標(biāo)題: Titlebook: Gatekeeping in the Evolving Business of Independent Film Distribution; Roderik Smits Book 2019 The Editor(s) (if applicable) and The Autho [打印本頁] 作者: detumescence 時間: 2025-3-21 17:55
書目名稱Gatekeeping in the Evolving Business of Independent Film Distribution影響因子(影響力)
書目名稱Gatekeeping in the Evolving Business of Independent Film Distribution影響因子(影響力)學(xué)科排名
書目名稱Gatekeeping in the Evolving Business of Independent Film Distribution網(wǎng)絡(luò)公開度
書目名稱Gatekeeping in the Evolving Business of Independent Film Distribution網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Gatekeeping in the Evolving Business of Independent Film Distribution被引頻次
書目名稱Gatekeeping in the Evolving Business of Independent Film Distribution被引頻次學(xué)科排名
書目名稱Gatekeeping in the Evolving Business of Independent Film Distribution年度引用
書目名稱Gatekeeping in the Evolving Business of Independent Film Distribution年度引用學(xué)科排名
書目名稱Gatekeeping in the Evolving Business of Independent Film Distribution讀者反饋
書目名稱Gatekeeping in the Evolving Business of Independent Film Distribution讀者反饋學(xué)科排名
作者: 不公開 時間: 2025-3-21 23:49 作者: stress-response 時間: 2025-3-22 03:25 作者: 展覽 時間: 2025-3-22 04:47
Experiments with Direct Distribution in the UKonventional distribution arrangements in order to analyse the involvement of gatekeepers. Against claims of dis-intermediation, I argue that the involvement of gatekeepers remains critical to organise distribution.作者: GULF 時間: 2025-3-22 11:41
The Historical Development of Film Sales Marketsion community. The chapter also involves a consideration of how the development of sales markets can be understood in analytical terms, and, as such, will be discussed in relation to the concept of field configuring events.作者: 別炫耀 時間: 2025-3-22 16:37
The Gatekeeper Role of Distributors in the Dutch Marketular, I analyse how factors such as reputation and status, taste preferences and networking arrangements work together as important influences in their decision-making process about films. This analysis also sheds light on the concept of gatekeeping networks.作者: 別炫耀 時間: 2025-3-22 18:45
VOD Platforms in the Era of Online Availabilityble distribution for a greater range of films. Such new online opportunities for films will be discussed in relation to notions of cultural democratisation, market fragmentation and long tail economics.作者: 偏離 時間: 2025-3-22 21:41
Changing Circumstances of Gatekeepers-called content aggregators, who enable access for films to VOD platforms. Through a discussion of these various types of gatekeepers, I put several limitations on claims of digital disruption and dis-intermediation.作者: shrill 時間: 2025-3-23 04:36
,Die Erkrankungen der Augenh?hle,ms, this chapter draws on discussions about processes of value creation within sales markets and competitive events in other fields of cultural activity. I demonstrate that sales markets exert an important influence over gatekeeping by creating social and cultural hierarchies that impact on value creation processes.作者: 壯觀的游行 時間: 2025-3-23 07:19 作者: Pseudoephedrine 時間: 2025-3-23 10:09
Book 2019flix and Amazon in the?online era. At a time of disruption and change to traditional business models and?industry professions, Roderik Smits argues that gatekeepers remain equally – if?not more – crucial to the distribution and circulation of films in international?markets..? ? ? ? ? ? ?.作者: JAUNT 時間: 2025-3-23 14:34
Book 2019primary?gatekeepers, the book examines the networks in which they operate, how they?operate, how their practices have evolved, and the power and control they exert?over the business of independent film distribution. Critically, it also considers?how they are affected by the powerful influence of Net作者: Altitude 時間: 2025-3-23 19:04 作者: 顯赫的人 時間: 2025-3-24 00:08 作者: 妨礙 時間: 2025-3-24 04:09 作者: cyanosis 時間: 2025-3-24 07:50
Erste Hilfeleistung bei Augenverletzungen,ble distribution for a greater range of films. Such new online opportunities for films will be discussed in relation to notions of cultural democratisation, market fragmentation and long tail economics.作者: 微生物 時間: 2025-3-24 11:21
,Die skroful?se Augenentzündung,-called content aggregators, who enable access for films to VOD platforms. Through a discussion of these various types of gatekeepers, I put several limitations on claims of digital disruption and dis-intermediation.作者: 單獨 時間: 2025-3-24 17:46
Film Distribution and the Role of Gatekeepers,xert power and control over the sort of access given to specific films. This chapter draws on discussions in Film, Media and Culture Studies to explain why it is important to understand film distribution as a process of gatekeeping.作者: Vaginismus 時間: 2025-3-24 21:06
Conclusion,ess for films.?I also?reflect on the evolving nature of the business of film distribution, particularly in relation to notions of disruption and dis-intermediation processes, and I argue for further research about the implications of online forms of access, power and control?through VOD platforms.作者: barium-study 時間: 2025-3-25 02:18
The Historical Development of Film Sales Marketss markets from the 1960s onwards to analyse how such events have contributed to the construction of a business environment for the sales and distribution community. The chapter also involves a consideration of how the development of sales markets can be understood in analytical terms, and, as such, 作者: 滔滔不絕的人 時間: 2025-3-25 04:38
The Film Sales Process at the European Film Marketles process of sales agents within sales markets. First, I analyse how sales agents position themselves within the EFM, since they work from different types of stands and offices. Second, I analyse how they make use of film screenings to introduce and promote films to distributors. In analytical?ter作者: 流浪 時間: 2025-3-25 07:49
Analysing Sales Agents as Gatekeepers of roles and business functions that sales agents perform, the types of companies of which the sales community is made up, and the political influences of trade associations, funding bodies and other film agencies.作者: TEN 時間: 2025-3-25 15:18
Sales Agents and Their Gatekeeping Functionsof opening and closing the gates, and how they introduce and promote films to international distributors. By analysing the involvement of sales agents with films such as . (2010), . (2012) and . (2013), I demonstrate that gatekeeping is a complex process that requires more than just acquiring and se作者: 軟膏 時間: 2025-3-25 17:38 作者: 推延 時間: 2025-3-25 21:03
VOD Platforms in the Era of Online Availabilitychange from scarcity of content to abundance of content. I focus on various types of VOD platform providers in the marketplace to analyse how they enable distribution for a greater range of films. Such new online opportunities for films will be discussed in relation to notions of cultural democratis作者: 現(xiàn)存 時間: 2025-3-26 02:55
The Powerful Influence of Netflix and Amazon Studiosness operations and rebranded from VOD platform providers to fully integrated studios with production and distribution departments. I will draw comparisons between the strategies of Netflix and Amazon and analyse how they associate with the concepts of digital disruption and dis-intermediation.作者: 犬儒主義者 時間: 2025-3-26 08:04
Changing Circumstances of Gatekeepers how they are responding to those changes. In addition, I will demonstrate that a new type of gatekeeper has appeared in the distribution business, so-called content aggregators, who enable access for films to VOD platforms. Through a discussion of these various types of gatekeepers, I put several l作者: 哄騙 時間: 2025-3-26 11:30 作者: Console 時間: 2025-3-26 13:54
https://doi.org/10.1007/978-3-030-16896-4Film distribution; Film sales agents; Film distributors; video-on-demand; VOD; Film business; Hollywood st作者: hurricane 時間: 2025-3-26 17:54 作者: FLIT 時間: 2025-3-26 21:15 作者: 憂傷 時間: 2025-3-27 02:56 作者: 不斷的變動 時間: 2025-3-27 07:02
Die Erkrankungen der Bindehaut,xert power and control over the sort of access given to specific films. This chapter draws on discussions in Film, Media and Culture Studies to explain why it is important to understand film distribution as a process of gatekeeping.作者: 裹住 時間: 2025-3-27 09:45 作者: LEVY 時間: 2025-3-27 17:08 作者: 考博 時間: 2025-3-27 20:09
,Die Erkrankungen der Augenh?hle,les process of sales agents within sales markets. First, I analyse how sales agents position themselves within the EFM, since they work from different types of stands and offices. Second, I analyse how they make use of film screenings to introduce and promote films to distributors. In analytical?ter作者: 導(dǎo)師 時間: 2025-3-27 22:35 作者: flimsy 時間: 2025-3-28 04:37
Linse, Katarakt und refraktive Chirurgie,of opening and closing the gates, and how they introduce and promote films to international distributors. By analysing the involvement of sales agents with films such as . (2010), . (2012) and . (2013), I demonstrate that gatekeeping is a complex process that requires more than just acquiring and se作者: disparage 時間: 2025-3-28 06:56
,Physiologie der Augenmotilit?t,he global marketplace. I focus on acquisition decisions of different types of distributors to analyse their relationships with sales agents. In particular, I analyse how factors such as reputation and status, taste preferences and networking arrangements work together as important influences in thei作者: Cardiac 時間: 2025-3-28 13:30 作者: VOK 時間: 2025-3-28 15:27 作者: 尖酸一點 時間: 2025-3-28 18:51
,Die skroful?se Augenentzündung, how they are responding to those changes. In addition, I will demonstrate that a new type of gatekeeper has appeared in the distribution business, so-called content aggregators, who enable access for films to VOD platforms. Through a discussion of these various types of gatekeepers, I put several l作者: 憂傷 時間: 2025-3-29 02:13 作者: sorbitol 時間: 2025-3-29 03:52 作者: 食料 時間: 2025-3-29 09:17
Die Erkrankungen der Lederhaut,ess for films.?I also?reflect on the evolving nature of the business of film distribution, particularly in relation to notions of disruption and dis-intermediation processes, and I argue for further research about the implications of online forms of access, power and control?through VOD platforms.作者: 植物茂盛 時間: 2025-3-29 12:46
James F. Collins M. D.,Albert J. Augustin of roles and business functions that sales agents perform, the types of companies of which the sales community is made up, and the political influences of trade associations, funding bodies and other film agencies.
