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標(biāo)題: Titlebook: George Alexander and the Work of the Actor-Manager; Lucie Sutherland Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Oscar [打印本頁]

作者: mobility    時間: 2025-3-21 17:13
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作者: 只有    時間: 2025-3-21 21:08
Palgrave Studies in Theatre and Performance History383967.jpg
作者: 毀壞    時間: 2025-3-22 03:59

作者: GRATE    時間: 2025-3-22 07:13
Book 2020e Actor Manager.?examines the key part this figure played in presenting new drama by authors including Oscar Wilde and Henry James. The book sheds new light on the figure of the actor-manager, assessing in detail the influence of Alexander within and beyond his time..At the St. James’s Theatre in Lo
作者: 任命    時間: 2025-3-22 12:29

作者: CHOIR    時間: 2025-3-22 15:47
https://doi.org/10.1007/978-3-663-19712-6terature for the stage. Examining two examples, . (1896) and . (1902), here Sutherland assesses the role of adaptation in sustaining West End managements. This kind of production was one precursor to the network of sectors including theatre, publishing and fashion, that are now considered interrelated parts of the creative and cultural industries.
作者: CHOIR    時間: 2025-3-22 17:28

作者: AMOR    時間: 2025-3-22 21:28
Marilyn B. Renfree,Geoffrey Shawpany are evaluated, to consider how professional development occurred within the actor-manager system. The chapter concludes with an assessment of the work undertaken by Irene Vanbrugh at the St. James’s Theatre, as the most frequent leading actress in the company.
作者: anaphylaxis    時間: 2025-3-23 04:00
Development of the Ectoderm: Neurulation,on of . is examined to show that while playwrights and managers were extremely influential and seemed to control West End theatre, their success was contingent upon many collaborative relationships; here most particularly with actress Irene Vanbrugh.
作者: GULF    時間: 2025-3-23 08:56
https://doi.org/10.1007/978-3-7091-8222-2e industry leaders, the potential to appropriate and utilise facets of the actor-manager system to establish and sustain presence in professional theatre is being recognised by a diverse range of industry professionals.
作者: OATH    時間: 2025-3-23 11:25

作者: CLASH    時間: 2025-3-23 14:55
The Actor-Manager System: Autonomy and Collaboration,pany are evaluated, to consider how professional development occurred within the actor-manager system. The chapter concludes with an assessment of the work undertaken by Irene Vanbrugh at the St. James’s Theatre, as the most frequent leading actress in the company.
作者: GET    時間: 2025-3-23 20:32
The Actor-Manager System: The Role of the Playwright,on of . is examined to show that while playwrights and managers were extremely influential and seemed to control West End theatre, their success was contingent upon many collaborative relationships; here most particularly with actress Irene Vanbrugh.
作者: DEFER    時間: 2025-3-24 01:42
,The Legacy of Alexander at the St. James’s Theatre,e industry leaders, the potential to appropriate and utilise facets of the actor-manager system to establish and sustain presence in professional theatre is being recognised by a diverse range of industry professionals.
作者: anchor    時間: 2025-3-24 04:34
Managing Risk: Cross-sector Adaptation,terature for the stage. Examining two examples, . (1896) and . (1902), here Sutherland assesses the role of adaptation in sustaining West End managements. This kind of production was one precursor to the network of sectors including theatre, publishing and fashion, that are now considered interrelated parts of the creative and cultural industries.
作者: uveitis    時間: 2025-3-24 06:34

作者: Heart-Attack    時間: 2025-3-24 14:45
Gaetano R. Lotrecchiano,Shalini Misrained in the first decades of the twentieth century. The final section within the introductory chapter is devoted to methodology, identifying how archival resources and anecdote are both integral to examining the career of one theatre industry professional.
作者: 事物的方面    時間: 2025-3-24 15:06

作者: ALT    時間: 2025-3-24 20:40

作者: impale    時間: 2025-3-25 02:20

作者: Obstreperous    時間: 2025-3-25 04:33
The Actor-Manager System: Autonomy and Collaboration,assesses the composition of the St. James’s Theatre company. George Alexander sustained an impression of autonomy and control, but actual practice required consistent collaboration with a permanent stage manager, and the choice of a suitable company of actors and actresses per production. The relati
作者: Aerophagia    時間: 2025-3-25 09:07

作者: meditation    時間: 2025-3-25 14:20

作者: 口音在加重    時間: 2025-3-25 19:18
,The Legacy of Alexander at the St. James’s Theatre, St. James’s Theatre repertoire was shaped is found in both his professional interaction with the progressive dramatists St. John Ervine, George Bernard Shaw and Netta Syrett, and in his commitment to the fiscally prudent long run. Finally, the work of Alexander is linked to the continued applicatio
作者: 審問    時間: 2025-3-25 22:50
https://doi.org/10.1007/978-3-030-40935-7Oscar Wilde; Henry James; St James Theatre; West End; Nineteenth Century; Arthur Wing Pinero; Cultural ind
作者: gout109    時間: 2025-3-26 03:12
Gaetano R. Lotrecchiano,Shalini Misrahe career of this theatre industry professional as a case study, this book will assess the influence of the actor-manager figure in shaping the West End, both theatres and repertoire. The history of the actor-manager role in professional theatre is charted, and Sutherland explains why this role decl
作者: Parallel    時間: 2025-3-26 05:03
1945/1946: the Tripartite Statement,Henry Irving’s Lyceum Company, and into management at the Avenue Theatre and then at the St. James’s Theatre. Essential components of his managerial career are introduced and scrutinised, specifically how adequate investment was generated through networks of gentlemanly capitalism, and how the St. J
作者: 擴(kuò)大    時間: 2025-3-26 10:04

作者: 淘氣    時間: 2025-3-26 15:26

作者: 易于出錯    時間: 2025-3-26 19:18
https://doi.org/10.1007/978-3-663-19712-6mièring this material, he engaged in specific forms of cross-sector engagement, notably collaborating with the publishing industry to adapt popular literature for the stage. Examining two examples, . (1896) and . (1902), here Sutherland assesses the role of adaptation in sustaining West End manageme
作者: 效果    時間: 2025-3-27 00:33
https://doi.org/10.1007/978-3-7091-8222-2 St. James’s Theatre repertoire was shaped is found in both his professional interaction with the progressive dramatists St. John Ervine, George Bernard Shaw and Netta Syrett, and in his commitment to the fiscally prudent long run. Finally, the work of Alexander is linked to the continued applicatio
作者: 可能性    時間: 2025-3-27 01:31
Lucie SutherlandRepresents the first book-length study of the work and legacy of the famed West End actor manager George Alexander since the 1930s.Sheds new light on the figure of the actor manager.Examines previousl
作者: CHECK    時間: 2025-3-27 06:02

作者: PANT    時間: 2025-3-27 12:38

作者: limber    時間: 2025-3-27 16:24
Use of Peptide Nucleic Acid Probes for Rapid Detection and Enumeration of Viable Bacteria in Recreaere detected by capturing chemiluminiscence on instant (e.g., Polaroid) films. Each viable cell (i.e., rRNA producing) is detected as a light spot from its microcolony on the film after scanning the image into a computer. This rapid . hybridization technique is simple and highly sensitive and could
作者: 失望昨天    時間: 2025-3-27 21:18
Semiparametric Regression with R978-1-4939-8853-2Series ISSN 2197-5736 Series E-ISSN 2197-5744
作者: 我不明白    時間: 2025-3-28 00:24
https://doi.org/10.1057/9781137345547 molecules are created in structure-controlled biochemical operations. The molecular uniformity and consistency of these materials is prerequisite to ordered structures and life. Aside from these key substances, molecular heterogeneity can be found even in natural polymers, e.g. in cellulose and natural rubber.




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