標(biāo)題: Titlebook: Gender and Islam in Indonesian Cinema; Alicia Izharuddin Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Gender and Islamic [打印本頁] 作者: FERAL 時(shí)間: 2025-3-21 17:53
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書目名稱Gender and Islam in Indonesian Cinema被引頻次學(xué)科排名
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書目名稱Gender and Islam in Indonesian Cinema讀者反饋學(xué)科排名
作者: 舉止粗野的人 時(shí)間: 2025-3-21 22:55
, at the Cinema: Identifying the Generic Parameters of Islamic Films,son may be learnt from watching the film. These devices have been criticised by prominent Indonesian filmmakers for being too formalistic and superficial in their evocation of Islamic principles. Despite the criticisms, the didactic devices are routinely incorporated into the Islamic film genre alon作者: 強(qiáng)制性 時(shí)間: 2025-3-22 03:04 作者: frozen-shoulder 時(shí)間: 2025-3-22 05:17
Gender, Islam, and the Nation in New Order Islamic Films,about proto-nationalism and the Indonesian nation. These images thereby represent the gendered dimension of New Order films that, according to Karl Heider, construct ‘Indonesian nation and culture’. Masculinity in New Order Islamic films emphasises the role of men as restorers of order in a morally 作者: 摻和 時(shí)間: 2025-3-22 10:52
Empowered Muslim Femininities? Representations of Women in Post-New Order ,,strates agency, her body is prominently foregrounded in cinematic narratives and visual codes as a site for Islamic and moral issues. She embodies geopolitical discourse through the veil she wears and her Muslim femininity is defined through suffering and abuse. This chapter, however, makes a case f作者: 性冷淡 時(shí)間: 2025-3-22 16:47 作者: 性冷淡 時(shí)間: 2025-3-22 20:43
Afterword,e the diversity of religious life in Indonesia. These strategies can be discerned from a gendered perspective in which construction of gender in Islamic Indonesian cinema tends to follow a separatist binary model of analysis which divides gender into cis-gendered femininities and masculinities. The 作者: murmur 時(shí)間: 2025-3-23 00:44
,Visualising Muslim Women and Men: A Longue Durée,ilmmakers are more inclined to produce narratives that may appeal to the majority of audiences. This may include narratives whose storytelling devices reproduce sexist and titillating material to conform with the assumption that sexual objectification of women sells and that safe images of domestic 作者: 宴會(huì) 時(shí)間: 2025-3-23 03:59 作者: colloquial 時(shí)間: 2025-3-23 09:06 作者: 光亮 時(shí)間: 2025-3-23 10:03 作者: 天賦 時(shí)間: 2025-3-23 14:03
https://doi.org/10.1007/978-1-349-19493-3lence. It is fair to surmise, however, that the tension is not easily resolved as the boundaries that separate commercial entertainment from spiritual reflection within the Islamic film genre are far from definitive.作者: 舊式步槍 時(shí)間: 2025-3-23 21:14 作者: Lipoprotein 時(shí)間: 2025-3-23 22:36 作者: grounded 時(shí)間: 2025-3-24 04:49
Gender and the Divine Pleasures of the Cinema,lence. It is fair to surmise, however, that the tension is not easily resolved as the boundaries that separate commercial entertainment from spiritual reflection within the Islamic film genre are far from definitive.作者: 平淡而無味 時(shí)間: 2025-3-24 10:35 作者: 臨時(shí)抱佛腳 時(shí)間: 2025-3-24 10:41
Empowered Muslim Femininities? Representations of Women in Post-New Order ,,d by Muslim men in the service of debates about women and Islam. This chapter also features an analysis of the rise of Islamic film female actors which reveals the intertextual relationship between film and off-screen image that articulates a new moral cinematic aesthetic and regime of representation in post-New Order Indonesia.作者: 吸氣 時(shí)間: 2025-3-24 15:39
Book 2017ic popular culture. It considers scholarship on gender in Indonesian cinema through the lens of power relations. With key themes such as nationalism, women‘s rights, polygamy, and terrorism which have preoccupied local filmmakers for decades, Indonesia cinema resonates with the socio-political chang作者: defile 時(shí)間: 2025-3-24 21:14
2662-7884 substantial review of specialist literature on Indonesian mThis book presents a historical overview of the Indonesian ?lm industry, the relationship between censorship and representation, and the rise of Islamic popular culture. It considers scholarship on gender in Indonesian cinema through the le作者: 遠(yuǎn)足 時(shí)間: 2025-3-25 02:57 作者: BOLT 時(shí)間: 2025-3-25 03:49
Afterword,ic Indonesian cinema tends to follow a separatist binary model of analysis which divides gender into cis-gendered femininities and masculinities. The afterword of this book considers new ways of asking about gender and Islam in film-making practice and culture, and also about secular and sacred pleasures and anxieties.作者: 拖債 時(shí)間: 2025-3-25 11:32
https://doi.org/10.1007/978-94-009-2005-7al good. But even then, the making of Islamic films is fraught with political, commercial, and ideological obstacles. Although the relaxation of strict media regulations after the fall of the New Order was welcomed by some, new media freedoms were greeted with a censorious backlash that was seen as ‘Islamic’ in its manifestation.作者: ciliary-body 時(shí)間: 2025-3-25 13:33 作者: blight 時(shí)間: 2025-3-25 19:21
, at the Cinema: Identifying the Generic Parameters of Islamic Films,al good. But even then, the making of Islamic films is fraught with political, commercial, and ideological obstacles. Although the relaxation of strict media regulations after the fall of the New Order was welcomed by some, new media freedoms were greeted with a censorious backlash that was seen as ‘Islamic’ in its manifestation.作者: 我還要背著他 時(shí)間: 2025-3-25 22:48 作者: Occupation 時(shí)間: 2025-3-26 01:31 作者: 赤字 時(shí)間: 2025-3-26 06:01
Gender and Islam in Indonesian Cinema978-981-10-2173-2Series ISSN 2662-7884 Series E-ISSN 2662-7892 作者: 高興一回 時(shí)間: 2025-3-26 12:11 作者: Amylase 時(shí)間: 2025-3-26 12:40 作者: LURE 時(shí)間: 2025-3-26 17:58
Mikromechanik und Homogenisierung,del of virgin-mother/virago-whore. That the limited range of feminine representations in Indonesian cinema is a symptom of a lack of women behind the scenes can be attributed to the gender inequality in the political economy of the industry itself. In some cases, the binary model of femininity is a 作者: 原來 時(shí)間: 2025-3-27 00:44
Ursachen und Erscheinungsformen des Bruchs,about proto-nationalism and the Indonesian nation. These images thereby represent the gendered dimension of New Order films that, according to Karl Heider, construct ‘Indonesian nation and culture’. Masculinity in New Order Islamic films emphasises the role of men as restorers of order in a morally 作者: lattice 時(shí)間: 2025-3-27 02:46
https://doi.org/10.1007/978-3-662-06174-9strates agency, her body is prominently foregrounded in cinematic narratives and visual codes as a site for Islamic and moral issues. She embodies geopolitical discourse through the veil she wears and her Muslim femininity is defined through suffering and abuse. This chapter, however, makes a case f作者: 熟練 時(shí)間: 2025-3-27 09:17
Ursachen und Erscheinungsformen des Bruchs,with the seat of Islamic learning in the Middle East, the Muslim man in post-New Order cinema needs to be worldly and aware of his place in the world. However, this awareness comes equipped with the Othering of masculinities that do not fit the standard of Indonesian Islam and Indonesian Muslim masc作者: Alienated 時(shí)間: 2025-3-27 09:57 作者: employor 時(shí)間: 2025-3-27 16:22
https://doi.org/10.1007/978-981-10-2173-2Gender and Islamic Film; Women‘s Rights; Indonesian Popular Culture and Islamic Film; Women ?lmmakers i作者: 適宜 時(shí)間: 2025-3-27 19:33
Alicia IzharuddinProvides the context behind the rise of Islamic popular culture in Indonesia and examines Islam in Indonesia in a globalising world.Offers a substantial review of specialist literature on Indonesian m作者: DOTE 時(shí)間: 2025-3-28 01:27 作者: 歸功于 時(shí)間: 2025-3-28 02:41
Mobilizing Pig Resources for Capacity Development and Livelihood Security in its developing stage in India and agripreneurs have started taking interest in pig rearing. There are many bottlenecks in its advancement to full capacity, which need to be addressed. Scientific interventions and extension activities aimed to mobilize pig resources towards the empowerment of wea作者: FEIGN 時(shí)間: 2025-3-28 09:24
Frants Buhlin the TETRAD II program of a model specification algorithm that avoids these and certain other errors in large samples. We illustrate the TETRAD II algorithm by applying it to a number of real and simulated data sets.作者: 平靜生活 時(shí)間: 2025-3-28 11:13
Basil A. Allsopp,Jere W. McBride, and Computer Network Attack (CNA). It also introduces a variety of characteristics that are unique or particularly pronounced when it comes to cyber weapons, as well as discussing some recent attacks.作者: 想象 時(shí)間: 2025-3-28 17:04 作者: 六個(gè)才偏離 時(shí)間: 2025-3-28 18:52
https://doi.org/10.1007/978-3-658-14729-7l inclusion has been measured by account ownership at a financial institution for ages 15+?and for ages 25+, automated teller machines and depositors with commercial banks. This has been conducted using a sample of 145 countries, over the period from the 2004 to 2017. Results indicate that GDP per c
