標(biāo)題: Titlebook: Gender in Spanish Urban Spaces; Literary and Visual Maria C. DiFrancesco,Debra J. Ochoa Book 2017 The Editor(s) (if applicable) and The Au [打印本頁] 作者: Precise 時(shí)間: 2025-3-21 18:21
書目名稱Gender in Spanish Urban Spaces影響因子(影響力)
書目名稱Gender in Spanish Urban Spaces影響因子(影響力)學(xué)科排名
書目名稱Gender in Spanish Urban Spaces網(wǎng)絡(luò)公開度
書目名稱Gender in Spanish Urban Spaces網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Gender in Spanish Urban Spaces被引頻次
書目名稱Gender in Spanish Urban Spaces被引頻次學(xué)科排名
書目名稱Gender in Spanish Urban Spaces年度引用
書目名稱Gender in Spanish Urban Spaces年度引用學(xué)科排名
書目名稱Gender in Spanish Urban Spaces讀者反饋
書目名稱Gender in Spanish Urban Spaces讀者反饋學(xué)科排名
作者: 險(xiǎn)代理人 時(shí)間: 2025-3-21 21:01
The Spaces of Patriarchy in Rafael Chirbes’s , (2013)gmunt Bauman, the need of capital to move freely, obliterating all obstacles in its path, weakens patriarchal family structures. Exterritorial elites enjoy a certain degree of freedom from the tyranny of strictly defined gender roles while those who cannot imitate the capital’s speed of movement rem作者: 抑制 時(shí)間: 2025-3-22 00:45 作者: miracle 時(shí)間: 2025-3-22 04:43
Home and Sexuality: Queering the Notions of Parenting and Space in , (2004)or private spaces. As he blurs social constraints imposed on gay men, the author shows how the heteronormative, private, domestic spaces are problematized. The film portrays a link between the protagonist’s identity and development and the apartment and city he inhabits, and the character’s queering作者: Allowance 時(shí)間: 2025-3-22 11:25
Broken Sexualities: Claiming the Right to the City in Maite Carranza’s , (2013), and how thousands of women are still rendered invisible in cities today. The author examines the contention and obliteration of female sexuality as portrayed in ., a novel by Maite Carranza published in 2013. Carranza’s novel attempts to eliminate the traditional division between public and privat作者: neologism 時(shí)間: 2025-3-22 14:39
On the Affective Politics of Cosmopolitanism: African Migration, Lavapiés, and the Domestic Realm in in the novel’s urban settings as a point of departure to consider their attendant social positioning and its resonance for the mobility and multiculturalism that Lavapiés, an urban enclave known for its migrant populations, frequently symbolizes. The author’s analysis of . focuses on the precarious作者: neologism 時(shí)間: 2025-3-22 18:16 作者: adumbrate 時(shí)間: 2025-3-23 01:00
Re-Creating Space in Cristina Cerezales Laforet’s , (2013)hat remedies divisions in life and creates space for re-defined gender roles. Cerezales’ narrative supports Henri Lefebvre’s theory that the arts serve the urban and neutralize alienation in modern society by illustrating how fiction can open the mind to new possibilities. Her novel demonstrates a c作者: 完成才能戰(zhàn)勝 時(shí)間: 2025-3-23 02:45 作者: triptans 時(shí)間: 2025-3-23 08:05 作者: OTHER 時(shí)間: 2025-3-23 11:45
Searching in the City of Lost Memories: , (2009) and Post-11-M Traumalic rendition of collective grief and the haunting past of March 11 embodied in the character played by Carmen Machi. Both gendered violence and historical memory are connected and articulated in the movie by spatiality—public and private urban spaces—and its social and ideological implications. Alt作者: champaign 時(shí)間: 2025-3-23 17:22
The Female Fa?ade and the Fa?ade of the Female in the Mini-Series , (2013)ted in the 2013 Spanish television miniseries, ., based on María Due?as’ 2009 novel. Of particular interest are both urban and liminal spaces—spaces that are neither urban nor rural, both interior and exterior, and in which the public and private comingle—complicating our reading of the effects of u作者: nominal 時(shí)間: 2025-3-23 18:34 作者: Blatant 時(shí)間: 2025-3-24 01:29 作者: LAST 時(shí)間: 2025-3-24 03:53
https://doi.org/10.1007/978-1-4842-1727-6ain tied to spaces of patriarchy. The characters of . realize that the growing fluidity of existence erodes boundaries between urban and rural spaces and blurs definitions of gender, but it does so only for as long as these changes serve the capital’s need to move freely.作者: Cardioversion 時(shí)間: 2025-3-24 08:49 作者: 笨重 時(shí)間: 2025-3-24 13:58 作者: FILLY 時(shí)間: 2025-3-24 16:30 作者: FAST 時(shí)間: 2025-3-24 19:33
https://doi.org/10.1007/978-1-4842-7966-3mily structure while still inhabiting the traditional domestic space of women. Through the urban, gendered spaces the characters inhabit, this film problematizes the position of mother in the cultural context of twenty-first-century Spain.作者: ostensible 時(shí)間: 2025-3-25 01:00 作者: Canary 時(shí)間: 2025-3-25 04:47 作者: 統(tǒng)治人類 時(shí)間: 2025-3-25 09:28 作者: 食物 時(shí)間: 2025-3-25 12:22
https://doi.org/10.1007/978-1-4471-3368-1hough the film seems to focus on the two characters’ friendship and frustrated escape—a working class housewife and an Eastern European immigrant—the recurrent presence of the Iraq War in the media and even the irruption of death give the filmic text a more nuanced and tragic meaning.作者: 依法逮捕 時(shí)間: 2025-3-25 16:25 作者: Mhc-Molecule 時(shí)間: 2025-3-25 22:55 作者: 相同 時(shí)間: 2025-3-26 04:10
Bodies, Spaces, and Transitions in Alberto Rodríguez’s , (2012) and , (2014)tes the thematics of gender within the spatial geographies of both films, and poses the idea that the director’s historicizing aesthetic, and the linkage between the spatial and the individual, encourages re-readings of the Spanish Transition and its implications for contemporary Spain.作者: Cryptic 時(shí)間: 2025-3-26 08:07 作者: scoliosis 時(shí)間: 2025-3-26 11:16 作者: Cloudburst 時(shí)間: 2025-3-26 16:39
Home and Sexuality: Queering the Notions of Parenting and Space in , (2004) and de-queering personal space has a corresponding effect on his openness and inhibition about his homosexuality. It is by accepting his parenting role, as well as sharing with his nephew the social spaces that he inhabits, that Pedro finds a balance between both his gay identity and his father figure role.作者: 滲入 時(shí)間: 2025-3-26 17:27 作者: expdient 時(shí)間: 2025-3-27 00:03
Defining Mother’s Place in Barcelona: Women in , (2010)mily structure while still inhabiting the traditional domestic space of women. Through the urban, gendered spaces the characters inhabit, this film problematizes the position of mother in the cultural context of twenty-first-century Spain.作者: 本土 時(shí)間: 2025-3-27 01:58
Re-Creating Space in Cristina Cerezales Laforet’s , (2013)reative way to alter men’s and women’s places in urban society when opposites—sky and well, male and female, house and urban space—attain a new balance. Cerezales illuminates the power of the pen by transposing the space her characters occupy, with the male inside and the female outside.作者: 滲透 時(shí)間: 2025-3-27 08:29 作者: MELD 時(shí)間: 2025-3-27 10:27 作者: Agronomy 時(shí)間: 2025-3-27 17:07 作者: START 時(shí)間: 2025-3-27 20:33
The Female Fa?ade and the Fa?ade of the Female in the Mini-Series , (2013)rbanization on female agency. What emerges from this approach is the analysis of a contemporary Spanish television series through the lens of what Benjamin Fraser identifies as urban cultural studies—(i.e., cultural studies within an urban frame).作者: Capture 時(shí)間: 2025-3-28 01:49
The City Unmapped: A Feminist Imagination of Urban Spaces in Javier Pérez Andújar’s , (2011). By doing so, the author argues that the centrality of the trope of the ‘river’ and the ‘a(chǎn)ged mother,’ as thematized in ., evokes an urban imagination that challenges complex valences of a culture of commodification, sketching the potential of a future shaped by forms of sustainability.作者: vertebrate 時(shí)間: 2025-3-28 03:13
https://doi.org/10.1007/978-1-4842-0157-2the author’s reading of . offers is a glimpse into the insidious ways that immigrant women are funneled into spaces and contexts of dependence and marginalization, thus affirming the unique challenges posed to cosmopolitanism in a setting where ., a problematic and localized iteration of cultural purity, and its attendant machismo, prevail.作者: Hypopnea 時(shí)間: 2025-3-28 06:24
On the Affective Politics of Cosmopolitanism: African Migration, Lavapiés, and the Domestic Realm inthe author’s reading of . offers is a glimpse into the insidious ways that immigrant women are funneled into spaces and contexts of dependence and marginalization, thus affirming the unique challenges posed to cosmopolitanism in a setting where ., a problematic and localized iteration of cultural purity, and its attendant machismo, prevail.作者: nurture 時(shí)間: 2025-3-28 10:32 作者: 糾纏 時(shí)間: 2025-3-28 17:06
Book 2017in has made extending equal rights to all citizens, particularly in the wake of the Franco regime and radically liberating .Transición., the fact remains that not all subjects—particularly, women, immigrants, and queers—possess equal autonomy. The book exposes visible shifts in power dynamics within作者: 驚惶 時(shí)間: 2025-3-28 22:07
2662-5830 ersect with sexual identity as manifested in Spanish cities..This edited collection examines the synergistic relationship between gender and urban space in post-millennium Spain. Despite the social progress Spain has made extending equal rights to all citizens, particularly in the wake of the Franco作者: BABY 時(shí)間: 2025-3-29 02:37 作者: rods366 時(shí)間: 2025-3-29 05:04 作者: interlude 時(shí)間: 2025-3-29 11:10 作者: 魔鬼在游行 時(shí)間: 2025-3-29 11:58 作者: eardrum 時(shí)間: 2025-3-29 18:58
978-3-319-83711-6The Editor(s) (if applicable) and The Author(s) 2017作者: 哀求 時(shí)間: 2025-3-29 20:02 作者: critic 時(shí)間: 2025-3-30 00:43 作者: 事與愿違 時(shí)間: 2025-3-30 05:49
https://doi.org/10.1007/978-1-4842-1727-6gmunt Bauman, the need of capital to move freely, obliterating all obstacles in its path, weakens patriarchal family structures. Exterritorial elites enjoy a certain degree of freedom from the tyranny of strictly defined gender roles while those who cannot imitate the capital’s speed of movement rem作者: BRAND 時(shí)間: 2025-3-30 08:32 作者: Sputum 時(shí)間: 2025-3-30 13:43
https://doi.org/10.1007/978-1-4842-0814-4or private spaces. As he blurs social constraints imposed on gay men, the author shows how the heteronormative, private, domestic spaces are problematized. The film portrays a link between the protagonist’s identity and development and the apartment and city he inhabits, and the character’s queering作者: 條街道往前推 時(shí)間: 2025-3-30 17:35
https://doi.org/10.1007/978-1-4302-6278-7, and how thousands of women are still rendered invisible in cities today. The author examines the contention and obliteration of female sexuality as portrayed in ., a novel by Maite Carranza published in 2013. Carranza’s novel attempts to eliminate the traditional division between public and privat作者: idiopathic 時(shí)間: 2025-3-30 21:59 作者: JOT 時(shí)間: 2025-3-31 04:25
https://doi.org/10.1007/978-1-4842-7966-3ered space. The women in the film are seen inside, reinforcing the idea that women inhabit the domestic sphere while men are free to roam. Through his use of lighting, costumes, and setting, the director I?árritu portrays mothers as women who provide care, but who do so outside of the traditional fa作者: 辭職 時(shí)間: 2025-3-31 08:25 作者: 褪色 時(shí)間: 2025-3-31 11:41
C++ Toolkit for Engineers and Scientists a unique fashion. In the novel, Madrid becomes superseded when female narrative imagination transforms the space into a fictional Prague. Informed by the writings of de Michele de Certeau, Henri Lefevbre, David Harvey, and Benjamin Fraser, the differentiation of what constitutes place and space in
