標(biāo)題: Titlebook: Gender and Power in Shrew-Taming Narratives, 1500-1700; David Wootton (Anniversary Professor of History),G Book 2010 Palgrave Macmillan, a [打印本頁] 作者: 出租車 時間: 2025-3-21 16:17
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書目名稱Gender and Power in Shrew-Taming Narratives, 1500-1700網(wǎng)絡(luò)公開度學(xué)科排名
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書目名稱Gender and Power in Shrew-Taming Narratives, 1500-1700讀者反饋學(xué)科排名
作者: 不朽中國 時間: 2025-3-21 23:02 作者: bioavailability 時間: 2025-3-22 03:48 作者: 按時間順序 時間: 2025-3-22 06:58 作者: 熒光 時間: 2025-3-22 12:26 作者: FEAS 時間: 2025-3-22 16:28 作者: FEAS 時間: 2025-3-22 19:29
Unknown Shrews: Three Transformations of ,ion between theatrical cultures has been systematically downplayed, a tendency which is perhaps best illustrated by the depreciating term ‘strolling player’ itself. Scholars who have painstakingly reconstructed the players’ routes and the repertoire that was brought from London to various cities and作者: 放逐 時間: 2025-3-22 23:46
,‘Ye sid ha taken my Counsel sir’: Restoration Satire and Theatrical Authority,title of the poem recalls the events surrounding the monarch’s discovery of another satire — Wilmot’s infamous, vulgar ‘On King Charles,’ which led to Rochester’s banishment when, in a state of drunken confusion, he showed it to the king. Despite the fact that . attributes the ‘Satyr’ to Rochester, 作者: Atrium 時間: 2025-3-23 05:27
,‘Darkenes was before light’: Hierarchy and Duality in ,, Kate’s final speech of submission. In ., the speech is an essay on order, hierarchy and subjection reminiscent of the 1570 ... In . the speech has nothing to say about the state, the commonwealth, rulers and magistrates, the body politic. It is not political and contemporary, but visionary and the作者: CLASP 時間: 2025-3-23 09:10 作者: 大廳 時間: 2025-3-23 10:26
,, or None Shall Have Prizes: “Equality” in Shakespeare’s England,an” or “feminist” text, and this consensus is consolidated in Celia R. Daileader’s and Gary Taylor’s edition (2006).. As such, the text becomes one of the most striking early-modern feminist texts, and an important case-study for any consideration of the limits of the Jacobean mind.作者: MOCK 時間: 2025-3-23 15:02 作者: 你不公正 時間: 2025-3-23 21:36
https://doi.org/10.1007/978-3-658-41273-9ting and overlapping discourses concerning gender roles prevalent in early modern England,. while those who have predominantly studied the literature of the period have long found tensions within certain works that threaten any overriding patriarchy. The purpose of the present article is first to re作者: Creatinine-Test 時間: 2025-3-24 00:15
Interactive Conversational Bots,rom the poison, the shrews have developed the ability to kill anything with a single bite because the poison has collected in their salivary glands instead of being metabolized. (Evidently the film’s creators were unaware of the natural toxicity of shrews’ saliva, even without scientific interventio作者: Adj異類的 時間: 2025-3-24 02:53
Enterprises and Relations with Stakeholders,Bosman has shown that the strolling players were in fact responsible for ‘a(chǎn) remarkable form of cultural interaction between England and the continent’, and that they constituted a significant force behind cultural and dramatic innovation..作者: PAGAN 時間: 2025-3-24 09:42 作者: VEN 時間: 2025-3-24 13:09 作者: 罵人有污點(diǎn) 時間: 2025-3-24 17:34 作者: Respond 時間: 2025-3-24 21:11
Gender and Power in Shrew-Taming Narratives, 1500-1700978-0-230-27748-9作者: Synthesize 時間: 2025-3-25 01:01 作者: 獨(dú)輪車 時間: 2025-3-25 06:09 作者: flammable 時間: 2025-3-25 09:47 作者: 艱苦地移動 時間: 2025-3-25 14:07 作者: hallow 時間: 2025-3-25 19:29 作者: 傲慢人 時間: 2025-3-25 22:13 作者: Intact 時間: 2025-3-26 02:21 作者: 籠子 時間: 2025-3-26 06:43
Engendering Shrews: Medieval to Early Modern,e category. The widow calls Katherine a ‘shrew,’ and the edgy banter that follows is only broken up by a husbandly intervention that recasts the wives’ countering as friendly homosocial competition between men:作者: faucet 時間: 2025-3-26 09:35 作者: 不在灌木叢中 時間: 2025-3-26 16:06
Financial Services and the UK Economy, there is an analogous relationship between the taming of Kate — which involves training her to respond in ways that are perceived as ‘feminine’ — and the training of the apprentice actor who plays her. In these terms, what is interesting are the theatrical . in the shrew’s role, and in particular the training-functions of its . elements.作者: 獨(dú)行者 時間: 2025-3-26 18:23
Building Spring 2 Enterprise Applicationsirection that characterize nearly everything she says and does. Her silent quality, however, as F1 conveys it, is an essential element of the intrigue through which Shakespeare joins her to Lucentio, an action that complements the taming of her sister more profoundly than the version of this action in the modern text.作者: 乞討 時間: 2025-3-27 01:02 作者: Adulate 時間: 2025-3-27 02:18
,‘He speaks very shrewishly’: Apprentice-training and , there is an analogous relationship between the taming of Kate — which involves training her to respond in ways that are perceived as ‘feminine’ — and the training of the apprentice actor who plays her. In these terms, what is interesting are the theatrical . in the shrew’s role, and in particular the training-functions of its . elements.作者: 慎重 時間: 2025-3-27 08:16 作者: 做事過頭 時間: 2025-3-27 12:54 作者: noxious 時間: 2025-3-27 17:05 作者: 我要沮喪 時間: 2025-3-27 18:48
,Afterword: ‘Thus have I politicly ended my reign’, text or commentary. I am grateful to the editors of this volume of essays for the opportunity to look, yet again, at the current state of . studies and to reflect on the debates engendered by this deeply problematic play.作者: Ovulation 時間: 2025-3-28 01:52
George Hassan PhD, MCIBSE, MIMechE, MIMarEof the shrew over the previous ten years, Paul Yachnin argued that modern opinion on Shakespeare’s play could be divided between the two dominant schools of thought in contemporary Shakespeare criticism, ‘knowledge’ and ‘power’.. ‘Power’ readings see literature as ‘merely reproductive’ of the ‘socia作者: 噴出 時間: 2025-3-28 05:12
https://doi.org/10.1007/978-3-658-41273-9ne line of argument the shift in the author’s perspective is to be explained by the ‘bad’ Shakespeare getting better.. However, instead of trying to account for the different approaches to gender taken by Shakespeare in his various plays by positing some kind of change in his psychological profile, 作者: Afflict 時間: 2025-3-28 07:14
https://doi.org/10.1007/978-3-8349-6171-61623): ‘[S]uch an injury would vex a saint, / Much more a shrew of thy impatient humor’ (., III.ii.28–9).. Later, Baptista once again suggests that in this Padua, at the very least, the appellation ‘shrew’ only applies to women: ‘Now, in good sadness, son Petruchio, / I think thou hast the veriest s作者: phlegm 時間: 2025-3-28 11:33 作者: evince 時間: 2025-3-28 15:24
Interactive Conversational Bots, is a daring young sailor who lands on an island off the Texas coast to take shelter against an approaching hurricane. He and his navigator meet a colony of scientists and hangers-on who have been experimenting with rodents — specifically, with shrews — in order to explore mechanisms for population 作者: Metastasis 時間: 2025-3-28 21:49
Building Spring 2 Enterprise Applicationsewish sister Katherina; and, of course, her character has not been removed from the text of the play. It has, however, been substantially altered by emendations aimed at making her actions and the motives for those actions clearer than they are in the First Folio. In effect, editors have rearranged 作者: hermetic 時間: 2025-3-28 23:00 作者: certitude 時間: 2025-3-29 06:26 作者: rectum 時間: 2025-3-29 07:55 作者: reserve 時間: 2025-3-29 11:42 作者: Immobilize 時間: 2025-3-29 18:28
Sustainable Urban Form and Designan” or “feminist” text, and this consensus is consolidated in Celia R. Daileader’s and Gary Taylor’s edition (2006).. As such, the text becomes one of the most striking early-modern feminist texts, and an important case-study for any consideration of the limits of the Jacobean mind.作者: Annotate 時間: 2025-3-29 21:38
allowed me to update my edition in 2003.. The update was fairly minimal: I added a brief section to the Introduction covering ‘Recent textual, critical and stage interpretations’ and I added new items to the Reading List, but it was not possible to make more substantial changes to the Introduction,作者: 朋黨派系 時間: 2025-3-30 01:14
Book 2010Explores dramatic, narrative and polemical versions of the ‘taming of the shrew‘ story, from the Middle Ages to the Restoration, in light of recent historical work on the position of early modern women in society. Its essays?address shrew narratives as an extended cultural dialogue debating issues of gender and sexual politics.作者: Mumble 時間: 2025-3-30 04:08 作者: 傷心 時間: 2025-3-30 09:24
Palgrave Macmillan, a division of Macmillan Publishers Limited 2010作者: inferno 時間: 2025-3-30 14:54 作者: bronchiole 時間: 2025-3-30 19:59 作者: ADORN 時間: 2025-3-30 21:43
The Rise of Global Partnerships,, Kate’s final speech of submission. In ., the speech is an essay on order, hierarchy and subjection reminiscent of the 1570 ... In . the speech has nothing to say about the state, the commonwealth, rulers and magistrates, the body politic. It is not political and contemporary, but visionary and theological:作者: 摘要 時間: 2025-3-31 03:03
Sustainable Urban Form and Designan” or “feminist” text, and this consensus is consolidated in Celia R. Daileader’s and Gary Taylor’s edition (2006).. As such, the text becomes one of the most striking early-modern feminist texts, and an important case-study for any consideration of the limits of the Jacobean mind.作者: 使?jié)M足 時間: 2025-3-31 07:58
,‘Darkenes was before light’: Hierarchy and Duality in ,, Kate’s final speech of submission. In ., the speech is an essay on order, hierarchy and subjection reminiscent of the 1570 ... In . the speech has nothing to say about the state, the commonwealth, rulers and magistrates, the body politic. It is not political and contemporary, but visionary and theological:
