標(biāo)題: Titlebook: Gender, Otherness, and Culture in Medieval and Early Modern Art; Carlee A. Bradbury,Michelle Moseley-Christian Book 2017 The Editor(s) (if [打印本頁] 作者: 婉言 時(shí)間: 2025-3-21 19:33
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作者: 危機(jī) 時(shí)間: 2025-3-21 22:43
Representing Women and Poverty in Late Medieval Art,tatus. To understand late medieval visualizations of poor women, this essay will examine images of poor women that range from voluntarily poor religious women to involuntarily poor women shown as recipients in scenes of charitable giving. In my comparison of representations depicting poor women to t作者: Adulterate 時(shí)間: 2025-3-22 02:23 作者: DIS 時(shí)間: 2025-3-22 08:09
,Dürer’s , and the , as Strategies for Mediating Foreign, Masculine Identity, relations could disrupt business and damage profits. This was especially true for a group of merchants required to live together despite particular regional differences and tensions. Members of the . were classified as others whose public and business behaviors were under the scrutiny of the Veneti作者: 你正派 時(shí)間: 2025-3-22 10:52
,“The Monster, Death, Becomes Pregnant:” Representations of Motherhood in Female Transi Tombs from R an apparent pregnancy. It also joins the non-human to the human, as worms infest her flesh, and the inside to the outside, as the worms and intestines move in and out of her form. Rather than constituting an “other,” however, this sculpture recognizes the everyday monstrosity of pregnancy for early作者: 淡紫色花 時(shí)間: 2025-3-22 14:20 作者: 淡紫色花 時(shí)間: 2025-3-22 18:14
Mechanisms of Cardiac Cell Deathrgin saves a young Jewish boy after his father throws him into a fiery oven upon learning he attended a Christian mass. Few images of this miracle include the boy’s mother, and in each the violence of the tale is illustrated through her anxious reaction to it. Investigating the visual power of the b作者: poliosis 時(shí)間: 2025-3-22 23:05
E. M. Gilbert,A. Di Lenarda,J. B. O’Connelltatus. To understand late medieval visualizations of poor women, this essay will examine images of poor women that range from voluntarily poor religious women to involuntarily poor women shown as recipients in scenes of charitable giving. In my comparison of representations depicting poor women to t作者: 信任 時(shí)間: 2025-3-23 03:56 作者: Anonymous 時(shí)間: 2025-3-23 08:01
Anomalia di Ebstein della valvola tricuspide relations could disrupt business and damage profits. This was especially true for a group of merchants required to live together despite particular regional differences and tensions. Members of the . were classified as others whose public and business behaviors were under the scrutiny of the Veneti作者: MORPH 時(shí)間: 2025-3-23 12:57 作者: 空中 時(shí)間: 2025-3-23 15:44
Richard L. Rigatti,Roger Stewartendered representations of heavy-bodied women embodied a particular type of female otherness. Read in contexts of attitudes toward food and women’s appetites, certain fleshy bodies were implicitly linked to a threatening, unrestrained kind of sexuality. These images contributed to a broader discours作者: 英寸 時(shí)間: 2025-3-23 18:56 作者: Bronchial-Tubes 時(shí)間: 2025-3-23 22:11
,Acute Aortic Syndromes in the?ER,The essays in this volume examine how gender and otherness coalesced in the visual culture of the Middle Ages and early modern eras. They explore the intersections of gender and other cultural identities as expressed in objects from the past, and they illuminate and interrogate their persistent influence.作者: exophthalmos 時(shí)間: 2025-3-24 06:06 作者: Osteoporosis 時(shí)間: 2025-3-24 09:48 作者: precede 時(shí)間: 2025-3-24 13:13
Facing Medusa: A Thirteenth-Century Reliquary of King David,Viewers of a late medieval reliquary in Basel’s cathedral treasury were confronted with a seemingly irreconcilable contradiction: the reliquary is in the shape of the heroic King David, ancestor of Christ, but the face is a cameo of Medusa, the female monster who turned men to stone.作者: 群居男女 時(shí)間: 2025-3-24 17:09 作者: GRIPE 時(shí)間: 2025-3-24 19:17 作者: incisive 時(shí)間: 2025-3-25 00:27 作者: correspondent 時(shí)間: 2025-3-25 04:07
Representing Women and Poverty in Late Medieval Art,us women to involuntarily poor women shown as recipients in scenes of charitable giving. In my comparison of representations depicting poor women to those of poor men, I point to gender-based ideologies of poverty that reflected complex attitudes towards the poor and women in medieval society.作者: obtuse 時(shí)間: 2025-3-25 07:52
,Embodying Gluttony as Women’s Wildness: Rembrandt’s ,, c. 1629–1631,petites, certain fleshy bodies were implicitly linked to a threatening, unrestrained kind of sexuality. These images contributed to a broader discourse on how perceptions of the early modern female body influenced constructions of gendered, sexual power.作者: 火光在搖曳 時(shí)間: 2025-3-25 12:41 作者: 微塵 時(shí)間: 2025-3-25 18:14
E. M. Gilbert,A. Di Lenarda,J. B. O’Connellus women to involuntarily poor women shown as recipients in scenes of charitable giving. In my comparison of representations depicting poor women to those of poor men, I point to gender-based ideologies of poverty that reflected complex attitudes towards the poor and women in medieval society.作者: 陶瓷 時(shí)間: 2025-3-25 22:01 作者: Notify 時(shí)間: 2025-3-26 00:49 作者: obstruct 時(shí)間: 2025-3-26 05:37 作者: Fibrillation 時(shí)間: 2025-3-26 12:02
Anomalia di Ebstein della valvola tricuspidean government, citizens, and other merchants. For the . to function properly, it was necessary to rebuild and reassert an inherently masculine brotherhood based on good faith and equity. In this context, Albrecht Dürer’s . and the . both support the (re)creation of a communal, masculine identity.作者: neutral-posture 時(shí)間: 2025-3-26 12:49 作者: delusion 時(shí)間: 2025-3-26 17:46 作者: Ovulation 時(shí)間: 2025-3-26 21:00 作者: 總 時(shí)間: 2025-3-27 03:45
,Dürer’s , and the , as Strategies for Mediating Foreign, Masculine Identity,an government, citizens, and other merchants. For the . to function properly, it was necessary to rebuild and reassert an inherently masculine brotherhood based on good faith and equity. In this context, Albrecht Dürer’s . and the . both support the (re)creation of a communal, masculine identity.作者: browbeat 時(shí)間: 2025-3-27 08:11
,“The Monster, Death, Becomes Pregnant:” Representations of Motherhood in Female Transi Tombs from R modern women. This reading of the sculpture provides a key for understanding the . of three successive French queens, Anne of Brittany, Claude of France, and Catherine de Medici each of which refuses such monstrosity in order to emphasize the—often endangered—dynastic continuity of the Valois kings.作者: 不可救藥 時(shí)間: 2025-3-27 12:55 作者: 躲債 時(shí)間: 2025-3-27 15:35 作者: 冰雹 時(shí)間: 2025-3-27 21:10
2945-5936 women to illuminate medieval and early modern ideas about gender identity, poverty, religion, honor, virtue, sexuality, and motherhood, among others.?.978-3-319-87936-9978-3-319-65049-4Series ISSN 2945-5936 Series E-ISSN 2945-5944 作者: Fillet,Filet 時(shí)間: 2025-3-27 22:58 作者: BILIO 時(shí)間: 2025-3-28 03:53 作者: cardiovascular 時(shí)間: 2025-3-28 10:00 作者: interlude 時(shí)間: 2025-3-28 11:54 作者: 破裂 時(shí)間: 2025-3-28 16:44 作者: 新奇 時(shí)間: 2025-3-28 21:54
Book 2010cy Research., presents scholarly research on major discourses in comparative education research with reference to globalisation, educational policy and classroom pedagogy. It is a sourcebook of ideas for researchers, practitioners and policy makers in education, globalisation, global pedagogies and
