標(biāo)題: Titlebook: Game of Thrones - A View from the Humanities Vol. 1; Time, Space and Cult Alfonso álvarez-Ossorio,Fernando Lozano,Cristina R Book 2023 The [打印本頁(yè)] 作者: 啞劇表演 時(shí)間: 2025-3-21 16:10
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書(shū)目名稱Game of Thrones - A View from the Humanities Vol. 1網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
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書(shū)目名稱Game of Thrones - A View from the Humanities Vol. 1讀者反饋
書(shū)目名稱Game of Thrones - A View from the Humanities Vol. 1讀者反饋學(xué)科排名
作者: 小畫(huà)像 時(shí)間: 2025-3-21 23:39 作者: 反抗者 時(shí)間: 2025-3-22 00:48
https://doi.org/10.1007/978-3-030-51214-9er of Sidon or Philo of Byzantium. Thus, we discover the Great Pyramid of Meereen, the Titan of Braavos, the Lighthouse of Oldtown or the gardens and walls of Qarth. And we see other scenarios that draw directly from the classical sources and their cultural transmission throughout history.作者: 無(wú)意 時(shí)間: 2025-3-22 07:01
https://doi.org/10.1057/9780230391727on the basis of their building phases. All of this shows that the Seven Kingdoms has been created in such a coherent and detailed way that when applying methodological tools inherent to archaeology and history to this fantasy world, it is possible to obtain satisfactory results.作者: Observe 時(shí)間: 2025-3-22 12:09 作者: 有權(quán)威 時(shí)間: 2025-3-22 13:25 作者: 有權(quán)威 時(shí)間: 2025-3-22 20:07 作者: 夾克怕包裹 時(shí)間: 2025-3-22 23:01
Book 2023perspective ultimately aimed at highlighting the complexity, eclecticism and diversity that characterises Martin’s world. The book is divided into three thematic sections. The first section focuses on space—both the urban and natural environment—and the interaction between human beings and their sur作者: antiquated 時(shí)間: 2025-3-23 05:18 作者: 機(jī)警 時(shí)間: 2025-3-23 07:33
https://doi.org/10.1057/9780230307780elation to the line of research on the use of gamification in history teaching, a proposal is put forward for improving the learning of medieval history at university through gamification, Games of Thrones roleplaying and different material deriving from the literary saga and the TV series.作者: Grievance 時(shí)間: 2025-3-23 13:36
Game of Thrones and the Sublimemplified in the HBO television show but are inherent already to the book series. In particular, reading Game of Thrones through the lens of sublimity invites us to interrogate some of our fundamental assumptions about heroism, masculinity and femininity, the aesthetics of battle and indeed our practices of reading themselves.作者: 鋸齒狀 時(shí)間: 2025-3-23 15:24
Westeros Versus the West: A Ludic Bridge for Teaching Historyelation to the line of research on the use of gamification in history teaching, a proposal is put forward for improving the learning of medieval history at university through gamification, Games of Thrones roleplaying and different material deriving from the literary saga and the TV series.作者: 音樂(lè)等 時(shí)間: 2025-3-23 19:42
Book 2023a second volume that focuses on the characters that populate Martin’s universe, as well as on one of the ways in which they often interact—violence and warfare—from the same multidisciplinary perspective.作者: 軍火 時(shí)間: 2025-3-24 01:22 作者: 種類 時(shí)間: 2025-3-24 06:00
Identity, Religion, and Radicalization, eventually be revealed that Martin recreates the different stages of the human-nonhuman relationship, the gradual shift towards a more anthropocentric positioning and its consequent mastery of and detachment from nature. Instead, a more ecocentric worldview and the creation of a holistic biocommuni作者: 不能強(qiáng)迫我 時(shí)間: 2025-3-24 07:19 作者: 多嘴多舌 時(shí)間: 2025-3-24 10:55
A Picture Is Worth a Hundred Thousand Words,sions and in the visual or sound contexts of the wedding party. Moreover, we highlight that this study helps us to understand the presence of the popular symbologies in mass productions nowadays and collaborates to look at both . and these symbologies in a broader context, away from the judgment as 作者: Jacket 時(shí)間: 2025-3-24 18:32 作者: BUDGE 時(shí)間: 2025-3-24 21:27
https://doi.org/10.1057/9781137308733uage (i.e. English) and the target language, Spanish in this particular case. Afterwards, conclusions concerning the functionality of the proposed translation options and, by extension, of the complete fictional world by the Spanish-speaking audience will be drawn to assess in which degree this imag作者: 愛(ài)了嗎 時(shí)間: 2025-3-24 23:51 作者: EXUDE 時(shí)間: 2025-3-25 06:57
From Python to Viserion: Dragon’s Natural History). We propose a literary and iconographic tour of the dragon, without the desire to be exhaustive, with the aim of elucidating some keys to the unique relationship established between the products of popular culture and the canon of the classical tradition and, even more, between the marvelous, fict作者: Synapse 時(shí)間: 2025-3-25 08:45 作者: 光滑 時(shí)間: 2025-3-25 12:30
“When You Play the Game of Thrones, You Win or You Die”: , between Mainstream Culture and Countercul there are three questions: which kind of success it is, what does that tell us about the cultural history of our time, and how does this success complicate Banti’s categories of mainstream culture and counterculture?作者: 我要威脅 時(shí)間: 2025-3-25 19:01 作者: 放逐 時(shí)間: 2025-3-25 21:06
A Reception Study of the Game of Thrones Audiovisual Translations into Spanish: Translation Problemse premiere of two different episodes of the series in Spain. Given that such an intense reaction to a translated product is clearly a singularity, a reception-based research study was conducted on these two popular cases in order to achieve a deeper understanding of these phenomena, which relate to 作者: 協(xié)議 時(shí)間: 2025-3-26 02:15 作者: Indolent 時(shí)間: 2025-3-26 05:03
The Portrayal of Interpreters in Audiovisual Texts, Illustrated by the Character of Missandei in thechl?ge?für?die?Qualit?tssteigerung beim bilateralen konsekutiven Dolmetschen”, in C. Carrasco?et al. (eds.),?., Salamanca,?2019, 241–252) will be used, focusing on the parameters interpreting setting, interpreting mode, preparation time, working conditions and performance, the latter being subdivide作者: 憤憤不平 時(shí)間: 2025-3-26 12:24 作者: 饑荒 時(shí)間: 2025-3-26 13:04
Game of Thrones - A View from the Humanities Vol. 1Time, Space and Cult作者: 桶去微染 時(shí)間: 2025-3-26 18:40 作者: jarring 時(shí)間: 2025-3-27 00:32 作者: 墻壁 時(shí)間: 2025-3-27 03:45
—The Wonders of the Ancient World in George R. R. Martin’s references. They take us back to our own sense as a civilization. In this context, it is possible to understand how the appropriation of elements of Antiquity can give depth to a discourse, whether written or visual. Such an appropriation gives plausibility and a familiar scenario to new worlds and作者: 危險(xiǎn) 時(shí)間: 2025-3-27 08:33 作者: consolidate 時(shí)間: 2025-3-27 09:38 作者: antidote 時(shí)間: 2025-3-27 17:11
as a Narrative of Environmental Crisis and Climate Changellections of essays have been released, one particularly interesting issue has not been addressed: the way the saga presents humanity on the planet as part of a bigger and more powerful system—the ecosystem. Hence, this chapter aims at conducting a textual analysis of the saga from an ecocritical pe作者: Flustered 時(shí)間: 2025-3-27 21:02
Game of Thrones and the Sublimes aesthetic sensibility with ancient epic, I argue that sublimity offers an important interpretive key to such elements as plot structure, world-building and the emotional tenor of Game of Thrones, and highlights its convergence with ancient modes of heroic story-telling. These aspects are further a作者: FLACK 時(shí)間: 2025-3-28 01:55 作者: 爭(zhēng)議的蘋(píng)果 時(shí)間: 2025-3-28 04:41 作者: Grasping 時(shí)間: 2025-3-28 10:16 作者: innate 時(shí)間: 2025-3-28 10:48
Study of the Translation of the Fictional World of s well as the different ways that exist to transmit its elementary traits between its context of origin and target locales by means of translation. This chapter can be included in the academic sphere of Translation Studies and, more specifically, in the field of audiovisual translation, since it dea作者: 人工制品 時(shí)間: 2025-3-28 15:12 作者: 放牧 時(shí)間: 2025-3-28 22:22 作者: 任意 時(shí)間: 2025-3-29 00:47
https://doi.org/10.1007/978-94-009-2516-8 saga owes most of its success and appeal is precisely Martin’s creative process, namely, how he has designed, structured, developed, and made plausible his fantasy world. Game of Thrones is analysed here as a complex, eclectic, and pulp-type universe that borrows from many historical periods, geogr作者: 裙帶關(guān)系 時(shí)間: 2025-3-29 06:11
https://doi.org/10.1007/978-3-030-51214-9 references. They take us back to our own sense as a civilization. In this context, it is possible to understand how the appropriation of elements of Antiquity can give depth to a discourse, whether written or visual. Such an appropriation gives plausibility and a familiar scenario to new worlds and作者: infantile 時(shí)間: 2025-3-29 11:17
https://doi.org/10.1057/9780230391727ure in a specific space and time in George R. R. Martin’s literary saga, by applying analytical methodologies employed in the fields of archaeology and history to data collected from the novels and the TV series. Accordingly, Westeros and its cultural codes are first contextualised as a feudal socie作者: 殺蟲(chóng)劑 時(shí)間: 2025-3-29 14:46 作者: GRAZE 時(shí)間: 2025-3-29 18:44
Identity, Religion, and Radicalization,llections of essays have been released, one particularly interesting issue has not been addressed: the way the saga presents humanity on the planet as part of a bigger and more powerful system—the ecosystem. Hence, this chapter aims at conducting a textual analysis of the saga from an ecocritical pe作者: 做作 時(shí)間: 2025-3-29 23:29
Edward R. Sharkey Jr.,Kendra B. Stewarts aesthetic sensibility with ancient epic, I argue that sublimity offers an important interpretive key to such elements as plot structure, world-building and the emotional tenor of Game of Thrones, and highlights its convergence with ancient modes of heroic story-telling. These aspects are further a作者: 策略 時(shí)間: 2025-3-30 02:42
