派博傳思國際中心

標(biāo)題: Titlebook: Gender, Sex, and the City; Urdu Rekhti Poetry i Ruth Vanita Book 2012 Palgrave Macmillan, a division of Nature America Inc. 2012 gender.poe [打印本頁]

作者: Addiction    時間: 2025-3-21 20:05
書目名稱Gender, Sex, and the City影響因子(影響力)




書目名稱Gender, Sex, and the City影響因子(影響力)學(xué)科排名




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書目名稱Gender, Sex, and the City網(wǎng)絡(luò)公開度學(xué)科排名




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書目名稱Gender, Sex, and the City被引頻次學(xué)科排名




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作者: Condyle    時間: 2025-3-21 20:23

作者: Adrenaline    時間: 2025-3-22 00:24
Eloquent Parrots,age of “Hind” as opposed to the language of Persia) was generally used to refer to the language we now call “Urdu.” Insha recounts how he once asked a poet called Maulvi Haidar Ali, who wrote in Persian, Arabic, and Hindi, to recite something. Saying that one’s command of one’s native language is al
作者: Conflict    時間: 2025-3-22 08:23

作者: 高貴領(lǐng)導(dǎo)    時間: 2025-3-22 12:22

作者: 密切關(guān)系    時間: 2025-3-22 13:37
Styling Urban Glamour,ance with a real-life courtesan as its heroine and Inshā’s poems naming particular courtesans, are examples of how poetry at this time reinvigorates and transforms .. Poets praise courtesans, and courtesans sing the works of poets.
作者: 密切關(guān)系    時間: 2025-3-22 17:58
Camping It Up,b, and it died out with his followers. Jān ?ā?ib was the pen name of Mir Yar Ali (1817–96). Born in Farrukhabad, he grew up in Lucknow, where he published his first volume of poetry in 1845; he moved around in search of patronage and died in Rampur.
作者: 公理    時間: 2025-3-22 21:23
A Poetics of Play,ern ideas into his argument that “civilization arises and unfolds in and as play” and that play, being outside truth and falsehood, expresses itself in excess and “is freedom itself.”. Having no purpose outside itself, it steps out-side real life into an intense and sacred reality of its own. Althou
作者: Cirrhosis    時間: 2025-3-23 01:53
Conclusion: The Eternal City,n of colonialism, the poets I have examined embody the city in its people who are types of a soon-to-be lost world—beautiful ones, scholars, kings and nobles, poets and courtesans. They figure the city as enduring in its ways of loving, its lovers and friends. In this last, technically precolonial,
作者: 橢圓    時間: 2025-3-23 06:46

作者: tangle    時間: 2025-3-23 13:24
https://doi.org/10.1007/978-3-322-96339-0behind the decaying palaces.”. In fact, the teeming life of markets, streets, and social gatherings animates much Urdu poetry of the time. . and nonmystical . evoke the romance of real things, people, and places. Characters in this poetry connect not just through words or thoughts but through letter
作者: STIT    時間: 2025-3-23 15:38
https://doi.org/10.1007/978-3-322-85455-1age of “Hind” as opposed to the language of Persia) was generally used to refer to the language we now call “Urdu.” Insha recounts how he once asked a poet called Maulvi Haidar Ali, who wrote in Persian, Arabic, and Hindi, to recite something. Saying that one’s command of one’s native language is al
作者: 柏樹    時間: 2025-3-23 22:04

作者: 隼鷹    時間: 2025-3-24 01:31

作者: BOAST    時間: 2025-3-24 05:27

作者: epicondylitis    時間: 2025-3-24 09:29
Cash- und Liquidit?tsmanagementb, and it died out with his followers. Jān ?ā?ib was the pen name of Mir Yar Ali (1817–96). Born in Farrukhabad, he grew up in Lucknow, where he published his first volume of poetry in 1845; he moved around in search of patronage and died in Rampur.
作者: 變白    時間: 2025-3-24 12:55
Cash-Flow-Steuer und Umsatzsteuerern ideas into his argument that “civilization arises and unfolds in and as play” and that play, being outside truth and falsehood, expresses itself in excess and “is freedom itself.”. Having no purpose outside itself, it steps out-side real life into an intense and sacred reality of its own. Althou
作者: 考得    時間: 2025-3-24 17:44
Notwendigkeit des Cash-Managementsn of colonialism, the poets I have examined embody the city in its people who are types of a soon-to-be lost world—beautiful ones, scholars, kings and nobles, poets and courtesans. They figure the city as enduring in its ways of loving, its lovers and friends. In this last, technically precolonial,
作者: Peak-Bone-Mass    時間: 2025-3-24 20:50
Cash- und Liquidit?tsmanagementance with a real-life courtesan as its heroine and Inshā’s poems naming particular courtesans, are examples of how poetry at this time reinvigorates and transforms .. Poets praise courtesans, and courtesans sing the works of poets.
作者: PTCA635    時間: 2025-3-24 23:56

作者: LIKEN    時間: 2025-3-25 03:40

作者: conscribe    時間: 2025-3-25 08:13
Camping It Up,b, and it died out with his followers. Jān ?ā?ib was the pen name of Mir Yar Ali (1817–96). Born in Farrukhabad, he grew up in Lucknow, where he published his first volume of poetry in 1845; he moved around in search of patronage and died in Rampur.
作者: 地牢    時間: 2025-3-25 12:50

作者: 拔出    時間: 2025-3-25 17:14
Book 2012Explores the urban, cosmopolitan sensibilities of Urdu poetry written in the late eighteenth and early nineteenth centuries in Lucknow. Ruth Vanita analyzes Rekhti, a type of Urdu poetry distinguished by a female speaker and a focus on women‘s lives, and shows how it becamea catalyst for the transformation of the ghazal.
作者: Vertebra    時間: 2025-3-25 21:45

作者: 過時    時間: 2025-3-26 03:29

作者: mydriatic    時間: 2025-3-26 07:50

作者: 富饒    時間: 2025-3-26 09:23
https://doi.org/10.1007/978-3-663-13673-6hen young Inshā burst on to the Delhi literary scene, senior poet Mīr ?asan included him in his soon-to-be-famous biographical diction-ary. Praising Inshā’s charm and intelligence, ?asan noted that the poet had a new style and was initiating new modes.
作者: hangdog    時間: 2025-3-26 13:21

作者: 固執(zhí)點好    時間: 2025-3-26 19:52
Playfully Speaking,hen young Inshā burst on to the Delhi literary scene, senior poet Mīr ?asan included him in his soon-to-be-famous biographical diction-ary. Praising Inshā’s charm and intelligence, ?asan noted that the poet had a new style and was initiating new modes.
作者: 刺耳的聲音    時間: 2025-3-26 21:43

作者: 沒有貧窮    時間: 2025-3-27 04:27
https://doi.org/10.1007/978-3-663-05988-2egral. As distinct from the mystical . that for most people today is synonymous with Urdu poetry, many . of these times (including . with a male speaker) are nonmystical, inspired by the romance of everyday life and material things. Hybridity, diversity, the beautiful people and pleasures of the cit
作者: 流逝    時間: 2025-3-27 06:36

作者: 繁殖    時間: 2025-3-27 11:39
2945-705X Vanita analyzes Rekhti, a type of Urdu poetry distinguished by a female speaker and a focus on women‘s lives, and shows how it becamea catalyst for the transformation of the ghazal.978-1-349-34324-9978-1-137-01656-0Series ISSN 2945-705X Series E-ISSN 2945-7068
作者: Disk199    時間: 2025-3-27 14:58
https://doi.org/10.1007/978-3-322-96339-0stical . evoke the romance of real things, people, and places. Characters in this poetry connect not just through words or thoughts but through letters, gifts, purchases, shared clothing, and food. They design their personalities by fashioning individual styles.
作者: Vulvodynia    時間: 2025-3-27 18:59
https://doi.org/10.1007/978-3-322-85455-1 poet called Maulvi Haidar Ali, who wrote in Persian, Arabic, and Hindi, to recite something. Saying that one’s command of one’s native language is always better than of foreign languages, therefore, he was most satisfied with his Hindi poetry, the Maulvi recited a religious ode (which we would term Urdu).
作者: 連系    時間: 2025-3-28 00:01
Problemstellung und Abgrenzung des Themas,ry theme of the ., friendship becomes the more individual and idiosyncratic relation. The . models ways to love and to desire; it gestures toward friendship as a more hidden, relatively less stylized love.
作者: 搖晃    時間: 2025-3-28 05:13

作者: Optimum    時間: 2025-3-28 06:44

作者: WAIL    時間: 2025-3-28 11:34
https://doi.org/10.1007/978-3-211-09422-8ds, they bring to the fore monetary transactions, central to an urban economy but generally marginal in poetry. In the poetry, they are mostly spoken to or spoken about, but their voices are occasionally heard as well.
作者: BRAWL    時間: 2025-3-28 14:56
Servants, Vendors, Artisans,ds, they bring to the fore monetary transactions, central to an urban economy but generally marginal in poetry. In the poetry, they are mostly spoken to or spoken about, but their voices are occasionally heard as well.
作者: 雜色    時間: 2025-3-28 20:13
Women in the City,stical . evoke the romance of real things, people, and places. Characters in this poetry connect not just through words or thoughts but through letters, gifts, purchases, shared clothing, and food. They design their personalities by fashioning individual styles.
作者: 適宜    時間: 2025-3-28 23:52
Eloquent Parrots, poet called Maulvi Haidar Ali, who wrote in Persian, Arabic, and Hindi, to recite something. Saying that one’s command of one’s native language is always better than of foreign languages, therefore, he was most satisfied with his Hindi poetry, the Maulvi recited a religious ode (which we would term Urdu).
作者: Ingrained    時間: 2025-3-29 05:01
Neither Straight nor Crooked,ry theme of the ., friendship becomes the more individual and idiosyncratic relation. The . models ways to love and to desire; it gestures toward friendship as a more hidden, relatively less stylized love.
作者: ARM    時間: 2025-3-29 10:14
A Poetics of Play,n excess and “is freedom itself.”. Having no purpose outside itself, it steps out-side real life into an intense and sacred reality of its own. Although undertaken spontaneously, it creates order and has rules and limits.




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