund 時(shí)間: 2025-3-23 06:45
作者: Jocose 時(shí)間: 2025-3-23 11:42
作者: 時(shí)間等 時(shí)間: 2025-3-23 16:54
Assessing How We Assess Environmental Risk: Kathrin R?ggla’s Documentary Film ,and visual imagery we conjure up in the process, as well as the realities of those who make a living in the field of risk management. Born in Salzburg in 1971 and now residing in Berlin, R?ggla has made a name for herself as a writer and an essayist on contemporary topics. Drawing attention to the i
作者: ILEUM 時(shí)間: 2025-3-23 18:30
作者: 時(shí)代 時(shí)間: 2025-3-23 22:49
作者: 高射炮 時(shí)間: 2025-3-24 04:48
“Mines aren’t really like that”: German Romantic Undergrounds Revisited
作者: 把…比做 時(shí)間: 2025-3-24 06:51
(Bad) Air and (Faulty) Inspiration: Elemental and Environmental Influences on Fontane
作者: Vldl379 時(shí)間: 2025-3-24 14:21
作者: 陶瓷 時(shí)間: 2025-3-24 18:03
Das Deutsche Reich und die Reunionen,dea that humans have so pervasively reshaped global ecological systems that their impact will be visible in the geological strata to future observers, and that this transformation has ushered in a new geological epoch, has influenced environmental debates about ecological science, policies, and envi
作者: 熱情贊揚(yáng) 時(shí)間: 2025-3-24 21:40
https://doi.org/10.1007/978-3-322-80788-5re and film from the early nineteenth century through today. The volume, however, goes beyond national boundaries by addressing the implications of and the need for transnational, cosmopolitan, and “planetary” perspectives for textual explorations of the physical environment. We briefly outline the
作者: 領(lǐng)巾 時(shí)間: 2025-3-25 03:01
作者: STRIA 時(shí)間: 2025-3-25 04:34
作者: deface 時(shí)間: 2025-3-25 10:34
作者: Terminal 時(shí)間: 2025-3-25 14:02
作者: 拋物線 時(shí)間: 2025-3-25 16:15
,Erwachsenenbildung für welches Europa?,ractices in literature. We interpret the economic and semiotic system of capitalism as a cultural phenomenon. On the example of Franz Kafka’s short story “A Hunger Artist” (1924), we show how poetic texts explore themes, places, cultures, and identities through a variety of techniques that are tied
作者: 免費(fèi) 時(shí)間: 2025-3-25 23:32
作者: colony 時(shí)間: 2025-3-26 03:05
作者: 痛恨 時(shí)間: 2025-3-26 06:49
https://doi.org/10.1007/978-3-322-92241-0ally condemns his homeland’s hypocritical stance toward its National Socialist past and its postwar attempt to reinvent itself by fetishizing its unspoiled Alpine scenery and wholesome rustic citizenry. His national invective is rooted in environmental as much as political history. In the course of
作者: cancellous-bone 時(shí)間: 2025-3-26 10:30
Europ?ische Romantik in der Musik Herzog’s short films, . (2001), in which the director and his crew encounter a South American tribe that developed entirely apart from Western society, and it explores the differences between the documentarian’s standpoint and that of his various subjects. It then compares Herzog’s film with Micha?
作者: ADORN 時(shí)間: 2025-3-26 13:24
作者: 朝圣者 時(shí)間: 2025-3-26 20:07
作者: predict 時(shí)間: 2025-3-27 00:31
https://doi.org/10.1057/978-1-137-54222-9Ecocriticism; German, Swiss, and Austrian literature; environmental humanities; Anthropocene; Urban ecol
作者: IDEAS 時(shí)間: 2025-3-27 01:43
作者: Bucket 時(shí)間: 2025-3-27 08:40
作者: 憤世嫉俗者 時(shí)間: 2025-3-27 10:29
2946-3157 t comprehensive and cohesive volume of essays dedicated to l.This book offers essays on both canonical and non-canonical German-language texts and films, advancing ecocritical models for German Studies, and introducing environmental issues in German literature and film to a broader audience. This vo
作者: 嘮叨 時(shí)間: 2025-3-27 16:24
作者: 使虛弱 時(shí)間: 2025-3-27 19:59
https://doi.org/10.1007/978-3-658-32706-4it within the Anthropocene’s dark drama of floods, earthquakes, storms, nuclear explosions, and climate change. Texts such as Goethe’s ., Kleist’s ., Storm’s ., Pausewang’s ., and Trojanow’s . posit various pastoral moments only to rupture and re-shape them with disasters that nevertheless highlight the human enmeshment with the non-human.
作者: 起來(lái)了 時(shí)間: 2025-3-28 00:28
作者: Tailor 時(shí)間: 2025-3-28 03:56
作者: Inordinate 時(shí)間: 2025-3-28 08:45
作者: Urologist 時(shí)間: 2025-3-28 13:55
Europ?ische Romantik in der Musik Marczak’s Polish-German eco-documentary . (2012). Marczak’s camera also witnesses things that the activists who are his film’s subjects do not, capturing what eludes his protagonists’ Western gazes. Both of these films are cinematic spaces in which rainforest people can be seen and heard, irrespective of their filmmakers’ colonial fantasies.
作者: thrombosis 時(shí)間: 2025-3-28 17:07
作者: 和藹 時(shí)間: 2025-3-28 19:56
作者: CROAK 時(shí)間: 2025-3-29 00:19
作者: Flagging 時(shí)間: 2025-3-29 05:43
作者: chandel 時(shí)間: 2025-3-29 08:55
作者: cravat 時(shí)間: 2025-3-29 11:36
German Film Ventures into the Amazon: Werner Herzog’s , as Prelude to Micha? Marczak’s Eco-documenta Marczak’s Polish-German eco-documentary . (2012). Marczak’s camera also witnesses things that the activists who are his film’s subjects do not, capturing what eludes his protagonists’ Western gazes. Both of these films are cinematic spaces in which rainforest people can be seen and heard, irrespective of their filmmakers’ colonial fantasies.
作者: PANIC 時(shí)間: 2025-3-29 18:31
作者: 樹木心 時(shí)間: 2025-3-29 22:15
Das Deutsche Reich und die Reunionen, at large into the protagonist of a new deep-time narrative, generated heated debates over the merits of such a species narrative as opposed to an emphasis on economic and geopolitical inequality, and given rise to controversies over what kind of nature environmentalism should aim to conserve in this new framework.
作者: Irrepressible 時(shí)間: 2025-3-30 02:58
作者: 濕潤(rùn) 時(shí)間: 2025-3-30 08:04
作者: deactivate 時(shí)間: 2025-3-30 11:43
,Der Europ?ische Wirtschaftsrat (OEEC),ffer new insights into the ways in which Handke combines his language philosophy with an ethics of space, movement, and createdness. His poetics of world-forming anticipates concerns that are discussed in the Anthropocene debate today in powerful ways.
作者: OWL 時(shí)間: 2025-3-30 15:16
https://doi.org/10.1007/978-3-322-90240-5rld, Enzensberger’s text elucidates a greater range of human experience that emerges when humans give up their claim to exclusive agency to explore, in reversed manner, their entanglement with the earth.
作者: Perigee 時(shí)間: 2025-3-30 19:53
https://doi.org/10.1007/978-3-322-92241-0s modeled on the Glockner-Kaprun hydroelectric facility, one of many modernization projects carried out under the mantle of a New Austria but whose origins extend back to the era of German-Austro fascism.
作者: Glutinous 時(shí)間: 2025-3-30 21:59
,Sozialstaaten in der Europ?ischen Union,(storms, volcanoes, fires, and floods), they nourish a more-than-human future beyond the legacy of anthropogenic destruction, and they also yield an ecopoetics not predicated on an unpolluted atmosphere or unalienated life.
作者: 昆蟲 時(shí)間: 2025-3-31 03:57
作者: grounded 時(shí)間: 2025-3-31 08:21
作者: Pamphlet 時(shí)間: 2025-3-31 10:03
Goethe’s , and the Ecolinguistics of
作者: phlegm 時(shí)間: 2025-3-31 13:42
The Senses of Slovenia: Peter Handke, Stanley Cavell, and the Environmental Ethics of Repetitionffer new insights into the ways in which Handke combines his language philosophy with an ethics of space, movement, and createdness. His poetics of world-forming anticipates concerns that are discussed in the Anthropocene debate today in powerful ways.
作者: 調(diào)色板 時(shí)間: 2025-3-31 19:47
Speaking Stones: Material Agency and Interaction in Christian Enzensberger’s ,rld, Enzensberger’s text elucidates a greater range of human experience that emerges when humans give up their claim to exclusive agency to explore, in reversed manner, their entanglement with the earth.
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