標(biāo)題: Titlebook: Gadamer, Music, and Philosophical Hermeneutics; Sam McAuliffe Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive l [打印本頁] 作者: 對將來事件 時間: 2025-3-21 19:59
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作者: acrobat 時間: 2025-3-21 22:59
Serious Play: Towards a Philosophical Understanding of Interpretative Musical Performanceork concept and the practices of repeatable concert production lead to an increased reification of the musical work and a focus on technical production. While many recent philosophers are trying to understand what sort of object the musical work is, notably Goehr and Benson have proposed differing a作者: Cumulus 時間: 2025-3-22 02:48 作者: 支架 時間: 2025-3-22 06:22
The Dance That Transforms: Gadamer on Morality, Music, and Religionto human knowledge and understanding. In this paper, I consider the role that religion (defined in a broad sense) played in helping human beings develop a common sense of understanding. Specifically, I examine some instances of religion in the form of song and dance—forms of religion that appear to 作者: Glaci冰 時間: 2025-3-22 10:33
Tarrying with John Cage’s Plant Piecesience. At issue is the type of effortful work that intensifies the subject’s most valuable musical experiences and that allows them to become more sustainable and sensitive. It is assumed that music’s presence in the subject’s life should . and indeed . over time, although this guiding assumption is作者: 平常 時間: 2025-3-22 16:23 作者: 平常 時間: 2025-3-22 17:07
Living Tradition: Jazz Improvisation in the Light of Gadamer’s Hermeneutics be seen (Grondin 1994). In Heidegger and Gadamer hermeneutics became universal in a way that now everything is a possible subject of understanding. Among those items of the hermeneutical universe are not only spoken sentences and books, but also pictures, movies, dance and other aesthetic phenomena作者: Fibrin 時間: 2025-3-22 22:39
The Drastic Hermeneutics of Hans-Georg Gadamer and Vladimir Jankélévitchitch’s ‘drastic’ thought opposes all hermeneutic methods. To do so, I illustrate how hermeneutic interpretation is itself a drastic act of doing, taking Hans-Georg Gadamer’s philosophical hermeneutics and outlining its drastic components through the prism of Abbate’s Jankélévitch-inspired terms. I t作者: 創(chuàng)造性 時間: 2025-3-23 04:10
The Musical Work of Art and Its Interpretations: Gadamer’s Critique of Ingardens of art and their interpretations. If, for Ingarden, all interpretation relates to the work as a schematic structure, this relationship also implies distinguishing between the musical work of art and its interpretation, by virtue of an aesthetic differentiation that Gadamer criticizes in depth in .作者: 大猩猩 時間: 2025-3-23 05:43
Gadamer’s Horizons as Interfaces for Knowing Musical Worldsependent of the musicians. Controversially, Gadamer claims that aesthetic understanding depends on recognizing the authority of the artwork over its observer. What is more unique to music than other forms of art, however, is that an independent, impersonal movement has been ascribed to it as an esse作者: Tidious 時間: 2025-3-23 11:04 作者: ORBIT 時間: 2025-3-23 17:02
The Experience of Music in the Digital Age: From Auditory , to Episodic Insignificance and BackWhile music was formally listened to in “earthier” formats, whether that be through live concerts or huddled around vinyl record players, we now live in a digital age in which music is largely experienced through what we can refer to as more “l(fā)iquidated” formats, such as music streaming services or 作者: 泥沼 時間: 2025-3-23 21:00
Re-sounding: Towards an Ontological Hermeneutics of Being-Musically work, the concept of ., which translates a connotative field in English encompassing senses of fulfillment, execution, enacting and performance. For Gadamer, a work of art is continually open to reinterpretation through its ongoing performances and receptions (Gadamer, Epoché J Hist Philos 26(1):25作者: flimsy 時間: 2025-3-23 23:29 作者: CLAMP 時間: 2025-3-24 03:30
Knowledge-Aided Localization Detectors,of the twentieth century. It has found and continues to find relevance in fields such as feminist theory, ethics, art and literature, ancient and modern history, architecture, and philosophy of science (Malpas and Gander 2015; Keane and Lawn 2016). Significantly, hermeneutics offers something of a b作者: 蝕刻術(shù) 時間: 2025-3-24 08:50
K. Schreiter,S. Müller,R. Luckner,D. Manzeyork concept and the practices of repeatable concert production lead to an increased reification of the musical work and a focus on technical production. While many recent philosophers are trying to understand what sort of object the musical work is, notably Goehr and Benson have proposed differing a作者: Medicare 時間: 2025-3-24 13:19
E. R. van Oort,Q. P. Chu,J. A. Mulder suggest that the practice of improvised music offers a direction back to a collective experience that previously was the domain of ritual. This experience, which I will convey via parallels between Gadamer’s work and the anthropology of Victor Turner, coloured with descriptions by practicing improv作者: LOPE 時間: 2025-3-24 15:57
Mingu Kim,Yongwoo Lee,Seokwon Lee,Youdan Kimto human knowledge and understanding. In this paper, I consider the role that religion (defined in a broad sense) played in helping human beings develop a common sense of understanding. Specifically, I examine some instances of religion in the form of song and dance—forms of religion that appear to 作者: 揉雜 時間: 2025-3-24 19:22 作者: peak-flow 時間: 2025-3-25 01:41 作者: 盡忠 時間: 2025-3-25 05:58
Aurelio Ortiz,Estibaliz Sansinenea be seen (Grondin 1994). In Heidegger and Gadamer hermeneutics became universal in a way that now everything is a possible subject of understanding. Among those items of the hermeneutical universe are not only spoken sentences and books, but also pictures, movies, dance and other aesthetic phenomena作者: expunge 時間: 2025-3-25 10:17 作者: ADJ 時間: 2025-3-25 12:09 作者: 失敗主義者 時間: 2025-3-25 19:39
Arie Zeichner,Nadav Levin,Michael Dvorachekependent of the musicians. Controversially, Gadamer claims that aesthetic understanding depends on recognizing the authority of the artwork over its observer. What is more unique to music than other forms of art, however, is that an independent, impersonal movement has been ascribed to it as an esse作者: Adj異類的 時間: 2025-3-25 23:24 作者: fiscal 時間: 2025-3-26 01:28
Kiran Nehra,Preti Yadav,Joginder Singh DuhanWhile music was formally listened to in “earthier” formats, whether that be through live concerts or huddled around vinyl record players, we now live in a digital age in which music is largely experienced through what we can refer to as more “l(fā)iquidated” formats, such as music streaming services or 作者: DUST 時間: 2025-3-26 04:48
C. Pomba,A. Belas,J. Menezes,C. Marques work, the concept of ., which translates a connotative field in English encompassing senses of fulfillment, execution, enacting and performance. For Gadamer, a work of art is continually open to reinterpretation through its ongoing performances and receptions (Gadamer, Epoché J Hist Philos 26(1):25作者: 步履蹣跚 時間: 2025-3-26 09:01
Advances in Animal Welfare Sciencecation (here including reference to musicological readings of Plato). Situating this discussion via Goethe and Plato along with Adorno’s late 1950s lectures on . together with a discussion of Nietzsche and antiquity, what is at stake is attunement and a tension which invites a discussion of Anne Car作者: GIDDY 時間: 2025-3-26 13:49
https://doi.org/10.1007/978-3-031-41570-8Gadamer and music; music and hermeneutics; musical hermeneutics; philosophical hermeneutics; hermeneutic作者: 馬賽克 時間: 2025-3-26 17:34 作者: Malfunction 時間: 2025-3-27 00:19 作者: 松果 時間: 2025-3-27 01:21 作者: 偏見 時間: 2025-3-27 07:03 作者: 性上癮 時間: 2025-3-27 10:33
C. Elizabeth Rani,S. Anusha Vijayan . can constribute to certain discussions in the philosophy of music. I suggest that . presents a challenge to Gadamer’s understandings of language and the musical work. Ultimately, it is appropriate to conceive of . as itself a horizon in which fusion of perspectives can take place.作者: 抗原 時間: 2025-3-27 16:57 作者: Ondines-curse 時間: 2025-3-27 19:49
Advances in Animal Welfare Scienceether with his reflection not only via Plato and Goethe but also?H?lderlin and Rilke on ‘the beautiful.’ At work is a cultural ‘conversation’ including the dynamic of response emergent in the . of improvisation for performer and listener.作者: 搜集 時間: 2025-3-28 01:50
Horizons of Fusion: Arabic Maqām, Improvisation and Gadamerian Hermeneutics . can constribute to certain discussions in the philosophy of music. I suggest that . presents a challenge to Gadamer’s understandings of language and the musical work. Ultimately, it is appropriate to conceive of . as itself a horizon in which fusion of perspectives can take place.作者: BALE 時間: 2025-3-28 03:30
Living Tradition: Jazz Improvisation in the Light of Gadamer’s Hermeneuticsl improvisations. It is not only the meticulous reading of a musical interpretation of a symphony by Mahler or the hearing of something as music and not as mere noise in the world that embodies understanding. Already hearing the difference between something being an interpretation and something being an improvisation embodies understanding.作者: HEW 時間: 2025-3-28 09:21 作者: 遣返回國 時間: 2025-3-28 12:39 作者: 造反,叛亂 時間: 2025-3-28 16:43
Diagnostic Tools for Food Safety, which human-music relationships are configured. John Cage’s plant piece . is deployed, perhaps counterintuitively, as an example of the ideal hermeneutic attitude underwriting tarrying, although it is suggested that the applicability of Gadamer’s constitution of tarrying extends beyond the musical-theatrical avant-garde.作者: Statins 時間: 2025-3-28 22:29
The Dance That Transforms: Gadamer on Morality, Music, and Religioning in community. I conclude the paper by considering Gadamer’s notion of festival. Although Gadamer makes no reference in his discussion of festival to ancient forms of religion, such religious practice can be seen as something very similar (if not identical) to the celebration of a festival.作者: cauda-equina 時間: 2025-3-29 02:46
Tarrying with John Cage’s Plant Pieces which human-music relationships are configured. John Cage’s plant piece . is deployed, perhaps counterintuitively, as an example of the ideal hermeneutic attitude underwriting tarrying, although it is suggested that the applicability of Gadamer’s constitution of tarrying extends beyond the musical-theatrical avant-garde.作者: COMA 時間: 2025-3-29 04:30
Book 2024 educators, and musicologists from a variety of backgrounds, and sheds light on both the hermeneutic nature of music and the musicality of hermeneutics. Contributors to this volume hermeneutically .think. with music to uncover its fundamentally hermeneutic character, and by thinking with Gadamer in 作者: 會議 時間: 2025-3-29 08:28 作者: Incorruptible 時間: 2025-3-29 13:39 作者: disciplined 時間: 2025-3-29 15:42 作者: crescendo 時間: 2025-3-29 22:38
Serious Play: Towards a Philosophical Understanding of Interpretative Musical Performanceturn. In this discussion I propose to use key concepts of Gadamer’s hermeneutics to develop a further detailed conception of interpretative performance and its relationship to work. Gadamer’s idea that play is ontologically fundamental to art and music, manifests itself in a working structure (., un作者: bleach 時間: 2025-3-30 03:11
The Participant Belongs to the Play: The Ethical Dimensions of Improvised Musicate to others, and offers paths to how we might live out what Heidegger called an ‘original’ ethics, sharing in the world’s unfolding by actively letting others be. Such a re-understanding can, I conclude, help us clarify our enmeshment with the other-than-human, as well as the value of artistic pra作者: 呼吸 時間: 2025-3-30 07:02 作者: 傾聽 時間: 2025-3-30 11:32 作者: 核心 時間: 2025-3-30 14:48
