標(biāo)題: Titlebook: George Eliot and Italy; Andrew Thompson Book 1998 Palgrave Macmillan, a division of Macmillan Publishers Limited 1998 culture.fiction.Geor [打印本頁(yè)] 作者: 是消毒 時(shí)間: 2025-3-21 18:01
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書目名稱George Eliot and Italy網(wǎng)絡(luò)公開度學(xué)科排名
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書目名稱George Eliot and Italy讀者反饋學(xué)科排名
作者: FIG 時(shí)間: 2025-3-21 23:46 作者: 一再遛 時(shí)間: 2025-3-22 02:41
,George Eliot’s Contact with Italian Life and Culture 1840–61,rs and journals, her journalism and her trips to Italy in the 20 years or so until Unification. The treatment given is roughly chronological, though I have not attempted to give an exhaustive survey of Eliot’s contact with Italian life. Rather I have concentrated on those elements which seem to me t作者: 評(píng)論者 時(shí)間: 2025-3-22 06:25 作者: 繁榮中國(guó) 時(shí)間: 2025-3-22 12:41 作者: Forsake 時(shí)間: 2025-3-22 13:04 作者: Forsake 時(shí)間: 2025-3-22 17:15 作者: 臥虎藏龍 時(shí)間: 2025-3-22 21:17
Italian Culture and Influences in , particular Dorothea, Ladislaw and some of the Middlemarchers, use, or attempt to use, aspects of Italian culture as hermeneutic devices in their readings of their fellow beings or the world around them. Italian life and culture enter the novel in a variety of ways, from vague prejudice to impassion作者: languid 時(shí)間: 2025-3-23 04:06 作者: 上流社會(huì) 時(shí)間: 2025-3-23 08:29
Italian Poetry and Music in ,s . V (‘There is no greater pain than to recall the happy time in misery’ (121–3)); ‘.’ [‘For pity’s sake say not Farewell’] by Metastasio and the patriotic ode . [‘To Italy’] by Giacomo Leopardi.. The lines by Dante, particular favourites of Eliot’s, have already been touched on in Chapters 6 and 7作者: MINT 時(shí)間: 2025-3-23 10:33
, Italian Prophecy, Dante and George Eliot,‘prophet’ Mazzini, who is a direct inspiration for Daniel, and the arc of Italian . history which is traced over the course of the novel provides a powerful analogue which renders Deronda’s Zionist project both more concrete and more credible. Overall, Eliot’s representation of the Italian experienc作者: 蔑視 時(shí)間: 2025-3-23 17:45 作者: Derogate 時(shí)間: 2025-3-23 20:40 作者: Loathe 時(shí)間: 2025-3-23 23:11 作者: BILK 時(shí)間: 2025-3-24 03:20 作者: opalescence 時(shí)間: 2025-3-24 07:26
Hao Zhang,Shin’ichi Warisawa,Ichiro Yamada that it would be easy to see the presence of ‘il divino poèta’ as providing little more than local colour. The influence of Dante can however be felt over the whole novel, though some of the references are oblique and require a good knowledge of the poet to be appreciated fully.作者: 石墨 時(shí)間: 2025-3-24 13:59 作者: jettison 時(shí)間: 2025-3-24 15:35 作者: 得體 時(shí)間: 2025-3-24 21:34
Dante and Moral Choice in ,o play in the novel. Part of the reason for this may lie in a fear that too prominent a Dante might overshadow the figure of Savonarola and impair or even undermine moral clarity by blurring the meticulously created divisions of the structural dialectic (Pagan, Christian, Positive (?)) which Romola enacts.作者: 消毒 時(shí)間: 2025-3-25 00:22
, Italian Prophecy, Dante and George Eliot,e as the achievement of a full and independent national identity is offered as the alternative to the harsh climate of European militarism and aggressive expansionism which intrudes into the world of ., and thus it stands as her statement of faith in human possibilities despite her pessimistic vision of the Europe of the mid 1860s and 1870s.作者: Observe 時(shí)間: 2025-3-25 05:13 作者: CHAFE 時(shí)間: 2025-3-25 11:00 作者: 護(hù)身符 時(shí)間: 2025-3-25 15:21 作者: modish 時(shí)間: 2025-3-25 17:51
Book 1998ation and that her engagement with the work of Dante Alighieri increases steadily in her later novels, where the Divine Comedy becomes a sustaining metaphor for Eliot‘s meliorist vision and for her theme of moral growth through suffering.作者: 使隔離 時(shí)間: 2025-3-25 22:15
al regeneration and that her engagement with the work of Dante Alighieri increases steadily in her later novels, where the Divine Comedy becomes a sustaining metaphor for Eliot‘s meliorist vision and for her theme of moral growth through suffering.978-0-230-39018-8作者: 短程旅游 時(shí)間: 2025-3-26 03:37 作者: 飛來(lái)飛去真休 時(shí)間: 2025-3-26 07:22 作者: 合乎習(xí)俗 時(shí)間: 2025-3-26 08:40
EX—Perspective on Modern Digital Bankingrs and journals, her journalism and her trips to Italy in the 20 years or so until Unification. The treatment given is roughly chronological, though I have not attempted to give an exhaustive survey of Eliot’s contact with Italian life. Rather I have concentrated on those elements which seem to me t作者: 灰心喪氣 時(shí)間: 2025-3-26 13:23
Families of Institutionalized Childrend June and ‘Janet’s Repentance’ from July to November. The second of these three, ‘Mr Gilfil’s Love Story’, presents a historically accurate picture of British attitudes towards Italy and the Italians in the period preceding the French Revolution and reflects Eliot’s interest in and engagement with 作者: 結(jié)束 時(shí)間: 2025-3-26 20:25
Neeraj Sonalkar,Malte Jung,Ade Mabogunjeular historic moment with myth in ‘a(chǎn)n attempt to explore the present in the context of the past, and to probe, at the same time, the external human condition’.. Felicia Bonaparte argues cogently that Eliot’s novel deals with nothing less than the development and future of the whole of western civili作者: exophthalmos 時(shí)間: 2025-3-26 23:19 作者: Pamphlet 時(shí)間: 2025-3-27 01:29
Engineering for Human Pleasure,nificance and of the poet’s rather shadowy presence as a moral touchstone representing an earlier exemplary Florentine morality against which the decadence of the city at the end of the fifteenth century can be measured. Eliot’s drafts for . occasionally suggest uncertainty over the role Dante was t作者: Incommensurate 時(shí)間: 2025-3-27 05:20 作者: Commemorate 時(shí)間: 2025-3-27 10:35 作者: creditor 時(shí)間: 2025-3-27 14:39
From Work for Others to Work for Yourself,s . V (‘There is no greater pain than to recall the happy time in misery’ (121–3)); ‘.’ [‘For pity’s sake say not Farewell’] by Metastasio and the patriotic ode . [‘To Italy’] by Giacomo Leopardi.. The lines by Dante, particular favourites of Eliot’s, have already been touched on in Chapters 6 and 7作者: 可能性 時(shí)間: 2025-3-27 21:48 作者: Ingrained 時(shí)間: 2025-3-28 01:56
https://doi.org/10.1057/9780230390188culture; fiction; George Eliot; Italy; novel; poetry作者: cringe 時(shí)間: 2025-3-28 06:11 作者: 小鹿 時(shí)間: 2025-3-28 08:28
In Conclusion: A New OD Concept,nt with Dante, the present chapter aims to provide a framework and to offer some coordinates to help orient the reader in the discussion which follows. This being the case, a number of themes and ideas which are merely sketched out here will be given fuller treatment later on when examining Eliot’s 作者: 擁護(hù)者 時(shí)間: 2025-3-28 13:57 作者: 能得到 時(shí)間: 2025-3-28 15:33
Neeraj Sonalkar,Malte Jung,Ade Mabogunjee Graeco-Roman and Christian worlds, to create her own mythopoesis in the service of her overall vision. The great quest myths of Homer and Virgil were for Eliot a symbolic expression of the collective human consciousness, and the concrete facts of history were, she believed, the continuing embodime作者: 摘要記錄 時(shí)間: 2025-3-28 22:13
Robert J. de Boer,Petra Badke-Schaub Dante in her novel. This arrangement creates an overall progression from Italy seen in a negative light in the first two sections to a rather more positive and constructive view of it in the third. I begin, though, with a discussion of Eliot’s poem ‘How Lisa Loved the King’, written before she bega作者: 河潭 時(shí)間: 2025-3-29 01:49
Yoshiaki Kikuchi,Madoka Noriuchionship with Grandcourt leads to the onset of a Dantean .; thirdly, as she becomes increasingly dependent on Daniel Deronda as a spiritual guide and alternates between infernal and purgatorial states of mind; and finally, as she enters a purgatorial condition of ‘difficult blessedness’, despite being作者: 逢迎春日 時(shí)間: 2025-3-29 03:45 作者: CLIFF 時(shí)間: 2025-3-29 08:00 作者: 厚顏無(wú)恥 時(shí)間: 2025-3-29 13:16
,Eliot’s Italian Exile in ‘Mr Gilfil’s Love Story’ (,),brace. Whereas in her fiction until ., Eliot is mainly concerned with English provincial life, in ‘Mr Gilfil’ we observe a concern to incorporate a European perspective which takes the form of an exploration of cultural relationships. This concern with Italy was in itself the continuation of an inte作者: 脫落 時(shí)間: 2025-3-29 17:28 作者: ADOPT 時(shí)間: 2025-3-29 23:19
Italian Culture and Influences in , Dante in her novel. This arrangement creates an overall progression from Italy seen in a negative light in the first two sections to a rather more positive and constructive view of it in the third. I begin, though, with a discussion of Eliot’s poem ‘How Lisa Loved the King’, written before she bega作者: 嗎啡 時(shí)間: 2025-3-30 03:44 作者: 農(nóng)學(xué) 時(shí)間: 2025-3-30 07:09 作者: enflame 時(shí)間: 2025-3-30 08:42
