標(biāo)題: Titlebook: Genre Trajectories; Identifying, Mapping Garin Dowd,Natalia Rulyova Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 Genre st [打印本頁] 作者: Enlightening 時(shí)間: 2025-3-21 17:20
書目名稱Genre Trajectories影響因子(影響力)
書目名稱Genre Trajectories影響因子(影響力)學(xué)科排名
書目名稱Genre Trajectories網(wǎng)絡(luò)公開度
書目名稱Genre Trajectories網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Genre Trajectories被引頻次
書目名稱Genre Trajectories被引頻次學(xué)科排名
書目名稱Genre Trajectories年度引用
書目名稱Genre Trajectories年度引用學(xué)科排名
書目名稱Genre Trajectories讀者反饋
書目名稱Genre Trajectories讀者反饋學(xué)科排名
作者: 溫和女孩 時(shí)間: 2025-3-21 23:13
978-1-349-56173-5The Editor(s) (if applicable) and The Author(s) 2015作者: Bone-Scan 時(shí)間: 2025-3-22 03:57
Book 2015This book provides a fresh interdisciplinary perspective on genre and identifies developments in genre studies in the early 21st century. Genre approaches are applied to examine a fascinating range of texts including ancient Greek poems, Holocaust visual and literary texts, contemporary Hollywood films, selfies, melodrama, and classroom practices.作者: 保守黨 時(shí)間: 2025-3-22 05:27 作者: oxidant 時(shí)間: 2025-3-22 12:01 作者: 憤怒歷史 時(shí)間: 2025-3-22 13:50
https://doi.org/10.1007/978-3-642-87118-4 and genres always remember their past. Indeed, in another important work, entitled ., Bakhtin says almost exactly that: ‘A genre lives in the present, but always . its past, its beginning’ (1984, p. 106).作者: 憤怒歷史 時(shí)間: 2025-3-22 19:58
Aya Zouaoui,Meriem Laifa,Samir Akroufiscussing how not to translate it into English-language generic terms, will explicate its most prominent practitioners’ definition of its salient features. I will conclude by proposing a useful English-language translation framework for it and then applying that to the fiction of American writers David Foster Wallace and William S. Burroughs.作者: Critical 時(shí)間: 2025-3-22 22:25
https://doi.org/10.1007/978-94-009-1143-7an attempt to co-opt photography into the realm of Art, the transition from painting to photography was presented as apparently seamless, inevitable and triumphant: photography had ‘come of age’. Both this narrative and the curatorial strategies at work in the exhibition are, however, open to challenge.作者: 事情 時(shí)間: 2025-3-23 02:28 作者: Left-Atrium 時(shí)間: 2025-3-23 09:25 作者: 沙草紙 時(shí)間: 2025-3-23 13:11
: The Problem of Photographyan attempt to co-opt photography into the realm of Art, the transition from painting to photography was presented as apparently seamless, inevitable and triumphant: photography had ‘come of age’. Both this narrative and the curatorial strategies at work in the exhibition are, however, open to challenge.作者: 離開真充足 時(shí)間: 2025-3-23 14:01 作者: 保守黨 時(shí)間: 2025-3-23 18:25
https://doi.org/10.1007/978-1-4757-5563-3ges in different political and social approaches to the study of classification, to ‘the order of things’, in Michel Foucault’s phrase (Foucault, 1970, p. xxiv), a characteristic which Carolyn Miller has analysed in terms of the concept of emergence (Miller, 2011).作者: 弄皺 時(shí)間: 2025-3-24 01:12 作者: 不能逃避 時(shí)間: 2025-3-24 05:31
A. Nagarajan,K. Ramash Kumar,G. Sureshkumaartly associated with the passive, inspiring role rather than that of active creator — that role is preserved for men. This, along with other social and cultural factors, made it particularly difficult for women poets to claim the role of poet for themselves.作者: Keshan-disease 時(shí)間: 2025-3-24 08:00
Introductionges in different political and social approaches to the study of classification, to ‘the order of things’, in Michel Foucault’s phrase (Foucault, 1970, p. xxiv), a characteristic which Carolyn Miller has analysed in terms of the concept of emergence (Miller, 2011).作者: 不真 時(shí)間: 2025-3-24 14:37
Philosophy’s Broken Mirror: Genre Theory and the Strange Place of Poetry and the Poem from Plato to cific set of transfers, transpositions, metonymies and other modes of reversible relations of substitution and surrogacy between philosophy and poetry, and along the way between genre-theory-as-philosophy and poetry.作者: accomplishment 時(shí)間: 2025-3-24 16:33 作者: MERIT 時(shí)間: 2025-3-24 22:45 作者: 澄清 時(shí)間: 2025-3-25 02:10 作者: interrogate 時(shí)間: 2025-3-25 07:11
Social Contagion of Global Consumers,e relations between language and power by examining interrelations between ideologies, genres, discourses and styles in social institutions that people engage in, such as families, workplaces, clubs and schools.作者: Culpable 時(shí)間: 2025-3-25 10:41 作者: 提名的名單 時(shí)間: 2025-3-25 13:40
Constructing a Voice of Authority in Upper Secondary School Essayse relations between language and power by examining interrelations between ideologies, genres, discourses and styles in social institutions that people engage in, such as families, workplaces, clubs and schools.作者: 低位的人或事 時(shí)間: 2025-3-25 16:38
Introductionultiple disciplinary fields. Such debates have been accompanied by interrogations of what and how types, categories, varieties, ., kinds and demarcations appear and operate both enduringly and temporarily in the arts, but also in the sciences and in philosophy. Increasingly, however, an intensificat作者: confederacy 時(shí)間: 2025-3-25 20:18 作者: MAZE 時(shí)間: 2025-3-26 04:10 作者: MORPH 時(shí)間: 2025-3-26 05:50 作者: PRE 時(shí)間: 2025-3-26 11:17
Genre and Memory in Margareta Heinrich’s and Eduard Erne’s , and Elfriede Jelinek’s , (,)ourers were murdered in a small Austrian village on the Hungarian border, purportedly in the context of a party hosted by Countess Margit Batthyány at Rechnitz Castle. The exact events of that night remain shrouded in mystery, the perpetrators have not been brought to justice and the mass grave has 作者: 積云 時(shí)間: 2025-3-26 15:15 作者: 牽連 時(shí)間: 2025-3-26 18:23
How (Not) to Translate an Unidentified Narrative Object or a New Italian Epiceriodization proposal, and which was introduced into Italian literary studies by the Wu Ming collective in 2008, can help critics and scholars of Anglo-American literature to map the contemporary literary landscape, a landscape that lies beyond post-modernism and its characteristic genres (historiog作者: Host142 時(shí)間: 2025-3-26 21:21
: The Problem of Photographygraphic shows became commonplace at New York’s Museum of Modern Art, this was an important departure for the National Gallery which until then had been exclusively devoted to Western painting from the 13th century onwards. Yet painting (‘Art’) still provided the frame of reference within which photo作者: 金絲雀 時(shí)間: 2025-3-27 01:13
Vernacular Photographic Genres after the Camera Phone, and plastic arts’, with the most fertile ground found in literary studies (Dowd, 2006, p. 21). In genre studies, visual culture is nonetheless prominent, but mainly in its narrative-based forms, such as cinema and television. John Frow, in his introduction to genre, cites as relevant the following作者: 和平主義 時(shí)間: 2025-3-27 09:17 作者: Infantry 時(shí)間: 2025-3-27 11:10 作者: artifice 時(shí)間: 2025-3-27 15:00 作者: confederacy 時(shí)間: 2025-3-27 19:29 作者: DALLY 時(shí)間: 2025-3-28 01:00 作者: 偽書 時(shí)間: 2025-3-28 02:07 作者: hermetic 時(shí)間: 2025-3-28 08:50
https://doi.org/10.1007/978-3-642-87118-4es in his best-known work in the Anglophone world, the essays collected as ., where he observes that.We might paraphrase this as something like: words and genres always remember their past. Indeed, in another important work, entitled ., Bakhtin says almost exactly that: ‘A genre lives in the present作者: 仔細(xì)閱讀 時(shí)間: 2025-3-28 10:35 作者: 鎮(zhèn)壓 時(shí)間: 2025-3-28 17:35
International Peace and Security,ourers were murdered in a small Austrian village on the Hungarian border, purportedly in the context of a party hosted by Countess Margit Batthyány at Rechnitz Castle. The exact events of that night remain shrouded in mystery, the perpetrators have not been brought to justice and the mass grave has 作者: 字的誤用 時(shí)間: 2025-3-28 21:56 作者: CUR 時(shí)間: 2025-3-29 02:38 作者: Hemoptysis 時(shí)間: 2025-3-29 05:55
https://doi.org/10.1007/978-94-009-1143-7graphic shows became commonplace at New York’s Museum of Modern Art, this was an important departure for the National Gallery which until then had been exclusively devoted to Western painting from the 13th century onwards. Yet painting (‘Art’) still provided the frame of reference within which photo作者: ADJ 時(shí)間: 2025-3-29 08:35
Boqin Liao,Juan Yang,Yannan Shao, and plastic arts’, with the most fertile ground found in literary studies (Dowd, 2006, p. 21). In genre studies, visual culture is nonetheless prominent, but mainly in its narrative-based forms, such as cinema and television. John Frow, in his introduction to genre, cites as relevant the following作者: 親密 時(shí)間: 2025-3-29 13:24 作者: Autobiography 時(shí)間: 2025-3-29 18:41 作者: Lipoprotein(A) 時(shí)間: 2025-3-29 19:49
Social Contagion of Global Consumers,n as sociocognitive frames every time we construct and comprehend new utterances in concrete situations. Resting on key references, such as the work of Mikhail M. Bakhtin (2006) and Carolyn R. Miller (1984), the pragmatic genre theory is both an epistemic stance and a mindset designed to describe th
