標(biāo)題: Titlebook: Genesis and Revision in Modern British and Irish Writers; Jonathan Bloom,Catherine Rovera Book 2020 The Editor(s) (if applicable) and The [打印本頁(yè)] 作者: 貪吃的人 時(shí)間: 2025-3-21 16:06
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作者: inflame 時(shí)間: 2025-3-21 21:25 作者: ERUPT 時(shí)間: 2025-3-22 02:21 作者: VAN 時(shí)間: 2025-3-22 07:09
Genesis and Revision in Modern British and Irish Writers978-3-030-50277-5作者: Fibrinogen 時(shí)間: 2025-3-22 10:17 作者: 咆哮 時(shí)間: 2025-3-22 13:21 作者: 咆哮 時(shí)間: 2025-3-22 21:06 作者: 有偏見(jiàn) 時(shí)間: 2025-3-22 23:30 作者: PANT 時(shí)間: 2025-3-23 02:33 作者: 津貼 時(shí)間: 2025-3-23 08:51
Stephen M. Wildhirt,C. Schulze,B. Reichartng previously unpublished material, the chapter reveals the ways in which the poet revised his writing both before and after publication. Alongside this, Bainbridge uses the various drafts of Tessimond’s unfinished memoir to consider the ways in which electroconvulsive therapy impacted on his writin作者: Outshine 時(shí)間: 2025-3-23 13:14 作者: FEIGN 時(shí)間: 2025-3-23 17:34 作者: flammable 時(shí)間: 2025-3-23 19:08
Nikolaj Stegeager,Peter S?rensenrelevance’ Woolf produced and discarded in creating it. In ‘Unwriting the Novel,’ Christine Froula discovers .’s heretofore unnoticed genesis in Woolf’s 1920 short story ‘An Unwritten Novel’—a radical break with fiction’s illusionist conventions and a ‘great discovery’ that brought many still ‘unwri作者: 瘋狂 時(shí)間: 2025-3-23 22:33
J. Dorantes-Dávila,G. M. Pastoran intertextual response to Hemingway’s ., addressing the roles of reader, writer and character. Overall considers the relationship between Hemingway’s book and her own in terms of allusion and narrative voice, and discusses the layering of multiple narratives within . and across the texts using for作者: 不自然 時(shí)間: 2025-3-24 04:48 作者: 免除責(zé)任 時(shí)間: 2025-3-24 08:04 作者: chemical-peel 時(shí)間: 2025-3-24 11:13 作者: CESS 時(shí)間: 2025-3-24 18:24 作者: jungle 時(shí)間: 2025-3-24 22:30
Introduction: Archival Revelations,tistic endeavors. Tracing the history of textual and genetic criticism on both sides of the Atlantic, Jonathan Bloom and Catherine Rovera chronicle the pioneering publications from the 1950s to the 1970s that established the study of literary genesis and revision as a compelling field in its own rig作者: Electrolysis 時(shí)間: 2025-3-25 02:26 作者: output 時(shí)間: 2025-3-25 06:33 作者: Vaginismus 時(shí)間: 2025-3-25 08:09 作者: 沖擊力 時(shí)間: 2025-3-25 13:25 作者: capsaicin 時(shí)間: 2025-3-25 17:29 作者: Suggestions 時(shí)間: 2025-3-25 23:19
,The Writer’s Hunger: Considering a Novel in Progress,an intertextual response to Hemingway’s ., addressing the roles of reader, writer and character. Overall considers the relationship between Hemingway’s book and her own in terms of allusion and narrative voice, and discusses the layering of multiple narratives within . and across the texts using for作者: Intruder 時(shí)間: 2025-3-26 00:41
,To Cut a Long Story Short: The Shaping of Mary Lavin’s , Stories,ypescripts, notes and correspondence with the . magazine. Focusing on Lavin’s . stories, the essay discloses new information critical to an understanding of the crafting of her stories and approach to revisions. In addition, it casts light on the .’s editing procedures and considers how Lavin’s stor作者: scoliosis 時(shí)間: 2025-3-26 04:38 作者: happiness 時(shí)間: 2025-3-26 08:31
,‘No Speech at My Command Will Fit the Forms in My Mind’: Shaping the Spiritual Through Writing and andwritten and some typed, although not retained in the later versions of the text, allow for a better understanding of the creative process and show how the material crafting of the manuscript, through collage and combination techniques, played a part in the invention of fantasy. The introduction o作者: larder 時(shí)間: 2025-3-26 13:14 作者: 蛤肉 時(shí)間: 2025-3-26 17:32 作者: 的’ 時(shí)間: 2025-3-27 00:26 作者: 龍卷風(fēng) 時(shí)間: 2025-3-27 01:31 作者: Budget 時(shí)間: 2025-3-27 08:37
The Unwritten Waste: Revisions in the Poetry and Memoir of A. S. J. Tessimond,is, Bainbridge uses the various drafts of Tessimond’s unfinished memoir to consider the ways in which electroconvulsive therapy impacted on his writing practice. The chapter demonstrates ways in which texts are actively changed by their author but also how, over time, they may become the product of the author’s changing self.作者: 乳白光 時(shí)間: 2025-3-27 11:32 作者: 輕率看法 時(shí)間: 2025-3-27 14:13
https://doi.org/10.1057/9781137300218ht. They argue that the empirical study of many writers’ preserved drafts, notes, correspondence and revisions gives us greater insight into their published work, even when the creative process extends beyond the stages that precede the first published text.作者: 長(zhǎng)矛 時(shí)間: 2025-3-27 18:36
Microvascular Reconstruction in Limb Trauma,s archive. The chapter explores several examples of problems raised by the recent discovery of important new Joyce manuscripts. This ‘newness’ can be considered as emblematic of the status of writers’ manuscripts in general.作者: Feckless 時(shí)間: 2025-3-27 23:05 作者: Ascribe 時(shí)間: 2025-3-28 03:43 作者: 保守黨 時(shí)間: 2025-3-28 09:45 作者: 惹人反感 時(shí)間: 2025-3-28 13:38 作者: 小隔間 時(shí)間: 2025-3-28 18:13 作者: 深陷 時(shí)間: 2025-3-28 19:40 作者: 燒瓶 時(shí)間: 2025-3-29 02:22 作者: indubitable 時(shí)間: 2025-3-29 05:35 作者: Genetics 時(shí)間: 2025-3-29 10:08
Book 2020e creative process, from inspiration to publication and beyond. The volume shows how writers’ manuscripts and revisions give us a better understanding of their published work by drawing on unpublished archival sources to unveil, across genre and gender, the intricacies of their craft. It examines ho作者: Wallow 時(shí)間: 2025-3-29 14:09 作者: Adj異類(lèi)的 時(shí)間: 2025-3-29 16:08
Nikolaj Stegeager,Peter S?rensened narrative authority on which to stand her people ‘like statues leaning against the sky,’ finding its image at last in the trains and stations that signal the modern condition, here as throughout Woolf’s fiction, and figure the journey of ‘a(chǎn)nybody’ through life to death. The writing of . is also, Froula shows, a triumphant feat of unwriting.
