標(biāo)題: Titlebook: Gardens and the Passion for the Infinite; Anna-Teresa Tymieniecka Book 2003 Springer Science+Business Media Dordrecht 2003 Roman Ingarden. [打印本頁(yè)] 作者: 不正常 時(shí)間: 2025-3-21 17:07
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作者: BALE 時(shí)間: 2025-3-21 22:45
Mirrors of Affectivity and Aesthetics: Gardens, Parks, and Landscapes as Seen by Theophile de Viau avent and an important contribution to the aesthetic landscape of early modern culture. In the recently published issue of ., “Le Baroque en question(s),” the editor Didier Souiller states with good reason that the relationship between the baroque and classicism has changed ... baroque aesthetics wer作者: Biomarker 時(shí)間: 2025-3-22 01:26 作者: 嚙齒動(dòng)物 時(shí)間: 2025-3-22 06:16
Approaching Zen Gardens: A Phenomenological-Anthropological Approachblurred. The focused photo provides a clearer view, and an explanation such as “the sand represents waves of the ocean, and the rocks symbolise sacred mountains”, might have wide appeal. Thus seen in focus, the garden can be.read as a text, and we can question the meaning of the details that are vis作者: 施加 時(shí)間: 2025-3-22 09:06
Hatha Yoga: A Phenomenological Experience of Natureund us. Our chosen environment separates us from the world of nature. We often leave in the still dark hours, venturing forth from temperature controlled houses, travelling vast distances in temperature controlled cars, to classrooms and offices heated according to budgetary necessity rather than co作者: ESO 時(shí)間: 2025-3-22 16:36
In Search of Paradise: Gardens in Medieval French and Persian Poetryarate it from the disorganized world beyond. Next, the gardener selects those elements from nature that please him, such as fragrant flowers, fruit trees, and running water. He arranges these elements within the garden according to a design that allows him to appreciate each of them to the utmost. T作者: ESO 時(shí)間: 2025-3-22 17:07
The Chinese Attempt to Miniaturize the World in Gardensom which the small courtyard of the “Jade Spring Abode” was reproduced in the Metropolitan Museum of Art (Astor Court) in New York City, or the garden of the “Unsuccessful Politician” (Zhou Zhen Yuam) that painter Weng, Zhen-Ming and poet Yuan Mei frequented, or the garden of “The Lingerer-On” (Liu 作者: 核心 時(shí)間: 2025-3-22 23:01
Opera as a Mirror of the Infinite: The Triumph of the Human Spirit over Natural Forces in ,shed by it. Whether we triumph or are crushed does not depend upon physical reality, but upon our perception of that reality. Thus, what can be a devastating event or series of events can also, when filtered through our perception, become something positive.作者: 牛馬之尿 時(shí)間: 2025-3-23 04:00
The Looking-Glass Self: Self-Objectivation through the Garden, Paca was an eighteenth-century lawyer, revolutionist, signer of the Declaration, Governor of Maryland, Judge of the Federal District Court of Maryland, and anti-federalist. I visited the estate garden for the first time in the summer of 1999 without any intention of formulating a research project;作者: BIAS 時(shí)間: 2025-3-23 07:15
The Fourth Dimension of Artspect to the Lord, he decided to paint on his knees. He set up the easel to the appropriate height, laid down all of his brushes, palette and colors, and after a short prayer, was ready to start. Suddenly he heard a voice coming from above, telling him, “Don’t paint me on your knees, you idiot, but 作者: modish 時(shí)間: 2025-3-23 12:12 作者: Incorruptible 時(shí)間: 2025-3-23 16:58
Electrochemistry, Batteries, and Fuel Cells,vent and an important contribution to the aesthetic landscape of early modern culture. In the recently published issue of ., “Le Baroque en question(s),” the editor Didier Souiller states with good reason that the relationship between the baroque and classicism has changed ... baroque aesthetics wer作者: bifurcate 時(shí)間: 2025-3-23 20:28 作者: NATTY 時(shí)間: 2025-3-23 22:11 作者: 要塞 時(shí)間: 2025-3-24 04:41 作者: 模仿 時(shí)間: 2025-3-24 07:14
https://doi.org/10.1007/978-3-319-30866-1arate it from the disorganized world beyond. Next, the gardener selects those elements from nature that please him, such as fragrant flowers, fruit trees, and running water. He arranges these elements within the garden according to a design that allows him to appreciate each of them to the utmost. T作者: preservative 時(shí)間: 2025-3-24 13:20 作者: 轉(zhuǎn)折點(diǎn) 時(shí)間: 2025-3-24 17:23 作者: 值得尊敬 時(shí)間: 2025-3-24 19:53 作者: 遠(yuǎn)足 時(shí)間: 2025-3-24 23:21 作者: BALE 時(shí)間: 2025-3-25 06:17 作者: 詞根詞綴法 時(shí)間: 2025-3-25 08:47 作者: 壁畫 時(shí)間: 2025-3-25 13:27
The Formation of Dungeness Foreland,Three authors use landscape gardening in different ways. Tom Stoppard uses this activity to reveal the essence of different historical ages and to highlight the situation facing an intelligent woman in each era. Jane Austen uses attitudes toward landscape gardening to individualize her characters, and Goethe’s use is even more complex.作者: 環(huán)形 時(shí)間: 2025-3-25 17:22
https://doi.org/10.1007/978-3-540-87753-0“.,.” (give us back the sylvan past, take away today’s cities), is Rabindranath Tagore’s (1861–1941) earnest prayer as expressed in the poem “.” (to modern civilization) of his poetical work ...作者: 精美食品 時(shí)間: 2025-3-25 20:39 作者: Exterior 時(shí)間: 2025-3-26 02:09
The Gardens of Versailles and the SublimeIn envisioning himself as the distinguished guest of Louis XIV in the king’s ., the architectural theorist Vincent Scully refers to his . at a point of the tour offered by the Sun King, and says: 作者: Lipoprotein(A) 時(shí)間: 2025-3-26 06:26
Gardens in Stoppard, Austen, and GoetheThree authors use landscape gardening in different ways. Tom Stoppard uses this activity to reveal the essence of different historical ages and to highlight the situation facing an intelligent woman in each era. Jane Austen uses attitudes toward landscape gardening to individualize her characters, and Goethe’s use is even more complex.作者: 手榴彈 時(shí)間: 2025-3-26 09:11
Aesthetics of Ancient Indian Sylvan Colonies and Gardens: Tagore’s Reflexions“.,.” (give us back the sylvan past, take away today’s cities), is Rabindranath Tagore’s (1861–1941) earnest prayer as expressed in the poem “.” (to modern civilization) of his poetical work ...作者: Diuretic 時(shí)間: 2025-3-26 15:31
Late Modernity and ,: “Unsettling” the Object/Event DialecticJohan Fornas, in ., places symbolic communication at the heart of cultural production.. He presents the inherited dialectical understanding of communicative structures and uses the limitations of this construct to investigate potential communicative processes that operate closer to the intersubjective and polyphonic nature of late modern culture.作者: Fraudulent 時(shí)間: 2025-3-26 18:03
Concepts of Manipulation Robot Control,shed by it. Whether we triumph or are crushed does not depend upon physical reality, but upon our perception of that reality. Thus, what can be a devastating event or series of events can also, when filtered through our perception, become something positive.作者: Fulminate 時(shí)間: 2025-3-26 21:37 作者: 有助于 時(shí)間: 2025-3-27 03:34 作者: 純樸 時(shí)間: 2025-3-27 06:47 作者: 急急忙忙 時(shí)間: 2025-3-27 12:39 作者: 柔美流暢 時(shí)間: 2025-3-27 13:57 作者: 的是兄弟 時(shí)間: 2025-3-27 18:44 作者: Somber 時(shí)間: 2025-3-27 22:28
0167-7276 ables or to grow flowers for our personal enjoyment? Or is it a symbol, a mirror, a reflection of our human passions? .Within the context of phenomenology/ontopoiesis-of-life, we find the significance of the garden inscribed within the web of the Human Condition, creatively unfurling its form from t作者: 利用 時(shí)間: 2025-3-28 03:34 作者: RACE 時(shí)間: 2025-3-28 08:24
https://doi.org/10.1007/978-3-319-30866-1ees, and running water. He arranges these elements within the garden according to a design that allows him to appreciate each of them to the utmost. Thus a garden is a special space full of pretty things from nature arranged in a pleasing way.作者: gene-therapy 時(shí)間: 2025-3-28 12:28 作者: GRIPE 時(shí)間: 2025-3-28 16:38 作者: cringe 時(shí)間: 2025-3-28 19:16 作者: 過(guò)份艷麗 時(shí)間: 2025-3-29 00:49
Safety Relief Valves and Rupture Disks,bode of innumerable larger and smaller living beings. The human owner of these parcels, proud of his/her dominion over this corner of earth, dreams of extending the bounds of that dominion to further ranges. This is a desire to expand frontiers.作者: CEDE 時(shí)間: 2025-3-29 06:07 作者: alabaster 時(shí)間: 2025-3-29 08:14
Theme Gardens and the Passion for the Infinitebode of innumerable larger and smaller living beings. The human owner of these parcels, proud of his/her dominion over this corner of earth, dreams of extending the bounds of that dominion to further ranges. This is a desire to expand frontiers.作者: 青石板 時(shí)間: 2025-3-29 11:27
Mirrors of Affectivity and Aesthetics: Gardens, Parks, and Landscapes as Seen by Theophile de Viau ae still in full bloom during the reign of the Sun King. He adds that today we can better appreciate the works of Molière and La Fontaine, “l(fā)e plus grand poète du siècle, qui n’est plus enfermé dans l’image réductrice d’auteur des seules ..”.作者: 鎮(zhèn)痛劑 時(shí)間: 2025-3-29 16:10
Book 2003e period. The aesthetic synthesis of our passions is carried by the logoic promise of life - its infinite renewal and infinite response. .The topic of the present volume is the mysterious ways in which .Imaginatio Creatix. plays within the human ingrowness in natural life, transposing dreams, nostalgias, and enchantments.作者: MIR 時(shí)間: 2025-3-29 19:48
0167-7276 enewal and infinite response. .The topic of the present volume is the mysterious ways in which .Imaginatio Creatix. plays within the human ingrowness in natural life, transposing dreams, nostalgias, and enchantments.978-90-481-6119-5978-94-017-1658-1Series ISSN 0167-7276 Series E-ISSN 2542-8330 作者: 小臼 時(shí)間: 2025-3-30 00:19
Approaching Zen Gardens: A Phenomenological-Anthropological Approach mountains”, might have wide appeal. Thus seen in focus, the garden can be.read as a text, and we can question the meaning of the details that are visible within it. My attempt is, however, to deal with the blurry photo, the one lacking a focal point, which is therefore hard to . or ..作者: 縱火 時(shí)間: 2025-3-30 06:06
In Search of Paradise: Gardens in Medieval French and Persian Poetryees, and running water. He arranges these elements within the garden according to a design that allows him to appreciate each of them to the utmost. Thus a garden is a special space full of pretty things from nature arranged in a pleasing way.作者: 哀悼 時(shí)間: 2025-3-30 09:31
The Chinese Attempt to Miniaturize the World in Gardens of the “Unsuccessful Politician” (Zhou Zhen Yuam) that painter Weng, Zhen-Ming and poet Yuan Mei frequented, or the garden of “The Lingerer-On” (Liu Yuan), once owned by the family of I. M. Pei, or the “Blue Water Pavilion” (Can Lang Ting)?作者: pulse-pressure 時(shí)間: 2025-3-30 13:13
The Looking-Glass Self: Self-Objectivation through the Gardennd, and anti-federalist. I visited the estate garden for the first time in the summer of 1999 without any intention of formulating a research project; but as a phenomenologist, I became motivated to engage in the phenomenological epoche.作者: mosque 時(shí)間: 2025-3-30 20:36
Leonardo’s , and its Reflexive Intentons of the divertimenti express mathematical diligence and poetic improvisation, which refer to nostalgic feelings of similar order and poetry. Gardens and divertimenti, first divided by our imposed dimensions, and secondly as poetic expressions of their and our being, also engage us along the third作者: Narcissist 時(shí)間: 2025-3-30 23:01
Hatha Yoga: A Phenomenological Experience of Natureve lost touch with the natural world that grounds our intellectual experience.. We seldom stop to admire a sunset, pick a flower, or smell the air around us. As Chellis Glendinning notes, “You and I are not people who live in communion with the Earth, and yet we are people who evolved over the cours作者: FICE 時(shí)間: 2025-3-31 02:33
Introduction to Decision Analysis,ons of the divertimenti express mathematical diligence and poetic improvisation, which refer to nostalgic feelings of similar order and poetry. Gardens and divertimenti, first divided by our imposed dimensions, and secondly as poetic expressions of their and our being, also engage us along the third作者: Fatten 時(shí)間: 2025-3-31 07:59
Diana Farkas,Jeffrey M. Rickmanve lost touch with the natural world that grounds our intellectual experience.. We seldom stop to admire a sunset, pick a flower, or smell the air around us. As Chellis Glendinning notes, “You and I are not people who live in communion with the Earth, and yet we are people who evolved over the cours作者: arterioles 時(shí)間: 2025-3-31 10:53 作者: Intellectual 時(shí)間: 2025-3-31 15:45 作者: uveitis 時(shí)間: 2025-3-31 19:27 作者: 進(jìn)取心 時(shí)間: 2025-4-1 00:48 作者: BLANK 時(shí)間: 2025-4-1 02:44 作者: 消息靈通 時(shí)間: 2025-4-1 06:53
Introducing seclusion,ile much of that help is appropriate, great atrocities have taken place in the name of treatment and research. The mentally ill are a marginalized group of people who are often not afforded a voice about how they feel. Indeed, in the rare instances where they are given a voice what they do say may b作者: 間接 時(shí)間: 2025-4-1 12:37
Positive Psychology and Hinduismierher gezogen, wenn man einen Küstenstreifen von ca. 100 km Breite betrachtet [43]. Der Grund für diese Bev?lkerungsdichte lag ursprünglich in der M?glichkeit, terrestrische und aquatische Ressourcen gleichzeitig nutzen zu k?nnen, also sowohl Fischfang als auch Jagd und Landwirtschaft zu betreiben.
