標(biāo)題: Titlebook: Gender in Japanese Popular Culture; Rethinking Masculini Sirpa Salenius Book‘‘‘‘‘‘‘‘ 2023 The Editor(s) (if applicable) and The Author(s) 2 [打印本頁] 作者: 難受 時(shí)間: 2025-3-21 18:53
書目名稱Gender in Japanese Popular Culture影響因子(影響力)
書目名稱Gender in Japanese Popular Culture影響因子(影響力)學(xué)科排名
書目名稱Gender in Japanese Popular Culture網(wǎng)絡(luò)公開度
書目名稱Gender in Japanese Popular Culture網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Gender in Japanese Popular Culture被引頻次
書目名稱Gender in Japanese Popular Culture被引頻次學(xué)科排名
書目名稱Gender in Japanese Popular Culture年度引用
書目名稱Gender in Japanese Popular Culture年度引用學(xué)科排名
書目名稱Gender in Japanese Popular Culture讀者反饋
書目名稱Gender in Japanese Popular Culture讀者反饋學(xué)科排名
作者: 棲息地 時(shí)間: 2025-3-21 20:15
From , to Genderless: Mediating Queer Styles and Androgynous Bodies in Japan,ender-crossing practices by individuals who are assigned female at birth, whereas genderless is a fashion mode which denotes styles that do not distinguish between genders. Drawing on media coverage of . individuals and genderless . (girls) in the 2010s, supplemented by ethnographic research conduct作者: ARM 時(shí)間: 2025-3-22 02:31
,“I’ll Create My Own Precedents”: Female , Performers on Tokyo’s , Stages,stories have been performed by men for (mostly) male audiences. The misogynistic and/or male-centered characters of the stories are not the only obstacle female performers are faced with; they also have to confront the male-centered community and audience expectations. With few senior female master-作者: 剝皮 時(shí)間: 2025-3-22 07:32 作者: MINT 時(shí)間: 2025-3-22 11:44 作者: 新奇 時(shí)間: 2025-3-22 15:42
The Widening Road: Constructions of Gay Japanese Men on YouTube,nd straights in Japan. Early internet sites created safe public spaces for sexual minority members to meet and socialize where straights previously seldom had access or were expressly unwelcome. Using a collection of coming out and Q and A videos, the chapter will also explore the use of vlogging di作者: 新奇 時(shí)間: 2025-3-22 21:06 作者: choroid 時(shí)間: 2025-3-22 21:28 作者: 憤慨點(diǎn)吧 時(shí)間: 2025-3-23 01:21
Engagements with Gender, Sexuality, and Authenticity in Cosplay,d erotic cosplay. Cosplay is a fan practice in which the body of the cosplayer (who takes on various roles such as audience, craftsperson, performer, editor, and distributor) is crucial, both to their own performance and experience in real time and to the creation of digital media, which is dissemin作者: Atrium 時(shí)間: 2025-3-23 07:10
https://doi.org/10.1007/978-3-322-93158-0labeled as “doing” . or genderless. Ultimately, I suggest that . and genderless allow us to rethink the gender binary, particularly in queer studies and transgender studies in a transnational context, and the connections between style and gender and sexual subjectivities.作者: restrain 時(shí)間: 2025-3-23 12:18 作者: Grating 時(shí)間: 2025-3-23 17:37 作者: Dungeon 時(shí)間: 2025-3-23 20:20
,“I’ll Create My Own Precedents”: Female , Performers on Tokyo’s , Stages,pearance and modification of stories. This chapter looks at the history of female performers and explores the current state on Tokyo’s . stage also providing a valuable analysis of one of the few Japanese stage arts which allows women to perform on its main stages.作者: Manifest 時(shí)間: 2025-3-23 23:54
and understood in Japanese popular culture.Generates new conThis open-access essay collection brings together a range of viewpoints on gender from a diverse group of international scholars based in Finland, Belgium, Japan, Singapore, and Australia. The focus is, in particular, on gender performativi作者: Preserve 時(shí)間: 2025-3-24 04:12
Book‘‘‘‘‘‘‘‘ 2023e the ways in which gender can be depicted, perceived, and understood in Japanese popular culture. The work will be of interest to scholars working in gender studies, Asian studies, and popular culture. It will also act as a source text for higher education courses in Asia, Europe, and the United States.?.作者: CLAY 時(shí)間: 2025-3-24 06:51
Book‘‘‘‘‘‘‘‘ 2023gium, Japan, Singapore, and Australia. The focus is, in particular, on gender performativity and non-binary or non-normative gender. The essays examine the ways in which gender can be depicted, perceived, and understood in Japanese popular culture. The work will be of interest to scholars working in作者: tattle 時(shí)間: 2025-3-24 12:17
https://doi.org/10.1007/978-3-663-13674-3 Japanese society, Nike Japan’s message has become increasingly conservative in tone and ironically less geared to advancing the diversity and inclusion agenda. A comparison with other domestic competitors is made to highlight Nike’s portrayal of female athletes.作者: Antagonism 時(shí)間: 2025-3-24 16:18 作者: 禁令 時(shí)間: 2025-3-24 23:03 作者: 最后一個(gè) 時(shí)間: 2025-3-25 01:20 作者: frenzy 時(shí)間: 2025-3-25 04:00 作者: malapropism 時(shí)間: 2025-3-25 08:51 作者: 聯(lián)合 時(shí)間: 2025-3-25 13:02 作者: 食道 時(shí)間: 2025-3-25 18:21 作者: cluster 時(shí)間: 2025-3-25 23:47
978-3-031-12944-5The Editor(s) (if applicable) and The Author(s) 2023作者: rheumatology 時(shí)間: 2025-3-26 03:14 作者: AVOW 時(shí)間: 2025-3-26 05:40 作者: 鴕鳥 時(shí)間: 2025-3-26 10:07 作者: 陪審團(tuán) 時(shí)間: 2025-3-26 14:41 作者: manifestation 時(shí)間: 2025-3-26 17:29 作者: plasma 時(shí)間: 2025-3-26 22:13 作者: FEAS 時(shí)間: 2025-3-27 02:45 作者: Precursor 時(shí)間: 2025-3-27 07:46
Bürokommunikationssysteme in Unternehmenc costumes. Increasingly, cosplay practitioners of all genders will use various means to alter the way their bodies look, adding curves or muscles with padding and binding or tucking away unwanted bulges. In addition to scholarly sources, this chapter will also make use of the commentary on gender, 作者: conquer 時(shí)間: 2025-3-27 12:23 作者: 窗簾等 時(shí)間: 2025-3-27 14:28 作者: 看法等 時(shí)間: 2025-3-27 19:19
Egbert-E. Reichel,Norbert H. Siegristng with associated bound predicates are used to discursively resist heteronormativity. The discourse also shows how these videos focus on the purposes of informing and educating over phatic communication. The analysis will also demonstrate how the concept of internationalization has become semiotica作者: 嚙齒動(dòng)物 時(shí)間: 2025-3-27 23:29
Bürokommunikation und Informationssicherheitiptions by heterosexual female writers is discriminative, which would further marginalize and rhetorically appropriate sexual minorities. This chapter analyzes how BL is located in Japanese society amid the rise of LGBT awareness. It examines the representations of same-sex relationships in BL manga作者: 吊胃口 時(shí)間: 2025-3-28 03:11
Bürokommunikationssysteme in Unternehmenrs buy or commission their garments from online stores, the focus here is on cosplayers who create their own costumes for the purpose of taking part in competitions. This chapter will explore how cosplay practitioners sculpt the body . cosplay and what the challenges may be in portraying in 2D super作者: 真繁榮 時(shí)間: 2025-3-28 07:02 作者: 使更活躍 時(shí)間: 2025-3-28 13:27 作者: 激怒 時(shí)間: 2025-3-28 16:18
